11 066 résultats
1944réf. 171690N.p.: Donahue And Coe 1944. Two vintage working advertising proofs for the 1944 film both with manuscript pencil annotations amending text and layout on the recto and two printer labels on the verso of the narrow proof. Based on the 1943 book by Captain Ted W. Lawson and edited by Robert Considine an eyewitness account of the first American retaliatory strike against Japan four months after the Japanese attack on Pearl Harbor led by US Air Force Lieutenant Colonel James Doolittle. Set in Florida and shot on location in Florida and California. 11.5 x 17 inches and 7.25 x 18 inches. Very Good plus with light creasing and faint overall rubbing and soiling. Donahue And Coe unknown
1975réf. 151589N.p.: Joseph Green Pictures 1975. Vintage press kit for the US release of the 1975 French film for use by distributors and the press containing two pressbooks 15 black and white photographs and a poster for the film. A married couple played by real-life husband and wife Paul Gegauff and Daniele Gegauff decide to spice up their sex lives by beginning an open relationship but the husband's jealousy soon pushes them both to a breaking point. Poster photographs and pressbooks Near Fine. Joseph Green Pictures unknown
2002réf. 163347N.p.: Muddfilms 2002. Vintage press kit for the 2004 film. The press kit was produced in 2002 following the film's screening at the 2002 NoDance Film Festival in Park City Utah where the film won the "Best Director" jury prize. The press kit referred to as a "Media Pack" on the label on the enclosing folder includes a gathering of 24 pages which include film reviews synopses statements and bios of the cast and crew a two page review by Michael Edwards a March 2002 issue of "Entertainment Showcase" a CD of image files from the film six color promotional flyers and collages on photographic paper promoting the film and four flyers promoting the films screening at the 2002 NoDance Film Festival. A surprisingly disturbing and entertaining black comedy. Millard Mudd a struggling alcoholic cartoon writer with writer's block finds himself at the end of his rope until he accidentally hits a stray dog Lucky while out on a liquor run. While nursing Lucky back to health Lucky begins talking teaching Mudd how to craft award winning scripts and to kill. Folder and contents Near Fine overall. Muddfilms unknown
1969réf. 164092N.p.: N.p. 1969. Archive of 339 contact sheets comprising over 6750 studio still and on-the-set images from renowned still photographer Muky from the 1969 film. The archive is bound in two three-ring binders each labeled with the title "Directed by Arthur Penn" and "Still Photographs by Muky" with the binders labeled "Volume 1" and "Volume 2" on the spine respectively. The contact sheets in the archive are nearly all mounted back-to-back and affixed to the left edge with binders tape each with a three-hole punch to the binders tape. Muky born Menyhert Munkacsi was a renowned photographer for over 60 years and one of the foremost still photographers in the movie industry for over 25 years. Beginning as a photographer for theatrical productions in Budapest Hungary Muky was hired by Warner Brothers in the mid 1930s. By the 1950's Muky was one of Hollywood's most well respected still photographers. After relocating to New York in the mid 1950s Muky became perhaps the best known film still photographer in New York. Among the films on which Muky worked include: "12 Angry Men" 1957 "The Apartment" 1960 "The Miracle Worker" 1962 "Midnight Cowboy" 1969 and "Dog Day Afternoon" 1975. Based on Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 339 Contact Sheets 8.5 x 10 inches all but eleven mounted back-to-back. Near Fine overall. Two Binders 11 x 11.5 x 3.25 inches. Very Good plus with light overall rubbing. N.p. unknown
1972réf. 171708N.p.: N.p. 1972. A small archive of production and personal documents from the 1972 film belonging to Executive Producer John H. Burrows. Burrows was a noted film and television producer who began his career as a film distributor in the 1950s after his father George Burrows then President of Allied Artists got him in to the industry. Beginning as an associate producer for the film "Torpedo Alley" 1952 Burrows has since garnered over 50 credits in over 50 years in film and television and is best known as a production manager and producer for "A Nightmare on Elm Street" 1984 "Pump Up the Volume" 1990 and "The Watcher" 2000 among many others. The archive includes: A handwritten four page opening credit list noting credit order and proportional text size dated "1/14/72." Five copies of press releases for the film from Crown International Pictures publicist Donald J. Haley announcing commencement of pre-production and shooting to begin on January 3 1971 two noting shooting on location in Florida and one noting Burrows as executive producer and his arrival in Miami. Four with manuscript marker annotations of press release dates two dated "11/12/71" one "11/26" and one "11/29." Three pages of crew members' skill set and credits on "Film Equipment Rentals Inc." of Miami Florida letterhead for: Jack Johnson "Props--Special Effects" credited in the film as "Property Master" Walter Morris Jr. "Lighting Director" credited in the film as "Gaffer" and Roberta Rose "Production Assistant--Auditor--Secretary uncredited. One autograph letter signed to Burrows from his wife "Nan" Naomi Burroughs one note signed from "Nan" and three pages of drawings from their young son noted in the letter housed in the original envelope post-marked "Dec 15 1971." And a small gathering of documents from Burrows' travel in Florida including: a Miami / Fort Lauderdale Area AAA map a National Airlines Quick Reference Schedule for Miami / Miami Beach dated October 31 1971 a Diners Club receipt for a meal at "Gallaghers" in Miami a hand-written note of various names numbers and addresses a business card for certified public account Nazar H. Ashjian Jr. and a printed listing of locations for the Miami adult bookseller "The Atheneum Inc." The archive also includes two later outliers: a "Zeus God of Gods Productions" envelope post-marked "8 Oct 1982" addressed to Burroughs at Pan Pacific Productions containing a typed memo signed from from a Judy Powell and a note on "Zeus God of Gods Productions" letterhead from film producer "D. Constantine Conte" and a circa early 1980s copy of director Michael Lindsay-Hogg's directorial credits on William Morris Agency letterhead. Shell-shocked Native American Tim Ochopee a Vietnam veteran discovers his father has been murdered and seeks retribution with the help of his best friend a snake named Stanley and Stanley's brood. Set in the Florida Everglades shot on location in Everglades National Park and Homosassa Springs Wildlife State Park Florida. Credit List Press Releases and "Film Equipment Rentals Inc." crew list 8.5 x11 inches. Very Good plus to Near Fine overall with the "Film Equipment Rentals Inc." list and the Opening Credit List saddle stapled with a single staple to the top left corner. Other ephemera Very Good plus to Near Fine overall. Thrower Nightmare USA. N.p. unknown
1965réf. 151593N.p.: Prominent Films 1965. Vintage press kit for the US release of the classic 1965 Czechoslovakian film for use by distributors and the press containing 24 black and white photographs three pressbooks and a poster for the film all housed in a white paper envelope with the film's logo on the recto. Based on the 1962 short story "The Trap" by screenwriter Ladislav Grosman. A Slovak man is given a sewing notions shop owned by an elderly Jewish woman as part of the government's Aryanization program. He doesn't have the heart to tell her and pretends to be her new employee. The two form a bond which is tested when the authorities begin rounding up the town's Jewish population. One of the comparatively few films from the Czechoslovak New Wave filmed in the Slovak as opposed to the Czech language. Winner of the Academy Award for Best Foreign Language film. Poster photographs and pressbooks Near Fine. Criterion Collection 130. Prominent Films unknown
1962réf. 144438Paris: N.p. 1962. Four original mounted color slides from the 1962 French-Italian film. Actress Claudia Cardinale is prominently featured in three slides in two with a blue macaw parrot and the last slide depicts a small-town street scene. Housed in the original yellow slipcase on Kodachrome France mounts. A riveting peplum swashbuckler set in 1700s France about a gang member who forms his own band of knaves stealing from the rich to give to the poor and falling in love with a beautiful gypsy prisoner in the process. The first of three films to co-star Jean-Paul Belmondo and Cardinale followed by "La viaccia" 1961 and "La Scoumoune" 1972. 2 x 2 inches. Slides Very Good plus with faint rubbing and foxing to the mounts. Box Very Good only. N.p. unknown
1997réf. 156712New York: October Films 1997. Five vintage color slides from the 1997 neo-noir film. Accompanying the slides is a corresponding promotional sheet with captions. A man goes to jail for killing his wife only to wake up in a completely new reality and with a new identity. An underrated neo-noir that in the years since its release has attracted a cult following and critical praise. The first film in David Lynch's Los Angeles trilogy followed by "Mulholland Drive" 2001 and "Inland Empire" 2006 all three exploring themes of dream-reality displacement chaos and unrelenting dread. 1 x 1.5 inches housed individually in white cardboard sleeves measuring 2 x 2 inches. About Fine. October Films unknown
1986réf. 171897N.p.: IndieProd Company 1986. Draft script for the 1987 film comedy. Copy belonging to stunt coordinator Joe Dunne with his name in manuscript ink at the top corners of several revision pages. Missing page 29 likely as used or issued. With color revision pages througout. One of the best comedies of the 1980s a modern-day adaptation of Edmond Rostand's 1897 play "Cyrano de Bergerac" and adapted by actor Steve Martin about a man whose insecurity over his unusually large nose leads him to hide his feelings for the woman he loves. Shot on location in British Columbia. Beige IndieProd production company wrappers. Lacking title page presumably as issued. 150 leaves with last page of text numbered 118. Xerographic duplication on blue stock rectos only with yellow green and goldenrod revision pages throughout dated variously between August 7 and 16 1986. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. IndieProd Company unknown
2000réf. 171273Los Angeles CA: Viacom Productions 2000. Rainbow Revised Draft script for an unproduced television pilot. With a label affixed to the front wrapper identifying two unknown cast or crew members one name written in manuscript ink. Series following group of police officers at an almost entirely women-lead precinct. In this episode two officers with very different styles discover they are each other's new partner. Set in San Francisco. Salmon titled self wrappers noted as Production Draft on the front wrapper rubber-stamped copy No. 801 and production No. 001 dated September 13 2000 with credits for screenwriter Deborah Joy Levine. Title page integral with front wrappers. 61 leaves with last page of text numbered 54. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 9/13/2000 and 10/16/00. Pages Fine wrapper Near Fine bound with two gold brads. Viacom Productions unknown
1979réf. 166579N.p.: N.p. 1979. Final script for the 1981 film. Copy belonging to construction coordinator Hendrik "Hank" Wynands with his name in manuscript ink on the front wrapper. The small town of Ticlaw has only one attraction: an amusement park. When construction builds a new freeway nearby with no exit into Ticlaw the town will do anything to alter the project in their favor. Director John Schlesinger's first film of the 1980s. Shot on location in Apopka Mount Dora and Sarasota Florida. Hot pink titled wrappers. Title page present dated December 24 1979 noted as FINAL SCRIPT noted as copy No. 158 in manuscript ink with credit for screenwriter Edward Clinton. 129 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus faded on the front wrapper bound with two gold brads. N.p. unknown
1982réf. 171906N.p.: N.p. 1982. Final Draft script for the 1983 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages. Based on the 1977 François Truffaut film about a middle-aged man whose single-minded obsession with sex and beauty disrupts his life and eventually leads to his downfall. Self wrappers. Title page present dated October 1982 noted as Final Draft with credits for screenwriters Blake and Geoffrey Edwards. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue revision pages throughout dated 11/2/82. Pages Near Fine bound with two gold brads. N.p. unknown
1987réf. 171907N.p.: N.p. 1987. Draft script for the 1988 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages indicating stunt sequences. Crew contact list and eight white revision pages bound in at the rear of the script. Based on an unpublished novel by Rod Amateau. In Hollywood during the transition to sound film US Marshal Wyatt Earp and Western actor Tom Mix team up to solve a murder involving a violent gangster. The second film in which James Garner portrayed Wyatt Earp following "Hour of the Gun" in 1967. Cream titled pictorial wrappers. Title page present dated March 20 1987 with credits for Amateau and screenwriter Blake Edwards. 138 leaves with last page of text numbered 133. Xerographic duplication rectos only with blue and pink revision pages throughout dated 3/27/87 and 3/30/87 respectively. Pages Near Fine wrapper Very Good plus extremities lightly toned bound internally with two gold brads. N.p. unknown
réf. 171865Los Angeles: Antler Productions 1987. Shooting Script for the 1987 hybrid VHS board game copy belonging to screenwriter Stephen Sustarsic with manuscript pencil and ink annotations of his name and an address on the title page. An internally duplicated copy with the majority of pages with copied punch holes with occasional manuscript pencil annotations checking characters or scenes. A unique and important example of video game construction from the heart of its era one that pulled Sherlockiana into its concept. Deluxe 304-page script housed in a large generic pink three-ring binder with ten-page dividers nine labeled for each of the game's ten mysteries. Each mystery includes a title page noting screenwriters and draft date a one or two page Short Rundown and a cast page followed by the segment's script. Three "Promo" segments are interspersed throughout the script to assist and instruct players through gameplay. Bound in following the script is a six-page Staff List two copies of a 15-page Shooting Schedule dated 8/3/87 and a 15-page Shooting Schedule dated 8/7/87. Laid in the binder's pockets are two copies of a four-page Shooting Schedule dated 8/9/87 and a copy of directions to "The Complex" in West Los Angeles. "221B Baker Street" was a popular board game developed by Jay Moriarty and produced by Antler Productions in 1975 in which players solve up to 75 mysteries with Sherlock Holmes and his associate Dr. Watson by using clues provided by visiting locations on the game board and using Scotland Yard Badges and Skeleton Keys cards to control opponents' access to locations. In 1987 on the centennial anniversary of Arthur Conan Doyle's first published Sherlock story Moriarty and Antler released two new adaptations of the board game: a video game produced by Datasoft and a VCR board game the latter featuring ten new mysteries and a videocassette of dramatized briefings and reenactments-represented by the script on offer here. VCR board games were a short-lived fad in the mid-to-late-1980s in which board games would include a VHS tape to be played at certain points in the game to act as a timer reveal clues or advance a plot. The concept was an attempt by the game developers to remain relevant by incorporating the latest technological innovations prior to the ascension of modern video game consoles. Screenwriter and producer Sustarsic is best known as an Emmy Award winning screenwriter for the 1988-1991 animated Disney series "The New Adventures of Winnie the Pooh" the 2004 Independent Comedy Horror film "Lucky" and the 2017 animated Disney XD series "Xiaolin Chronicles - Special Edition." Other screenwriting credits from Sustarsic's 35 year career in television and film include episodes for "The Jeffersons" 1981 "One Day at a Time" 1982 "Alice" 1985 "Newhart" 1989 "Alf" 1990 and "Dilbert" 2000 among many others. Front wrapper integral with first uncredited title page dated 1987 noted as SHOOTING SCRIPT. Second title page dated 1987 with credits for screenwriters Mark Chambers Jay Moriarty and Stephen Sustarsic. 304 leaves with last page of text numbered 13. Xerographic duplication rectos only. Pages Near Fine overall with first title page separated housed in a Near Fine generic pink three-ring binder. Staff List and Shooting Schedules saddle-stapled with a single staple to the top left corner. Near Fine. Antler Productions unknown
1990réf. 171272Los Angeles: Paramount Network Television 1990. First Draft script for Season 6 Episode 16 of the 1985-1992 television series. Originally aired February 18 1991 on ABC. The series followed the titular MacGyver a daring secret agent whose resourcefulness and skill save him from endless dangerous situations. In this episode A priest who is an old friend of MacGyver's is hit over the head and killed spurring on an investigation. Shot on location in British Columbia Canada. White titled studio self wrappers noted as WRITER'S FIRST DRAFT on the front wrapper dated October 22 1990. Title page present dated October 30 1990 noted as WRITER'S FIRST DRAFT with credits for screenwriter John Considine. 59 leaves with last page of text numbered 56. Xerographic duplication rectos only. Pages Very Good plus wrapper very Good plus bound with two gold brads. Paramount Network Television unknown
1988réf. 171904N.p.: N.p. 1988. Revised Draft script for the 1988 television movie aired as part of the revamped 1988-1990 Disney television anthology series. With two annotations in manuscript ink to two pages of the script noting prices. The ghost of a private eye teams up with an out-of-work dancer to find the woman he believes to be responsible for his death. Originally aired on May 15 1988 on ABC. White titled pictorial wrappers. Title page present dated January 14 1988 noted as Revised with credits for screenwriters Blake and Jennifer Edwards. 113 leaves with last page of text numbered 109. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1998réf. 171263Santa Monica: Steven Bochco Productions 1998. Vintage Draft script for Season 1 Episode 17 of the 1997-1998 television series. Originally aired March 9 1998 on CBS. This short-lived procedural followed the uniformed police officers at a Brooklyn precinct. In this episode tensions are high at the precinct following one of the officers acting as an informant for Internal Affairs. Winner of an Emmy for Outstanding Directing for its Pilot episode. Set in Brooklyn. White titled self-wrappers lacking rear wrapper production No. C117 dated February 9 1998 with credits for screenwriters Doug Palau and Nicholas Wootton and director Marc Buckland. Title page integral with front wrapper. 62 leaves with last page of text numbered 60. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Steven Bochco Productions unknown
2012réf. 171932Los Angeles: Thunder Buddies 2012. Draft script for the 2012 film. A lonely young boy wishes that his oversized teddy bear would come to life and his wish is granted. Thirty years later the teddy bear is still alive and living with the boy now an immature hedonistic adult. Basis for a 2015 sequel and a 2024 prequel television series. Shot on location throughout Boston. Self wrappers. Title page present undated with credits for screenwriters Seth MacFarlane Alec Sulkin and Wellesley Wild. 130 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Fine bound with two gold brads. Thunder Buddies unknown
2000réf. 171937N.p.: N.p. 2000. Draft script for the 2002 film. A mother and daughter lock themselves in their New York brownstone's safe room to hide from three burglars who seek a large sum in bearer bonds stowed in the house by its previous owner. Director David Fincher's fifth feature film following "Fight Club" 1999. Self wrappers. Title page present dated February 23 2000 with credit for screenwriter David Koepp. 106 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. Grant US. N.p. unknown
1984réf. 171899N.p.: Blake Edwards Entertainment 1984. Draft script for the 1984 film seen here under the working title "Mickey and Maude." With rainbow revisions. A tabloid television reporter is torn between his wife and his girlfriend both of whom have recently announced that they are pregnant. Ann Reinking's final film performance. Silver generic Blake Edwards Entertainment wrappers. Title page present dated March 7 1984 with credit for screenwriter Jonathan Reynolds. 128 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between March 7 and 22 2984. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Blake Edwards Entertainment unknown
1997réf. 171935N.p.: N.p. 1997. Draft script for the 1998 film. An awkward 31-year-old mama's boy works as the water boy for a university football team but becomes an unexpected success as an outside linebacker. Set in Louisiana and shot on location in central Florida. Self wrappers. Title page present dated October 15 1997 with credits for screenwriters Adam Sandler and Tim Herlihy. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown
1993réf. 171950Burbank CA: Touchstone Television 1993. Two scripts a Table Draft script and a 2nd Revised Table Draft script for Season 1 Episode 13 the series final episode of the 1994 television comedy series which aired on NBC on April 12 1994. Copies belonging to producer Steve Stustarsic with labels of his name and title on the title pages of both scripts and manuscript ink annotations checking scenes on every page of the Table Draft script and amending dialogue on eleven pages of the 2nd Revised Table Draft script. Based on a character created by stand-up comedian John Caponera the series followed John Bowman a working class middle manager and family man as he attempts to balance work and family and improve his lot in life. In this episode Tommy develops a crush on John's new office assistant. Table Draft: Front wrapper integral with the title page dated October 20 1993 noted as TABLE DRAFT with credits for screenwriter Suzanne Martin. 52 leaves with last page of text numbered 48. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. 2nd Rev. Table Draft: Front wrapper integral with title page dated October 21 1993 noted as 2ND REV. TABLE DRAFT with credits for screenwriter Suzanne Martin. 47 leaves with last page of text numbered 43. Xerographic duplication on pink leaves rectos only. Pages Near Fine bound with two gold brads. Touchstone Television unknown
1992réf. 171259Universal City: Universal City Studios 1992. Draft script for Season 2 Episode 17 of the ongoing television series. Originally aired March 3 1992 on NBC. This long-running police procedural follows criminal cases from investigation to trial. In this episode a teenage runaway accuses a nun at her halfway house of rape. Set in and shot on location in New York City. Pink titled self wrappers lacking rear wrapper noted as Rev. on the front wrapper production No. 67423 dated January 7 1992 with credits for screenwriter Rene Balcer. Title page integral with front wrapper. 68 leaves with last page of text numbered 65. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Universal City Studios unknown
1981réf. 170401N.p.: N.p. 1981. Draft script for the 1981 film. Copy belonging to uncredited producer Kelvyn H. Cullimore with his name and address in manuscript pencil on the title page and his ownership stamp to the title page and first page of text. In 1944 a young divorcée and single mother has an affair with a sailor on leave. Based on the 1979 novel by Sara Clark and William D. Wittliff. The directorial debut of Jack Fisk the husband of actress Sissy Spacek. Shot on location in Lockhart Maxwell Seguin and Corpus Christi Texas. White untitled front wrapper blue rear wrapper. Title page present with credit for screenwriter William D. Wittliff. 133 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good bound internally with three silver brads. N.p. unknown
2000réf. 171952Los Angeles: Twentieth Century-Fox 2000. Draft script for the 2000 comedy film. Two deadbeat stoners wake up from a long night of partying and embark on a journey to find their car whose cargo includes anniversary gifts for their girlfriends. Self wrappers. Title page present dated February 25 2000 with credit for screenwriter Philip Stark. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown
