11 050 résultats
1984réf. 170425N.p.: Cinesthesia Productions 1984. Seven vintage photographs from the 1984 film including six studio stills and one reference photograph. One with a production company label on the verso and five with provenance labels to same. Director Jim Jarmusch's first effort "Permanent Vacation" 1980 was his final thesis at New York University's film school. As with the earliest films of Jean-Pierre Melville and David Lynch he then spent four years making "Stranger than Paradise" shooting as money allowed. The resulting film was the stunning breakthrough of an auteur who both understood his masters and paved the way for a new kind of cinema. 8 x 10 inches. Near Fine to Fine one with annotations in manuscript pencil to the margins. National Film Registry. Criterion Collection 400. Rosenbaum 1000. Cinesthesia Productions unknown
1940réf. 171507Beverly Hills CA: United Artists 1940. Two vintage programs from the premiere of Charlie Chaplin's classic satire held in New York on October 15 1940. Includes a large-format 14-page illustrated program and smaller bi-fold black-and-white program. Color program with illustrations by noted artist Al Hirschfeld. Affixed to the title page of the color program are two ticket stubs for an October 30 1940 showing of the film at the Astor Theatre. The premiere was held at both the Astor and the Capitol Theatres in New York to accommodate high patron turnout. For his follow-up to his 1936 classic "Modern Times" Chaplin chose to do what only a handful of other films dared to do in 1940-make fun of Hitler. Though several of Chaplin's previous films had made use of music and sound effects and while Chaplin had sung briefly in "Modern Times" "The Great Dictator" marked the first time he spoke dialogue onscreen. Large-format program 9 x 10 inches saddle-stapled. Smaller program 6.25 x 9.5 inches bi-fold. Both programs Very Good plus to Near Fine with some light foxing toning and soil to the extremities. Criterion Collection 565. United Artists unknown
1971réf. 170449N.p.: Cinerama 1971. Vintage borderless reference photograph from the 1971 film showing director Sam Peckinpah talking with Dustin Hoffman between takes. Provenance label on the verso. Based on Gordon M. Williams's 1969 novel. An American returns with his wife to her hometown in England only to run afoul of the locals with increasingly violent consequences. Controversial in its depiction of physical and sexual violence even within Sam Peckinpah's often controversial filmography the film is also frequently considered one of the director's best. Set in Dando Cornwall and shot on location in Cornwall and Middlesex England. 9.5 x 8.25 inches. About Near Fine. Criterion Collection 182. Grant US. Cinerama unknown
1973réf. 170447Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Vintage studio still color photograph from the 1975 film. Provenance label and annotations in manuscript pencil on the verso. A very nearly experimental Western made by Sam Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of Western revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. Shot on location in Durango Mexico. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1972réf. 170451Los Angeles: First Artists / National General Pictures 1972. Vintage reference photograph from the 1972 film showing director Sam Peckinpah behind the camera. Mimeo snipe on the verso. A ballet of violence and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of the New American Cinema including a supremely confident Steve McQueen as an antihero and a young Walter Hill-who first encountered McQueen on the set of "Bullitt" four years prior-handling the screenplay. 8 x 10 inches. Light toning to margins else Near Fine. Grant US. Silver Classic Noir. Spicer US. First Artists / National General Pictures unknown
1969réf. 171508Los Angeles: American International Pictures AIP 1969. Two vintage lobby cards for the 1969 film. Cher's first film appearance without her then-husband Sonny Bono about a free-spirited mercurial hippie hitchhiker. Shot on location in Phoenix Arizona. 14 x 11 inches. Near Fine. American International Pictures [AIP] unknown
1965réf. 170448N.p.: N.p. 1965. Vintage reference photograph from the 1965 film showing Charlton Heston talking with Sam Peckinpah during filming on location. Dell Publishing stamp and provenance label on the verso. During the Civil War an obsessed glory seeking Union cavalry officer leads a disparate crew of soldiers Confederate POWs and Native American scouts into Mexico to attack a group of Apaches that have been raiding towns in the US. Shot on location in Mexico. 8 x 10 inches. Very Good plus. N.p. unknown
1964réf. 170432N.p.: Eve Productions 1964. Vintage studio still photograph from the 1964 sexploitation film. The first of Russ Meyer's "noir" cycle 1964-1965 sexploitation films shot in black-and-white featuring powerful psycho-sexual female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. "Lorna" a voluptuous sexually unfulfilled newlywed becomes sexually awakened after being raped by an escaped convict while she is skinny-dipping in a river and proceeds to invite the convict into her home while her husband is out working in the salt mines. 10 x 8 inches. Near Fine. Eve Productions unknown
1926réf. 171413Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1926. Vintage reference photograph from the 1926 silent film showing Norma Shearer cuddling with a small dog. Mimeo snipe on the verso. The first of seven films made in the US by Danish director Benjamin Christensen about a young trapeze artist who falls in love with a petty criminal. 10 x 8 inches. Very Good plus moderately toned with a diagonal crease to the bottom left corner. Metro-Goldwyn-Mayer [MGM] unknown
1926réf. 171390Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1926. Vintage portrait photograph of French actor Renée Adorée issued to promote her appearance in Josef von Sternberg's 1926 silent film. Mimeo snipe on the verso. Based on Alden Brooks' 1924 novel "Escape" about a wealthy Frenchman who leaves his affluence behind to become an artist. Currently considered a lost film. 8 x 10 inches. Very Good evenly toned. with a few nicks and creases to the margins. Metro-Goldwyn-Mayer [MGM] unknown
1957réf. 171355Burbank CA: Warner Brothers 1957. Two vintage studio still photographs from the 1957 film both featuring Laurence Olivier. Based on Terence Rattigan's 1953 play "The Sleeping Prince" about the visiting prince of a small fictional Balkan nation who falls in love with an American showgirl while in London. A notoriously difficult production forming the basis for two behind-the-scenes memoirs by Marilyn Monroe's personal assistant Colin Clark-"The Prince the Showgirl and Me" 1996 and "My Week with Marilyn" 2000-the latter sharing the title of the 2011 film. Set and shot in London. 10 x 8 inches. Near Fine. Warner Brothers unknown
1968réf. 171377N.p.: N.p. 1968. Three vintage reference photographs from the 1968 film all showing actress Leigh Taylor-Young. One with a printed mimeo snipe affixed to the verso the others with annotations in manuscript pencil to same. Dissatisfied with his life and impending marriage a mid-thirties attorney gets high and runs off with a young hippie only to discover he's still unhappy. The title of the film is a reference to "Alice B. Toklas brownies" a slang term for pot brownies. 8 x 10 inches. Generally Very Good plus. N.p. unknown
1958réf. 171381Culver City CA: Columbia Pictures 1958. Collection of 20 vintage studio still photographs from the 1958 film. Based on Jan de Hartog's 1951 novel "Stella" about a set of apartment keys that bring bad luck to whoever holds them. Shot aboard the HMS Restive an Assurance class Admiralty tug of the Royal Navy. 10 x 8 inches. Generally Very Good plus. Columbia Pictures unknown
1923réf. 171351Beverly Hills CA: D.W. Griffith Productions / United Artists 1923. Vintage studio still photograph from the 1923 film showing Mae Marsh and Ivor Novello. "Made in USA" stamp on the verso. A wealthy aristocrat graduates from a seminary and decides to set out to see the world before taking charge of his parish. Traveling to New Orleans he finds himself falling in love with an impoverished orphaned woman. Shot on location in Florida and Louisiana including in New Iberia and St. Martinville. 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. D.W. Griffith Productions / United Artists unknown
1968réf. 171378Burbank CA: Warner Brothers / Seven Arts 1968. Vintage studio still photograph from the 1968 film showing Peter Sellers getting down at a dance party surrounded by hippies and other distinctive characters. Dissatisfied with his life and impending marriage a mid-thirties attorney gets high and runs off with a young hippie only to discover he's still unhappy. The title of the film is a reference to "Alice B. Toklas brownies" a slang term for pot brownies. 10 x 8 inches. Lightly creased at a couple of corners else Near Fine. Warner Brothers / Seven Arts unknown
1924réf. 171349Beverly Hills CA: D.W. Griffith Productions / United Artists 1924. Two vintage studio still photographs from the 1924 silent film one showing Carol Dempster and Neil Hamilton the other showing Hamilton alone. Both with "Made in USA" stamps on the versos. Based on a short story by Geoffrey Moss originally published in his 1923 book "Defeat." After World War I Polish immigrants relocate to Germany only to find themselves struggling to survive as the country faces political and financial turmoil. Shot on location in Germany and Austria. 8 x 10 inches. Very Good or better. D.W. Griffith Productions / United Artists unknown
1965réf. 171371Los Angeles: Paramount Pictures 1965. Vintage studio still photograph from the 1965 documentary film showing Hedy Lamarr in a scene from the 1933 film "Ecstasy" fully nude floating in the water. Annotations in manuscript ink on the verso. 10 x 8 inches. Near Fine. Paramount Pictures unknown
1926réf. 171336Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1926. Vintage reference photograph from the 1926 silent film showing Lillian Gish and John Gilbert in a playful moment. Mimeo snipe on the verso. Gish then MGM's highest paid actress had an unprecedented level of control over the production and was allowed input into direction story casting cinematography and costume design. 8 x 10 inches. Very Good moderately toned with nicks to the margins and creasing affecting the right portion of the photograph. Metro-Goldwyn-Mayer [MGM] unknown
1990réf. 171491Hollywood CA: Stephen J. Cannell Productions 1990. Revised Draft script for Season 7 Episode 12 of the 1984-1991 television series here under working title "Critical Mass Part One." Originally aired January 9 1991 on NBC. Series following two rule-breaking cops forced together as partners by their superiors. In this episode one of the officers is hunted by a serial killer who targets cops. Set in and shot on location in Los Angeles. White titled self wrappers lacking rear wrapper production No. 5712 dated November 1 1990 with credits for screenwriter David H. Balkan and director Corey Allen. Title page integral with front self wrapper. 77 leaves with last page of text numbered 61. Xerographic duplication rectos only with pink and green revision pages throughout dated variously between 11/01/90 and 11/09/90. Pages Fine wrapper Near Fine bound with two gold brads. Stephen J. Cannell Productions unknown
1926réf. 171492Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1926. Two vintage reference photographs from the 1926 silent film one showing Lillian Gish as Hester Prynne on the stocks the other showing actors Edna Lyons and Paulette Neville in costume playfully dancing out of character between takes on the set. Mimeo snipes on the versos. The second film Gish made while under contract with MGM still widely considered the finest screen adaptation of Nathaniel Hawthorne's classic 1850 novel to date. Set in Boston. 10 x 8 inches. Very Good or better lightly faded and slightly edgeworn but with no loss. Metro-Goldwyn-Mayer [MGM] unknown
1925réf. 171333Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1925. Two vintage reference photographs from the 1925 silent film both showing Ramon Novarro and a heavily bejeweled May McAvoy. Mimeo snipes on the versos. Jewish prince Ben-Hur is sent to prison at the behest of his childhood friend Messala as a result of a mishap during a Roman parade. Through sheer will the prince endures prison and once released vows revenge on his childhood friend. The most expensive silent film made with a budget of $3.9 million and the second of five adaptations of Lew Wallace's 1880 novel. Shot on location in Italy and California. 10 x 8 inches. About Near Fine lightly toned. National Film Registry. Godard Histoires de cinema. Metro-Goldwyn-Mayer [MGM] unknown
1924réf. 171485Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1924. Vintage reference photograph from the 1924 film showing Zasu Pitts. Mimeo snipe on the verso. Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece one of the first films to be shot entirely on location in San Francisco and Death Valley using what were then considered sophisticated and relatively new filming techniques such as montage editing and deep focus. Stroheim's first cut of the film was a mammoth 9.5 hour presentation edited down to two and a half hours against his wishes. All that survives today is a slightly choppy but coherent 240-minute version a careful restoration supplanted with still photographs that conveys to the viewer the unimaginable grandeur of the original. 8 x 10 inches. Very Good plus lightly toned and edgeworn. National Film Registry. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
1940réf. 171479Los Angeles CA: RKO Radio Pictures 1940. Vintage studio still photograph from the 1941 film showing Orson Welles and Ruth Warrick surrounded by policemen. SIGNED by Warrick on the recto. Numeric stamp and annotations in manuscript pencil on the verso. Often considered to be one of the finest American films ever made the story of a reporter investigating the last words of wealthy newspaper magnate Charles Foster Kane. Welles' first feature film winner of an Academy Award and nominated for eight others including Best Picture. Shot on location in New York and California. 10 x 8 inches. Near Fine. Ebert I. Godard Histoires du cinema. Grant US. National Film Registry. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. RKO Radio Pictures unknown
1936réf. 171495Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1936. Two vintage reference photographs from the 1936 film one double weight and showing Norma Shearer the other single weight and showing Basil Rathbone. MGM snipe and photographer's stamp on the verso of one photograph. Studio head Louis B. Mayer was reluctant to film a version of Shakespeare's classic tragedy but agreed after a 1934 Broadway revival was met with widespread success. Nominated for four Academy Awards including Best Picture and Best Actress for Shearer. 8 x 10 inches. Both Very Good evenly toned and one with moderate soil to the margins and a small chip to one corner. Metro-Goldwyn-Mayer [MGM] unknown
1915réf. 171489Los Angeles: Jesse Lasky 1915. Vintage double weight studio still photograph from the 1915 silent film showing Cleo Ridgely and Marjorie Daw. Based on the 1906 play by James Forbes. A chorus girl's attempts to keep her younger sister away from the depravities of show business fall flat when the sister is given a part in a stage play by a womanizing theatre patron. Currently considered lost. 8 x 10 inches. Very Good plus moderately toned. Jesse Lasky unknown
