11.045 risultati
1973rif. 160513N.p.: N.p. 1973. Seven vintage borderless reference photographs from the 1973 film. An X-rated Andy Warhol-produced take on Mary Shelley's 1818 classic novel featuring Warhol superstar Udo Kier as Baron von Frankenstein a man obsessed with creating a new Serbian race to obey his every command. Shot on location in Vojvodina Serbia. 7 x 9.25 inches. Near Fine. N.p. unknown books
1975rif. 160522N.p.: N.p. 1975. Two vintage borderless reference photographs from the 1975 British film. Annotations in manuscript ink on the verso. A group of silent film actors struggling to survive the transition to sound film decide to start making adult films. John Bynum's directorial debut filmed entirely in real time on a single set. 8 x 10 inches. About Fine. N.p. unknown books
1965rif. 160514N.p.: N.p. 1965. Three vintage studio still photographs from the 1965 film. Two wealthy misogynists kidnap a young woman and hold her hostage in the basement of an abandoned warehouse where they sexually and physically assault her. Shot on location in Malibu and Los Angeles. 10 x 8 inches. Very Good plus lightly worn at the corners. AGFA 53. N.p. unknown books
1954rif. 160519Culver City CA: Columbia Pictures 1954. Vintage reference photograph from the 1954 film showing actress Judy Holliday in the bath surrounded by crew members. Columbia Pictures stamp on the verso. A young woman finds herself famous overnight after she appears on six billboards through an advertising fluke. An early appearance by Jack Lemmon then best known for his work in television. Set and shot on location in New York. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1975rif. 160516N.p.: N.p. 1975. Vintage borderless double weight reference photograph of director Michelangelo Antonioni talking with actors Jack Nicholson and Maria Schneider on the set of the 1975 Italian film. Annotations in manuscript ink on the verso relating to cropping as well as the stamp of Cinema International in London. A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. Set in Chad shot on location in Germany Spain and England. 10 x 8 inches. Near Fine. Rosenbaum 1000. N.p. unknown books
1969rif. 158690N.p.: N.p. 1969. Vintage oversize borderless color reference photograph from the 1969 film. A German college graduate and an American expatriate hitchhike from Paris to Ibiza where the bliss of island life quickly gives way to heroin addiction and hedonism. Soundtrack by Pink Floyd. Set and shot on location in Paris and Ibiza. 9.25 x 11.75 inches. Very Good plus with light wear at the corners. BFI 1040. N.p. unknown books
1949rif. 158691N.p.: N.p. 1949. Vintage oversize reference photograph from the 1949 film showing actress Eva Henning in a negligée. Ingmar Bergman's seventh film about the troubled romantic and sexual experiences of several Swedish adults. Based on the 1948 short story collection by Birgit Tengroth who also appeared as Viola in the film. Shot on location in Hamburg Germany. 9.5 x 11.75 inches. Very Good plus with light creasing at the corners. N.p. unknown books
1970rif. 160525Universal City: Universal Pictures 1970. Vintage borderless reference photograph of director Frank Perry talking with actors Richard Benjamin and Carrie Snodgress on the set of the 1970 film. Mimeo snipe on the verso along with a provenance stamp. Based on Sue Kaufman's 1967 novel about a New York housewife in an abusive relationship who begins an affair with a sadistic but successful writer who treats her as cruelly as her husband. Adapted for the screen by Eleanor Perry who worked almost exclusively with her husband Frank Perry. Set and shot on location in New York. 9.5 x 7.5 inches. About Fine. Universal Pictures unknown books
1954rif. 160547London: Pictorial Press 1954. Vintage reference photograph of director Alfred Hitchcock drawing between takes on the set of the 1954 film. Printed mimeo snipe and stamps of Pictorial Press on the verso along with annotations in manuscript pencil relating to cropping. Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. 10 x 8 inches. Very Good plus lightly worn at the corners. Grant US. Selby US. Spicer US. Pictorial Press unknown books
1966rif. 160544N.p.: N.p. 1966. Four vintage borderless double weight reference photographs from the 1966 French film. All four with annotations in manuscript ink on the verso. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 9 x 8 inches. Near Fine. BFI 2033. Grant France. N.p. unknown books
1983rif. 160523New York: Horizon Films 1983. Vintage studio still photograph of Sandy McLeod shot by and credited at the right margin to Nan Goldin from the 1983 film. Shown is actress Sandy McLeod in seeming triplicate. Goldin also has a brief role in the film. A striking image. An aspiring writer takes a job as a ticket-taker at an adult film theatre in Times Square soon finding herself drawn into the seedy world of the theatre's customers. The film drew together a veritable who's who of New York underground regulars with a screenplay by Kathy Acker music by John Lurie cinematography by frequent Jarmusch collaborator Tom de Cillo and still photography by Nan Goldin. Set and shot on location in New York. 8 x 10 inches. Near Fine. Horizon Films unknown books
1970rif. 160551N.p.: N.p. 1970. Vintage reference photograph from the 1970 Canadian film showing actors Jayne Eastwood and Doug McGrath. Widely considered one of the most influential Canadian films of all time about two young men who leave their small home in Nova Scotia for the promise of riches and better living in Toronto. 10 x 8 inches. Near Fine. N.p. unknown books
1962rif. 160548Oslo: Billed Sentralen 1962. Vintage borderless double weight reference photograph of director Francesco Rosi on the set of the 1962 Italian film. Distribution stamp on the verso along with a stamp crediting photographer Patrick Morin. Based on the true story of Italian bandit Salvatore Giuliano who rose to prominence within the Mafia after the 1943 Allied invasion of Sicily. Shot in nonlinear documentary style with Giuliano's character off-screen for most of the film Rosi's narrative today stands as an example of minimalist neo-realism at its finest. Shot on location in Sicily. 10.5 x 8.25 inches. Very Good plus lightly creased at the corners. Arrow Academy 970. Criterion Collection 228. Schrader 50. Billed Sentralen unknown books
1971rif. 160553Berlin: Keystone 1971. Vintage borderless photograph of actress Jane Forth and producer Andy Warhol attending the German premiere of the 1970 film which took place on February 19 1971 in Berlin. Printed mimeo snipe affixed to the verso. Actor Joe Dallesandro's fifth film with director Paul Morrissey and the film debuts of Factory regulars Holly Woodlawn in a role that George Cukor unsuccessfully put forth as a write-in candidate for an Academy Award and Jane Forth. 6 x 8.25 inches. Very Good plus slightly wavy on the bottom edge. Keystone unknown books
1973rif. 160528Paris: Paris Match 1973. Vintage borderless reference photograph from the set of the 1973 film showing Walerian Borowczyk directing actress Paloma Picasso in costume as Elizabeth Bathory for the fourth segment of the film. Mimeo snipe on the verso. Borowczyk's fourth feature length film a sexually explicit time-traveling romp ranging from the bloodthirsty exploits of Elizabeth Bathory to a nineteenth-century country girl masturbating to thoughts of Jesus Christ. 7 x 5 inches. Near Fine. Bier 354. Paris Match unknown books
1973rif. 160533N.p.: N.p. 1973. Two vintage reference photographs from the 1973 film. Based on the 1959 novel by John Buell about a police detective who uncovers the demonic force responsible for the death of a heroin-addicted sex worker. Set and shot on location in Montreal. 10 x 8 inches. Near Fine. N.p. unknown books
1972rif. 160510N.p.: N.p. 1972. Vintage borderless reference photograph from the 1974 film showing Gérard Depardieu Miou-Miou and Patrick Dewaere. Mimeo snipe and stamp of photographer Tony Crawley on the verso. Based on director Bertrand Blier's 1972 novel a controversial comedy following two petty criminals as they roam with abandon deflowering women stealing and behaving badly in general. Shot on location in France. Set and shot on location in Ardeche Calvados Cote-d'or Drome Hautes-Alpes Normandie and Pas-de-Calais France. 7 x 5 inches. Near Fine. N.p. unknown books
1963rif. 160535Universal City: Universal Pictures 1963. Vintage borderless reference photograph from the 1963 film showing director Alfred Hitchcock talking with electronic musician Oskar Sala who composed the film's iconic soundtrack. Printed mimeo snipe in French affixed to the verso. Hitchcock's last great film a grim psychological study made all the more terrifying by the lack of motivation assigned to its violence. Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. 7.5 x 9.5 inches. Very Good plus. National Film Registry. Clover Men Women and Chainsaws. Godard Histoires du cinema. Universal Pictures unknown books
1959rif. 160610Los Angeles: Twentieth Century-Fox 1959. Four vintage reference photographs from the 1959 film all four showing actress May Britt dancing in a cabaret. One with a French Twentieth Century-Fox stamp on the verso. A little-seen American remake of Josef von Sternberg's 1930 German film based on the 1905 novel "Professor Unrat" by Heinrich Mann. A tale of the destruction that obsession can cause about a German high school teacher who falls for a traveling showgirl marries her and is then shunned by his community slowly losing all of his dignity. 10 x 8 inches. Very Good plus lightly age toned with brief wear at the corners. Twentieth Century-Fox unknown books
1969rif. 160541N.p.: N.p. 1969. Three vintage double weight borderless reference photographs from the 1969 Finnish film. A woman discovers her husband has been cheating on her with an ice hockey rally driver and begins sleeping with her gynecologist in revenge. Shot on location in Helsinki and Stockholm. Photographs vary in size from 9 x 7 inches to 10.25 x 8.25 inches. Very Good plus. N.p. unknown books
1990rif. 160613N.p.: N.p. 1990. Two vintage reference photographs from the 1990 film both showing director Roger Corman on the set. Annotations in manuscript ink on the verso. Based on the 1973 novel by Brian Aldiss. Low-budget horror king Roger Corman's final directorial effort and his first film after a hiatus of nearly 20 years about a scientist from future Los Angeles who accidentally travels back to 1817 Switzerland where he meets both Mary Shelley and confusingly her fictional creation Victor Frankenstein. INXS frontman Michael Hutchence makes a humorous appearance as Shelley's husband Percy as well. Set in Los Angeles and Switzerland shot on location in Italy. 10 x 8 inches. Near Fine. N.p. unknown books
1959rif. 160564N.p.: N.p. 1959. Four vintage reference photographs by John Cohen from the 1959 short film. Three with the title in manuscript ink on the bottom margin of the recto and one with a provenance label on the verso. Based on a purportedly true incident in the life of Beat icons Neal and Carolyn Cassady wherein a couple's dinner party for a visiting bishop is crashed by their zany bohemian friends. Adapted by Jack Kerouac from the third act of his play "Beat Generation" with voiceover narration by Kerouac and a title taken from the poem of the same name co-written by Kerouac Cassady and Allen Ginsberg. For years the film was rumored to have been entirely unscripted capturing a real event at co-director Alfred Leslie's loft in the Bowery until Leslie revealed in a 1968 interview that the film had in fact been scripted heavily rehearsed and shot in a photography studio. 10 x 8 inches. Small chips at the top edges else about Near Fine. National Film Registry. N.p. unknown books
1977rif. 160639Paris: Trinacra Films 1977. Two vintage borderless color reference photographs from the 1977 film. Reference number stamps on the verso of each. The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini. 9.5 x 7 inches. One with pinholes from a staple on the bottom right corner else Near Fine. Trinacra Films unknown books
1939rif. 160626Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1939. Vintage publicity photograph of James Stewart and Claudette Colbert from the 1939 film. Printed mimeo snipe and MGM label on the verso. From the archive of film historian and author Joel Finler. One of Ben Hecht's most brilliant and underrated screenplays. A novice private eye is unjustly fingered alongside his wealthy client in a murder case. Colbert's first film for MGM. 9.25 x 7.25 inches. Very Good plus lightly age toned. Metro-Goldwyn-Mayer [MGM] unknown books
1969rif. 160565New York: Contemporary Films 1969. Vintage reference photograph from the 1969 film showing Allen Ginsberg with Peter and Julius Orlovsky. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. The film was released in a new restoration by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 8 x 10 inches. Near Fine. Contemporary Films unknown books
