11.045 risultati
1970rif. 144362Paris: Les Films du Carrosse 1970. Vintage borderless photograph from the set of the 1970 film. With credits and Cinestar agency stamps and "Cinestar" in manuscript ink on the verso. The fourth in Truffaut's five film series about the character Antoine Doinel. Christine Clause Jade and Antoine Doinel Jean-Pierre Léaud are expecting their first child when Antoine has an affair with a woman he meets in a business meeting at his new job after a period of unemployment. Shot on location in Paris France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 187. Les Films du Carrosse unknown books
1965rif. 144472Beverly Hills CA: United Artists 1965. Vintage borderless photograph of Ursula Andress and Peter O'Toole on the set of the 1965 film. With manuscript annotations and photo-agency stamp on the verso. Woody Allen's film debut as actor and screenwriter. Michael O'Toole is a womanizer soon to be married to Carole Schneider but Liz Paula Prentiss and Rita Andress get in the way. His psychoanalyst Dr. Fritz Sellers is no help and Carole flirts with Victor Allen a nervous wreck. Somehow they all end up in the same hotel in the French countryside and they mayhem ensues. Shot on location in France. 10.5 x 7.5 inches. Near Fine. United Artists unknown books
1956rif. 144374Burbank CA: Warner Brothers 1956. Four vintage photographs two borderless from the 1956 film. Mimeo snipe with press agency stamps and stickers on the verso Shot on location in the UK Spain Portugal and the Atlantic coast in the USA. Bordered photos: 8 x 10 inches. Near Fine. Borderless photos: 6.5 x 8.5 inches. Near Fine. Warner Brothers unknown books
1960rif. 144662Rome: Cineriz 1960. Collection of 21 original borderless double weight still photographs from the 1960 film. Starring actress Susan Strasberg is seen in several photographs always in pinstripes and several feature costar Terzieff with striking images of laboring women a death pit and German soldiers. Numerical annotations in manuscript pencil and Contino's rubber-stamp on the versos. An impressive showcase in landscape format of a life behind barbed wire and the conditioning of inmates. Strasberg portrays a Jewish women sent to a concentration camp during WWII leading an escape plan even as the turmoil of war threatens to defeat her will. Pontecorvo's engaging war film with feminist undercurrents albeit overshadowed by what would become his most accomplished film "The Battle of Algiers" 1966. Nominated for an Academy Award Best Foreign Language Film. Shot on location in Yugoslavia. 9.5 x 14 inches. Very Good plus overall light curling brief foxing a few with small dampstains and corresponding bruises on the rectos. Cineriz unknown books
1979rif. 144562Los Angeles: Essex Productions 1979. Final Draft script for the 1984 horror film. Copy belonging to makeup artist John Carl Buechler with his name in manuscript ink on the title page and two Polaroid photographs laid in. Six friends are stalked and murdered while on a camping trip. Shot on location in Idyllwild California. Green titled wrappers. Title page present dated September 28th 1979 noted as Final Draft with credits for screenwriter and director Edwin Scott Brown. 101 leaves with last page of text numbered 98. Xerographic duplication rectos only with blue revision pages dated Oct. 7th and white undated revision pages. Pages Near Fine wrapper Near Fine clip binding. Thrower Nightmare USA. Essex Productions unknown books
1949rif. 144415Los Angeles: Twentieth Century-Fox 1949. Final Draft script for the 1950 film. With a "New York Legal Department" rubber stamp on the front wrapper and extensive manuscript pencil annotations throughout likely by a professional reader regarding differences between the source novel by Thomas B. Costain and the script. Based on Costain's 1945 novel and partially conceived as a sequel to the 1949 film "Prince of Foxes" in order to reunite Tyrone Power and Orson Welles. "The Black Rose" features Power as a Saxon youth who runs away from England during the Crusades. Somehow he and his North African warlord friend Orson Welles make it to China where they get involved with the court of Kubla Kahn. Nominated for an Academy Award. Set in England and the Far East shot on location in England and Morocco. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 19 and production No. 125 dated May 4 1949. Distribution page present with receipt removed. Title page present dated May 4 1949. PAGES leaves with last page of text numbered 161. Mimeograph duplication rectos only with blue revision pages throughout dated 5/17/49 and 7/5/49. Pages Fine wrapper Very Good bound internally with three gold brads. Twentieth Century-Fox unknown books
1966rif. 144479Paris: Les Films 13 1966. Four vintage photographs from the 1966 film. With agency stamps and manuscript annotations on the versos. Anne Gauthier Anouk Aimee and Jean-Louis Duroc Jean-Louis Trintignant meet as they drop their children off at boarding school. She works as a script supervisor and he as a race-car driver. They quickly become friends and as a romance starts to emerge they both reveal that each are widows still experiencing the grief of their losses. Winner of The Palme d'Or and the OCIC Award at the Cannes Film Festival also winner of two Academy Awards including Best Screenplay and Best Foreign Language Film. Nominated for two more. Shot on location in Paris Deauville and Saintes-Maries-de-la-Mer France. 10 x 8 inches. Near Fine. Les Films 13 unknown books
1966rif. 144543Universal City: Universal Pictures 1966. Vintage photograph from the 1966 film. With manuscript annotations on the verso. Rooks' first film a semi-autobiographical account of a man who travels to France to undergo a drug-withdrawal cure. With cameos by a virtual who's-who of counterculture figures of the time including Allen Ginsberg as "Messiah" William S. Burroughs as "Opium Jones" Ravi Shankar as "Sun God" Moondog as "The Prophet" and Ornette Coleman as a peyote eater. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1934rif. 144598Culver City CA: RKO Radio Pictures 1934. Draft script for the 1935 film. In a custom quarter leather clamshell box. The second of two films based on Liam O'Flaherty's 1925 novel the first being Arthur Robison's 1929 British feature about a former Republic Army member during the Irish War of Independence who turns in one of his comrades to the British in order to use the bounty money to book passage to America for himself and his girlfriend who has been forced into prostitution. Winner of four Academy Awards including Best Adapted Screenplay Best Director and Best Actor for McLaglen nominated for two others including Best Picture. Screenwriter Dudley Nichols became the first person to decline an Academy Award when his refused his Oscar due to an ongoing dispute between the Screen Writers Guild and the Academy though he would eventually claim it three years later. Detached green wrappers noting the title screenwriter and director on the spine in manuscript ink. Title page integral with first page of text with credits for screenwriter Nichols and novelist O'Flaherty. 105 leaves with last page of text numbered 105. Mimeograph duplication. Pages Near Fine wrapper Very Good side-stapled. National Film Registry. RKO Radio Pictures unknown books
1953rif. 144185Beverly Hills CA: MGM 1953. Vintage borderless photograph of Ava Gardner with the camera-crew on the set of the 1953 film. With mimeo snipe press agency stamps and manuscript annotations in blue ink. The remake of the 1932 MGM film Red Dust adapted from the play of the same name. Victor Marswell Clark Gable owns and operates a safari guide company. Eloise Kelly Ava Gardner is there to meet the former owner of the company and in his absence she falls for Victor. Linda Nordley Grace Kelly is the wife of Marswells client an anthropologist who wishes to travel deep into the jungle. Eloise goes along with them and quickly tensions run high as both Linda and Eloise are attracted to Victor. Shot on location in Kenya Uganda Tanzania and the Democratic Republic of Congo. 10 x 6.5 inches. Near Fine. MGM unknown books
1967rif. 144377Culver City CA: Columbia Pictures 1967. Vintage photograph of Mary Linda Rapelye on the set of the 1967 film. Manuscript annotations in pencil and press agency stamps on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 781. Ebert II. Penzler 101. Columbia Pictures unknown books
1961rif. 144660Paris: Cinedis 1961. Archive of 749 vintage keybook photographs from the 1961 French-Italian film. Over 200 are loose the remainder being affixed with cello tape on thick stock in two folio sized spiral bound notebooks with one title label present. Each photograph is numbered in manuscript pencil on the versos 13 photographs credit photographer Water Limot 18 with his name stamped on the verso and each notebook page with corresponding numerical annotations in manuscript pencil. Also included is a vintage Cinedis manila mailing envelope. Limot's action photographs are poignantly interlaced with on-the-set images including tender exchanged between actors Bourvil Annie Fratellini and Colette Castel herself seen in striking authority behind a handheld camera. A few feature Black musicians in the background surrounded by paparazzi and a few photos are slightly more candid with subjects hamming for the camera. A businessman wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. 747 photos are 3.5 x 4.5 inches or slightly smaller with small white borders at the foot and 2 photos are 5 x 7 inches. Light curling and most with tape ghosts and discoloration else Near Fine. Envelope and notebooks Very Good overall. Cinedis unknown books
1981rif. 144334Paris: Studio Canal 1981. Vintage borderless photograph of Catherine Deneuve Patrick Dewaere and Etienne Chicot on the set of the 1981 film. With manuscript annotations regarding layout and photographer Tony Frank's name typed on the verso. Helene Catherine Deneuve an anesthetist depressed and mourning her recently drowned lover almost crashes her car into Gilles Patrick Dewaere a young working class man who lives at his mother's hotel. The two fall into a difficult relationship that brings up their painful past histories. Shot on location in France. 10.5 x 8 inches. Near Fine. Studio Canal unknown books
1957rif. 144227Culver City CA: Columbia Pictures 1957. Vintage photograph of Carroll Baker Jack Garfein Paul Richards and Ben Gazzara on the set of the 1957 film. With mimeo snipe manuscript annotations in pencil and a press agency stamp on the verso. Based on the 1947 novel and stage play by Calder Willingham "End As a Man" and with much of the same cast as the stage production. Set at a southern military college Jocko de Paris Ben Gazzara is a sadistic cadet leader well known to be violent and power-hungry. In a particularly malicious act of hazing he sets up the expulsion of the son of the school's headmaster and subsequently manipulates his social circle into silence until they can no longer take it. Shot on location in Florida. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1975rif. 144464Montreal: Canadian Film Development Corporation CFDC 1975. Three vintage borderless photographs from the 1975 film. With manuscript annotations on the versos. A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs that can infect with the slightest touch. Shot on location in Montreal Canada. 7 x 5 inches. Near Fine. Arrow 1497. Canuxploitation Complete. Canadian Film Development Corporation [CFDC] unknown books
1960rif. 144417Paris: Les Films de la Pleiade 1960. Vintage oversize borderless double weight photograph of Charles Aznavour and Michele Mercier from the 1960 film. With manuscript annotations on the verso. Aznavour spends half his time playing saloon piano and half his time on the run in this early Truffaut masterpiece one of the great French noirs based on the 1956 hard-boiled novel "Down There" by American pulp author David Goodis. Criterion notes: "François Truffaut is drunk on the possibilities of cinema in this his most playful film. Part thriller part comedy part tragedy Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie Charles Aznavour in a triumph of hangdog deadpan as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags guns clowns and thugs this razor-sharp homage to the American gangster film is pure nouvelle vague." 11.5 x 9 inches. Near Fine. Criterion Collection. Grant France. Les Films de la Pleiade unknown books
rif. 144510Burbank CA: Walt Disney Pictures 1988. Revised First Draft script for the 1991 film. Based on the 1982 graphic novel by Dave Stevens. In 1930s Hollywood a stunt pilot comes into possession of a jet-pack after getting caught in the crossfire between FBI agents and a group of gangsters. He subsequently becoming the target of both FBI and Nazi agents who are after the jet-pack. An early entry in the superhero movie canon following the success of 1989's "Batman" and a cult classic in its own right. Goldenrod titled wrappers. Title page present dated November 11 1988 noted as REVISED FIRST DRAFT with credits for screenwriters Danny Bilson Paul De Meo William Dear and graphic novelist Dave Stevens. 125 leaves with last page of text numbered 124. Photocopy rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Walt Disney Pictures unknown books
1958rif. 144613Paris: Cinedis 1958. Four original single weight black-and-white press photographs from a premiere of the 1958 French-Italiam film. Starring actor Toto is seen with mistress and colleague Franca Faldini cavorting with fans and Toto with the host of the event. Photographer Traverso's rubberstamp numerical notation in manuscript pencil and film title in manuscript ink on the verso. Housed in an original Cinedis manila envelope with French film title in manuscript pencil on the front. In an imaginary village on the border between Italy and France a French customs agent Fernandel watches every move of an Italian smuggler Toto who eventually discovers that the agent is Italian not French. Faldini did not appear in this film but collaborated with Toto on eight earlier films including "Toto and the Women" 1952 and "Dov'e la liberta." 1954. Shot on location in Italy. Entered into the 8th Berlin International Film Festival in 1958. 5 x 7 inches. Light curling else Near Fine. Cinedis unknown books
1960rif. 144617Paris: N.p. 1960. Two original borderless single weight press photographs of starring actors Giani Espositio and Pascale Petit at a screemomg presumably the premiere of the 1960 French film. Costar Nelly Borgeaud is also seen in one photo. Based on Alleins' novel "L'étrangère dans les portes" 1954. Catherine Petit marries a wealthy landowner Esposito in Africa where she also meets a mystic who influences her spiritual beliefs as does a Catholic priest. Petit and Esposito were eventually married and collaborated on "Cross of the Living" 1962. 7 x 9.25 inches one slightly longer. Very Good plus faint indentations to one the other with two horizontal creases. N.p. unknown books
1969rif. 144541Los Angeles: Paramount Pictures 1969. Six vintage oversize borderless photographs from the 1969 British film. With manuscript annotations and an agency stamp on the verso of each. One of the best heist films of the twentieth century: funny complex and altogether beautiful to watch. Michael Caine and Noel Coward bring the erudite and the cockney together to make a quintessentially British film with as fine an ending as one could ask for. 13 x 9 inches. Near Fine. Lee The Heist Film. Paramount Pictures unknown books
1956rif. 144496Burbank CA: Warner Brothers 1956. Vintage photograph of Jean Renoir and Ingrid Bergman on the set of the 1956 French film. Agency stamps on the verso. A romantic-comedy set in 1890 Paris starring Ingrid Bergman as Elena Sokorowskaa Polish princess who has a reputation for bringing good luck to her lovers. While scheduled to be married to a wealthy family friend with plans to bring new money to the family's dwindling fortune she meets Count de Chevincourt Mel Ferrer the aide to General Rollan Jean Marais. Both men are taken by her charm and find themselves in a romantic knot with repercussions for all of France. Shot on location in and around Paris. 5 x 7 inches. Near Fine with single bottom margin. 244 Criterion Collection. Godard Histoires du cinema. Rosenbaum 1000. Warner Brothers unknown books
1959rif. 144588Paris: Ulysse Production / Cinedis 1959. Collection of 370 original black-and-white keybook still photographs from the 1959 French film consisting of two unique and complimentary pieces one being a studio film still keybook with 97 contact prints of small format transparencies most with 12 images per print amounting to over 1000 images captured nearly all images with series number etched in the original film negative before development and credits at the top for photo laboratory Tele-Photo film studio Ulysse film title and photographer Apoteker housed in an oblong 2-ring paper binder with printed French titles on the front. Laid in is a small piece of graph paper addressed "Cher Christian" presumably filmmaker Christian-Jaque with brief slightly illegible note in French in manuscript ink. The remaining 273 photographs are single photos with similar etched series numbers mounted with cello tape on thick stock in two quarto "Lavis aquarelle" brand spiral bound notebooks with maroon faux leather front wrapper printed French titles affixed to the front wrapper of one. Small "x" annotations in manuscript ink on several pages. All three keybooks capture the film and photographer Apoteker's sense of desperation in composed and candid moments. Michele Morgan and Gil Vidal dominate the imagery hamming for the camera and in action scenes with Vidal emerging from a car crash and rarely without a glass in-hand and stunning images of Morgan hula-hooping off-set and in several placid studio portraits. Catherine Morgan is an alcoholic lawyer who enlists the help of reporter Walter Vidal to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival 1946. Photographer Apoteker's debut film followed by successful crime noirs notably "Classe Tous Risques" 1960 and later worked on "Love and Death" 1975 and the futuristic "cinema du look" film "Le prix du danger" 1983. Fourth film of noted costume designer Autré whose other credits include "Love on a Pillow" 1962 "Contempt" 1963 "Lost Command" 1966 and "The Game is Over" 1966. Notebook photos 3.75 x 5 inches most pages with four mounted photos keybook photos to 8.25 x 10.5 inches. Very Good plus overall with light foxing and curling and rubbing to the studio keybook a few photos with small edge tears. Ulysse Production / Cinedis unknown books
1968rif. 144349N.p.: N.p. 1968. Two vintage borderless photographs from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With mimeo snipe on one and manuscript annotations on the other. From the last scene of the film featuring "Eve Democracy" a graffiti artist played by Anne Wiazemsky who is followed by a film crew on the beach as she totes a rifle dressed in all white. "One Plus One" alternates documentary segments of The Rolling Stones creating the song "Sympathy for the Devil" in the studio during the band's last days with Brian Jones with surreal commentary about anarchy and revolution making references to Amiri Baraka Eldridge Cleaver and the Black Panthers pornography "Mein Kampf" and the Nazi movement. 10 x 7 inches. Near Fine. N.p. unknown books
1959rif. 144629Paris: Intermondia Films / Pretoria / Cinedis 1959. Collection of 4 original black-and-white single weight still photographs from the 1959 French-Italian film. Featuring Jean Gabin dancing gaily in a pub with costar Doll all photos with brief numerical annotations in manuscript pencil on the verso. Gabin plays a sophisticated tramp who lives during summer in an abandoned construction site. As winter draws near he devises a plan that will surely have him incarcerated and thus in warmer climates. To do so he chooses a bar to demolish but the crime only lands him a week in jail. Freedom proves too chilling and he vows to return. Grangier worked with Gabin on several films notably "The Night Affair" 1958 "The Counterfeiters of Paris" 1961 "Speaking of Murder" 1957 and "Maigret Sees Red" 1963 as did photographer Dole who was consistent if anything a regular fixture in films by Denys de La Patelliere Jean Delannoy. Photos 9.25 x 11.75 inches. Very Good plus overall with light curling discoloration. Intermondia Films / Pretoria / Cinedis unknown books
1968rif. 144528Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Vintage borderless photograph of screenwriter Dalton Trumbo and director John Frankenheimer on the set of the 1968 film. With manuscript annotations and agency stamp on the verso. Directed by Frankenheimer based on the 1966 Pulitzer Prize-winning novel by Bernard Malamud written for the screen by Dalton Trumbo and starring Alan Bates Dirk Bogarde and Ian Holm. Set in the era of Czarist Russia Frankeheimer's adaptation is a brutal realization of Malamud's novel wherein a poor Jew named Yakov Bok assumes the identity of a Gentile after moving from the country to Kiev in order to secure a job working for a drunken anti-Semite. When Bok is wrongfully accused of murder he winds up having to go to prison to avoid stigmatizing the entire Jewish community. Alan Bates was nominated for an Academy Award for Best Actor for his portrayal of Bok. Set in Russia shot on location in Hungary 8.5 x 6 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
