1974réf. 163777N.p.: N.p. 1974. Collection of ten vintage color lobby cards and two vintage borderless reference photographs from the 1974 French film. Housed in the original distributor's envelope. A young woman goes mad after the murder of her lover and is incarcerated in a sexually sadistic convent. Photographs: 9 x 7 inches. Near Fine. Lobby cards: 11 x 8.75 inches. Near Fine. Envelope: 11.5 x 9 inches. Very Good plus lightly foxed and edgeworn. Bier 764. N.p. unknown
1974réf. 151454Paris: Fox-Lira 1974. Vintage borderless reference photograph from the 1974 film. A young woman goes mad after the murder of her lover and is incarcerated in a sexually sadistic convent. 9.5 x 7 inches. Near Fine. Bier 764. Fox-Lira unknown
1968réf. 162398Montreal: Prima Film 1968. Three vintage borderless reference photographs from the 1968 French-Czechoslovak film including one double weight and two single weight. Vanessa Redgrave & Joshua Logan on set of Camelot 1967. Double weight photograph with layout annotations in manuscript pencil and ink on the recto single weight photographs with Canadian distribution stamps on the versos. Double weight photograph shows director Alain Robbe-Grillet talking with actress Sylvie Bréal on the set. An experimental film addressing post-traumatic stress disorder and postwar Europe about a man who insists on providing varying contradictory accounts of his activities during the war. Two 9.5 x 6.75 inches one 6 x 10 inches. Near Fine. Prima Film unknown
1968réf. 162085New York: Grove Press International Film Festival / Evergreen Film 1968. Two vintage studio still photographs from the 1968 French-Czechoslovak film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An experimental film addressing post-traumatic stress disorder and postwar Europe about a man who insists on providing varying contradictory accounts of his activities during the war. 10 x 8 inches. Lightly creased at corners else about Near Fine. Grove Press International Film Festival / Evergreen Film unknown
1968réf. 162088New York: Trans American Films 1968. Three vintage reference photographs and one vintage studio still photograph from the US release of the 1966 French film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 10 x 8 inches. Near Fine. BFI 2033. Grant France. Trans American Films unknown
1966réf. 160544N.p.: N.p. 1966. Four vintage borderless double weight reference photographs from the 1966 French film. All four with annotations in manuscript ink on the verso. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 9 x 8 inches. Near Fine. BFI 2033. Grant France. N.p. unknown
1966réf. 153193N.p.: N.p. 1966. Vintage borderless reference photograph of director Alain Robbe-Grillet with cinematographer Willy Kurant and a cameraman on the set of the 1966 French film. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 7 x 5 inches. Fine. BFI 2033. Grant France. N.p. unknown
1974réf. 163777N.p.: N.p. 1974. Collection of ten vintage color lobby cards and two vintage borderless reference photographs from the 1974 French film. Housed in the original distributor's envelope. A young woman goes mad after the murder of her lover and is incarcerated in a sexually sadistic convent. Photographs: 9 x 7 inches. Near Fine. Lobby cards: 11 x 8.75 inches. Near Fine. Envelope: 11.5 x 9 inches. Very Good plus lightly foxed and edgeworn. Bier 764. N.p. unknown books
1974réf. 151454Paris: Fox-Lira 1974. Vintage borderless reference photograph from the 1974 film. A young woman goes mad after the murder of her lover and is incarcerated in a sexually sadistic convent. 9.5 x 7 inches. Near Fine. Bier 764. Fox-Lira unknown books
1963réf. 150389N.p.: N.p. 1963. Vintage borderless reference photograph of director Alain Robbe-Grillet on the set of the 1963 film. French "L'Immortelle" and "57- -3" stamp on verso. Directorial debut of novelist and filmmaker Alain Robbe-Grillet his first film project after writing the screenplay for Alain Resnais' "Last Year at Marienbad" 1961. Robbe-Grillet's eliptical narrative-defying tale of a withdrawn French man Jacques Doniol-Valcroze in a strange city Istanbul unable to speak the language falling in love with a mysterious woman Francoise Brion who shortly thereafter disappears. Set in and shot on location in Istanbul Turkey. 6.75 x 5 inches. Near Fine. BFI 1188. N.p. unknown books
1975réf. 142089France: Arcadie Productions 1975. Two vintage color and five borderless black and white reference photographs from the 1975 film. One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material she appears in two of the photographs here than in the actual film. 7 x 5 inches. Fine. Arcadie Productions unknown books
1968réf. 162398Montreal: Prima Film 1968. Three vintage borderless reference photographs from the 1968 French-Czechoslovak film including one double weight and two single weight. Vanessa Redgrave & Joshua Logan on set of Camelot 1967. Double weight photograph with layout annotations in manuscript pencil and ink on the recto single weight photographs with Canadian distribution stamps on the versos. Double weight photograph shows director Alain Robbe-Grillet talking with actress Sylvie Bréal on the set. An experimental film addressing post-traumatic stress disorder and postwar Europe about a man who insists on providing varying contradictory accounts of his activities during the war. Two 9.5 x 6.75 inches one 6 x 10 inches. Near Fine. Prima Film unknown books
1968réf. 162085New York: Grove Press International Film Festival / Evergreen Film 1968. Two vintage studio still photographs from the 1968 French-Czechoslovak film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An experimental film addressing post-traumatic stress disorder and postwar Europe about a man who insists on providing varying contradictory accounts of his activities during the war. 10 x 8 inches. Lightly creased at corners else about Near Fine. Grove Press International Film Festival / Evergreen Film unknown books
1968réf. 162088New York: Trans American Films 1968. Three vintage reference photographs and one vintage studio still photograph from the US release of the 1966 French film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 10 x 8 inches. Near Fine. BFI 2033. Grant France. Trans American Films unknown books
1966réf. 153193N.p.: N.p. 1966. Vintage borderless reference photograph of director Alain Robbe-Grillet with cinematographer Willy Kurant and a cameraman on the set of the 1966 French film. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 7 x 5 inches. Fine. BFI 2033. Grant France. N.p. unknown books
1966réf. 160544N.p.: N.p. 1966. Four vintage borderless double weight reference photographs from the 1966 French film. All four with annotations in manuscript ink on the verso. An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. Set in Paris and Antwerp. 9 x 8 inches. Near Fine. BFI 2033. Grant France. N.p. unknown books
1970réf. 158635Madison WI: Pm Productions 1970. Vintage window card flyer for a series of screenings of the 1971 film at the University of Wisconsin circa mid 1970s. A risqué mockumentary and mondo parody wherein director and famed hoaxer Alan Abel stars as Dr. Harrison Rogers of the Bureau of Sexological Investigation seeking out luminary figures in the world of sex and people on the street for the answers to a number of absurd sex-related questions climaxing with the International Sex Bowl competition. Featuring Buck Henry Robert Downey Sr. Holly Woodlawn James Randi and Mink Stole. Set in and shot on location in New York City. 8 x 13.5 inches. Near Fine with a faint horizontal crease and an illegible annotation in manuscript ink on the verso. Pm Productions unknown
1970réf. 158635Madison WI: Pm Productions 1970. Vintage window card flyer for a series of screenings of the 1971 film at the University of Wisconsin circa mid 1970s. A risqué mockumentary and mondo parody wherein director and famed hoaxer Alan Abel stars as Dr. Harrison Rogers of the Bureau of Sexological Investigation seeking out luminary figures in the world of sex and people on the street for the answers to a number of absurd sex-related questions climaxing with the International Sex Bowl competition. Featuring Buck Henry Robert Downey Sr. Holly Woodlawn James Randi and Mink Stole. Set in and shot on location in New York City. 8 x 13.5 inches. Near Fine with a faint horizontal crease and an illegible annotation in manuscript ink on the verso. Pm Productions unknown books
1981réf. 139774Universal City CA: Universal Pictures 1981. Vintage studio still photograph from the 1981 film. Three wealthy couples living in New York take seasonal trips with one another. This marital drama and romantic comedy was met with box office success upon its release. Shot on location in various locations around the eastern United States. 10 x 8 inches. Fine. Universal Pictures unknown books
1977réf. 163630Los Angeles: Twentieth Century-Fox 1977. Vintage promotional portrait photographs of Sid Caesar and Rob Reiner respectively from the 1977 film. Based on Robert Klane's 1975 novel about a store owner and his two sons one of whom he has essentially disowned. Ezra Alan Arkin is the lesser son who coaches a worthless high school basketball team and has a wife much too eager to have children. A well regarded comedy about a dysfunctional Jewish family with a cast of veteran comedic actors. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown
1975réf. 129187Los Angeles: Twentieth Century-Fox 1975. First Draft script for the 1977 film. Benny Fikus owns a failing clothing store and wishes to cash in on it by burning down his store and collecting the money from the fire insurance policy. He goes on vacation with his wife and puts his son in charge and suffers a heart attack while away. His other son Ezra attempts to adopt an African American teenager to have him play on his basketball team so that he may keep his job as the unsuccessful high school basketball coach. Blue titled wrappers. Title page present dated September 19 1975 noted as First Draft with credit for screenwriter Klane. 124 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1972réf. 168139Burbank CA: Warner Brothers 1972. Two vintage studio still photographs taken on the set of the 1974 film one showing director Richard Rush and actor James Caan the other showing Caan with motorcycle stunt instructor Mike Bast. A blueprint for the buddy cop movie about two inept police officers portrayed with wonderful chemistry by Alan Arkin and James Caan who wreak utter mayhem and destruction while trying to bring down a local mob boss. Director Richard Rush's ludicrous politically incorrect black comedy satirizing the popular revenge and police action films of the period. Set and shot on location in San Francisco California. 7.5 x 10 inches. Warner Brothers unknown
1975réf. 129187Los Angeles: Twentieth Century-Fox 1975. First Draft script for the 1977 film. Benny Fikus owns a failing clothing store and wishes to cash in on it by burning down his store and collecting the money from the fire insurance policy. He goes on vacation with his wife and puts his son in charge and suffers a heart attack while away. His other son Ezra attempts to adopt an African American teenager to have him play on his basketball team so that he may keep his job as the unsuccessful high school basketball coach. Blue titled wrappers. Title page present dated September 19 1975 noted as First Draft with credit for screenwriter Klane. 124 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1977réf. 163630Los Angeles: Twentieth Century-Fox 1977. Vintage promotional portrait photographs of Sid Caesar and Rob Reiner respectively from the 1977 film. Based on Robert Klane's 1975 novel about a store owner and his two sons one of whom he has essentially disowned. Ezra Alan Arkin is the lesser son who coaches a worthless high school basketball team and has a wife much too eager to have children. A well regarded comedy about a dysfunctional Jewish family with a cast of veteran comedic actors. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1972réf. 168139Burbank CA: Warner Brothers 1972. Two vintage studio still photographs taken on the set of the 1974 film one showing director Richard Rush and actor James Caan the other showing Caan with motorcycle stunt instructor Mike Bast. A blueprint for the buddy cop movie about two inept police officers portrayed with wonderful chemistry by Alan Arkin and James Caan who wreak utter mayhem and destruction while trying to bring down a local mob boss. Director Richard Rush's ludicrous politically incorrect black comedy satirizing the popular revenge and police action films of the period. Set and shot on location in San Francisco California. 7.5 x 10 inches. Warner Brothers unknown books
