11 049 résultats
1959réf. 158799N.p.: N.p. 1959. Five vintage oversize double weight reference photographs from the 1959 film. Two photographs with the stamp of the Lérida Ministry of Information of Spain on the verso and all five with annotations in manuscript ink regarding cropping and identifying the film. Two photographs with titles tipped on the recto one crediting director Alain Resnais. Resnais' meditation on memory history and forgetfulness proved to be a major catalyst for the Rive Gauche movement earning Resnais a Palme d'Or nomination and screenwriter Marguerite Duras an Academy Award nomination. Set in Hiroshima shot on location in Hiroshima Japan and Nievre France. 12 x 9.5 inches. Poor with moderate wear and pinholes at the corners and light creasing overall. N.p. unknown
1959réf. 140805Neuilly-sur-Seine France: Argos Films 1959. Collection of eight vintage borderless reference photographs from the 1959 film. Four photographs with the stamp of production company Argos Films seven with a sticker noting they are from the collection of film historian collector and founder of the Tele Cine Documentation TCD cinema photo library Daniel Bouteiller one with both a sticker and stamp from the collection of film historian Maurice Bessy and all with manuscript annotations on the versos. A series of conversations about memory history and forgetfulness between a departing French actress and the married Japanese architect with whom she had a brief affair the film was a major catalyst for the Rive Gauche film movement. Screenwriter Marguerite Duras was nominated for an Academy Award and Alain Resnais received a Palme d'Or nomination at Cannes. 7 x 5 inches. Generally Near Fine. Criterion Collection 196. Rosenbaum 1000. Vogel Film as Subversive Art. Argos Films unknown
1968réf. 159812Neuilly-sur-Seine France: Presse Parc Film 1968. Vintage borderless reference photograph from the 1968 French film showing director Alain Resnais on the set. Stamp specific to the film's French release on the verso. After being released from the hospital following a suicide attempt a young man is scouted by a mysterious research group to participate in a time travel experiment. Resnais' fifth film a brutal rumination on memory and the death of a relationship thematically and stylistically a precursor to Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind." Shot on location in Brussels Belgium. 7 x 5 inches. About Fine. Presse Parc Film unknown
1968réf. 149444Neuilly-sur-Seine France: Presse Parc Film 1968. Four vintage borderless reference photographs from the 1968 French film. With a stamp specific to the French release for the film on the verso and one with a provenance stamp. After being released from the hospital following a suicide attempt a young man is scouted by a mysterious research group to participate in a time travel experiment. Alain Resnais' fifth film a brutal rumination on memory and the death of a relationship thematically and stylistically a precursor to Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind." Shot on location in Brussels Belgium. Three photographs 5 x 6.75 inches one photograph 7 x 5 inches. Near Fine. Presse Parc Film unknown
1961réf. 168495N.p.: N.p. 1961. Two vintage borderless reference photographs from the 1961 French film one showing director Alain Resnais talking with Delphine Seyrig and Giorgio Albertazzi the other showing Resnais talking with Seyrig alone. Provenance stamps and annotations in manuscript ink on the versos. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.5 inches. About Near Fine with faint toning on the edges. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961réf. 159807N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with two "Photofest" stamps. alexander An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961réf. 153855N.p.: N.p. 1961. Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. A divisive film viewed by critics as either an ambiguous surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961réf. 153966N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with manuscript ink and pencil annotations. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961réf. 149454Paris: F.O.G. 1961. Collection of six vintage reference photographs from the 1961 film two borderless two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos. Three photos shown. Please inquire for others. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Viewed as either ambiguous surreal masterpiece or an incomprehensible indulgence with almost no middle ground. Nominated for an Academy Award for Best Original Screenplay. 7 x 5 inches. Very Good plus with light edgewear one with creasing at left corners. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. F.O.G. unknown
1961réf. 144267Paris: Cocinor 1961. Vintage snapshot size photograph of Alain Resnais on the set of the 1961 film. With manuscript annotations in pencil and a press agency stamp on the verso of each. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Nominated for an Academy Award for Best Original Screenplay. Shot on location in Germany and France. 3.5 x 5 inches. Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. Cocinor unknown
1966réf. 141085N.p.: Europa Film 1966. Vintage pressbook for the 1966 film. In the wake of the Spanish Civil War a communist exile continues his anti-Franco activities from his new Paris home. The film follows his disillusionment with the revolution and its questionable tactics. Nominated for an Academy Award for Best Screenplay. Two pages saddle stapled 10 x 12 inches. Near Fine with a small manuscript graphite notation to the recto. Europa Film unknown
1961réf. 159807N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with two "Photofest" stamps. alexander An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961réf. 153855N.p.: N.p. 1961. Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. A divisive film viewed by critics as either an ambiguous surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961réf. 153966N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with manuscript ink and pencil annotations. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961réf. 144267Paris: Cocinor 1961. Vintage snapshot size photograph of Alain Resnais on the set of the 1961 film. With manuscript annotations in pencil and a press agency stamp on the verso of each. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Nominated for an Academy Award for Best Original Screenplay. Shot on location in Germany and France. 3.5 x 5 inches. Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. Cocinor unknown books
1961réf. 168495N.p.: N.p. 1961. Two vintage borderless reference photographs from the 1961 French film one showing director Alain Resnais talking with Delphine Seyrig and Giorgio Albertazzi the other showing Resnais talking with Seyrig alone. Provenance stamps and annotations in manuscript ink on the versos. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.5 inches. About Near Fine with faint toning on the edges. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961réf. 149454Paris: F.O.G. 1961. Collection of six vintage reference photographs from the 1961 film two borderless two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos. Three photos shown. Please inquire for others. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Viewed as either ambiguous surreal masterpiece or an incomprehensible indulgence with almost no middle ground. Nominated for an Academy Award for Best Original Screenplay. 7 x 5 inches. Very Good plus with light edgewear one with creasing at left corners. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. F.O.G. unknown books
1966réf. 141085N.p.: Europa Film 1966. Vintage pressbook for the 1966 film. In the wake of the Spanish Civil War a communist exile continues his anti-Franco activities from his new Paris home. The film follows his disillusionment with the revolution and its questionable tactics. Nominated for an Academy Award for Best Screenplay. Two pages saddle stapled 10 x 12 inches. Near Fine with a small manuscript graphite notation to the recto. Europa Film unknown books
1959réf. 140805Neuilly-sur-Seine France: Argos Films 1959. Collection of eight vintage borderless reference photographs from the 1959 film. Four photographs with the stamp of production company Argos Films seven with a sticker noting they are from the collection of film historian collector and founder of the Tele Cine Documentation TCD cinema photo library Daniel Bouteiller one with both a sticker and stamp from the collection of film historian Maurice Bessy and all with manuscript annotations on the versos. A series of conversations about memory history and forgetfulness between a departing French actress and the married Japanese architect with whom she had a brief affair the film was a major catalyst for the Rive Gauche film movement. Screenwriter Marguerite Duras was nominated for an Academy Award and Alain Resnais received a Palme d'Or nomination at Cannes. 7 x 5 inches. Generally Near Fine. Criterion Collection 196. Rosenbaum 1000. Vogel Film as Subversive Art. Argos Films unknown books
1959réf. 158799N.p.: N.p. 1959. Five vintage oversize double weight reference photographs from the 1959 film. Two photographs with the stamp of the Lérida Ministry of Information of Spain on the verso and all five with annotations in manuscript ink regarding cropping and identifying the film. Two photographs with titles tipped on the recto one crediting director Alain Resnais. Resnais' meditation on memory history and forgetfulness proved to be a major catalyst for the Rive Gauche movement earning Resnais a Palme d'Or nomination and screenwriter Marguerite Duras an Academy Award nomination. Set in Hiroshima shot on location in Hiroshima Japan and Nievre France. 12 x 9.5 inches. Poor with moderate wear and pinholes at the corners and light creasing overall. N.p. unknown books
1968réf. 149444Neuilly-sur-Seine France: Presse Parc Film 1968. Four vintage borderless reference photographs from the 1968 French film. With a stamp specific to the French release for the film on the verso and one with a provenance stamp. After being released from the hospital following a suicide attempt a young man is scouted by a mysterious research group to participate in a time travel experiment. Alain Resnais' fifth film a brutal rumination on memory and the death of a relationship thematically and stylistically a precursor to Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind." Shot on location in Brussels Belgium. Three photographs 5 x 6.75 inches one photograph 7 x 5 inches. Near Fine. Presse Parc Film unknown books
1968réf. 159812Neuilly-sur-Seine France: Presse Parc Film 1968. Vintage borderless reference photograph from the 1968 French film showing director Alain Resnais on the set. Stamp specific to the film's French release on the verso. After being released from the hospital following a suicide attempt a young man is scouted by a mysterious research group to participate in a time travel experiment. Resnais' fifth film a brutal rumination on memory and the death of a relationship thematically and stylistically a precursor to Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind." Shot on location in Brussels Belgium. 7 x 5 inches. About Fine. Presse Parc Film unknown books
1963réf. 150389N.p.: N.p. 1963. Vintage borderless reference photograph of director Alain Robbe-Grillet on the set of the 1963 film. French "L'Immortelle" and "57- -3" stamp on verso. Directorial debut of novelist and filmmaker Alain Robbe-Grillet his first film project after writing the screenplay for Alain Resnais' "Last Year at Marienbad" 1961. Robbe-Grillet's eliptical narrative-defying tale of a withdrawn French man Jacques Doniol-Valcroze in a strange city Istanbul unable to speak the language falling in love with a mysterious woman Francoise Brion who shortly thereafter disappears. Set in and shot on location in Istanbul Turkey. 6.75 x 5 inches. Near Fine. BFI 1188. N.p. unknown
1975réf. 142089France: Arcadie Productions 1975. Two vintage color and five borderless black and white reference photographs from the 1975 film. One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material she appears in two of the photographs here than in the actual film. 7 x 5 inches. Fine. Arcadie Productions unknown
1974réf. 163777N.p.: N.p. 1974. Collection of ten vintage color lobby cards and two vintage borderless reference photographs from the 1974 French film. Housed in the original distributor's envelope. A young woman goes mad after the murder of her lover and is incarcerated in a sexually sadistic convent. Photographs: 9 x 7 inches. Near Fine. Lobby cards: 11 x 8.75 inches. Near Fine. Envelope: 11.5 x 9 inches. Very Good plus lightly foxed and edgeworn. Bier 764. N.p. unknown
