11 067 résultats
1993réf. 157315N.p.: N.p. 1993. Vintage reference photograph from the set of the 1993 film showing Martin Scorsese directing actor Daniel Day-Lewis between takes. Annotations in manuscript ink on the verso identifying subjects in the photograph. Based on the 1920 novel by Edith Wharton about a wealthy lawyer who begins to fall in love with his fiancée's cousin a scandalously divorced countess. Nominated for four Academy Awards winning one. Set in New York and shot on location in Troy New York. N.p. unknown
1982réf. 159948N.p.: N.p. 1982. Three vintage borderless reference photographs from the 1982 film. A black comedy following the delusional and increasingly violent experiences of a painfully untalented comedian. Perhaps Martin Scorsese's most underrated film a brilliant study of celebrity worship and American media culture. Basis for the successful 2019 film "Joker" starring Joaquin Phoenix. Set and shot on location in New York. 9.5 x 7 inches. Near Fine. N.p. unknown
1981réf. 144553New York: New Regency Films 1981. Three vintage photographs from the shooting of the 1982 film. Mimeo snipe on the verso of one photograph and manuscript annotations and agency stamps on the verso of each. Perhaps Scorsese's most underrated film "The King of Comedy" is a brilliant study of celebrity worship and American media culture by way of an exploratory journey into the mind of Rupert Pupkin a man totally lacking in self-awareness driven only by obsession. The titular character is played by Robert De Niro cast completely against type in furious pursuit of his idol Jerry Langford Jerry Lewis along with the genius addition of Sandra Bernhard as De Niro's crazed groupie assistant. Set and shot on location in New York. 8 x 10 inches. Near Fine. New Regency Films unknown
1988réf. 171028Paris: Sygma 1988. Vintage oversize borderless color reference photograph from the 1988 film showing Barbara Hershey with curly hair and heavily hennaed hands and arms. Mimeo snipe on the verso. Based on the controversial 1955 novel by Nikos Kazantazkis adapted by Paul Schrader. Departing from the Gospels' depiction of Jesus Christ the film explored the humanity of Jesus and the various temptations he encountered during his time on Earth incurring outrage upon release from some Christian groups. Nominated for an Academy Award for Best Director. Shot on location in Morocco. 8 x 12 inches. About Fine. Criterion Collection 70. Sygma unknown
1981réf. 144553New York: New Regency Films 1981. Three vintage photographs from the shooting of the 1982 film. Mimeo snipe on the verso of one photograph and manuscript annotations and agency stamps on the verso of each. Perhaps Scorsese's most underrated film "The King of Comedy" is a brilliant study of celebrity worship and American media culture by way of an exploratory journey into the mind of Rupert Pupkin a man totally lacking in self-awareness driven only by obsession. The titular character is played by Robert De Niro cast completely against type in furious pursuit of his idol Jerry Langford Jerry Lewis along with the genius addition of Sandra Bernhard as De Niro's crazed groupie assistant. Set and shot on location in New York. 8 x 10 inches. Near Fine. New Regency Films unknown books
1993réf. 157315N.p.: N.p. 1993. Vintage reference photograph from the set of the 1993 film showing Martin Scorsese directing actor Daniel Day-Lewis between takes. Annotations in manuscript ink on the verso identifying subjects in the photograph. Based on the 1920 novel by Edith Wharton about a wealthy lawyer who begins to fall in love with his fiancée's cousin a scandalously divorced countess. Nominated for four Academy Awards winning one. Set in New York and shot on location in Troy New York. N.p. unknown books
1973réf. 134920Burbank CA: Warner Brothers 1973. Complete-as-issued set of 15 black-and-white studio still photographs from the 1973 film. Housed in the original sack envelope as issued rubber stamped "MEAN STREETS / 15 STILLS / B." Scorsese's breakthrough film one of the establishing pillars of New Hollywood cinema setting the template that would guide the best of his work to follow. Set in New York City and shot on location there. 8 x 10 inches. Near Fine. Sack Very Good Plus with minor wear. Warner Brothers unknown books
1988réf. 171028Paris: Sygma 1988. Vintage oversize borderless color reference photograph from the 1988 film showing Barbara Hershey with curly hair and heavily hennaed hands and arms. Mimeo snipe on the verso. Based on the controversial 1955 novel by Nikos Kazantazkis adapted by Paul Schrader. Departing from the Gospels' depiction of Jesus Christ the film explored the humanity of Jesus and the various temptations he encountered during his time on Earth incurring outrage upon release from some Christian groups. Nominated for an Academy Award for Best Director. Shot on location in Morocco. 8 x 12 inches. About Fine. Criterion Collection 70. Sygma unknown books
1982réf. 139511Los Angeles: Twentieth Century-Fox 1982. Vintage black-and-white studio still photograph from the 1983 film. In this black-comedy a delusional aspiring comic Rupert Pupkin Robert De Niro stalks and eventually kidnaps his idol a late night talk show host Jerry Langford Jerry Lewis. The fifth film collaboration between De Niro and Scorsese preceded by the classic "Raging Bull." Set in New York shot on location in New Jersey and New York. 10 x 8 inches. Fine. Twentieth Century-Fox unknown books
1982réf. 159948N.p.: N.p. 1982. Three vintage borderless reference photographs from the 1982 film. A black comedy following the delusional and increasingly violent experiences of a painfully untalented comedian. Perhaps Martin Scorsese's most underrated film a brilliant study of celebrity worship and American media culture. Basis for the successful 2019 film "Joker" starring Joaquin Phoenix. Set and shot on location in New York. 9.5 x 7 inches. Near Fine. N.p. unknown books
1977réf. 115615Beverly Hills CA: United Artists 1977. Revised Draft script for the 1977 film. Based on the 1977 novel by Earl Mac Rauch. Tan wrappers with white designed titles bearing the name of the production company ICM International Creative Management. Title page present with a date of April 14 1976 and screenwriter credit for Earl Mac Rauch. 159 leaves mechanical duplication title printed in block letters on the spine in black ink. Pages and wrappers Near Fine wrapper showing a few small stains. Hirschhorn p. 407. United Artists unknown books
1995réf. 149323Universal City: Universal Pictures 1995. Two truly striking vintage reference photographs taken on the set of the 1995 film each demonstrating the film's true aspect ratio. With manuscript pencil and ink annotations regarding layout and the printed label of the film's still photographer Phillip V. Caruso to the verso. Shown in the two photographs are Scorsese working with actors and crew on the expansive casino floor set. Also shown are Robert De Niro Don Rickles Billy Crystal and others. Based on screenwriter Nicholas Pileggi's 1995 nonfiction book "Casino: Love and Honor in Las Vegas." Martin Scorsese's fifteenth film one of his finest a fast-paced bloody tale following a low-level mobster and gambling expert who climbs to power at the Mafia-run Tangiers Casino in the 1970s. Set and shot on location in Las Vegas with casino scenes shot at the Riviera. 10 x 8 inches. Fine. Spicer US Neo-Noir. Universal Pictures unknown books
1983réf. 167890Los Angeles: Paramount Pictures 1983. Eight vintage publicity photographs from the 1983 film including two compilation photographs. Printed mimeo snipes affixed to the versos of seven photographs. Based on Erich Segal's 1980 novel about a family man confronted with an illegitimate child from a long-since-past affair. 8 x 10 inches. Very Good plus to Near Fine. Paramount Pictures unknown
1983réf. 167890Los Angeles: Paramount Pictures 1983. Eight vintage publicity photographs from the 1983 film including two compilation photographs. Printed mimeo snipes affixed to the versos of seven photographs. Based on Erich Segal's 1980 novel about a family man confronted with an illegitimate child from a long-since-past affair. 8 x 10 inches. Very Good plus to Near Fine. Paramount Pictures unknown books
réf. 146805N.p.: N.p. Unknown. Treatment script for an unproduced television film. Incomplete as issued. With a small handwritten label to the first leaf noting the name and address of screenwriter Martin Warner. A lonely widower finds new love with a vibrant retired school teacher aided by his well-intentioned but meddling apartment building neighbors. Set in Santa Monica California. White lacking titled wrappers. Title page present with credits for screenwriter Martin Warner. 45 leaves with last page of text numbered 44. Xerographic duplication rectos only. Pages Very Good with light rust to the first and last leaves likely from a paper clip bound with two gold brads. N.p. unknown
réf. 146805N.p.: N.p. Unknown. Treatment script for an unproduced television film. Incomplete as issued. With a small handwritten label to the first leaf noting the name and address of screenwriter Martin Warner. A lonely widower finds new love with a vibrant retired school teacher aided by his well-intentioned but meddling apartment building neighbors. Set in Santa Monica California. White lacking titled wrappers. Title page present with credits for screenwriter Martin Warner. 45 leaves with last page of text numbered 44. Xerographic duplication rectos only. Pages Very Good with light rust to the first and last leaves likely from a paper clip bound with two gold brads. N.p. unknown books
1972réf. 132505London: National Screen Service / London Screen Distributors 1972. Vintage British front-of-house card from the UK release of the 1971 US film. A young American soldier wants to lose his virginity before he's shipped off to Vietnam and luck would have it as he meets a young woman with a dark secret who appears willing to help out. 8 x 10 inches. Light creases at the extremities else Near Fine. National Screen Service / London Screen Distributors unknown books
1969réf. 153094London: Ned Sherrin 1969. Early Draft script for the 1970 British film with annotations in manuscript ink on four pages a "1." on the title page and three underlining locations. Script preceded by six pages of notes on story cast of characters and notes on principal characters. An ad man is tasked with creating a new sexy image for a frozen porridge brand. A satirical farce directly ridiculing British conservative activist Mary Whitehouse who in 1970 was staging a war on gratuitous sex in advertising and many other fields of British life. Shot on location in London and Surrey. Dark blue untitled wrappers with die-cut window in the British Fashion. Title page present dated 6th February 1969 with credits for screenwriters Marty Feldman and Barry Took and story credit for Milton Shulman and Herbert Kretzmer. 101 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. Ned Sherrin unknown
1969réf. 153094London: Ned Sherrin 1969. Early Draft script for the 1970 British film with annotations in manuscript ink on four pages a "1." on the title page and three underlining locations. Script preceded by six pages of notes on story cast of characters and notes on principal characters. An ad man is tasked with creating a new sexy image for a frozen porridge brand. A satirical farce directly ridiculing British conservative activist Mary Whitehouse who in 1970 was staging a war on gratuitous sex in advertising and many other fields of British life. Shot on location in London and Surrey. Dark blue untitled wrappers with die-cut window in the British Fashion. Title page present dated 6th February 1969 with credits for screenwriters Marty Feldman and Barry Took and story credit for Milton Shulman and Herbert Kretzmer. 101 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. Ned Sherrin unknown books
1933réf. 131639Burbank CA: First National Pictures / Warner Brothers 1933. Vvintage black-and-white still photograph from the 1933 film. With a typewritten snipe affixed to the verso as issued. Prohibition is ending so bootlegger Bugs Ahearn decides to crack California society. He leases a house from down-on-her-luck Ruth and hires her as social secretary. He rescues Polly Cass from a horsefall and goes home to meet her dad who sells him some phony stock certificates. When he learns about this he sends to Chicago for mob help. 8 x 10 inches. Fine. First National Pictures / Warner Brothers unknown books
1984réf. 168117Beverly Hills CA: Metro-Goldwyn-Mayer MGM / United Artists 1984. Vintage studio still photograph from the 1984 film showing actress Mary Crosby as Princess Karina. In a future in which water is a scarce commodity space pirates are caught stealing ice and are sold to a princess searching for her long-lost father. The second major Hollywood film for both Crosby and actor Ron Perlman. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] / United Artists unknown books
1966réf. 140604Los Angeles: Expanding Cinema 1966. Shooting final for the 1966 film. Copy belonging to actor Peter Haskell with his manuscript annotations throughout and his shooting schedule laid in. Mary Ellen Bute's final film and the first cinematic adaptation of James Joyce's masterfully complex work of fiction. Shot over a two year period Bute was tasked with transforming Joyce's impenetrable prose without losing any of the work's surreal lyrical essence. The subsequent film maintains the original novel's oneiric style. Bute and her husband Ted Nemeth were longtime collaborators and Nemeth worked as both cinematographer and producer of the film. In 1965 it was honored at the Cannes Film Festival as Best Debut and remains Bute's sole feature length film. Shot on location in New York City and Dublin. Brown untitled wrappers. Title page present dated March 4 1963 and December 3 1962 noted as Shooting Final with credits for screenwriters Mary Ellen Bute Romana Javitz and T. J. Nemeth Jr and editor A.I.M.S. Street. 148 leaves with last page of text numbered 139. Mimeograph duplication with onionskin revision pages throughout. Pages Very Good plus wrapper Very Good plus. Some pages detaching and wrapper slightly cracked. Bound internally with prong binding. Expanding Cinema unknown
1966réf. 140604Los Angeles: Expanding Cinema 1966. Shooting final for the 1966 film. Copy belonging to actor Peter Haskell with his manuscript annotations throughout and his shooting schedule laid in. Mary Ellen Bute's final film and the first cinematic adaptation of James Joyce's masterfully complex work of fiction. Shot over a two year period Bute was tasked with transforming Joyce's impenetrable prose without losing any of the work's surreal lyrical essence. The subsequent film maintains the original novel's oneiric style. Bute and her husband Ted Nemeth were longtime collaborators and Nemeth worked as both cinematographer and producer of the film. In 1965 it was honored at the Cannes Film Festival as Best Debut and remains Bute's sole feature length film. Shot on location in New York City and Dublin. Brown untitled wrappers. Title page present dated March 4 1963 and December 3 1962 noted as Shooting Final with credits for screenwriters Mary Ellen Bute Romana Javitz and T. J. Nemeth Jr and editor A.I.M.S. Street. 148 leaves with last page of text numbered 139. Mimeograph duplication with onionskin revision pages throughout. Pages Very Good plus wrapper Very Good plus. Some pages detaching and wrapper slightly cracked. Bound internally with prong binding. Expanding Cinema unknown books
1959réf. 151144London: J. Arthur Rank 1959. Treatment script for an unproduced film circa 1959. Not to be confused with the 1972 BBC mini-series based on the same literary source. Based on Mary McMinnies' 1958 novel which follows the adventures of a pleasantly immoral young woman who has recently been relocated with her English Foreign Service husband to a Communist-run eastern European country. Gray titled wrappers noted as Treatment on the front wrapper dated 18-3-59. Title page present with credits for screenwriter JOHN MORTIMER and novel credits to Mary MacMinnies sic. 48 leaves with last page of text numbered 46. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a gold prong. J. Arthur Rank unknown
1959réf. 151144London: J. Arthur Rank 1959. Treatment script for an unproduced film circa 1959. Not to be confused with the 1972 BBC mini-series based on the same literary source. Based on Mary McMinnies' 1958 novel which follows the adventures of a pleasantly immoral young woman who has recently been relocated with her English Foreign Service husband to a Communist-run eastern European country. Gray titled wrappers noted as Treatment on the front wrapper dated 18-3-59. Title page present with credits for screenwriter JOHN MORTIMER and novel credits to Mary MacMinnies sic. 48 leaves with last page of text numbered 46. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a gold prong. J. Arthur Rank unknown books
