11 071 résultats
1958réf. 143132Paris: Cinedis 1958. Collection of 419 vintage black-and-white photographs with original publicity ephemera from the set of the 1958 film "Night Heat" here under the original French title "Cette nuit la." Featured are over 300 smaller photographs elegantly presented in two "Lavis aquarelle" spiral bound notebooks with maroon faux leather front wrappers and affixed paper title labels with 3 or 4 photographs to a page. One notebook bears a label on the front wrapper verso noting film lab Tele-Photo production company Sopro Film Cinedis film title and photographer P. Apoteker. Several larger photographs credit photographer Francois Pages with his rubber stamp on the versos featuring images of actress Demongeot as she models in fur coat for onlookers including costar Maurice Ronet and director Cazeneuve. Several photos feature cast and crew at a release party. Brief annotations in manuscript pencil on the versos two with rubber-stamped series number. Several photographs with annotations on the verso in manuscript ink and pencil several with layout annotations on the recto a few with rubber-stamped series number. Loose photographs ephemera and original envelopes are housed in the original French Kodak paper box with annotations on the box top in manuscript ink and film title affixed to the side. Noir thriller based on Michel Lebrun's novel "Un Silence de Mort" 1957 starring Demongeot as Sylvie married to Jean Ronet an executive at a fashion magazine. Jean's boss André Servais obsesses over Sylvie whose demure femininity can be fatal. An early film credit for still photographer Paul Apoteker whose "Too Late for Love" 1959 is regarded as his first credited film. His dramatic execution would later be seen in Clouzot's "The Truth" 1960 Sautet's romance noir "Classe Tous Risques" 1960 and Woody Allen's "Love and Death" 1975. Demongeot and Ronet are amply represented throughout the collection including a preliminary mockup of the poster art. Photographs in large quarto notebooks 3.75 x 5 inches loose photographs range from 3.25 x 4 inches to 8 x 11.75 inches. Photographs Near Fine overall light curling a handful with short creases ephemera and notebooks Very Good plus box Very Good. Cinedis unknown books
1958réf. 143147Paris: Francoise Pages 1958. Vintage black-and-white photograph from the set of the 1958 film "Night Heat" here under the original French title "Cette nuit la." Featured is actress Mylene Demongeot with costar Maurice Ronet. With over 70 films to her credit Demongeot 1935- began acting in the early 1950s her first film being Leonide Moguy's "Children of Love" 1953. Notable films would follow including Raymond Rouleau's "The Crucible" 1957 Otto Preminger's "Bonjour Tristesse" 1958 Marc Allegret's "Be Beautiful But Shut Up" 1958 Andre Hunebelle's "Fantomas" 1964 and several Marc Simenon films in the 1970s and 1980s a director she was married to for over thirty years. 3.25 x 4.25 inches small white borders "298H" rubberstamp on versos: 182. Very Good plus with curling and slight discoloration overall. Francoise Pages unknown books
1964réf. 139875Paris: Les Films de Mai 1964. Vintage borderless double weight studio still photographs from the 1964 French film. Featuring an image of two men boxing in front of a couple onlookers. A woman Madeline Robinson begins a relationship with a West Indian boxer Rene Lefevre twenty years her junior who wins the admiration of her young son until neighborhood drama forces the two apart. Set in Paris and shot there on location. 8 x 11.75 inches. Near Fine. Les Films de Mai unknown books
1956réf. 132194London: Independent Film Distributors / British Lion 1956. Vintage black-and-white British front-of-house card from the 1956 UK film. A well-received farce about a couple of dim-witted bookmakers who decide to fix a horse race. 8 x 9.75 inches. Very Good plus withand light stains and creases. Independent Film Distributors / British Lion unknown books
1952réf. 132396London: Twentieth Century-Fox 1952. Vintage full-color British front-of-house card from the UK release of the 1951 US film. In 1858 France Emperor Napoleon sends military officers to Normandy in search of a group of rebels. They encounter a masked cavalier and his companions including an heiress to the fabled treasure of Monte Cristo. 8 x 10 inches. Very Good plus with pinholes at the corners. Twentieth Century-Fox unknown books
réf. 022613Maurice Hilero (1909-1975), scénariste, réalisateur, secrétaire général adjoint de la SNAC. L.S., Paris, 8 avril 1960, 1p in-4. A Jean-Armand Petit. Condoléances pour la mort de son frère, Georges Petit (1883-1960), compositeur, baryton. [554]
1985réf. 150497N.p.: N.p. 1985. Vintage borderless reference photograph of Maurice Pialat on the set of the 1985 film. Brutish and jaded police detective Louis Mangin Gerard Depardieu in one of his strongest performances investigates a Tunisian drug gang and begins to fall for the girlfriend Sophie Marceau of one of the criminals. Set in and shot on location in Paris France. 7 x 5 inches. Near Fine. Olive Films 1326. Grant France. N.p. unknown
1985réf. 150497N.p.: N.p. 1985. Vintage borderless reference photograph of Maurice Pialat on the set of the 1985 film. Brutish and jaded police detective Louis Mangin Gerard Depardieu in one of his strongest performances investigates a Tunisian drug gang and begins to fall for the girlfriend Sophie Marceau of one of the criminals. Set in and shot on location in Paris France. 7 x 5 inches. Near Fine. Olive Films 1326. Grant France. N.p. unknown books
1927réf. 148296Buffalo NY: Pathe Exchange 1927. Vintage reference photograph from the 1927 film showing actress Eileen Percy. A nightclub dancer is suspected of killing a foreign spy. 10 x 8 inches. Very Good with light wear and chipping to the margins image not affected and a light dampstain to the right edge. Pathe Exchange unknown books
1959réf. 149576Rome: Union Photos 1959. Vintage borderless reference photograph from the 1959 Italian film showing actress Elsa Martinelli. With the stamps of Union Photos and Atlantic Press on the verso. Loosely based on Pier Paolo Pasolini's 1955 novel "Ragazzi di vita" following three amoral young men as they make their way through Rome's seedy criminal underworld. The third collaboration between director Mauro Bolognini and screenwriter Pasolini who would of course go on to become a great and arguably better-known filmmaker in his own right preceded by "Marisa" 1957 and "Giovani mariti" 1958 and followed by "Bell' Antonio" 1960 and "From a Roman Balcony" 1960. Set and shot on location in Rome. 7.25 x 9.5 inches. Near Fine. Union Photos unknown
1959réf. 149576Rome: Union Photos 1959. Vintage borderless reference photograph from the 1959 Italian film showing actress Elsa Martinelli. With the stamps of Union Photos and Atlantic Press on the verso. Loosely based on Pier Paolo Pasolini's 1955 novel "Ragazzi di vita" following three amoral young men as they make their way through Rome's seedy criminal underworld. The third collaboration between director Mauro Bolognini and screenwriter Pasolini who would of course go on to become a great and arguably better-known filmmaker in his own right preceded by "Marisa" 1957 and "Giovani mariti" 1958 and followed by "Bell' Antonio" 1960 and "From a Roman Balcony" 1960. Set and shot on location in Rome. 7.25 x 9.5 inches. Near Fine. Union Photos unknown books
1963réf. 164221Los Angeles: Twentieth Century-Fox 1963. Vintage banner poster for the 1963 film. Rare in this format. An architect and his wife survey an old mansion where the previous tenant an eccentric heiress has disappeared. Strange noises suspicious strangers and vanishing keys ensue. Inspired by the Winchester Mystery House in San Jose California. Shot on location at the Greystone Park and Mansion in Beverly Hills California. 82 x 24 inches. Very Good plus with light soiling and faint rubbing overall. Twentieth Century-Fox unknown
1962réf. 126547Los Angeles: Twentieth Century-Fox 1962. First Draft script for the 1963 film. A nuanced "invasion from Mars" film that borrows cleverly from both "Invasion of the Body Snatchers" aliens use human beings as physical hosts and Val Lewton threat of a creature but creature is only implied not shown. An unusually heavy emphasis on dread atmosphere and characterization makes this one of the most overlooked "adult" science fiction films of the 1960s. Black three-ring binder noted as "DAY MARS INVADED EARTH" on the front wrapper with a credit for screenwriter Spalding as "Spaulding". Title page present with the title "SPACERAID 63" with a credit for screenwriter Spalding production No. 6277 dated June 22 1962. 96 leaves Multilith duplication with blue revision pages throughout dated 6/28/62. Pages Near Fine with a few small creases binder wrapper Near Fine with a bit of wrinkling on the front title label. Twentieth Century-Fox unknown
1963réf. 164221Los Angeles: Twentieth Century-Fox 1963. Vintage banner poster for the 1963 film. Rare in this format. An architect and his wife survey an old mansion where the previous tenant an eccentric heiress has disappeared. Strange noises suspicious strangers and vanishing keys ensue. Inspired by the Winchester Mystery House in San Jose California. Shot on location at the Greystone Park and Mansion in Beverly Hills California. 82 x 24 inches. Very Good plus with light soiling and faint rubbing overall. Twentieth Century-Fox unknown books
1962réf. 126547Los Angeles: Twentieth Century-Fox 1962. First Draft script for the 1963 film. A nuanced "invasion from Mars" film that borrows cleverly from both "Invasion of the Body Snatchers" aliens use human beings as physical hosts and Val Lewton threat of a creature but creature is only implied not shown. An unusually heavy emphasis on dread atmosphere and characterization makes this one of the most overlooked "adult" science fiction films of the 1960s. Black three-ring binder noted as "DAY MARS INVADED EARTH" on the front wrapper with a credit for screenwriter Spalding as "Spaulding". Title page present with the title "SPACERAID 63" with a credit for screenwriter Spalding production No. 6277 dated June 22 1962. 96 leaves Multilith duplication with blue revision pages throughout dated 6/28/62. Pages Near Fine with a few small creases binder wrapper Near Fine with a bit of wrinkling on the front title label. Twentieth Century-Fox unknown books
1995réf. 151599N.p.: N.p. 1995. Final Shooting script for the 1995 film. Copy belonging to noted crime writer Mickey Spillane who appeared in a cameo in the film as a personal favor to director Max Allan Collins. With Spillane's name in manuscript ink on the front wrapper and annotations highlighting lines to pages 56-59. A woman's increasingly psychotic obsession with her young daughter culminates in a string of gruesome murders. Collins' debut film following a lengthy career as a mystery novelist and comic writer. Followed by a sequel "Mommy 2: Mommy's Day" in 1997. Shot on location in Muscatine Iowa. White titled wrappers. Title page integral with front wrapper noted as FINAL SHOOTING SCRIPT on the front wrapper with credits for director Max Allan Collins. 79 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1995réf. 151599N.p.: N.p. 1995. Final Shooting script for the 1995 film. Copy belonging to noted crime writer Mickey Spillane who appeared in a cameo in the film as a personal favor to director Max Allan Collins. With Spillane's name in manuscript ink on the front wrapper and annotations highlighting lines to pages 56-59. A woman's increasingly psychotic obsession with her young daughter culminates in a string of gruesome murders. Collins' debut film following a lengthy career as a mystery novelist and comic writer. Followed by a sequel "Mommy 2: Mommy's Day" in 1997. Shot on location in Muscatine Iowa. White titled wrappers. Title page integral with front wrapper noted as FINAL SHOOTING SCRIPT on the front wrapper with credits for director Max Allan Collins. 79 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1980réf. 147188N.p.: N.p. 1980. Draft script for an unproduced television film. The sheriff of the town of Slayton is tasked with closing the old Barton family mine after a series of disasters and accidents-not realizing the Bartons would rather blow up the mine than surrender it to outsiders. Set in the fictional town of Slayton Nevada. Brown faux-leather non-standard titled wrappers. Title page present with credits for screenwriter Max Kleven. 104 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Near Fine with a small rust mark to the first leaf wrapper Very Good plus bound with two gold brads. N.p. unknown
1980réf. 147188N.p.: N.p. 1980. Draft script for an unproduced television film. The sheriff of the town of Slayton is tasked with closing the old Barton family mine after a series of disasters and accidents-not realizing the Bartons would rather blow up the mine than surrender it to outsiders. Set in the fictional town of Slayton Nevada. Brown faux-leather non-standard titled wrappers. Title page present with credits for screenwriter Max Kleven. 104 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Near Fine with a small rust mark to the first leaf wrapper Very Good plus bound with two gold brads. N.p. unknown books
1936réf. 156146N.p.: Prisma 1936. Vintage program for the 1936 Austrian film. Text and titles in German. A new member of the Vienna Boys Choir is framed for a theft. Shot on location in Tirol Austria. 7.25 x 10.5 inches. Bi-fold. About Near Fine. Prisma unknown
1936réf. 156146N.p.: Prisma 1936. Vintage program for the 1936 Austrian film. Text and titles in German. A new member of the Vienna Boys Choir is framed for a theft. Shot on location in Tirol Austria. 7.25 x 10.5 inches. Bi-fold. About Near Fine. Prisma unknown books
1945réf. 135327New York: Noel Meadow / Monogram Pictures 1945. Original program for the 1945 film. Features ad layouts side-by-side comparison of Lawrence Tierney and the real John Dillinger and various headline suggestions. Dillinger Tierney robs a store meets fellow gangster Specs Lowe in jail and continues his heists once freed from prison this time with a moll named Helen Jeffreys who eventually rats him out to the Fuzz. Nominated for an Academy Award. Director Nosseck made good use of stock footage from previous gangster films. Illustrated wrappers saddle-stapled. 16 leaves. Very Good with light foxing faint bruising and a vertical fold at the center. Grant US. Hardy The Gangster Film US. Okuda 440. Selby US. Spicer US. Stephens pp. 85-86. Noel Meadow / Monogram Pictures unknown
1954réf. 167826New York: Excelsior Pictures 1954. Vintage souvenir program for the 1954 nudist film. A widowed woman leaves the home of her tyrannical father-in-law accompanied by her young daughter and moves into a nudist camp in Florida. "Nudist" movies were typically shot at nudist campgrounds in order to skirt laws prohibiting on-screen nudity. "Garden of Eden" was nevertheless the subject of a court case in the late 1950s regarding obscenity. The court ruled that on-screen nudity was not obscene opening the door to more open depictions of nudity in film. Shot on location at the Lake Como Family Nudist Resort in Lutz Florida. 9 x 12 inches. About Fine. Excelsior Pictures unknown
1945réf. 135327New York: Noel Meadow / Monogram Pictures 1945. Original program for the 1945 film. Features ad layouts side-by-side comparison of Lawrence Tierney and the real John Dillinger and various headline suggestions. Dillinger Tierney robs a store meets fellow gangster Specs Lowe in jail and continues his heists once freed from prison this time with a moll named Helen Jeffreys who eventually rats him out to the Fuzz. Nominated for an Academy Award. Director Nosseck made good use of stock footage from previous gangster films. Illustrated wrappers saddle-stapled. 16 leaves. Very Good with light foxing faint bruising and a vertical fold at the center. Grant US. Hardy The Gangster Film US. Okuda 440. Selby US. Spicer US. Stephens pp. 85-86. Noel Meadow / Monogram Pictures unknown books
1954réf. 167826New York: Excelsior Pictures 1954. Vintage souvenir program for the 1954 nudist film. A widowed woman leaves the home of her tyrannical father-in-law accompanied by her young daughter and moves into a nudist camp in Florida. "Nudist" movies were typically shot at nudist campgrounds in order to skirt laws prohibiting on-screen nudity. "Garden of Eden" was nevertheless the subject of a court case in the late 1950s regarding obscenity. The court ruled that on-screen nudity was not obscene opening the door to more open depictions of nudity in film. Shot on location at the Lake Como Family Nudist Resort in Lutz Florida. 9 x 12 inches. About Fine. Excelsior Pictures unknown books
