11 045 résultats
1982réf. 141714N.p.: N.p. 1982. Treatment script for an unproduced film. A group of senior citizens decide to found a holistic intentional community in a three-story house in the American midwest. A local reporter shows up to write a tell-all piece on their living arrangements and when the story hits the paper seniors from across the nation head to the community in order to escape retirement homes. Title page present dated June 14 1982 with credit for screenwriter Michael Seligman. Eight leaves with last page of text numbered eight. Xerographic duplication rectos only. Pages Near Fine bound with a staple. N.p. unknown books
2023réf. 170403N.p.: N.p. 2023. Draft script for the 2023 film. Inspired by the 1968 photo book by Danny Lyon about the members of the Vandals Motorcycle Club a lightly fictionalized version of the real-life Outlaws Motorcycle Club. Housed in a black three-ring binder as issued and used. Title page present dated 4/15/23 with credits for Lyon and director-screenwriter Jeff Nichols. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Fine. N.p. unknown
2023réf. 170403N.p.: N.p. 2023. Draft script for the 2023 film. Inspired by the 1968 photo book by Danny Lyon about the members of the Vandals Motorcycle Club a lightly fictionalized version of the real-life Outlaws Motorcycle Club. Housed in a black three-ring binder as issued and used. Title page present dated 4/15/23 with credits for Lyon and director-screenwriter Jeff Nichols. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Fine. N.p. unknown books
1970réf. 141409N.p.: N.p. 1970. Treatment script for an unproduced film. A barfly witnesses a bank robbery and getaway making him the inadvertent target of the gang members responsible for the crime. Red titled wrappers with a die cut title window in the British style. Title page present noted as original treatment with credit for screenwriter Michael Sloan. 49 leaves with last leaf of text numbered 48. Roneograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. N.p. unknown
1970réf. 141409N.p.: N.p. 1970. Treatment script for an unproduced film. A barfly witnesses a bank robbery and getaway making him the inadvertent target of the gang members responsible for the crime. Red titled wrappers with a die cut title window in the British style. Title page present noted as original treatment with credit for screenwriter Michael Sloan. 49 leaves with last leaf of text numbered 48. Roneograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. N.p. unknown books
1972réf. 132523London: Anglo-EMI 1972. Collection of 13 vintage black-and-white still photographs from the 1972 UK film including 3 promotional stills. Based on Alistair MacLean's 1961 novel about a man who poses as a criminal in an elaborate revenge scheme on those responsible for his family's death. 8 x 10 inches 3 stills measure 7.5 x 9.5 inches. A few faint creases and tiny closed tears else Near Fine. Anglo-EMI unknown
1972réf. 132523London: Anglo-EMI 1972. Collection of 13 vintage black-and-white still photographs from the 1972 UK film including 3 promotional stills. Based on Alistair MacLean's 1961 novel about a man who poses as a criminal in an elaborate revenge scheme on those responsible for his family's death. 8 x 10 inches 3 stills measure 7.5 x 9.5 inches. A few faint creases and tiny closed tears else Near Fine. Anglo-EMI unknown books
1985réf. 152520Hollywood: Paramount Pictures 1985. Vintage promotional flyer from the 1974 film. The granddaddy of all modern vigilante movies and a watershed film for rugged American icon Charles Bronson who had roles in many crime and adventure films prior to 1974 but met with destiny as an iceman. The series became a franchise with Bronson's character falling deeper into a typecast mold with each outing. But this first film is a different matter quite faithful to Brian Garfield's novel one of the great films of the New Hollywood cinema a great New York location film and a statement on the rampant and epidemic spread of urban crime in the US during the 1970s. 8.25 x 11.75 inches. Very Good plus with a light horizontal crease affecting the center of the flyer and a faint vertical crease running the length of the left edge. Grant US. 341. Silver Classic Noir. Spicer US. Paramount Pictures unknown
1977réf. 141776United Kingdom: ITC Films / Scimitar Films 1977. Revised Draft script for the 1979 British film. Copy belonging to an unknown crew member with manuscript underlining and annotations throughout in red and blue ink primarily to due with props and practical effects used in action sequences. A former hit man is hired by the FBI to hunt down a reclusive billionaire criminal coming into conflict with a woman who is after the same man for revenge along the way. Blue untitled wrappers with a die cut title window in the British style. Title page present dated 12/20/1977 noted as Revised with credits for screenwriter Gerald Wilson and story by Bill Kirby and Michael Winner. 105 leaves with last page of text numbered 104. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. ITC Films / Scimitar Films unknown
réf. 18367No address letterhead reads 'Memorandum from Michael Winner'. Dated 25 November 1969. 1p. 4to. In fair condition lightly aged and a little ruckled at edges. Winner's signature in blue ink is somewhat stylised. The document deals with eleven points raised at the meeting which relates to a film project which was not realised the first of which gives a feel of the tone: '1. We could do something in scene 305 with LEONARD who is not too full of character at this point. This applies also through that section to the end of scene 308. In this scene Leonard is a little too on-the-ball and decisive. He should be more concerned with JUANNA's feelings.' From the Jack Pulman papers. No address (letterhead reads 'Memorandum from Michael Winner'). Dated 25 November 1969. unknown
1997réf. 166245N.p.: N.p. 1997. Shooting script for the 1999 film. Single annotation in manuscript ink on the first page of the text. Black comedy about a failed photographer who after a fatal stomach cancer diagnosis decides to spend his last six weeks of life violently murdering everyone who has wronged him. Director Michael Winner's final film. Shot on location in Guildford London Surrey and Hertfordshire England. Black untitled wrappers with a die-cut title window in the British style. Title page present dated June 1997 noted as SHOOTING SCRIPT with credits for Winner and screenwriter Nick Mead. 103 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1968réf. 153241London: Twentieth Century-Fox 1968. Revised Draft script for the 1970 film. Copy belonging to crew member Bert Lea with his name in manuscript ink annotation to the title page. Playfully altered on the front wrapper with two images from the film. Based on the 1968 novel by Hugh Atkinson. The story of four marathon runners from different countries as they prepare to compete in the Olympic games in Rome. Set and shot on location in Austria Denmark England Australia Italy and Japan. Maroon untitled wrappers with a die-cut title window in the British style. Title page present dated 20.10.68 noted as Revised with credits for screenwriter Erich Segal and novelist Hugh Atkinson. 141 leaves with last page of text numbered 139. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox unknown
1985réf. 152520Hollywood: Paramount Pictures 1985. Vintage promotional flyer from the 1974 film. The granddaddy of all modern vigilante movies and a watershed film for rugged American icon Charles Bronson who had roles in many crime and adventure films prior to 1974 but met with destiny as an iceman. The series became a franchise with Bronson's character falling deeper into a typecast mold with each outing. But this first film is a different matter quite faithful to Brian Garfield's novel one of the great films of the New Hollywood cinema a great New York location film and a statement on the rampant and epidemic spread of urban crime in the US during the 1970s. 8.25 x 11.75 inches. Very Good plus with a light horizontal crease affecting the center of the flyer and a faint vertical crease running the length of the left edge. Grant US. 341. Silver Classic Noir. Spicer US. Paramount Pictures unknown books
1977réf. 141776United Kingdom: ITC Films / Scimitar Films 1977. Revised Draft script for the 1979 British film. Copy belonging to an unknown crew member with manuscript underlining and annotations throughout in red and blue ink primarily to due with props and practical effects used in action sequences. A former hit man is hired by the FBI to hunt down a reclusive billionaire criminal coming into conflict with a woman who is after the same man for revenge along the way. Blue untitled wrappers with a die cut title window in the British style. Title page present dated 12/20/1977 noted as Revised with credits for screenwriter Gerald Wilson and story by Bill Kirby and Michael Winner. 105 leaves with last page of text numbered 104. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. ITC Films / Scimitar Films unknown books
1968réf. 153241London: Twentieth Century-Fox 1968. Revised Draft script for the 1970 film. Copy belonging to crew member Bert Lea with his name in manuscript ink annotation to the title page. Playfully altered on the front wrapper with two images from the film. Based on the 1968 novel by Hugh Atkinson. The story of four marathon runners from different countries as they prepare to compete in the Olympic games in Rome. Set and shot on location in Austria Denmark England Australia Italy and Japan. Maroon untitled wrappers with a die-cut title window in the British style. Title page present dated 20.10.68 noted as Revised with credits for screenwriter Erich Segal and novelist Hugh Atkinson. 141 leaves with last page of text numbered 139. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox unknown books
1997réf. 166245N.p.: N.p. 1997. Shooting script for the 1999 film. Single annotation in manuscript ink on the first page of the text. Black comedy about a failed photographer who after a fatal stomach cancer diagnosis decides to spend his last six weeks of life violently murdering everyone who has wronged him. Director Michael Winner's final film. Shot on location in Guildford London Surrey and Hertfordshire England. Black untitled wrappers with a die-cut title window in the British style. Title page present dated June 1997 noted as SHOOTING SCRIPT with credits for Winner and screenwriter Nick Mead. 103 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1949réf. 160993Paris: Keystone 1949. Vintage borderless reference photograph of director Henri-Georges Clouzot talking with actors Michel Auclair and Cécile Aubry on the set of the 1949 film. Mimeo snipe and stamp of Keystone Press Agency on the verso. Loosely based on Antoine François Prévost's 1731 novel "Manon Lescaut." During World War II a French Resistance fighter begins a relationship with a woman soon souring as they become involved in prostitution and murder. Shot on location in Calvados Val-de-Marne Paris and Alpes-Maritimes France and in Erfoud and Ksar Es-Souk Morocco. 7.25 x 5 inches. Very Good plus lightly age toned. Keystone unknown
1949réf. 160993Paris: Keystone 1949. Vintage borderless reference photograph of director Henri-Georges Clouzot talking with actors Michel Auclair and Cécile Aubry on the set of the 1949 film. Mimeo snipe and stamp of Keystone Press Agency on the verso. Loosely based on Antoine François Prévost's 1731 novel "Manon Lescaut." During World War II a French Resistance fighter begins a relationship with a woman soon souring as they become involved in prostitution and murder. Shot on location in Calvados Val-de-Marne Paris and Alpes-Maritimes France and in Erfoud and Ksar Es-Souk Morocco. 7.25 x 5 inches. Very Good plus lightly age toned. Keystone unknown books
1974réf. 149659N.p.: Films du Jeudi 1974. Vintage oversize color reference photograph from the 1974 French film showing actors Jane Birkin topless and Feodor Atkine in drag. A weepy whiny alcohol salesman manipulates his way into power as the head of a luxury hotel. Set and shot on location in Paris. 11.75 x 9.5 inches. Near Fine. Films du Jeudi unknown
1974réf. 152021France: Les Films du Jeudi 1974. Two vintage oversize borderless double weight color reference photographs of Jane Birkin from the 1974 film. A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. 12 x 9.5 inches. Light wear at the extremities else Near Fine. Les Films du Jeudi unknown
réf. 149870France: Les Films du Jeudi / Gaumont 1974. Two vintage oversize borderless reference photographs one double weight of Jane Birkin from the 1974 film. A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. 12 x 9.5 inches. Very Good plus with creasing and wear at the extremities. Les Films du Jeudi / Gaumont unknown
1974réf. 142071France: Les Films du Jeudi / Gaumont 1974. Vintage oversize borderless reference photograph of Jane Birkin from the 1974 film. With a manuscript notation on the verso identifying the film. A liquor salesman makes up stories to obscure his pathetic life in order to succeed at both business and with women. 9 x 11.25 inches Near Fine. Les Films du Jeudi / Gaumont unknown
1974réf. 149659N.p.: Films du Jeudi 1974. Vintage oversize color reference photograph from the 1974 French film showing actors Jane Birkin topless and Feodor Atkine in drag. A weepy whiny alcohol salesman manipulates his way into power as the head of a luxury hotel. Set and shot on location in Paris. 11.75 x 9.5 inches. Near Fine. Films du Jeudi unknown books
1974réf. 152021France: Les Films du Jeudi 1974. Two vintage oversize borderless double weight color reference photographs of Jane Birkin from the 1974 film. A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. 12 x 9.5 inches. Light wear at the extremities else Near Fine. Les Films du Jeudi unknown books
réf. 149870France: Les Films du Jeudi / Gaumont 1974. Two vintage oversize borderless reference photographs one double weight of Jane Birkin from the 1974 film. A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. 12 x 9.5 inches. Very Good plus with creasing and wear at the extremities. Les Films du Jeudi / Gaumont unknown books
