11 045 résultats
1974réf. 159628N.p.: N.p. 1974. Vintage reference photograph from the 1974 film showing actors Michel Piccoli and Claudia Bianchi. Mimeo snipe and stamp of photographer Tony Crawley on the verso. An unhappily married man falls in love with his perfect woman-a sex doll. The relationship begins to sour however when he begins to project jealousy and dissatisfaction onto the mannequin. Shot on location in Paris. 10 x 8 inches. Near Fine. N.p. unknown books
1969réf. 162453N.p.: 21st Century Films 1969. Four vintage studio still photographs from the 1969 film. Two of the photographs with a provenance stamp on the verso. Teresa a young housewife is taken to a local brothel by her husband after finding out his only other experience with women was with prostitutes. Shot on location in New York. 8 x 10 inches. Near Fine. 21st Century Films unknown
1969réf. 162453N.p.: 21st Century Films 1969. Four vintage studio still photographs from the 1969 film. Two of the photographs with a provenance stamp on the verso. Teresa a young housewife is taken to a local brothel by her husband after finding out his only other experience with women was with prostitutes. Shot on location in New York. 8 x 10 inches. Near Fine. 21st Century Films unknown books
1963réf. 161738N.p.: Audubon Films 1963. Vintage studio still photograph from the US release of the 1963 French film. A wealthy American girl who enjoys painting nudes of her chic friends draws the affections of two French bohemians. 8 x 10 inches. Near Fine. Audubon Films unknown
1963réf. 161738N.p.: Audubon Films 1963. Vintage studio still photograph from the US release of the 1963 French film. A wealthy American girl who enjoys painting nudes of her chic friends draws the affections of two French bohemians. 8 x 10 inches. Near Fine. Audubon Films unknown books
1966réf. 150834N.p.: N.p. 1966. Vintage borderless double weight photograph of Michelangelo Antonioni on the set of the 1966 film with provenance stamp of film scholar and author "J. P. Berthome" on verso. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar. Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom and featuring an international cast. The director's brash use of color set design non-standard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. In his 2009 essay on the film Danny Lyon notes "It is apt that through his established style Antonioni made a movie that is perhaps closest to communicating the myth of the swinging Sixties scene but also the confusion of the time. . Britain's new and very chaotic cultural revolution was perhaps most effectively captured by an Italian." Winner of the Palme d'Or. Nominated for two Academy Awards for Best Director and Best Screenplay. 10 x 8 inches. Light edgewear and creasing in far corners else Near Fine. Criterion Collection 865. Ebert I. Grant UK/Italy. N.p. unknown
1972réf. 150687N.p.: N.p. 1972. Vintage borderless reference photograph of Michelangelo Antonioni on the set of the 1972 film. Layout annotations in manuscript pencil and "Collection" stamp obscured struck with manuscript pencil on verso. In 1972 during China's Cultural Revolution Antonioni was invited by the People's Republic of China to direct a documentary on the "New China." The final film at 220 minutes was divided into three parts. The first focusing on Beijing the second Suzhou and the third Shanghai. In each section Antonioni focuses primarily on the faces of the people. Mao Zedong was reportedly so displeased with the film Antonioni was charged with being anti-Chinese and counterrevolutionary. Shot on location in Beijing Henan Jiangsu and Shanghai China. 6.75 x 10 inches. Very Good plus with very light creasing and a tiny bruise on mid right edge. N.p. unknown
1965réf. 150399N.p.: N.p. 1965. Vintage borderless photograph of director Michelangelo Antonioni filming a scene with actress Soraya on the set of the 1965 Italian film. With a printed mimeo snipe specific to the film's German release affixed to the verso. An anthology film with three short episodes following the experiences of various women all played by Soraya directed by Antonioni Mauro Bolognini and Franco Indovina. Antonioni's contribution "Il Provino" "The Preface" features Soraya as a former Iranian princess turned actress posing for a screen test. Shot on location in Sardinia and Lazio Italy and Athens Greece. 9.5 x 7.25 inches. Very Good plus overall. N.p. unknown
1982réf. 148336Paris: G Darmon 1982. Two vintage French color lobby cards from the 1982 film. Antonioni's rarely discussed final feature and one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. 8.5 x 10.75 inches. Near Fine. Criterion Collection 585. G Darmon unknown
1982réf. 149294Grunwald Germany: Concorde Film 1982. Three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso. Antonioni's rarely discussed final feature and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. 9.5 x 7 inches. Near Fine. Criterion Collection 585. Concorde Film unknown
1982réf. 144397Rome: Iterfilm 1982. Agency draft script in English for the 1982 Italian film. Antonioni's rarely discussed final feature but generally considered one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. Blue untitled agency wrappers. Title page present with credits for director Michelangelo Antonioni. 91 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Criterion Collection 585. Iterfilm unknown
1960réf. 150432N.p.: N.p. 1960. Vintage borderless reference photograph of director Michelangelo Antonioni on the set of the 1960 film. With the stamp of Promopress agency on the verso along with manuscript pencil annotations. A young woman disappears during a cruise in the Mediterranean leading her lover and best friend to search for her. The first film in Antonioni's famed trilogy followed by "La Notte" 1961 and "L'eclisse" 1962. Shot on location throughout Italy including in Rome the Aeolian Islands and Sicily. 7 x 9.5 inches. Very Good plus overall. Criterion Collection 98. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. N.p. unknown
1962réf. 150414Rome: Cineriz 1962. Vintage borderless reference photograph of director Michelangelo Antonioni and actors Monica Vitti and Alain Delon during a cafe scene on the set of the 1962 film. With a mimeo snipe on the verso along with the stamps of Keystone Photo and Publifoto and a stamp noting No. 8710. A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Antonioni's modernity trilogy all starring Vitti preceded by "L'avventura" 1960 and "La notte" 1961. Awarded the Jury Special Prize and nominated for the Palme d'Or at the 1961 Cannes Film Festival. Shot on location in Rome and Verona Italy. 10.5 x 8.5 inches. Near Fine. Criterion Collection 278. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. Cineriz unknown
1962réf. 150683N.p.: N.p. 1962. Two vintage borderless reference photographs from the 1962 film one of Michelangelo Antonioni with Alain Delon and Monica Vitti and one of Antonioni and crew shooting a scene in Rome from scaffolding built in the water. One with French "L'Eclipse" stamp and provenance stamp of film historian "Maurice Bessy" on verso one with "P.I.P." and "Copyright" stamps on verso. A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Antonioni's modernity trilogy all starring Vitti preceded by "L'avventura" 1960 and "La notte" 1961. Awarded the Jury Special Prize and nominated for the Palme d'Or at the 1961 Cannes Film Festival. Shot on location in Rome and Verona Italy. 6.75 x 9.25 inches and 9.5 x 7 inches. Very Good plus with light creasing and edgewear. Criterion Collection 278. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. N.p. unknown
1962réf. 153200Rome: Cineriz 1962. Vintage borderless reference photograph from the 1962 film showing actor Alain Delon leaning against a fence. With a mimeo snipe on the verso along with the stamps of Keystone Photo and Publifoto. A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Michelangelo Antonioni's modernity trilogy preceded by "L'avventura" 1960 and "La notte" 1961. Shot on location in Rome and Verona Italy. 7.25 x 9.5 inches. Very Good plus with light creasing to the bottom left corner reinforced with white paper tape on the verso. Criterion Collection 278. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. Cineriz unknown
1964réf. 152012Rome: Film Duemila 1964. Vintage borderless reference photograph of Monica Vitti and Richard Harris from the 1964 film. "Deserto Ross" stamp on verso. Antonioni's first color film and the last in a quartet of films made between 1959 and 1964 about women in modern culture preceded by "L'avventura" "La Notte" and L'Eclisse" and the lie of happiness and better living. This entry very much an antecedent to Todd Haynes' "Safe" 1995 focuses on Vitti a woman trying to survive in the modern world of cultural neurosis and existential doubt. Carlo Di Palma's cinematography remains legendary today for its stunningly colored industrial landscapes beautifully and yet indirectly evoking Vitti's unease alienation and vivid perceptions. Shot on location in Ravenna Sardinia and Rome Italy. 9.5 x 12 inches. Near Fine. BFI 1134. Criterion Collection 522. Godard Histoires du cinema. Rosenbaum 1000. Film Duemila unknown
1975réf. 160516N.p.: N.p. 1975. Vintage borderless double weight reference photograph of director Michelangelo Antonioni talking with actors Jack Nicholson and Maria Schneider on the set of the 1975 Italian film. Annotations in manuscript ink on the verso relating to cropping as well as the stamp of Cinema International in London. A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. Set in Chad shot on location in Germany Spain and England. 10 x 8 inches. Near Fine. Rosenbaum 1000. N.p. unknown
1975réf. 152317N.p.: N.p. 1975. Vintage borderless reference photograph from the 1975 Italian film showing actors Jack Nicholson and Maria Schneider. A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. Set in Chad shot on location in Germany Spain and England. 10 x 8 inches. Near Fine. Rosenbaum 1000. N.p. unknown
1968réf. 167659N.p.: N.p. 1968. Vintage reference photograph from the 1970 film showing actors Mark Frechette and Daria Halprin talking with director Michelangelo Antonioni while on location in the desert. Annotations in manuscript pencil on the verso identifying subjects and crediting photographer Bruce Davidson with Magnum Photos. Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. 8 x 10 inches with wide top and bottom margins. Fine. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1970réf. 148876Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage studio still photograph of Daria Halprin seemingly trapped in the middle of a mid-century modern glass vestibule from the 1970 film. Mimeo snipe on the verso. Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. 8 x 10 inches with wide horizontal margins. Near Fine. Rosenbaum 1000. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown
1970réf. 144970Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Near Fine. Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
1972réf. 150687N.p.: N.p. 1972. Vintage borderless reference photograph of Michelangelo Antonioni on the set of the 1972 film. Layout annotations in manuscript pencil and "Collection" stamp obscured struck with manuscript pencil on verso. In 1972 during China's Cultural Revolution Antonioni was invited by the People's Republic of China to direct a documentary on the "New China." The final film at 220 minutes was divided into three parts. The first focusing on Beijing the second Suzhou and the third Shanghai. In each section Antonioni focuses primarily on the faces of the people. Mao Zedong was reportedly so displeased with the film Antonioni was charged with being anti-Chinese and counterrevolutionary. Shot on location in Beijing Henan Jiangsu and Shanghai China. 6.75 x 10 inches. Very Good plus with very light creasing and a tiny bruise on mid right edge. N.p. unknown books
1970réf. 148876Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage studio still photograph of Daria Halprin seemingly trapped in the middle of a mid-century modern glass vestibule from the 1970 film. Mimeo snipe on the verso. Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. 8 x 10 inches with wide horizontal margins. Near Fine. Rosenbaum 1000. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown books
1960réf. 150432N.p.: N.p. 1960. Vintage borderless reference photograph of director Michelangelo Antonioni on the set of the 1960 film. With the stamp of Promopress agency on the verso along with manuscript pencil annotations. A young woman disappears during a cruise in the Mediterranean leading her lover and best friend to search for her. The first film in Antonioni's famed trilogy followed by "La Notte" 1961 and "L'eclisse" 1962. Shot on location throughout Italy including in Rome the Aeolian Islands and Sicily. 7 x 9.5 inches. Very Good plus overall. Criterion Collection 98. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. N.p. unknown books
1970réf. 144970Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Near Fine. Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown books
