11 046 résultats
1970réf. 170872Bruxelles Brussels: Warner Brothers 1970. Vintage Belgian petite poster for the 1969 film. Based on director photographer and screenwriter Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 21.5 x 17.5 inches. Folded as issued. Very Good plus with light toning to the extremities and a small splash to the middle top margin see image. Warner Brothers unknown books
1970réf. 170873N.p.: Warner Brothers 1970. Vintage French grande affiche poster for the 1969 film. Based on director and screenwriter Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 45.5 x 82 inches. Folded as issued. Near Fine with modest starting to some of the center folds. Warner Brothers unknown books
1974réf. 158170N.p.: Gordon Park Jr. Robert Anderson Production 1974. Draft script for the 1975 film here under the working title "Aaron and Angela." A coming-of-age story set in Harlem about the love between a Black basketball player and a Puerto Rican girl sparking disapproval from their families and neighbors. Featuring excellent location footage of a violent decaying half-abandoned 1970s New York. Irene Cara's screen debut. Blue titled wrappers. Title page present dated December 1 1974 with credits for screenwriter Gerald Sanford. 142 leaves with last page of text numbered 140. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Howard Blaxploitation Cinema. Parish & Hill 1. Gordon Park Jr. Robert Anderson Production unknown books
1971réf. 158031Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1971. Vintage studio still photograph of director Gordon Parks smoking a pipe on the set of the 1971 film. Stamp of Israel Film Archive on the verso. From the archive of film historian and author Joel Finler. Based on the 1970 novel by Ernest Tidyman. One of the best and most enduring films of the early 1970s and no surprise with director/photographer/cinematographer extraordinaire Gordon Parks at the helm an Oscar-winning soundtrack by Isaac Hayes and a magnetic performance by Richard Roundtree. This film and Melvin Van Peebles' "Sweet Sweetback's Baadasssss Song" 1971 set the standard for what would become "Blaxploitation" a highly stylized violent and most importantly funky genre. Followed by "Shaft's Big Score!" 1972 and "Shaft in Africa" 1973. Shot on location in New York. 8 x 10 inches. Very Good plus with light wear at the corners. National Film Registry. Grant US. Spicer US Neo-Noir. Howard Blaxploitation Cinema p. 7 10-11 13 23 28 38 46 48 72 188. Metro-Goldwyn-Mayer [MGM] unknown books
1971réf. 154512Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1971. Vintage reference photograph of director Gordon Parks on the set of the 1971 film. Stamp and mimeo snipe of Sun Magazine and The Salt Lake Tribune on the verso along with a printed label noting use by "Celebrity Cookbook" dated June 20 1971. Based on the 1970 novel by Ernest Tidyman. One of the best and most enduring films of the early 1970s and no surprise with director/photographer/cinematographer extraordinaire Gordon Parks at the helm an Oscar-winning soundtrack by Isaac Hayes and a magnetic performance by Richard Roundtree. This film and Melvin Van Peebles' "Sweet Sweetback's Baadasssss Song" 1971 set the standard for what would become "Blaxploitation" a genre highly stylized violent and most importantly funky. Followed by "Shaft's Big Score!" 1972 and "Shaft in Africa" 1973. Shot on location in New York. 8 x 10 inches. Near Fine. National Film Registry. Grant US. Spicer US Neo-Noir. Howard Blaxploitation Cinema p. 7 10-11 13 23 28 38 46 48 72 188. Metro-Goldwyn-Mayer [MGM] unknown books
1974réf. 158170N.p.: Gordon Park Jr. Robert Anderson Production 1974. Draft script for the 1975 film here under the working title "Aaron and Angela." A coming-of-age story set in Harlem about the love between a Black basketball player and a Puerto Rican girl sparking disapproval from their families and neighbors. Featuring excellent location footage of a violent decaying half-abandoned 1970s New York. Irene Cara's screen debut. Blue titled wrappers. Title page present dated December 1 1974 with credits for screenwriter Gerald Sanford. 142 leaves with last page of text numbered 140. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Howard Blaxploitation Cinema. Parish & Hill 1. Gordon Park Jr. Robert Anderson Production unknown
1976réf. 148659Los Angeles: Paramount Pictures 1976. Collection of eleven vintage borderless studio still photographs from the 1976 film. With folded mimeo snipes affixed to the verso and two with a provenance stamp to the verso. A dramatization of the troubled early life of African American folk singer Huddie Ledbetter better known as Lead Belly chronicling the musician's youth in the segregated south and his time in prison while focusing on Ledbetter's efforts to be a free man through the music he created. Set in Louisiana and Texas shot on location in various locations throughout Texas. 8 x 10 inches. Near Fine. Paramount Pictures unknown
1987réf. 163760Alexandria VA: Public Broadcasting Service PBS 1987. Vintage studio still photograph from the 1987 documentary film showing the film's subject acclaimed filmmaker photojournalist and author Gordon Parks. Minute annotations in manuscript ink and pencil on the verso. 8 x 10 inches. Very Good plus lightly toned with brief wear along the right edge. Public Broadcasting Service [PBS] unknown
1949réf. 160343London: Kinematograph Weekly 1949. Vintage advertisement from Kinematograph Weekly for the 1949 film noir. Indicated on the recto as volume 388 number 2196 and dated June 2 1949. Also on recto is a small snippet and illustration about the box office success of "Easter Parade" 1948. Kinematograph Weekly was a British trade paper written for the British film industry that ran from 1889 until 1971. Based on the 1947 play by William Douglas-Home. In a British prison following the war prisoners all have back stories that lead them to their incarceration including one charged with murder. 8.5 x 11 inches. About Near Fine with some very slight creasing along the top edge and the top right corner. Selby UK. Selby US. Spicer UK. Kinematograph Weekly unknown
1970réf. 170874Rome: Warner Brothers 1970. Vintage Italian 4-Fogli poster for the 1969 film designed by Italian poster artist Manfredo Acerbo. Based on director and screenwriter Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 55 x 78 inches. Printed in two panels and folded as issued. Near Fine with modest toning and starting to some of the folds. Warner Brothers unknown
1971réf. 158031Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1971. Vintage studio still photograph of director Gordon Parks smoking a pipe on the set of the 1971 film. Stamp of Israel Film Archive on the verso. From the archive of film historian and author Joel Finler. Based on the 1970 novel by Ernest Tidyman. One of the best and most enduring films of the early 1970s and no surprise with director/photographer/cinematographer extraordinaire Gordon Parks at the helm an Oscar-winning soundtrack by Isaac Hayes and a magnetic performance by Richard Roundtree. This film and Melvin Van Peebles' "Sweet Sweetback's Baadasssss Song" 1971 set the standard for what would become "Blaxploitation" a highly stylized violent and most importantly funky genre. Followed by "Shaft's Big Score!" 1972 and "Shaft in Africa" 1973. Shot on location in New York. 8 x 10 inches. Very Good plus with light wear at the corners. National Film Registry. Grant US. Spicer US Neo-Noir. Howard Blaxploitation Cinema p. 7 10-11 13 23 28 38 46 48 72 188. Metro-Goldwyn-Mayer [MGM] unknown
1971réf. 154512Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1971. Vintage reference photograph of director Gordon Parks on the set of the 1971 film. Stamp and mimeo snipe of Sun Magazine and The Salt Lake Tribune on the verso along with a printed label noting use by "Celebrity Cookbook" dated June 20 1971. Based on the 1970 novel by Ernest Tidyman. One of the best and most enduring films of the early 1970s and no surprise with director/photographer/cinematographer extraordinaire Gordon Parks at the helm an Oscar-winning soundtrack by Isaac Hayes and a magnetic performance by Richard Roundtree. This film and Melvin Van Peebles' "Sweet Sweetback's Baadasssss Song" 1971 set the standard for what would become "Blaxploitation" a genre highly stylized violent and most importantly funky. Followed by "Shaft's Big Score!" 1972 and "Shaft in Africa" 1973. Shot on location in New York. 8 x 10 inches. Near Fine. National Film Registry. Grant US. Spicer US Neo-Noir. Howard Blaxploitation Cinema p. 7 10-11 13 23 28 38 46 48 72 188. Metro-Goldwyn-Mayer [MGM] unknown
1969réf. 166018Burbank CA: Warner Brothers 1969. Two vintage reference photographs from the 1969 film both showing director Gordon Parks on the set. One with a printed mimeo snipe affixed to the verso. Based on director Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 8 x 10 inches one with a wide bottom margin. Near Fine. National Film Registry. Warner Brothers unknown
1970réf. 170872Bruxelles Brussels: Warner Brothers 1970. Vintage Belgian petite poster for the 1969 film. Based on director photographer and screenwriter Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 21.5 x 17.5 inches. Folded as issued. Very Good plus with light toning to the extremities and a small splash to the middle top margin see image. Warner Brothers unknown
1970réf. 170873N.p.: Warner Brothers 1970. Vintage French grande affiche poster for the 1969 film. Based on director and screenwriter Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 45.5 x 82 inches. Folded as issued. Near Fine with modest starting to some of the center folds. Warner Brothers unknown
1969réf. 159025Burbank CA: Warner Brothers 1969. Four vintage reference photographs from the 1969 film including three single weight and one double weight. All four show director Gordon Parks on the set. Three with printed mimeo snipes affixed to the versos. Based on director Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 10 x 8 inches. Near Fine. National Film Registry. Warner Brothers unknown
1974réf. 145245Culver City CA: Columbia Pictures 1974. Vintage flyer for the 1974 film likely for a specific theatre as it advertises "Starts May 1" about three weeks after the film's initial release on April 10. A Blaxploitation Western take on Bonnie and Clyde about two Robin Hood-esque bank robbers in the American Southwest who long for a quiet life. Shot on location in New Mexico. 9 x 12 inches. Very Good plus with vertical and horizontal folds and light edgewear. Manuscript annotations on the verso. Parish and Hill Black Action Films 213. Howard Blaxploitation Cinema p. 210. Columbia Pictures unknown
1970réf. 133268Los Angeles: American International Pictures AIP 1970. Eight vintage black-and-white still photographs from the 1970 UK film. In Elizabethan England a coven of witches is massacred by evil Lord Whitman Price but the coven's leader invokes a magical servant a "banshee" for revenge. A prime vessel for Vincent Price who basically carries the film. Shot on location in Middlesex England. 8 x 10 inches. Light creases overall else Near Fine. American International Pictures [AIP] unknown books
1971réf. 144376Los Angeles: American International Pictures AIP 1971. Vintage photograph of Gordon Hessler shooting on the set of the 1971 film. Mimeo snipe with identifying manuscript annotations in pencil. Based loosely on the Edgar Allan Poe's 1841 story of the same name. Madeline is an actress in a theater troupe in Paris at the turn of the century that is performing Poe's "Murders In The Rue Morgue." Her mother was murdered bye an ax-man some years ago and all of a sudden Madeline begins to dream of the same horrible killer. Soon after these dreams a former lover of Madeline's mother long thought to be dead after an accident on stage comes back to murder members of the troupe. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown books
1971réf. 144376Los Angeles: American International Pictures AIP 1971. Vintage photograph of Gordon Hessler shooting on the set of the 1971 film. Mimeo snipe with identifying manuscript annotations in pencil. Based loosely on the Edgar Allan Poe's 1841 story of the same name. Madeline is an actress in a theater troupe in Paris at the turn of the century that is performing Poe's "Murders In The Rue Morgue." Her mother was murdered bye an ax-man some years ago and all of a sudden Madeline begins to dream of the same horrible killer. Soon after these dreams a former lover of Madeline's mother long thought to be dead after an accident on stage comes back to murder members of the troupe. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown
1968réf. 152562Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Vintage reference photograph from the 1968 film showing actors Jim Brown Diahann Carroll Julie Harris Ernest Borgnine Warren Oates Jack Klugman and Don Sutherland. Mimeo snipe to the verso. Based on the 1966 Parker novel "The Seventh" by Donald E. Westlake writing as Richard Stark. A gang of thieves begins to fall apart when half a million dollars stolen from the Los Angeles Coliseum goes missing. Set and shot on location in Los Angeles. 8 x 10 inches. Near Fine. Grant US. Lee The Heist Film. Silver and Ward Neo-Noir. Spicer US Neo-Noir. Metro-Goldwyn-Mayer [MGM] unknown books
1968réf. 152561Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Two vintage reference photographs taken on the set of the 1968 film one showing Brown with basketball star Bill Russell the other showing Brown play-fighting with boxer Muhammad Ali. Mimeo snipe to the verso. In 1967 Brown and Russell both participated in the infamous "Cleveland Summit" a meeting of prominent Black athletes to discuss the controversy around Ali's draft dodging charges. Based on the 1966 Parker novel "The Seventh" by Donald E. Westlake writing as Richard Stark. A gang of thieves begins to fall apart when half a million dollars stolen from the Los Angeles Coliseum goes missing. Set and shot on location in Los Angeles. 8 x 10 inches. Near Fine. Grant US. Lee The Heist Film. Silver and Ward Neo-Noir. Spicer US Neo-Noir. Metro-Goldwyn-Mayer [MGM] unknown books
1968réf. 152562Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Vintage reference photograph from the 1968 film showing actors Jim Brown Diahann Carroll Julie Harris Ernest Borgnine Warren Oates Jack Klugman and Don Sutherland. Mimeo snipe to the verso. Based on the 1966 Parker novel "The Seventh" by Donald E. Westlake writing as Richard Stark. A gang of thieves begins to fall apart when half a million dollars stolen from the Los Angeles Coliseum goes missing. Set and shot on location in Los Angeles. 8 x 10 inches. Near Fine. Grant US. Lee The Heist Film. Silver and Ward Neo-Noir. Spicer US Neo-Noir. Metro-Goldwyn-Mayer [MGM] unknown
1968réf. 152561Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Two vintage reference photographs taken on the set of the 1968 film one showing Brown with basketball star Bill Russell the other showing Brown play-fighting with boxer Muhammad Ali. Mimeo snipe to the verso. In 1967 Brown and Russell both participated in the infamous "Cleveland Summit" a meeting of prominent Black athletes to discuss the controversy around Ali's draft dodging charges. Based on the 1966 Parker novel "The Seventh" by Donald E. Westlake writing as Richard Stark. A gang of thieves begins to fall apart when half a million dollars stolen from the Los Angeles Coliseum goes missing. Set and shot on location in Los Angeles. 8 x 10 inches. Near Fine. Grant US. Lee The Heist Film. Silver and Ward Neo-Noir. Spicer US Neo-Noir. Metro-Goldwyn-Mayer [MGM] unknown
1968réf. 149585Los Angeles: Twentieth Century-Fox 1968. Vintage reference photograph from the 1968 film showing actors Frank Sinatra and Lee Remick. With a mimeo snipe on the verso. Based on the 1966 novel. A brooding New York detective investigates the murder of a gay man-a crime that none of his fellow officers will take seriously due to the victim's sexuality. Sinatra's fourth collaboration with director Gordon Douglas a box office success and one of the first mainstream Hollywood films to explicitly depict and discuss the lives of gay men. Set and shot on location in New York City. 10 x 8 inches. Very Good plus with light creases to the edges and a light splash to the right edge. Grant US. Twilight Time. Twentieth Century-Fox unknown books
