11 045 résultats
1965réf. 130135Los Angeles: Twentieth Century-Fox 1965. Final script for the 1966 film. The 1960s remake of the classic 1939 John Ford Western in which a group of ten unlikely traveling companions on a stagecoach to Cheyenne must fight together when beset upon by both outlaws and Native Americans. Shot on location in Colorado. Blue titled wrappers noted as Final on the front wrapper production No. 58 dated April 9 1965. Title page present dated April 9 1965 noted as Final with credit for screenwriter Landon. 137 leaves Multilith duplication with blue revision pages throughout dated 6-9-75. Pages Near Fine wrapper Near Fine internally bound with three gold brads. Twentieth Century-Fox unknown books
1973réf. 162525New York: American International Pictures AIP 1973. Two vintage reference photographs from the 1973 film both showing Jim Brown and Gloria Hendry. Sequel to the 1972 film "Slaughter" directed by Jack Starrett and starring Jim Brown. One of the quintessential franchises in the Blaxploitation genre about a former Green Beret and Vietnam veteran who sets out for revenge against the mob after the death of his parents. Shot on location in Miami Florida. 10 x 8 inches. Very Good plus with pinholes at the corners. American International Pictures [AIP] unknown books
1967réf. 129268Los Angeles: Twentieth Century-Fox 1967. Final Draft script for the 1968 film. Based on the 1966 novel by Roderick Thorp about a brooding detective who becomes embroiled in a case that uncovers a deep vein of police corruption within the department. Frank Sinatra's fourth collaboration with director Gordon Douglas a box office success. One of the first mainstream Hollywood films to include explicit depictions of the lives of gay men including the violence suffered by the gay community due to the indifference of the police. In 1979 Thorp wrote a sequel to "The Detective" entitled "Nothing Lasts Forever" adapted in 1988 as "Die Hard." Although Sinatra had contractual rights to star in the sequel he wisely turned it down due to his age and action movie history-and Bruce Willis' career-were made. Set in New York and shot on location in New York and in California. Light blue titled wrappers noted as Final and production No. 116 on the front wrapper dated August 17 1967. Title page present dated August 17 1967 noted as Final with credits for screenwriter Abby Mann and writer Roderick Thorp. 161 leaves with last page of text numbered 160. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine internally bound with three gold brads. Twentieth Century-Fox unknown books
1962réf. 131827Beverly Hills CA: United Artists 1962. Treatment script for the 1963 film. Paul Brenner at AllMovie: It's Bob Hope as phony explorer Matt Merriwether who promotes himself as an expert on the dark continent basing his exploration of the African subcontinent on old diaries of his uncle. When an American space capsule crashes in an uncharted region of Africa Merriwether based on his alleged expert knowledge of the region is selected to recover the capsule. Joining Merriwether and his pre-Kervorkian suicide kit is security agent Frederica Larsen Edie Adams. Hot on their heels are Russian agents Luba Anita Ekberg and Dr. Ezra Mungo Lionel Jeffries who want to get to the space capsule first. Self wrappers. Title page present integral with front wrapper dated 1st June 1962 noted as Original Screen Treatment on the front wrapper with credits for producers Saltzman and Broccoli. 35 leaves mimeograph on gray stock. Pages Very Good plus to Near Fine side stapled with a single staple. United Artists unknown
1973réf. 162525New York: American International Pictures AIP 1973. Two vintage reference photographs from the 1973 film both showing Jim Brown and Gloria Hendry. Sequel to the 1972 film "Slaughter" directed by Jack Starrett and starring Jim Brown. One of the quintessential franchises in the Blaxploitation genre about a former Green Beret and Vietnam veteran who sets out for revenge against the mob after the death of his parents. Shot on location in Miami Florida. 10 x 8 inches. Very Good plus with pinholes at the corners. American International Pictures [AIP] unknown
1965réf. 130135Los Angeles: Twentieth Century-Fox 1965. Final script for the 1966 film. The 1960s remake of the classic 1939 John Ford Western in which a group of ten unlikely traveling companions on a stagecoach to Cheyenne must fight together when beset upon by both outlaws and Native Americans. Shot on location in Colorado. Blue titled wrappers noted as Final on the front wrapper production No. 58 dated April 9 1965. Title page present dated April 9 1965 noted as Final with credit for screenwriter Landon. 137 leaves Multilith duplication with blue revision pages throughout dated 6-9-75. Pages Near Fine wrapper Near Fine internally bound with three gold brads. Twentieth Century-Fox unknown
1967réf. 129268Los Angeles: Twentieth Century-Fox 1967. Final Draft script for the 1968 film. Based on the 1966 novel by Roderick Thorp about a brooding detective who becomes embroiled in a case that uncovers a deep vein of police corruption within the department. Frank Sinatra's fourth collaboration with director Gordon Douglas a box office success. One of the first mainstream Hollywood films to include explicit depictions of the lives of gay men including the violence suffered by the gay community due to the indifference of the police. In 1979 Thorp wrote a sequel to "The Detective" entitled "Nothing Lasts Forever" adapted in 1988 as "Die Hard." Although Sinatra had contractual rights to star in the sequel he wisely turned it down due to his age and action movie history-and Bruce Willis' career-were made. Set in New York and shot on location in New York and in California. Light blue titled wrappers noted as Final and production No. 116 on the front wrapper dated August 17 1967. Title page present dated August 17 1967 noted as Final with credits for screenwriter Abby Mann and writer Roderick Thorp. 161 leaves with last page of text numbered 160. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine internally bound with three gold brads. Twentieth Century-Fox unknown
1968réf. 149585Los Angeles: Twentieth Century-Fox 1968. Vintage reference photograph from the 1968 film showing actors Frank Sinatra and Lee Remick. With a mimeo snipe on the verso. Based on the 1966 novel. A brooding New York detective investigates the murder of a gay man-a crime that none of his fellow officers will take seriously due to the victim's sexuality. Sinatra's fourth collaboration with director Gordon Douglas a box office success and one of the first mainstream Hollywood films to explicitly depict and discuss the lives of gay men. Set and shot on location in New York City. 10 x 8 inches. Very Good plus with light creases to the edges and a light splash to the right edge. Grant US. Twilight Time. Twentieth Century-Fox unknown
1976réf. 141015N.p.: N.p. 1976. Draft script for an unproduced television program. A Latino man goes to small claims court to collect money owed by his landlady. He then begins translating for a different man who does not speak English helping the man win his case. Set in California. Lacking wrappers. Title page present dated April 2 1976 with credits for screenwriter Gonzalo Munevar. 49 leaves with last page of text numbered 49. Xerographic duplication rectos only. Pages Near Fine unbound. N.p. unknown books
1976réf. 141015N.p.: N.p. 1976. Draft script for an unproduced television program. A Latino man goes to small claims court to collect money owed by his landlady. He then begins translating for a different man who does not speak English helping the man win his case. Set in California. Lacking wrappers. Title page present dated April 2 1976 with credits for screenwriter Gonzalo Munevar. 49 leaves with last page of text numbered 49. Xerographic duplication rectos only. Pages Near Fine unbound. N.p. unknown
1960réf. 132198Beverly Hills CA: United Artists 1960. Collection of 3 vintage full-color British front-of-house cards from the 1960 UK film. Based on the play "Spider's Web" by Agatha Christie about a young woman who needs to dispose of a body before the police and her politician husband get to the house. 8 x 10 inches. Light rubbing and faint corner creases else Near Fine. United Artists unknown books
1965réf. 140922France: Athos Films / Chaumiane / Filmstudio 1965. Five vintage borderless reference photographs from the 1965 film. Four with manuscript pencil annotations on the verso crediting photographer Georges Pierre one with the stamp of Cinemagence on the verso. Godard transplants fictional detective Lemmy Caution played by Eddie Constantine as he was in several French films based on the character created by pulp novelist Peter Cheyney into a dystopian future where he is on a mission to kill the machine intelligence that rules over a fascist state where emotion is outlawed. 7.25 x 5 inches. Near Fine. Criterion Collection 25. Godard Histoires du cinema. Grant US. Rosenbaum 1000. Athos Films / Chaumiane / Filmstudio unknown books
1965réf. 140922France: Athos Films / Chaumiane / Filmstudio 1965. Five vintage borderless reference photographs from the 1965 film. Four with manuscript pencil annotations on the verso crediting photographer Georges Pierre one with the stamp of Cinemagence on the verso. Godard transplants fictional detective Lemmy Caution played by Eddie Constantine as he was in several French films based on the character created by pulp novelist Peter Cheyney into a dystopian future where he is on a mission to kill the machine intelligence that rules over a fascist state where emotion is outlawed. 7.25 x 5 inches. Near Fine. Criterion Collection 25. Godard Histoires du cinema. Grant US. Rosenbaum 1000. Athos Films / Chaumiane / Filmstudio unknown
1954réf. 173091London: General Film Distributors GFD 1954. Vintage hand-tinted color British front-of-house card from the 1954 film. Based on the 1931 short story "The Vessel of Wrath" By W. Somerset Maugham. A new Resident in Charge tries to navigate his new post with the only other Europeans on the island a team of two missionaries and an outcast. Set in the fictionalized Welcome Islands shot on location in Sri Lanka. 8 x 10 inches. Very Good plus. General Film Distributors [GFD] unknown books
1954réf. 167868N.p.: Herzog Film 1954. Vintage German program for the 1953 film. Based on Charles Major's 1898 novel "When Knighthood Was in Flower" about Mary Tudor the younger sister of King Henry VIII. The third of Disney's British film productions following "Treasure Island" 1950 and "The Story of Robin Hood" 1952. Major's novel also served as the basis for two silent film adaptations one in 1908 and one in 1923. 7.25 x 10.5 inches. Bi-fold. Very Good moderately faded and creased. Herzog Film unknown books
1962réf. 167588Los Angeles: Twentieth Century-Fox 1962. Vintage studio still photograph from the 1962 film. Loosely based on the 1920 German silent film "The Cabinet of Dr. Caligari." After her car breaks down a woman seeks shelter at the vast estate of Caligari a perverse Welsh hermit who imprisons the woman for his harem of tortured "guests." 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1962réf. 162303Los Angeles: Twentieth Century-Fox 1962. Vintage studio still photograph of Glynis Johns from the 1962 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Loosely based on the 1920 German silent film "The Cabinet of Dr. Caligari." After her car breaks down a woman seeks shelter at the vast estate of Caligari a perverse Welsh hermit who imprisons the woman for his harem of tortured "guests." 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1962réf. 167588Los Angeles: Twentieth Century-Fox 1962. Vintage studio still photograph from the 1962 film. Loosely based on the 1920 German silent film "The Cabinet of Dr. Caligari." After her car breaks down a woman seeks shelter at the vast estate of Caligari a perverse Welsh hermit who imprisons the woman for his harem of tortured "guests." 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1970réf. 141821N.p.: N.p. 1970. Draft script for an unproduced film. Annotation in manuscript pencil on the title page noting an address. Gloria Goldsmith was known primarily as a writer of television movies including "Girls on the Road" 1972 and "The Secret Life of Kathy McCormick" 1988. Goldenrod titled wrappers. Title page present with credit for screenwriter Gloria Goldsmith. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1970réf. 141821N.p.: N.p. 1970. Draft script for an unproduced film. Annotation in manuscript pencil on the title page noting an address. Gloria Goldsmith was known primarily as a writer of television movies including "Girls on the Road" 1972 and "The Secret Life of Kathy McCormick" 1988. Goldenrod titled wrappers. Title page present with credit for screenwriter Gloria Goldsmith. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1954réf. 160264Universal City CA: Universal International Pictures 1954. Vintage studio still photograph of actress Gloria DeHaven from the 1954 film. Three sailors on furlough in Paris meet three women they would all like to get to know better. Set in Paris. 5.25 x 7.25 inches trimmed. Very Good plus with some creasing and one small bruise to the center of the bottom border on the recto. Universal International Pictures unknown books
1954réf. 160264Universal City CA: Universal International Pictures 1954. Vintage studio still photograph of actress Gloria DeHaven from the 1954 film. Three sailors on furlough in Paris meet three women they would all like to get to know better. Set in Paris. 5.25 x 7.25 inches trimmed. Very Good plus with some creasing and one small bruise to the center of the bottom border on the recto. Universal International Pictures unknown
1945réf. 164614N.p.: N.p. 1945. Two vintage borderless publicity photographs from the 1945 film one showing actor Glenn Strange in costume as Frankenstein's monster the other showing Strange with Onslow Stevens. Second photograph with annotations in manuscript ink on the verso. The last entry in Universal's famed "monsters" canon a direct sequel to 1944's "House of Frankenstein" which appropriately hosted Universal's "big three" monsters all in Dracula's house including the Prince of Darkness himself Carradine the Wolf Man Chaney Jr. and Frankenstein Glenn Strange along with the requisite mad scientist Onslow Stevens and hunchbacked assistant Jane Adams. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Approximately 7 x 9 inches trimmed irregularly. Very Good plus one with adhesive residue on the verso. N.p. unknown books
1945réf. 164614N.p.: N.p. 1945. Two vintage borderless publicity photographs from the 1945 film one showing actor Glenn Strange in costume as Frankenstein's monster the other showing Strange with Onslow Stevens. Second photograph with annotations in manuscript ink on the verso. The last entry in Universal's famed "monsters" canon a direct sequel to 1944's "House of Frankenstein" which appropriately hosted Universal's "big three" monsters all in Dracula's house including the Prince of Darkness himself Carradine the Wolf Man Chaney Jr. and Frankenstein Glenn Strange along with the requisite mad scientist Onslow Stevens and hunchbacked assistant Jane Adams. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Approximately 7 x 9 inches trimmed irregularly. Very Good plus one with adhesive residue on the verso. N.p. unknown
1981réf. 139716Culver City CA: Columbia Pictures 1981. Vintage studio still photograph from the 1981 film. Based on Neil Simon's 1971 play "The Gingerbread Lady." Playwright Neil Simon departed from his typical light hearted comedic style when he wrote "The Gingerbread Lady." This drama which netted three Academy Award nominations follows the struggles of a alcoholic Broadway actress whose attempt at sobriety is complicated by the realities of her daily life. Set in New York shot on location in California and New York. 10 x 8 inches. Fine. Columbia Pictures unknown books
