11 045 résultats
1966réf. 171072Culver City CA: Columbia Pictures 1966. Vintage borderless double weight reference photograph of Dean Martin and camera operator Albert Meyers and assistant on location for the final "train" sequence of the 1966 film. From the archive of camera operator Albert Meyers. Columbia Pictures stamp on the verso. Albert Myers usually credited as Al Myers was a noted camera operator in Hollywood for over 50 years beginning in the late 1920s credited in 30 films between 1927 and 1978. Notable in his filmography are "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958. Based on the 1962 spy novel by Donald Hamilton. Women of the world mourn the tragic death of handsome secret agent Matt Helm Dean Martin-faked naturally so that he can find the inventor of the Helium laser beam and kingpin of the underground criminal organization Big-O Karl Malden. The second of four films in the Matt Helm series starring Dean Martin preceded by "The Silencers" 1966 and followed by "The Ambushers" 1967 and "The Wrecking Crew" 1969. Shot on location in England Monte Carlo and France. 10 x 8 inches. Light edgewear else Near Fine. Columbia Pictures unknown books
1971réf. 144376Los Angeles: American International Pictures AIP 1971. Vintage photograph of Gordon Hessler shooting on the set of the 1971 film. Mimeo snipe with identifying manuscript annotations in pencil. Based loosely on the Edgar Allan Poe's 1841 story of the same name. Madeline is an actress in a theater troupe in Paris at the turn of the century that is performing Poe's "Murders In The Rue Morgue." Her mother was murdered bye an ax-man some years ago and all of a sudden Madeline begins to dream of the same horrible killer. Soon after these dreams a former lover of Madeline's mother long thought to be dead after an accident on stage comes back to murder members of the troupe. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown
1971réf. 144376Los Angeles: American International Pictures AIP 1971. Vintage photograph of Gordon Hessler shooting on the set of the 1971 film. Mimeo snipe with identifying manuscript annotations in pencil. Based loosely on the Edgar Allan Poe's 1841 story of the same name. Madeline is an actress in a theater troupe in Paris at the turn of the century that is performing Poe's "Murders In The Rue Morgue." Her mother was murdered bye an ax-man some years ago and all of a sudden Madeline begins to dream of the same horrible killer. Soon after these dreams a former lover of Madeline's mother long thought to be dead after an accident on stage comes back to murder members of the troupe. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown books
1986réf. 139735Santa Monica: Home Box Office HBO 1986. Vintage studio still photograph from the 1986 television movie. Television movie that follows the infamous newsman Edward R. Murrow whose frank condemnation of McCarthy helped put an end to the senator's "witch-hunts." Shot on location in New York and London. 8 x 10 inches. Very Good plus with a red manuscript notation to the recto and to the verso. Home Box Office [HBO] unknown books
1962réf. 150883N.p.: Embassy Pictures 1962. One vintage studio still photograph and one vintage reference photograph from the 1963 US re-release of the 1948 Swedish film here seen under the English title "Night is My Future." One with a stamp on the verso noting the film's title in Swedish "Musik i Morker." Based on Dagmar Edqvist's 1946 novel. A pianist falls into an angry depression after being blinded in an accident but finds compassion for others and himself through his growing love for a servant in his family's home. 10 x 8 inches. Near Fine. Embassy Pictures unknown books
1935réf. 145006Los Angeles: Twentieth Century-Fox 1935. Vintage photographs of actors Alice Faye Ray Walker and director George Marshall among other members of the cast on the set of the 1935 film. Mimeograph description and manuscript annotations on the verso. Diane De Valle Bebe Daniels an aging theater actress struggles to face her imminent replacement by a young chorus girl Peggy Alive Faye. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1935réf. 145006Los Angeles: Twentieth Century-Fox 1935. Vintage photographs of actors Alice Faye Ray Walker and director George Marshall among other members of the cast on the set of the 1935 film. Mimeograph description and manuscript annotations on the verso. Diane De Valle Bebe Daniels an aging theater actress struggles to face her imminent replacement by a young chorus girl Peggy Alive Faye. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1963réf. 158484N.p.: Advent Films / Union Films 1963. Collection of 14 vintage reference photographs from the 1963 British film. A "naturist" film about a woman who falls in love with a Korean War veteran and decides to join in with his nudist lifestyle. Shot on location in Kent. 10 x 8 inches. Very Good plus slightly age toned. Advent Films / Union Films unknown
1963réf. 158484N.p.: Advent Films / Union Films 1963. Collection of 14 vintage reference photographs from the 1963 British film. A "naturist" film about a woman who falls in love with a Korean War veteran and decides to join in with his nudist lifestyle. Shot on location in Kent. 10 x 8 inches. Very Good plus slightly age toned. Advent Films / Union Films unknown books
1949réf. 139871Los Angeles: Twentieth Century-Fox 1949. Revised Final script for the 1950 film. Bound presentation script belonging to producer Sol C. Siegel with his name in gilt on the front board. With 53 studio still photographs tipped in throughout four pages of retakes and added scenes tipped in at the rear as well as a number of manuscript annotations primarily denoting the titles of various musical numbers. Based on the short story "Stork Don't Bring Babies" by S.K. Lauren Grable and Dailey play a showbiz couple who discover in successive order that they cannot have children that they can adopt children and that they aren't really fit to raise children. But things get better with the help of several musical numbers scored by Harold Arlen. Bound in green faux leather boards with gilt titles and rule and marbled endpapers. Title page present dated Dec. 1 1949 noted as Revised Final with credits for screenwriters Trotti and Binyon. 191 leaves with last page of text numbered 130. Mimeograph duplication with blue revision pages throughout dated variously between 12/21/19 and 1/5/50. Pages Very Good plus photographs Near Fine with some bruising or chipping to the verso of the preceding page on either the top or bottom edge. Boards Near Fine with a bump to the upper rear corner. Hirschhorn The Hollywood Musical. Twentieth Century-Fox unknown
1949réf. 139871Los Angeles: Twentieth Century-Fox 1949. Revised Final script for the 1950 film. Bound presentation script belonging to producer Sol C. Siegel with his name in gilt on the front board. With 53 studio still photographs tipped in throughout four pages of retakes and added scenes tipped in at the rear as well as a number of manuscript annotations primarily denoting the titles of various musical numbers. Based on the short story "Stork Don't Bring Babies" by S.K. Lauren Grable and Dailey play a showbiz couple who discover in successive order that they cannot have children that they can adopt children and that they aren't really fit to raise children. But things get better with the help of several musical numbers scored by Harold Arlen. Bound in green faux leather boards with gilt titles and rule and marbled endpapers. Title page present dated Dec. 1 1949 noted as Revised Final with credits for screenwriters Trotti and Binyon. 191 leaves with last page of text numbered 130. Mimeograph duplication with blue revision pages throughout dated variously between 12/21/19 and 1/5/50. Pages Very Good plus photographs Near Fine with some bruising or chipping to the verso of the preceding page on either the top or bottom edge. Boards Near Fine with a bump to the upper rear corner. Hirschhorn The Hollywood Musical. Twentieth Century-Fox unknown books
1967réf. 161991N.p.: Amalfi Productions 1967. Two vintage studio still photographs from the 1967 film. Both photographs with provenance stamps on the versos. Shot in the heat of Joseph Sarno's busiest year one of eight films he directed in 1967 alone. Marcia hitch-hikes from the country to the city to see her sister only to find her murdered. She then takes her sister's old job at a seedy roadhouse in order to find the murderer. 8 x 10 inches. Very Good plus with light creasing overall and one photograph with a chip to the bottom right corner. Nilsen Warped and Faded. Amalfi Productions unknown
1967réf. 161991N.p.: Amalfi Productions 1967. Two vintage studio still photographs from the 1967 film. Both photographs with provenance stamps on the versos. Shot in the heat of Joseph Sarno's busiest year one of eight films he directed in 1967 alone. Marcia hitch-hikes from the country to the city to see her sister only to find her murdered. She then takes her sister's old job at a seedy roadhouse in order to find the murderer. 8 x 10 inches. Very Good plus with light creasing overall and one photograph with a chip to the bottom right corner. Nilsen Warped and Faded. Amalfi Productions unknown books
1945réf. 148593Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1945. Complete Draft script for the 1947 film. Single annotation on front wrapper crossing out "who talked" in manuscript pencil with "talks" above in manuscript ink changing the working title "My Brother Who Talked to Horses" as it is on first two pages of script to "My Brother Talks to Horses" the released title. Stamped "Complete" and "Rerun" "Nov 1 1945" on front wrapper. Single annotation of name after "Checked By:" in manuscript pencil on verso of front wrapper a printed form for tracking revisions "Date" "Chgs" "Adds" and "Name" revision form un-entered. Based on the short story "Louie the Boy Who Talked with Horses" which was Chapter Ten of the 1945 novel "Joe the Wounded Tennis Player" by Morton Thompson who wrote the screenplay. Nine year old Baltimore boy Lewie Penrose Jackie 'Butch' Jenkins believes he can converse with horses and pick the winners of races attracting the attention of gambler Rich Roeder Charles Ruggles looking to win in the upcoming Preakness Stakes. Set in Baltimore Maryland. Yellow titled wrappers noted as COMPLETE on the front wrapper rubber-stamped production No. 126 dated 7.26-45 with credits for screenwriter Morton Thompson and "Okayed by:" producer Mr. Samuel Marx. Title page integral with the first page of text dated 7-24-45. 164 leaves with last page of text numbered 155. Mimeograph duplication rectos only with white revision pages throughout dated variously between 6-4-45 and 7-24-45. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1945réf. 148593Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1945. Complete Draft script for the 1947 film. Single annotation on front wrapper crossing out "who talked" in manuscript pencil with "talks" above in manuscript ink changing the working title "My Brother Who Talked to Horses" as it is on first two pages of script to "My Brother Talks to Horses" the released title. Stamped "Complete" and "Rerun" "Nov 1 1945" on front wrapper. Single annotation of name after "Checked By:" in manuscript pencil on verso of front wrapper a printed form for tracking revisions "Date" "Chgs" "Adds" and "Name" revision form un-entered. Based on the short story "Louie the Boy Who Talked with Horses" which was Chapter Ten of the 1945 novel "Joe the Wounded Tennis Player" by Morton Thompson who wrote the screenplay. Nine year old Baltimore boy Lewie Penrose Jackie 'Butch' Jenkins believes he can converse with horses and pick the winners of races attracting the attention of gambler Rich Roeder Charles Ruggles looking to win in the upcoming Preakness Stakes. Set in Baltimore Maryland. Yellow titled wrappers noted as COMPLETE on the front wrapper rubber-stamped production No. 126 dated 7.26-45 with credits for screenwriter Morton Thompson and "Okayed by:" producer Mr. Samuel Marx. Title page integral with the first page of text dated 7-24-45. 164 leaves with last page of text numbered 155. Mimeograph duplication rectos only with white revision pages throughout dated variously between 6-4-45 and 7-24-45. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
réf. 159101Hollywood: Marimark 1986. Two Draft scripts for the 1986 film seen here under the working title "Limo." Both copies belonging to actor Howard Hesseman with his annotations in manuscript ink and pencil throughout and one script with his signature in manuscript ink on the bottom right corner of the front wrapper. A strong-willed young woman gets a job as a driver for an upscale Beverly Hills limousine service upsetting the older men working for the company. Set and shot on location in Los Angeles. Undated script: Tall self wrappers. Title page present undated with credit for director and screenwriter David Beaird. 118 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages Very Good plus with the final leaf moderately worn and partially detached from the binding. Bound with two gold brads. Script dated 4/30/85: Yellow titled wrappers. Title page present dated 4/30/85 with credit for screenwriter David Beaird. 140 leaves with last page of text numbered 117. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 4/22/85 and 6/3/85. Pages Near Fine wrappers Very Good plus bound with two gold brads. McPadden Teens in Hell. Vinegar Syndrome 177. Marimark unknown
réf. 159101Hollywood: Marimark 1986. Two Draft scripts for the 1986 film seen here under the working title "Limo." Both copies belonging to actor Howard Hesseman with his annotations in manuscript ink and pencil throughout and one script with his signature in manuscript ink on the bottom right corner of the front wrapper. A strong-willed young woman gets a job as a driver for an upscale Beverly Hills limousine service upsetting the older men working for the company. Set and shot on location in Los Angeles. Undated script: Tall self wrappers. Title page present undated with credit for director and screenwriter David Beaird. 118 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages Very Good plus with the final leaf moderately worn and partially detached from the binding. Bound with two gold brads. Script dated 4/30/85: Yellow titled wrappers. Title page present dated 4/30/85 with credit for screenwriter David Beaird. 140 leaves with last page of text numbered 117. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 4/22/85 and 6/3/85. Pages Near Fine wrappers Very Good plus bound with two gold brads. McPadden Teens in Hell. Vinegar Syndrome 177. Marimark unknown books
1974réf. 159381N.p.: American Broadcasting Company ABC 1974. Vintage reference photograph of actors Robert Young and Ruth Hussey from the 1973 television film. Provenance stamp and mimeo snipe advertising the film's broadcast as part of ABC's "Wednesday Movie of the Week" on Wednesday December 25 affixed to the verso. A sequel to the 1972 television film "All My Darling Daughters." One year after marrying off all of his daughters on the same day a father is now engaged to be married himself. Actress Ruth Hussey's final film appearance. 7 x 9 inches. Near Fine. American Broadcasting Company [ABC] unknown books
1964réf. 164248Burbank CA: Warner Brothers 1964. Collection of five vintage studio still photographs and six vintage reference photographs taken on the set of the 1964 film. Two with printed mimeo snipes affixed to the versos and all with annotations in manuscript pencil on the same. Based on the 1956 Broadway musical by Lerner and Loewe itself adapted from George Bernard Shaw's 1913 play "Pygmalion." Winner of eight Academy Awards including Best Picture Best Director and Best Actor for Harrison reprising his Broadway and West End role as Henry Higgins. 10 x 8 inches. Very Good to Very Good plus overall. Ebert III. Warner Brothers unknown
1964réf. 161335Burbank CA: Warner Brothers 1964. Vintage studio still photograph of designer and photographer Cecil Beaton standing next to his costume design illustration for the 1964 film. Annotations in manuscript ink on the verso. Beaton won an Academy Award for Best Costume Design for the film and alongside Gene Allen and George James Hopkins won an Academy Award for Best Production Design for the film. 10 x 8 inches. Very Good plus lightly creased. Ebert III. Warner Brothers unknown
réf. 154945N.p.: Warner Brothers. Vintage British program for the 1964 film with Ad Sales label on the top right corner of the front wrapper. Based on the 1956 Broadway musical by Lerner and Loewe itself adapted from George Bernard Shaw's 1913 play "Pygmalion." Winner of eight Academy Awards including Best Picture Best Director and Best Actor for Rex Harrison reprising his Broadway and West End role as Henry Higgins. 8.5 x 11 inches. 14 pages side stapled. Very Good plus with light edgewear and two small closed tears at fore-edge of front wrapper. Ebert III. Warner Brothers unknown
1964réf. 164248Burbank CA: Warner Brothers 1964. Collection of five vintage studio still photographs and six vintage reference photographs taken on the set of the 1964 film. Two with printed mimeo snipes affixed to the versos and all with annotations in manuscript pencil on the same. Based on the 1956 Broadway musical by Lerner and Loewe itself adapted from George Bernard Shaw's 1913 play "Pygmalion." Winner of eight Academy Awards including Best Picture Best Director and Best Actor for Harrison reprising his Broadway and West End role as Henry Higgins. 10 x 8 inches. Very Good to Very Good plus overall. Ebert III. Warner Brothers unknown books
réf. 154945N.p.: Warner Brothers. Vintage British program for the 1964 film with Ad Sales label on the top right corner of the front wrapper. Based on the 1956 Broadway musical by Lerner and Loewe itself adapted from George Bernard Shaw's 1913 play "Pygmalion." Winner of eight Academy Awards including Best Picture Best Director and Best Actor for Rex Harrison reprising his Broadway and West End role as Henry Higgins. 8.5 x 11 inches. 14 pages side stapled. Very Good plus with light edgewear and two small closed tears at fore-edge of front wrapper. Ebert III. Warner Brothers unknown books
1964réf. 161335Burbank CA: Warner Brothers 1964. Vintage studio still photograph of designer and photographer Cecil Beaton standing next to his costume design illustration for the 1964 film. Annotations in manuscript ink on the verso. Beaton won an Academy Award for Best Costume Design for the film and alongside Gene Allen and George James Hopkins won an Academy Award for Best Production Design for the film. 10 x 8 inches. Very Good plus lightly creased. Ebert III. Warner Brothers unknown books
1942réf. 158980Los Angeles: Twentieth Century-Fox 1942. Vintage studio still photograph from the 1942 film. Based on the true story of songwriter Paul Dresser and a woman he dated known professionally as Sallie Walker. A biopic about Dresser and singer Sally Elliot detailing their meeting the formation of their business relationship and eventual engagement. Set in New York City shot on location in Calabasas California. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
