11 045 résultats
1976réf. 170355Los Angeles: Twentieth Century-Fox 1976. Ten vintage reference photographs from the 1976 film including nine borderless and one bordered. Director Paul Mazursky's semi-autobiographical comedy about a young Jewish man from Brooklyn who moves to then-bohemian enclave Greenwich Village befriending a motley cast of characters in the process including a Black gay man a WASP poet and a wacky hippie girl. Featuring early performances by Jeff Goldblum and Christopher Walken. 10 x 8 inches. Generally Near Fine. Twentieth Century-Fox unknown
1976réf. 127464Los Angeles: Twentieth Century-Fox 1976. Vintage insert poster for the 1976 film. An aspiring Jewish actor moves out of his parent's Brooklyn home to Greenwich Village in 1953 and ends up hanging out with an eccentric group of bohemians and artists. Nominated for the Palme d'Or. Set in and shot on location in New York City. 14 x 36 inches. Very Good plus with several pinholes. Twentieth Century-Fox unknown books
1976réf. 170355Los Angeles: Twentieth Century-Fox 1976. Ten vintage reference photographs from the 1976 film including nine borderless and one bordered. Director Paul Mazursky's semi-autobiographical comedy about a young Jewish man from Brooklyn who moves to then-bohemian enclave Greenwich Village befriending a motley cast of characters in the process including a Black gay man a WASP poet and a wacky hippie girl. Featuring early performances by Jeff Goldblum and Christopher Walken. 10 x 8 inches. Generally Near Fine. Twentieth Century-Fox unknown books
1957réf. 140967London: Montpelier 1957. Shooting script for the 1958 film. Copy belonging to crew member James H. Ware with his name and annotations in manuscript ink and pencil throughout. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Laid in is a note from James Ware. Based on Paul Gallico's short story "The Enchanted Hour" a British man is sent to America to negotiate a deal for which he is clearly out his depth. Set in the United States shot on location in England. Black untitled wrappers. Title page present dated May 1957 noted as SHOOTING SCRIPT. 107 leaves with last page of text numbered 101. Mimeograph duplication with blue and pink revision pages throughout dated variously between June 28 1957 and July 31 1957. Pages Very Good plus wrapper Very Good plus bound with two silver brads. Montpelier unknown
1957réf. 140967London: Montpelier 1957. Shooting script for the 1958 film. Copy belonging to crew member James H. Ware with his name and annotations in manuscript ink and pencil throughout. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Laid in is a note from James Ware. Based on Paul Gallico's short story "The Enchanted Hour" a British man is sent to America to negotiate a deal for which he is clearly out his depth. Set in the United States shot on location in England. Black untitled wrappers. Title page present dated May 1957 noted as SHOOTING SCRIPT. 107 leaves with last page of text numbered 101. Mimeograph duplication with blue and pink revision pages throughout dated variously between June 28 1957 and July 31 1957. Pages Very Good plus wrapper Very Good plus bound with two silver brads. Montpelier unknown books
réf. 12240Une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAUD S.A éditeur trimestre 1981. ISBN 2-205-01-636-9. 21 titres au dernier plat.. Edition originale.
2000réf. 146410N.p.: The Greenblatt Janollari Studio 2000. First Draft script for an unproduced television pilot. A few months after graduating high school the eponymous teen couple Nick and Emily discover that Emily is pregnant forcing the pair to grow up more quickly than anticipated. Screenwriter R. Lee Fleming Jr. was better known for his involvement in early 2000s young adult-oriented television shows such as "Friends" 2001-2004 and "One Tree Hill" 2004-2006 as well as the films "She's All That" 1999 and "Get Over It" 2001. Set in Burbank CA. White Greenblatt Janollari studio wrappers. Title page present dated January 28 2000 noted as First Draft with credits for screenwriter R. Lee Fleming Jr. 58 leaves with last page of text numbered 57. Xerographic duplication rectos only. Pages Near FIne wrapper Very Good plus bound with two silver brads. The Greenblatt Janollari Studio unknown
2000réf. 146410N.p.: The Greenblatt Janollari Studio 2000. First Draft script for an unproduced television pilot. A few months after graduating high school the eponymous teen couple Nick and Emily discover that Emily is pregnant forcing the pair to grow up more quickly than anticipated. Screenwriter R. Lee Fleming Jr. was better known for his involvement in early 2000s young adult-oriented television shows such as "Friends" 2001-2004 and "One Tree Hill" 2004-2006 as well as the films "She's All That" 1999 and "Get Over It" 2001. Set in Burbank CA. White Greenblatt Janollari studio wrappers. Title page present dated January 28 2000 noted as First Draft with credits for screenwriter R. Lee Fleming Jr. 58 leaves with last page of text numbered 57. Xerographic duplication rectos only. Pages Near FIne wrapper Very Good plus bound with two silver brads. The Greenblatt Janollari Studio unknown books
1976réf. 151230Burbank CA: Columbia Pictures 1976. Vintage reference photograph from the 1976 film showing Peter Bogdanovich directing actor Burt Reynolds with actor Alan Gibbs looking on to the right. From the archive of film historian and author Joel Finler. Bogdanovich's ode to silent film. A lawyer turned film director falls hopelessly in love with his beautiful but klutzy leading lady who is in turn engaged to a vile action actor. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1976réf. 151230Burbank CA: Columbia Pictures 1976. Vintage reference photograph from the 1976 film showing Peter Bogdanovich directing actor Burt Reynolds with actor Alan Gibbs looking on to the right. From the archive of film historian and author Joel Finler. Bogdanovich's ode to silent film. A lawyer turned film director falls hopelessly in love with his beautiful but klutzy leading lady who is in turn engaged to a vile action actor. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1979réf. 161152N.p.: N.p. 1979. Vintage borderless reference photograph from the 1979 French film showing actress Dominique Laffin half-nude. An early effort by noted director Catherine Breillat about a young filmmaker's aimless sexual conquests while editing her latest project. 7 x 9.5 inches. Near Fine. N.p. unknown
1979réf. 161152N.p.: N.p. 1979. Vintage borderless reference photograph from the 1979 French film showing actress Dominique Laffin half-nude. An early effort by noted director Catherine Breillat about a young filmmaker's aimless sexual conquests while editing her latest project. 7 x 9.5 inches. Near Fine. N.p. unknown books
1966réf. 158678Hollywood: Leslie Goodwins Productions 1966. Draft script for an unproduced television film by Myrtle M. Thomas under the pseudonym Myrtle M. Andrus. Laid in are a number of correspondences and documents regarding Leslie Goodwins Productions acquisition of the story. The included documents are: Two copies of correspondence to Thomas from Goodwins' production company dated Feb. 17 1966 one ribbon copy typescript on Goodwin's letterhead signed by staff manager Harry Martins and one carbon typescript copy of same with a "Let us hear from you as soon as possible! / Leslie Goodwins" stamp on the top right corner. The contract acquiring the story on Goodwins' letterhead dated Feb. 17 1966 signed by Martin and Thomas. A receipt of payment from Thomas to the agency on Goodwins' letterhead dated March 14 1966 to cover costs of collaboration expenses and registration fees. A confirmation of receipt of contract ribbon copy typescript letter to Thomas on Goodwins' letterhead signed by Martins dated March 30 1966. A copyright registration certificate for the story dated May 16 1966. And two clippings of carbon typescript copy assessments of Thomas' writing and a note in autograph pencil regarding copyright filing and story credits. English film director and screenwriter Leslie Goodwins directed nearly 100 films between 1926 and 1967 and in 1950 began working in television and was involved in multiple hit television shows during the 1950s and 1960s. He began Leslie Goodwins Productions largely for television projects in 1963. A nurse's first two nights on duty at a psychiatric hospital introduces her to a variety of disturbed and disturbing patients. Gold titled wrappers. Title page presentwith credits for screenwriter Myrtle M. Andrus. 31 leaves with last page of text numbered 30. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Documents and Correspondences: 7.75 x 3.5 to 8.5 x 11 inches. Very Good plus to Near Fine. Leslie Goodwins Productions unknown
1966réf. 158678Hollywood: Leslie Goodwins Productions 1966. Draft script for an unproduced television film by Myrtle M. Thomas under the pseudonym Myrtle M. Andrus. Laid in are a number of correspondences and documents regarding Leslie Goodwins Productions acquisition of the story. The included documents are: Two copies of correspondence to Thomas from Goodwins' production company dated Feb. 17 1966 one ribbon copy typescript on Goodwin's letterhead signed by staff manager Harry Martins and one carbon typescript copy of same with a "Let us hear from you as soon as possible! / Leslie Goodwins" stamp on the top right corner. The contract acquiring the story on Goodwins' letterhead dated Feb. 17 1966 signed by Martin and Thomas. A receipt of payment from Thomas to the agency on Goodwins' letterhead dated March 14 1966 to cover costs of collaboration expenses and registration fees. A confirmation of receipt of contract ribbon copy typescript letter to Thomas on Goodwins' letterhead signed by Martins dated March 30 1966. A copyright registration certificate for the story dated May 16 1966. And two clippings of carbon typescript copy assessments of Thomas' writing and a note in autograph pencil regarding copyright filing and story credits. English film director and screenwriter Leslie Goodwins directed nearly 100 films between 1926 and 1967 and in 1950 began working in television and was involved in multiple hit television shows during the 1950s and 1960s. He began Leslie Goodwins Productions largely for television projects in 1963. A nurse's first two nights on duty at a psychiatric hospital introduces her to a variety of disturbed and disturbing patients. Gold titled wrappers. Title page presentwith credits for screenwriter Myrtle M. Andrus. 31 leaves with last page of text numbered 30. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Documents and Correspondences: 7.75 x 3.5 to 8.5 x 11 inches. Very Good plus to Near Fine. Leslie Goodwins Productions unknown books
1970réf. 166578North Hollywood: Cinema Center Films 1970. Revised Draft script for the 1970 television film printed on blue leaves which aired on CBS on November 20 1970 here under the working title of "The Man in the Back Seat." Copy belonging to uncredited actor Nick Dimitri with the marker annotations of his name and "Pt. Part of Paul Sarne" on the front wrapper with Dimitri's address label from Cinema Center Films affixed to the verso of the front wrapper. After shooting his wife's lover in Baltimore David Janssen is a man on the run trying to flee to Mexico City. After being trapped at LAX due to bad weather Janssen gets cabbie Yapphet Kotto to drive him from Los Angeles to San Diego at gunpoint. Set in and shot on location in Los Angeles and San Diego California. Green titled Cinema Center 100 wrappers. Title page present dated February 17 1970 with credits for screenwriter Marvin A. Gluck and Story by Collier Young. 108 leaves with last page of text numbered 101. Mimeograph duplication rectos only with pink yellow and green revision pages throughout dated variously between 6/10/70 and 6/22/70. Pages Near Fine wrapper Near Fine bound with two gold brads. Cinema Center Films unknown
1970réf. 166578North Hollywood: Cinema Center Films 1970. Revised Draft script for the 1970 television film printed on blue leaves which aired on CBS on November 20 1970 here under the working title of "The Man in the Back Seat." Copy belonging to uncredited actor Nick Dimitri with the marker annotations of his name and "Pt. Part of Paul Sarne" on the front wrapper with Dimitri's address label from Cinema Center Films affixed to the verso of the front wrapper. After shooting his wife's lover in Baltimore David Janssen is a man on the run trying to flee to Mexico City. After being trapped at LAX due to bad weather Janssen gets cabbie Yapphet Kotto to drive him from Los Angeles to San Diego at gunpoint. Set in and shot on location in Los Angeles and San Diego California. Green titled Cinema Center 100 wrappers. Title page present dated February 17 1970 with credits for screenwriter Marvin A. Gluck and Story by Collier Young. 108 leaves with last page of text numbered 101. Mimeograph duplication rectos only with pink yellow and green revision pages throughout dated variously between 6/10/70 and 6/22/70. Pages Near Fine wrapper Near Fine bound with two gold brads. Cinema Center Films unknown books
réf. 162444N.p.: N.p. 1995. Final Draft script for the 1996 neo-noir film. Copy belonging to an unidentified crew member with their annotations on the title page noting phone numbers and on several pages in the script highlighting dialogue for police officers. With a production memo and a call sheet dated November 15 1995 laid in with the script along with a FedEx receipt. Based on Robert Daley's 1993 novel "Tainted Evidence" and on the true story of the escape of criminal Larry Davis about a newly elected district attorney's drive to eliminate corruption in the police department. Set and shot on location in Manhattan. Clear generic front wrapper blue rear wrapper. Title page present dated July 27 1995 noted as Final Draft with credits for screenwriter Sidney Lumet and novelist Robert Daley. 125 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue revision pages throughout dated September 22 1995. Pages about Fine wrapper Very Good with wear on the top and bottom edges of the rear wrapper silver prong binding. Spicer US. Silver and Ward Neo-Noir. N.p. unknown
réf. 162444N.p.: N.p. 1995. Final Draft script for the 1996 neo-noir film. Copy belonging to an unidentified crew member with their annotations on the title page noting phone numbers and on several pages in the script highlighting dialogue for police officers. With a production memo and a call sheet dated November 15 1995 laid in with the script along with a FedEx receipt. Based on Robert Daley's 1993 novel "Tainted Evidence" and on the true story of the escape of criminal Larry Davis about a newly elected district attorney's drive to eliminate corruption in the police department. Set and shot on location in Manhattan. Clear generic front wrapper blue rear wrapper. Title page present dated July 27 1995 noted as Final Draft with credits for screenwriter Sidney Lumet and novelist Robert Daley. 125 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue revision pages throughout dated September 22 1995. Pages about Fine wrapper Very Good with wear on the top and bottom edges of the rear wrapper silver prong binding. Spicer US. Silver and Ward Neo-Noir. N.p. unknown books
1966réf. 144364Sweden: Sandrews 1966. Vintage borderless photograph of Ingrid Thulin and Mai Zetterling on the set of the 1966 film. Mimeo snipe and press agency stamps on the verso. Jan and his fiance return to his childhood home a 14th Century castle where he is haunted by vivid flashbacks of a difficult childhood the neglect of his parents and a sexual fixation on his mother. Shot on location in Penningby Castle Stockholm Sweden. 10 x 8 inches. Near Fine. Sandrews unknown
1966réf. 144364Sweden: Sandrews 1966. Vintage borderless photograph of Ingrid Thulin and Mai Zetterling on the set of the 1966 film. Mimeo snipe and press agency stamps on the verso. Jan and his fiance return to his childhood home a 14th Century castle where he is haunted by vivid flashbacks of a difficult childhood the neglect of his parents and a sexual fixation on his mother. Shot on location in Penningby Castle Stockholm Sweden. 10 x 8 inches. Near Fine. Sandrews unknown books
1958réf. 143132Paris: Cinedis 1958. Collection of 419 vintage black-and-white photographs with original publicity ephemera from the set of the 1958 film "Night Heat" here under the original French title "Cette nuit la." Featured are over 300 smaller photographs elegantly presented in two "Lavis aquarelle" spiral bound notebooks with maroon faux leather front wrappers and affixed paper title labels with 3 or 4 photographs to a page. One notebook bears a label on the front wrapper verso noting film lab Tele-Photo production company Sopro Film Cinedis film title and photographer P. Apoteker. Several larger photographs credit photographer Francois Pages with his rubber stamp on the versos featuring images of actress Demongeot as she models in fur coat for onlookers including costar Maurice Ronet and director Cazeneuve. Several photos feature cast and crew at a release party. Brief annotations in manuscript pencil on the versos two with rubber-stamped series number. Several photographs with annotations on the verso in manuscript ink and pencil several with layout annotations on the recto a few with rubber-stamped series number. Loose photographs ephemera and original envelopes are housed in the original French Kodak paper box with annotations on the box top in manuscript ink and film title affixed to the side. Noir thriller based on Michel Lebrun's novel "Un Silence de Mort" 1957 starring Demongeot as Sylvie married to Jean Ronet an executive at a fashion magazine. Jean's boss André Servais obsesses over Sylvie whose demure femininity can be fatal. An early film credit for still photographer Paul Apoteker whose "Too Late for Love" 1959 is regarded as his first credited film. His dramatic execution would later be seen in Clouzot's "The Truth" 1960 Sautet's romance noir "Classe Tous Risques" 1960 and Woody Allen's "Love and Death" 1975. Demongeot and Ronet are amply represented throughout the collection including a preliminary mockup of the poster art. Photographs in large quarto notebooks 3.75 x 5 inches loose photographs range from 3.25 x 4 inches to 8 x 11.75 inches. Photographs Near Fine overall light curling a handful with short creases ephemera and notebooks Very Good plus box Very Good. Cinedis unknown
1958réf. 144082Paris: Cinedis 1958. 71 vintage single weight keybook contact sheets amounting to over 800 numbered images from the 1958 French film. Much of the film is represented in minute detail along with test shots set design shots and many candid moments from the set. Dramatic high-contrast images of starring actors Demongeot answering telephones and in heated embraces with several sheets capturing a formal dinner with the cast and crew presumably the film's premiere. Most with 12 images per sheet a few with 6-frame strips of 35mm film each image with a series number and all sheets credit at the top the photo laboratory Tele-Photo film studio Cinedis film title and photographer Apoteker. Housed in a red paper 2-ring binder with French titles printed on the front. Several with brief numerical annotations on the verso. Noirish crime thriller based on Michel Lebrun's novel "Un Silence de Mort" 1957 starring Demongeot as Sylvie married to Jean Ronet an executive at a fashion magazine. Jean's boss André Servais obsesses over Sylvie whose demure femininity can be fatal. An early film credit for still photographer Paul Apoteker whose "Too Late for Love" 1959 is regarded as his first credited film. His dramatic execution would later be seen in Clouzot's "The Truth" 1960 Sautet's romance noir "Classe Tous Risques" 1960 and Woody Allen's "Love and Death" 1975. Demongeot and Ronet are amply represented throughout the collection including a preliminary mockup of the poster art. Photos 8.25 x 10.25 inches a few slightly variant sizes hole-punched and two with square cuts. Very Good plus overall with curling and light foxing creases to the binder. Cinedis unknown
1958réf. 144082Paris: Cinedis 1958. 71 vintage single weight keybook contact sheets amounting to over 800 numbered images from the 1958 French film. Much of the film is represented in minute detail along with test shots set design shots and many candid moments from the set. Dramatic high-contrast images of starring actors Demongeot answering telephones and in heated embraces with several sheets capturing a formal dinner with the cast and crew presumably the film's premiere. Most with 12 images per sheet a few with 6-frame strips of 35mm film each image with a series number and all sheets credit at the top the photo laboratory Tele-Photo film studio Cinedis film title and photographer Apoteker. Housed in a red paper 2-ring binder with French titles printed on the front. Several with brief numerical annotations on the verso. Noirish crime thriller based on Michel Lebrun's novel "Un Silence de Mort" 1957 starring Demongeot as Sylvie married to Jean Ronet an executive at a fashion magazine. Jean's boss André Servais obsesses over Sylvie whose demure femininity can be fatal. An early film credit for still photographer Paul Apoteker whose "Too Late for Love" 1959 is regarded as his first credited film. His dramatic execution would later be seen in Clouzot's "The Truth" 1960 Sautet's romance noir "Classe Tous Risques" 1960 and Woody Allen's "Love and Death" 1975. Demongeot and Ronet are amply represented throughout the collection including a preliminary mockup of the poster art. Photos 8.25 x 10.25 inches a few slightly variant sizes hole-punched and two with square cuts. Very Good plus overall with curling and light foxing creases to the binder. Cinedis unknown books
1958réf. 143132Paris: Cinedis 1958. Collection of 419 vintage black-and-white photographs with original publicity ephemera from the set of the 1958 film "Night Heat" here under the original French title "Cette nuit la." Featured are over 300 smaller photographs elegantly presented in two "Lavis aquarelle" spiral bound notebooks with maroon faux leather front wrappers and affixed paper title labels with 3 or 4 photographs to a page. One notebook bears a label on the front wrapper verso noting film lab Tele-Photo production company Sopro Film Cinedis film title and photographer P. Apoteker. Several larger photographs credit photographer Francois Pages with his rubber stamp on the versos featuring images of actress Demongeot as she models in fur coat for onlookers including costar Maurice Ronet and director Cazeneuve. Several photos feature cast and crew at a release party. Brief annotations in manuscript pencil on the versos two with rubber-stamped series number. Several photographs with annotations on the verso in manuscript ink and pencil several with layout annotations on the recto a few with rubber-stamped series number. Loose photographs ephemera and original envelopes are housed in the original French Kodak paper box with annotations on the box top in manuscript ink and film title affixed to the side. Noir thriller based on Michel Lebrun's novel "Un Silence de Mort" 1957 starring Demongeot as Sylvie married to Jean Ronet an executive at a fashion magazine. Jean's boss André Servais obsesses over Sylvie whose demure femininity can be fatal. An early film credit for still photographer Paul Apoteker whose "Too Late for Love" 1959 is regarded as his first credited film. His dramatic execution would later be seen in Clouzot's "The Truth" 1960 Sautet's romance noir "Classe Tous Risques" 1960 and Woody Allen's "Love and Death" 1975. Demongeot and Ronet are amply represented throughout the collection including a preliminary mockup of the poster art. Photographs in large quarto notebooks 3.75 x 5 inches loose photographs range from 3.25 x 4 inches to 8 x 11.75 inches. Photographs Near Fine overall light curling a handful with short creases ephemera and notebooks Very Good plus box Very Good. Cinedis unknown books
1958réf. 143147Paris: Francoise Pages 1958. Vintage black-and-white photograph from the set of the 1958 film "Night Heat" here under the original French title "Cette nuit la." Featured is actress Mylene Demongeot with costar Maurice Ronet. With over 70 films to her credit Demongeot 1935- began acting in the early 1950s her first film being Leonide Moguy's "Children of Love" 1953. Notable films would follow including Raymond Rouleau's "The Crucible" 1957 Otto Preminger's "Bonjour Tristesse" 1958 Marc Allegret's "Be Beautiful But Shut Up" 1958 Andre Hunebelle's "Fantomas" 1964 and several Marc Simenon films in the 1970s and 1980s a director she was married to for over thirty years. 3.25 x 4.25 inches small white borders "298H" rubberstamp on versos: 182. Very Good plus with curling and slight discoloration overall. Francoise Pages unknown books
