11 045 résultats
1964réf. 166111Shepperton UK: Lippert Films 1964. Draft script for the 1964 British film copy belonging to Art Director George Provis with his name and the date "8th May 1964" written on the front wrapper. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Leslie Nielsen stars as a former OSS officer living in London who travels to Paris disguised as a photographer's assistant in order to deliver a secret tape reel after a former colleague with a decoy of the tape is killed. Shot on location in London. Yellow titled wrappers. Title page present. 84 leaves with last page of text numbered 88. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Lippert Films unknown books
réf. 163658Buckinghamshire: Sparkline Limited 1988. Second Draft UK script for the 1990 British film. Adapted for the screen by Clive Barker from his 1988 novella "Cabal." A mental patient who is wanted for serial murders is initiated among a group of monsters only he can see. Shot on location in Berkshire and Buckinghamshire England Alberta and Columbia Canada and Los Angeles USA. Tall black untitled wrappers with a die-cut title window in the British style. Title page present dated December 1988 noted as SECOND DRAFT with credits for director screenwriter and novelist Clive Barker. 125 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. McPadden Heavy Metal Movies. Weldon 1996. Sparkline Limited unknown
1990réf. 150309Los Angeles: Morgan Creek Productions Inc 1990. Vintage studio still photograph of David Cronenberg from the 1990 film. Based on Clive Barker's 1988 novella "Cabal." Craig Sheffer stars as a man who stumbles upon an underground city of peaceful monsters becoming a monster himself in the process and who must help protect them from other humans including his serial killer therapist. 8 x 10 inches. Very Good plus with small amount of splashing on lower right. Morgan Creek Productions, Inc unknown books
réf. 163658Buckinghamshire: Sparkline Limited 1988. Second Draft UK script for the 1990 British film. Adapted for the screen by Clive Barker from his 1988 novella "Cabal." A mental patient who is wanted for serial murders is initiated among a group of monsters only he can see. Shot on location in Berkshire and Buckinghamshire England Alberta and Columbia Canada and Los Angeles USA. Tall black untitled wrappers with a die-cut title window in the British style. Title page present dated December 1988 noted as SECOND DRAFT with credits for director screenwriter and novelist Clive Barker. 125 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. McPadden Heavy Metal Movies. Weldon 1996. Sparkline Limited unknown books
1978réf. 163809N.p.: N.p. 1978. Vintage studio still photograph from the 1978 film showing actors Ken Robertson and Robert Merrick at a pub. Printed mimeo snipe affixed to the verso along with French annotations in manuscript ink. An early exploration of gay identity in London about a schoolteacher forced to hide his sexuality from his friends and family. One of the first mainstream films to depict the everyday lives of gay men in the UK. Shot on location in London. 10 x 8 inches. Fine. N.p. unknown
1981réf. 139508Universal City CA: Universal Pictures 1981. Vintage oversize double weight borderless still photograph from the 1981 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13.25 x 9.25 inches. Near Fine. Universal Pictures unknown
1981réf. 139508Universal City CA: Universal Pictures 1981. Vintage oversize double weight borderless still photograph from the 1981 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13.25 x 9.25 inches. Near Fine. Universal Pictures unknown books
1978réf. 163809N.p.: N.p. 1978. Vintage studio still photograph from the 1978 film showing actors Ken Robertson and Robert Merrick at a pub. Printed mimeo snipe affixed to the verso along with French annotations in manuscript ink. An early exploration of gay identity in London about a schoolteacher forced to hide his sexuality from his friends and family. One of the first mainstream films to depict the everyday lives of gay men in the UK. Shot on location in London. 10 x 8 inches. Fine. N.p. unknown books
1972réf. 141353Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1974 film here seen under the working title "Deadly Honeymoon." A single manuscript notation to the first page. Based on the 1967 novel Deadly Honeymoon by Lawrence Block about a newlywed husband who seeks bloody revenge on a pair of killers after they beat him unconscious and assault his bride. Set in New Orleans shot on location there. Blue titled wrappers rubber-stamped copy No. 163 and production No. 7475 dated March 27 1972 with credits for screenwriter S. Lee Pogostin. 105 leaves with last page of text numbered 105. Mechanical duplication with revision pages throughout dated March 31 1972. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1972réf. 167213N.p.: N.p. 1972. Third Draft script for the 1978 film. Early draft preceding the film's release by six years. A Z-budget cult horror film about a vampire who is invited to be the guest of honor at a horror convention in San Francisco. Director and screenwriter John Stanley served as the horror science fiction and fantasy critic for the "San Francisco Chronicle" for over three decades. Shot on location in Oakland. Yellow card wrappers with title and credits for Stanley and screenwriter Kenn Davis on a typed label affixed to the front wrapper. Title page present dated April 26 1972 noted as THIRD DRAFT with credits for Davis and Stanley. 94 leaves with last page of text numbered 92. Xerographic duplication rectos only with a single undated pink blank leaf bound in at the rear of the script. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. Thrower Nightmare USA. N.p. unknown
1972réf. 141353Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1974 film here seen under the working title "Deadly Honeymoon." A single manuscript notation to the first page. Based on the 1967 novel Deadly Honeymoon by Lawrence Block about a newlywed husband who seeks bloody revenge on a pair of killers after they beat him unconscious and assault his bride. Set in New Orleans shot on location there. Blue titled wrappers rubber-stamped copy No. 163 and production No. 7475 dated March 27 1972 with credits for screenwriter S. Lee Pogostin. 105 leaves with last page of text numbered 105. Mechanical duplication with revision pages throughout dated March 31 1972. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1972réf. 167213N.p.: N.p. 1972. Third Draft script for the 1978 film. Early draft preceding the film's release by six years. A Z-budget cult horror film about a vampire who is invited to be the guest of honor at a horror convention in San Francisco. Director and screenwriter John Stanley served as the horror science fiction and fantasy critic for the "San Francisco Chronicle" for over three decades. Shot on location in Oakland. Yellow card wrappers with title and credits for Stanley and screenwriter Kenn Davis on a typed label affixed to the front wrapper. Title page present dated April 26 1972 noted as THIRD DRAFT with credits for Davis and Stanley. 94 leaves with last page of text numbered 92. Xerographic duplication rectos only with a single undated pink blank leaf bound in at the rear of the script. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. Thrower Nightmare USA. N.p. unknown books
1970réf. 153171N.p.: N.p. 1970. Draft script for an unproduced film. After being sexually assaulted by her ex-boyfriend and his friends a girl teams up with a bloodthirsty monster to take her revenge. Set in Biloxi Mississippi. White untitled Paul Kohner agency wrappers with the name of reader Ilse Lahn in manuscript ink annotation to the bottom of the front wrapper. Title page present undated with credits for screenwriter Donald L. Gold and story credits to Lester Wm. Berke. 128 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a few splashes and light edgewear on the front wrapper bound internally with two gold brads. N.p. unknown
1970réf. 153171N.p.: N.p. 1970. Draft script for an unproduced film. After being sexually assaulted by her ex-boyfriend and his friends a girl teams up with a bloodthirsty monster to take her revenge. Set in Biloxi Mississippi. White untitled Paul Kohner agency wrappers with the name of reader Ilse Lahn in manuscript ink annotation to the bottom of the front wrapper. Title page present undated with credits for screenwriter Donald L. Gold and story credits to Lester Wm. Berke. 128 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a few splashes and light edgewear on the front wrapper bound internally with two gold brads. N.p. unknown books
1957réf. 140319Paris: Intermondia Films 1957. Vintage borderless studio still photograph from the 1957 French film. Mimeo snipe affixed to the verso. A coming-of-age film about a young Cambodian boy who adopts and raises a young elephant. Shot on location in Cambodia. 7.5 x 9 inches. Near Fine. Intermondia Films unknown books
1958réf. 141432Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. Title based on a song popularized by the leading actor Frank Nagai. A comedy featuring a drugstore owner who begins an extramarital affair when his wife and child go on vacation. White illustrated titled perfect-bound wrappers. Title page present. 95 leaves with last page of text numbered 18. Mechanical duplication. Pages Near Fine wrapper Near Fine. Nikkatsu unknown
1958réf. 141432Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. Title based on a song popularized by the leading actor Frank Nagai. A comedy featuring a drugstore owner who begins an extramarital affair when his wife and child go on vacation. White illustrated titled perfect-bound wrappers. Title page present. 95 leaves with last page of text numbered 18. Mechanical duplication. Pages Near Fine wrapper Near Fine. Nikkatsu unknown books
1984réf. 147005N.p.: N.p. 1984. Draft script for an unproduced film. With a few copied manuscript annotations but without hole shadows made from a master. Laid in with the script is a business card for screenwriter Ragnar Lasse Henriksen. A meditation on torture and governmental violence told through the perspective of a former torture victim. Set in Latin America. Pictorial yellow transparent front wrapper and navy rear wrapper. Title page present dated JAN 12 1984 with credits for screenwriter RAGNAR LASSE HENRIKSEN. 39 leaves with last page of text numbered 36. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with black Velo binding. N.p. unknown
1984réf. 147005N.p.: N.p. 1984. Draft script for an unproduced film. With a few copied manuscript annotations but without hole shadows made from a master. Laid in with the script is a business card for screenwriter Ragnar Lasse Henriksen. A meditation on torture and governmental violence told through the perspective of a former torture victim. Set in Latin America. Pictorial yellow transparent front wrapper and navy rear wrapper. Title page present dated JAN 12 1984 with credits for screenwriter RAGNAR LASSE HENRIKSEN. 39 leaves with last page of text numbered 36. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with black Velo binding. N.p. unknown books
1995réf. 142143Burbank CA: Buena Vista Pictures 1995. Vintage press kit for the 1995 film. Press kit includes 11 black and white photographs and a pamphlet of production information housed in a titled pictorial studio folder. The second of director Oliver Stone's trilogy of films about US Presidents a semi-biographical film chronicling Nixon's impeachment with flashbacks to his life before the presidency. Director Oliver Stone received some criticism for depicting Nixon in typical dramatic flair as an alcoholic and a fallen hero though the film was well-received. Nominated for four Academy Awards including Best Musical Score and Best Actor. Photos 10 x 8 inches. Production pamphlet 35 pages saddle stapled housed in a 9 x 12 inch folder. Photos and production pamphlet Fine in a Very Good plus folder. Buena Vista Pictures unknown
1995réf. 142143Burbank CA: Buena Vista Pictures 1995. Vintage press kit for the 1995 film. Press kit includes 11 black and white photographs and a pamphlet of production information housed in a titled pictorial studio folder. The second of director Oliver Stone's trilogy of films about US Presidents a semi-biographical film chronicling Nixon's impeachment with flashbacks to his life before the presidency. Director Oliver Stone received some criticism for depicting Nixon in typical dramatic flair as an alcoholic and a fallen hero though the film was well-received. Nominated for four Academy Awards including Best Musical Score and Best Actor. Photos 10 x 8 inches. Production pamphlet 35 pages saddle stapled housed in a 9 x 12 inch folder. Photos and production pamphlet Fine in a Very Good plus folder. Buena Vista Pictures unknown books
réf. 141945Burbank CA: Walt Disney Productions 1975. Draft script for the 1976 Disney comedy film "No Deposit No Return" seen here under the working title "Double Trouble." Copy belonging to actor Hank Jones who played the role of Policeman #2 with his name on the front wrapper in black ink. A heist film Inspired by two O. Henry short stories "The Ransom of Red Chief" and "A Retrieved Reformation." Set in Los Angeles. Pink titled wrappers noted as production No. 0144 dated May 14 1975 with credits for story writer Joe McEveety and screenplay writers Arthur Alsberg and Don Nelson. Title page integral with the first page of text as issued dated 6/24/75. 152 leaves with last page of text numbered 134. Mechanical duplication with blue green pink and goldenrod revision pages throughout dated variously between 6/2/75 and 7/15/75. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Walt Disney Productions unknown
réf. 141945Burbank CA: Walt Disney Productions 1975. Draft script for the 1976 Disney comedy film "No Deposit No Return" seen here under the working title "Double Trouble." Copy belonging to actor Hank Jones who played the role of Policeman #2 with his name on the front wrapper in black ink. A heist film Inspired by two O. Henry short stories "The Ransom of Red Chief" and "A Retrieved Reformation." Set in Los Angeles. Pink titled wrappers noted as production No. 0144 dated May 14 1975 with credits for story writer Joe McEveety and screenplay writers Arthur Alsberg and Don Nelson. Title page integral with the first page of text as issued dated 6/24/75. 152 leaves with last page of text numbered 134. Mechanical duplication with blue green pink and goldenrod revision pages throughout dated variously between 6/2/75 and 7/15/75. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Walt Disney Productions unknown books
1957réf. 161410N.p.: Jerry Wald Productions 1957. Revised Final Draft script for the 1957 film here under the working title "Down Payment." Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Twelve reference photographs from the film bound in variously among the script pages. All photographs except for two cast photographs with text in margin struck at the production company Twentieth Century Fox and title "Down Payment" with correction stamps of "Jerry Wald" and "No Down Payment" adjacent. Based on the 1957 novel by John McPartland. An examination of the intertwined lives of four married couples in a newly constructed suburban Los Angeles community and the issues they harbor such as alcoholism marital infidelity racism and religion. Script written by uncredited and blacklisted screenwriter Ben Maddow and fronted by Philip Yordan. Set in and shot on location in Los Angeles. Bound in light blue cloth with navy quarter leather finding with five raised bands and gilt titles on the spine. 154 leaves with last page of text numbered 143. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 4/17/57 and 6/17/57. Pages Near Fine binding Near FIne. Selby US. Spicer US. Jerry Wald Productions unknown
1957réf. 161410N.p.: Jerry Wald Productions 1957. Revised Final Draft script for the 1957 film here under the working title "Down Payment." Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Twelve reference photographs from the film bound in variously among the script pages. All photographs except for two cast photographs with text in margin struck at the production company Twentieth Century Fox and title "Down Payment" with correction stamps of "Jerry Wald" and "No Down Payment" adjacent. Based on the 1957 novel by John McPartland. An examination of the intertwined lives of four married couples in a newly constructed suburban Los Angeles community and the issues they harbor such as alcoholism marital infidelity racism and religion. Script written by uncredited and blacklisted screenwriter Ben Maddow and fronted by Philip Yordan. Set in and shot on location in Los Angeles. Bound in light blue cloth with navy quarter leather finding with five raised bands and gilt titles on the spine. 154 leaves with last page of text numbered 143. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 4/17/57 and 6/17/57. Pages Near Fine binding Near FIne. Selby US. Spicer US. Jerry Wald Productions unknown books
