10 264 résultats
1954réf. 164748Universal City: Universal-International 1954. Vintage publicity photograph from the 1954 film showing actor Tony Curtis with sword in hand jumping over a castle wall. Printed mimeo snipe affixed to the verso along with a Culver Pictures stamp. Based on Howard Pyle's 1891 novel "Men of Iron" about a peasant who is trained as a knight so that he may one day defeat the evil Earl of Alban. Universal-International's first Technicolor feature. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Very Good plus with a small splash on the center right of the recto. Universal-International unknown
1972réf. 160635N.p.: N.p. 1972. Vintage reference photograph from the UK release of the 1971 Italian giallo film. Provenance stamps and a mimeo snipe on the verso. A police detective investigates a string of murders where the victims are paralyzed and disemboweled. Set and shot on location in Rome. 10 x 8 inches. Near Fine. Howarth So Deadly So Perverse Volume 1 1963-1972. N.p. unknown books
1972réf. 150801Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Four vintage studio still photographs all mounted on presentation cards as issued by the distributor from the US release of the 1971 Italian film. A police detective investigates a string of murders where the victims are paralyzed and disemboweled. Set and shot on location in Rome. Cards 10 x 8 inches. Presentation card 14 x 11 inches. Lobby cards and presentation cards Very Good plus. Howarth So Deadly So Perverse Volume 1 1963-1972. Metro-Goldwyn-Mayer [MGM] unknown books
1972réf. 150718Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Complete set of eight vintage color studio still photographs from the US release of the 1971 Italian film. A police detective investigates a string of murders where the victims are paralyzed and disemboweled. Set and shot on location in Rome. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1952réf. 164772Universal City: Universal-International 1952. Vintage linen-backed publicity photograph from the 1952 film showing actor Boris Karloff. Printed mimeo snipe affixed to the verso. A British gentleman arrives at a gothic castle hellbent on uncovering his friends' mysterious disappearances. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal-International unknown books
1937réf. 130886Universal City CA: Universal Pictures 1937. Continuity and Dialogue script for the 1938 film. Based on the 1936 novel by William Edward Haynes. The second installment of the Universal Crime Club mysteries. A man finds a black doll after murdering his business partner and is then later murdered himself. A detective tries to solves the mystery with multiple suspects. White self-wrappers with credits for director Otis Garrett. 106 leaves with last page of text numbered 15. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. Universal Pictures unknown books
1926réf. 171412N.p.: N.p. 1926. Vintage double weight reference photograph from the 1926 film showing actress Billie Dove. Distribution stamp on the verso. After the death of his father at the hands of a bloody pirate gang a nobleman infiltrates the gang and becomes a buccaneer himself quietly seeking revenge. The third feature to be filmed in early two-tone Technicolor first introduced in "The Toll of the Sea" 1922. 8 x 10 inches. About Near Fine lightly toned with faint soil at the bottom right corner of the margin. National Film Registry. N.p. unknown books
1950réf. 132665London: Twentieth Century-Fox 1950. Eight vintage British front-of-house cards from the UK release of the 1950 American-English film. Based on Thomas B. Costain's 1945 novel about a Saxon youth who runs away from England during the Crusades. Somehow he and a friend make it to China where they get involved with the court of Kubla Kahn. 8 x 10 inches. Light rubbing and faint creasing overall else Near Fine. Twentieth Century-Fox unknown books
1950réf. 132666Los Angeles: Twentieth Century-Fox 1950. Vintage black-and-white still photograph from the 1950 American-English film. Based on Thomas B. Costain's 1945 novel about a Saxon youth who runs away from England during the Cruscades. Somehow he and a friend make it to China where they get involved with the court of Kubla Kahn. 8 x 10 inches. Light creases at the extremities else Near Fine. Twentieth Century-Fox unknown books
1949réf. 144415Los Angeles: Twentieth Century-Fox 1949. Final Draft script for the 1950 film. With a "New York Legal Department" rubber stamp on the front wrapper and extensive manuscript pencil annotations throughout likely by a professional reader regarding differences between the source novel by Thomas B. Costain and the script. Based on Costain's 1945 novel and partially conceived as a sequel to the 1949 film "Prince of Foxes" in order to reunite Tyrone Power and Orson Welles. "The Black Rose" features Power as a Saxon youth who runs away from England during the Crusades. Somehow he and his North African warlord friend Orson Welles make it to China where they get involved with the court of Kubla Kahn. Nominated for an Academy Award. Set in England and the Far East shot on location in England and Morocco. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 19 and production No. 125 dated May 4 1949. Distribution page present with receipt removed. Title page present dated May 4 1949. PAGES leaves with last page of text numbered 161. Mimeograph duplication rectos only with blue revision pages throughout dated 5/17/49 and 7/5/49. Pages Fine wrapper Very Good bound internally with three gold brads. Twentieth Century-Fox unknown books
1954réf. 164748Universal City: Universal-International 1954. Vintage publicity photograph from the 1954 film showing actor Tony Curtis with sword in hand jumping over a castle wall. Printed mimeo snipe affixed to the verso along with a Culver Pictures stamp. Based on Howard Pyle's 1891 novel "Men of Iron" about a peasant who is trained as a knight so that he may one day defeat the evil Earl of Alban. Universal-International's first Technicolor feature. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Very Good plus with a small splash on the center right of the recto. Universal-International unknown books
1974réf. 132853Universal City CA: Universal Pictures 1974. Collection of 6 vintage black-and-white still photographs from the 1974 UK film. Layout annotations to the versos of 3 stills and the rectos of 2 stills with a mimeograph snipe affixed to the verso of 1 still. Based on Clive Egleton's 1973 novel "Seven Days to a Killing" about the kidnapping of a British agent's son and the quest for revenge by the agent. Shot on location in England and in Paris. 8 x 10 inches with no borders as issued. Very Good plus with corner creases and light stains. Universal Pictures unknown books
1974réf. 157287Universal City CA: Universal Pictures 1974. Vintage reference photograph from the 1974 film showing actors Michael Caine and Delphine Seyrig talking with director Don Siegel on the set. Mimeo snipe on the verso. From the archive of film historian and author Joel Finler. Based on Clive Egleton's 1973 novel "Seven Days to a Killing" about the kidnapping of a British agent's son and the agent's subsequent quest for revenge. Shot on location in England and in Paris. 10 x 8 inches. Near Fine. Universal Pictures unknown books
1973réf. 140845Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Draft script for the 1973 film. With a single notation to the title page in manuscript ink indicating this copy is from Barry Levinson. Based on the 1955 novel "Le Blockhaus" by Jean-Paul Clebert the story follows a mixed-group of forced laborers held by German forces taking shelter in a German bunker on D-Day. However due to the heavy shelling they are entombed in the blockhouse. Fortunately it is a storehouse as well so the prisoners have food to last them for years but unfortunately they are permanently trapped in there. The film deals with how they lived in their underground prison and their eventual deaths. Set in Normandy shot on location in Guernsey Channel Islands. Blue blank wrappers with die cut title window in the British style. Title page present with credits for screenwriter John Gould and author Jean-Paul Clebert. 141 leaves with last page of text numbered 140. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Metro-Goldwyn-Mayer [MGM] unknown
1973réf. 151980London: Galactacus Productions 1973. Draft script for the 1973 film. Laid in with the script are two letters addressed to casting agent Paul Kohner from producer Antony Rufus Isaacs introducing the script and suggesting the part of Grabinski for actor Charles Bronson as well as a four-page typed synopsis of the script. Based on the 1955 novel by Jean-Paul Clebert. On D-Day a group of prisoners-of-war take shelter from the bombardment inside a German bunker but find themselves permanently trapped underground when the entrances are blocked. Set in Germany shot on location in Guernsey in the Channel Islands. Black untitled wrappers with a die-cut title window in the British style. Title page present undated with credits for screenwriter John Gould and novelist Jean-Pierre Clebert. 141 leaves with last page of text numbered 140. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Galactacus Productions unknown
1973réf. 140845Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Draft script for the 1973 film. With a single notation to the title page in manuscript ink indicating this copy is from Barry Levinson. Based on the 1955 novel "Le Blockhaus" by Jean-Paul Clebert the story follows a mixed-group of forced laborers held by German forces taking shelter in a German bunker on D-Day. However due to the heavy shelling they are entombed in the blockhouse. Fortunately it is a storehouse as well so the prisoners have food to last them for years but unfortunately they are permanently trapped in there. The film deals with how they lived in their underground prison and their eventual deaths. Set in Normandy shot on location in Guernsey Channel Islands. Blue blank wrappers with die cut title window in the British style. Title page present with credits for screenwriter John Gould and author Jean-Paul Clebert. 141 leaves with last page of text numbered 140. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Metro-Goldwyn-Mayer [MGM] unknown books
1973réf. 151980London: Galactacus Productions 1973. Draft script for the 1973 film. Laid in with the script are two letters addressed to casting agent Paul Kohner from producer Antony Rufus Isaacs introducing the script and suggesting the part of Grabinski for actor Charles Bronson as well as a four-page typed synopsis of the script. Based on the 1955 novel by Jean-Paul Clebert. On D-Day a group of prisoners-of-war take shelter from the bombardment inside a German bunker but find themselves permanently trapped underground when the entrances are blocked. Set in Germany shot on location in Guernsey in the Channel Islands. Black untitled wrappers with a die-cut title window in the British style. Title page present undated with credits for screenwriter John Gould and novelist Jean-Pierre Clebert. 141 leaves with last page of text numbered 140. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Galactacus Productions unknown books
réf. 140667Toronto: Roy Krost Productions. Draft script for an unproduced film. A woman comes to a Vietnam vet turned private investigator to learn the truth about her dead fiance who she still believes is alive. Both are Irish and are led on a long road of Irish organizations some fighting for a United Ireland some old blood from the motherland some born in America and only know Ireland as an ideal classic Irish cops some gangsters who identify with Irish liberation and some gangsters who know no loyalties. All come together to work against this private investigator who has bitten off more than he can chew. Set in Los Angeles. Tan untitled wrappers. Title page present with credits for screenwriter Tim Kelly. 132 leaves with last page of text numbered 131. Xerographic duplication. Pages Near fine wrapper Near Fine bound with three gold brads. Roy Krost Productions unknown
réf. 140667Toronto: Roy Krost Productions. Draft script for an unproduced film. A woman comes to a Vietnam vet turned private investigator to learn the truth about her dead fiance who she still believes is alive. Both are Irish and are led on a long road of Irish organizations some fighting for a United Ireland some old blood from the motherland some born in America and only know Ireland as an ideal classic Irish cops some gangsters who identify with Irish liberation and some gangsters who know no loyalties. All come together to work against this private investigator who has bitten off more than he can chew. Set in Los Angeles. Tan untitled wrappers. Title page present with credits for screenwriter Tim Kelly. 132 leaves with last page of text numbered 131. Xerographic duplication. Pages Near fine wrapper Near Fine bound with three gold brads. Roy Krost Productions unknown books
1959réf. 160610Los Angeles: Twentieth Century-Fox 1959. Four vintage reference photographs from the 1959 film all four showing actress May Britt dancing in a cabaret. One with a French Twentieth Century-Fox stamp on the verso. A little-seen American remake of Josef von Sternberg's 1930 German film based on the 1905 novel "Professor Unrat" by Heinrich Mann. A tale of the destruction that obsession can cause about a German high school teacher who falls for a traveling showgirl marries her and is then shunned by his community slowly losing all of his dignity. 10 x 8 inches. Very Good plus lightly age toned with brief wear at the corners. Twentieth Century-Fox unknown books
1976réf. 140334Los Angeles: Twentieth Century-Fox 1976. Vintage studio still photograph from the 1976 film a co-production of the US and the Soviet Union. Based on Maurice Maeterlinck's 1908 play of the same name. In the vein of "The Wizard of Oz" complete with a personified dog cat and various inanimate objects. Two you peasants venture forth on a quest to find the Blue Bird of Happiness and are aided in their quest by a host of unusual creatures. Shot on location in Russia. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1953réf. 162382Burbank CA: Warner Brothers 1953. Vintage studio still photograph from the 1953 film noir showing Richard Conte and Anne Baxter flanking Nat King Cole at the piano. Provenance stamp on the verso along with annotations in manuscript pencil. Based on Vera Caspary's 1952 novella. A telephone operator wakes up with a hangover and a creeping feeling that she might have murdered her date the previous night. The first installment in director Fritz Lang's "newspaper noir" trilogy followed by "While the City Sleeps" 1956 and "Beyond a Reasonable Doubt" 1956. 10 x 8 inches. Very Good plus with light wear at the two left corners and pinholes at three edges. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown
1953réf. 153219N.p.: N.p. 1953. Vintage reference photograph of director Fritz Lang in conversation with actress Anne Baxter on the set of the 1953 film noir. Mimeo snipe to the verso. Based on the 1951 novella by Vera Caspary. A telephone operator wakes up with a hangover and a creeping feeling that she might have murdered her date the previous night. The first installment in Lang's "newspaper noir" trilogy followed by "While the City Sleeps" 1956 and "Beyond a Reasonable Doubt" 1956. Set in Los Angeles. 10 x 8 inches. Near Fine. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US. N.p. unknown
1953réf. 162382Burbank CA: Warner Brothers 1953. Vintage studio still photograph from the 1953 film noir showing Richard Conte and Anne Baxter flanking Nat King Cole at the piano. Provenance stamp on the verso along with annotations in manuscript pencil. Based on Vera Caspary's 1952 novella. A telephone operator wakes up with a hangover and a creeping feeling that she might have murdered her date the previous night. The first installment in director Fritz Lang's "newspaper noir" trilogy followed by "While the City Sleeps" 1956 and "Beyond a Reasonable Doubt" 1956. 10 x 8 inches. Very Good plus with light wear at the two left corners and pinholes at three edges. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown books
1953réf. 153219N.p.: N.p. 1953. Vintage reference photograph of director Fritz Lang in conversation with actress Anne Baxter on the set of the 1953 film noir. Mimeo snipe to the verso. Based on the 1951 novella by Vera Caspary. A telephone operator wakes up with a hangover and a creeping feeling that she might have murdered her date the previous night. The first installment in Lang's "newspaper noir" trilogy followed by "While the City Sleeps" 1956 and "Beyond a Reasonable Doubt" 1956. Set in Los Angeles. 10 x 8 inches. Near Fine. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US. N.p. unknown books
