10 264 résultats
1978réf. 149693Universal City: Universal City Studios 1978. Vintage reference photograph from the 1978 film showing director John Landis on the set of the film's final scene in Joliet Prison wearing a "Joliet" baseball cap with the iconic painted motto reading "It's Never Too Late to Mend" visible in the background. With the stamp of National Film Archive on the verso. An energetic and enduring comedy classic originally conceived by John Belushi and Dan Akroyd in "Saturday Night Live" sketches featuring the eponymous main characters. The film set the record for the most cars destroyed in one film at the time of its release and features an all-star cast of musical guests and subtle cameos including jazz blues and soul greats Aretha Franklin Cab Calloway James Brown Ray Charles and Chaka Khan. The Blues Brothers Band who perform the soundtrack includes actual giants of the 1960s rhythm and blues era: Steve Cropper Donald "Duck" Dunn Murphy Dunne Willie "Too Big" Hall and Matt "Guitar" Murphy. Carrie Fisher Dan Akroyd's then-girlfriend also makes an unforgettable appearance as John Belushi's homicidal ex-girlfriend. Set in and around Chicago and shot there on location. 10 x 8 inches. Near Fine. Universal City Studios unknown
1978réf. 149693Universal City: Universal City Studios 1978. Vintage reference photograph from the 1978 film showing director John Landis on the set of the film's final scene in Joliet Prison wearing a "Joliet" baseball cap with the iconic painted motto reading "It's Never Too Late to Mend" visible in the background. With the stamp of National Film Archive on the verso. An energetic and enduring comedy classic originally conceived by John Belushi and Dan Akroyd in "Saturday Night Live" sketches featuring the eponymous main characters. The film set the record for the most cars destroyed in one film at the time of its release and features an all-star cast of musical guests and subtle cameos including jazz blues and soul greats Aretha Franklin Cab Calloway James Brown Ray Charles and Chaka Khan. The Blues Brothers Band who perform the soundtrack includes actual giants of the 1960s rhythm and blues era: Steve Cropper Donald "Duck" Dunn Murphy Dunne Willie "Too Big" Hall and Matt "Guitar" Murphy. Carrie Fisher Dan Akroyd's then-girlfriend also makes an unforgettable appearance as John Belushi's homicidal ex-girlfriend. Set in and around Chicago and shot there on location. 10 x 8 inches. Near Fine. Universal City Studios unknown books
1965réf. 141222N.p.: N.p. 1965. Treatment script for an unproduced film. Based on Fritz Habeck's 1951 German novel "Das Boot kommt nach Mitternact" about a Nazi officer who accepts a bribe from a persecuted couple to allow them to escape Paris by boat. Set in Paris. Tan titled wrappers with credit for screenwriter Peter A. Schnitzler. Title page present dated June 1965 with credits for screenwriter Peter A. Schnitzler and author Fritz Habeck. 54 leaves with last leaf of text numbered 53. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown
1965réf. 146854N.p.: N.p. 1965. Treatment script for an unproduced film. Based on German author Fritz Habeck's 1951 novel. A Nazi officer is bribed with American money from a mysterious man from the Resistance who is desperate to escape the country by boat. The officer is wary but soon agrees and begins to hatch a grand scheme to sneak out the fighter and his wife. Set in Paris. Tan titled wrappers with credits for screenwriter Peter A. Schnitzler. Title page present dated June 1965 with credits for screenwriter Peter A. Schnitzler and author Fritz Habeck. 54 leaves with last page of text numbered 53. Mimeograph duplication rectos only. Pages Very Good wrapper Very Good plus bound with two gold brads. N.p. unknown
1965réf. 141222N.p.: N.p. 1965. Treatment script for an unproduced film. Based on Fritz Habeck's 1951 German novel "Das Boot kommt nach Mitternact" about a Nazi officer who accepts a bribe from a persecuted couple to allow them to escape Paris by boat. Set in Paris. Tan titled wrappers with credit for screenwriter Peter A. Schnitzler. Title page present dated June 1965 with credits for screenwriter Peter A. Schnitzler and author Fritz Habeck. 54 leaves with last leaf of text numbered 53. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown books
1965réf. 146854N.p.: N.p. 1965. Treatment script for an unproduced film. Based on German author Fritz Habeck's 1951 novel. A Nazi officer is bribed with American money from a mysterious man from the Resistance who is desperate to escape the country by boat. The officer is wary but soon agrees and begins to hatch a grand scheme to sneak out the fighter and his wife. Set in Paris. Tan titled wrappers with credits for screenwriter Peter A. Schnitzler. Title page present dated June 1965 with credits for screenwriter Peter A. Schnitzler and author Fritz Habeck. 54 leaves with last page of text numbered 53. Mimeograph duplication rectos only. Pages Very Good wrapper Very Good plus bound with two gold brads. N.p. unknown books
1969réf. 136136Burbank CA: Walt Disney Productions 1969. Revised Final Draft script for the 1970 Disney film. Based on a story by Marty Roth executive story editor for the television series "The Dukes of Hazzard" 1979-1985. Coast Guard Ensign Garland Morse falls in love with sailing instructor Kate Powers but his bumbling leaves her disenchanted until they team up to recover stolen jewels before a team of thieves led by Simmons Silvers can find them. Set in California shot there on location. Gray titled wrappers noted as Final Screenplay on the front wrapper production No. 0107 dated July 23 1969 with credits for story writer Roth and screenwriter Julian. 152 leaves with last page of text numbered 166. Mechanical duplication with green blue white and pink revision pages throughout dated variously between 7/18/69 and 9/28/69. Near Fine overall bound with three gold brads. Walt Disney Productions unknown
1969réf. 136136Burbank CA: Walt Disney Productions 1969. Revised Final Draft script for the 1970 Disney film. Based on a story by Marty Roth executive story editor for the television series "The Dukes of Hazzard" 1979-1985. Coast Guard Ensign Garland Morse falls in love with sailing instructor Kate Powers but his bumbling leaves her disenchanted until they team up to recover stolen jewels before a team of thieves led by Simmons Silvers can find them. Set in California shot there on location. Gray titled wrappers noted as Final Screenplay on the front wrapper production No. 0107 dated July 23 1969 with credits for story writer Roth and screenwriter Julian. 152 leaves with last page of text numbered 166. Mechanical duplication with green blue white and pink revision pages throughout dated variously between 7/18/69 and 9/28/69. Near Fine overall bound with three gold brads. Walt Disney Productions unknown books
1966réf. 155023Universal City: Universal Television 1966. Draft script for the 1967 television movie originally aired on February 25 1967 on NBC. Copy belonging to an unknown crew member with their manuscript pencil annotations on three leaves. A suburban couple discover they have been used as money laundering pawns for a powerful crime syndicate and decide to try to break away from the cartel. Shot on location in Sleepy Hollow and New York City New York. Green titled Studio Duplicating Service wrappers. Title page present dated June 13 1966 with credits for director David Lowell Rich and screenwriter A.J. Russell. 111 leaves with last page of text numbered 107. Mimeograph duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Universal Television unknown
1966réf. 155023Universal City: Universal Television 1966. Draft script for the 1967 television movie originally aired on February 25 1967 on NBC. Copy belonging to an unknown crew member with their manuscript pencil annotations on three leaves. A suburban couple discover they have been used as money laundering pawns for a powerful crime syndicate and decide to try to break away from the cartel. Shot on location in Sleepy Hollow and New York City New York. Green titled Studio Duplicating Service wrappers. Title page present dated June 13 1966 with credits for director David Lowell Rich and screenwriter A.J. Russell. 111 leaves with last page of text numbered 107. Mimeograph duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Universal Television unknown books
1966réf. 149248Universal City: Universal Pictures 1966. Vintage one sheet poster for the US release of the 1966 British film. Based on the 1947 short story by Cornell Woolrich. Previously filmed in 1949 as "The Window" directed by Ted Tetzlaff and starring Barbara Hale and Arthur Kennedy and remade in 1984 as "Cloak and Dagger" directed by Richard Franklin and starring Henry Thomas and Dabney Coleman. Twelve year old Jonathan has a penchant for making up stories and when he witnesses a murder which the killer is aware of his family doesn't believe him. Set in and shot on location in Montenegro and Yugoslavia. 27 x 41 inches. Folded as issued. Very Good plus with splitting and closed tears at the folds. Universal Pictures unknown books
1971réf. 154969N.p.: MGM / EMI 1971. Vintage program for the 1971 film. Based on the 1953 West End musical by Sandy Wilson about a mousy stage manager forced to take the lead in a low-budget musical revue after the lead actress breaks her leg. While Wilson's original is a straightforward pastiche of 1920s musicals director Ken Russell's adaptation is a full-blown parody of 1930s musical films particularly Busby Berkeley with heavy metatextual elements as the more lavish numbers take place in the imagination of a Hollywood producer watching the show. 8.25 x 10.25 inches. Bi-fold. Very Good plus with light soiling foxing and creasing. MGM / EMI unknown
1971réf. 143084London: Russflix / MGM 1971. Vintage photograph on the set of the 1971 musical with director Ken Russell staring intently at stars Twiggy and Christopher Gable. With manuscript annotations on the verso. Based on the 1953 West End musical by Sandy Wilson about a mousy stage manager forced to take the lead in a touring musical after the lead actress breaks her leg. While Wilson's original is a straight forward pastiche of 1920s musicals Russell's adaptation is a full blown parody of 1930s musical films particularly Busby Berkeley with heavy metatextual elements as the more lavish numbers take place in the imagination of a Hollywood producer watching the simple touring stage show. 10 x 8 inches. Near Fine. Russflix / MGM unknown
1971réf. 150397London: Russflix / MGM 1971. Vintage reference photograph from the set of the 1971 musical film showing hairdresser Barbara Ritchie adjusting actress Twiggy's head sash while director Ken Russell looks out onto the set. With the stamp of Theater Page A.M. on the verso. Based on the 1953 West End musical by Sandy Wilson about a mousy stage manager forced to take the lead in a low-budget musical revue after the lead actress breaks her leg. While Wilson's original is a straightforward pastiche of 1920s musicals Russell's adaptation is a full-blown parody of 1930s musical films particularly Busby Berkeley with heavy metatextual elements as the more lavish numbers take place in the imagination of a Hollywood producer watching the show. 10 x 8 inches. Very Good plus lightly worn on the corners with faint toning to the bottom and right edges. Russflix / MGM unknown books
1971réf. 143084London: Russflix / MGM 1971. Vintage photograph on the set of the 1971 musical with director Ken Russell staring intently at stars Twiggy and Christopher Gable. With manuscript annotations on the verso. Based on the 1953 West End musical by Sandy Wilson about a mousy stage manager forced to take the lead in a touring musical after the lead actress breaks her leg. While Wilson's original is a straight forward pastiche of 1920s musicals Russell's adaptation is a full blown parody of 1930s musical films particularly Busby Berkeley with heavy metatextual elements as the more lavish numbers take place in the imagination of a Hollywood producer watching the simple touring stage show. 10 x 8 inches. Near Fine. Russflix / MGM unknown books
1971réf. 154969N.p.: MGM / EMI 1971. Vintage program for the 1971 film. Based on the 1953 West End musical by Sandy Wilson about a mousy stage manager forced to take the lead in a low-budget musical revue after the lead actress breaks her leg. While Wilson's original is a straightforward pastiche of 1920s musicals director Ken Russell's adaptation is a full-blown parody of 1930s musical films particularly Busby Berkeley with heavy metatextual elements as the more lavish numbers take place in the imagination of a Hollywood producer watching the show. 8.25 x 10.25 inches. Bi-fold. Very Good plus with light soiling foxing and creasing. MGM / EMI unknown books
1971réf. 150773Beverly Hills CA: Metro-Goldwyn-Mayer MGM / EMI 1971. Vintage studio still photograph from the 1971 musical film showing actresses Georgina Hale Sally Bryant Antonia Ellis and Caryl Little. Based on the 1953 West End musical by Sandy Wilson about a mousy stage manager forced to take the lead in a low-budget musical revue after the lead actress breaks her leg. While Wilson's original is a straightforward pastiche of 1920s musicals director Ken Russell's adaptation is a full-blown parody of 1930s musical films particularly Busby Berkeley with heavy metatextual elements as the more lavish numbers take place in the imagination of a Hollywood producer watching the show. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] / EMI unknown books
1950réf. 157110Hollywood: Ventura Pictures 1950. Draft script for the 1950 film seen here under the working title "Blaze of Glory." Working copy belonging to actor Lon McCallister with his annotations in manuscript pencil throughout amending dialogue and noting deletions. Laid in with the script is a 15 page master schedule and a document relating to rent regulations. A jockey dreams of being a sportswriter while falling in love with a woman who paints portraits of horses. Blue titled wrappers. Title page present undated noted as copy No. 27 with credits for screenwriter Otto Englander. 91 leaves with last page of text numbered 89. Mimeograph duplication rectos only with undated yellow and blue revision pages throughout. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Ventura Pictures unknown books
1972réf. 147438London: Winkast Programming 1972. Revised Second Draft script for an unproduced film. With manuscript pencil and ink annotations throughout most substantive. The adventures of a nine year-old boy who travels from California to Washington DC to patent a bubble gun he has invented with the hope of eventually impressing his emotionally distant father with his creation. Seemingly planned in conjunction with a novel also written by Paul Gallico which was published in 1974. Gallico was best known for the 1940 novel "The Snow Goose" and for the novel "The Poseidon Adventure" which was published in 1969 and the basis for the 1972 film. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Set in Portland and Washington DC. Ordered but unbound and lacking wrappers presumably as issued. Title page present dated November 27 1972 noted as SECOND REWRITE with credits for screenwriter Paul Gallico. 174 leaves with last page of text numbered 169. Mimeograph duplication on blue stock rectos only with blue onionskin revision pages throughout noted as 2nd Rewrite. Pages Very Good. Winkast Programming unknown
1986réf. 167875Beverly Hills CA: Lorimar 1986. Two photographs from the 1986 film including one studio still and one reference photograph. One with a printed snipe affixed to the verso. An autistic teenage orphan's positivity and optimism help a widowed woman and her children settle into their new suburban home. The film debut of child actor Fred Savage. Shot on location throughout British Columbia. 8 x 10 inches. Fine. Lorimar unknown books
1972réf. 147438London: Winkast Programming 1972. Revised Second Draft script for an unproduced film. With manuscript pencil and ink annotations throughout most substantive. The adventures of a nine year-old boy who travels from California to Washington DC to patent a bubble gun he has invented with the hope of eventually impressing his emotionally distant father with his creation. Seemingly planned in conjunction with a novel also written by Paul Gallico which was published in 1974. Gallico was best known for the 1940 novel "The Snow Goose" and for the novel "The Poseidon Adventure" which was published in 1969 and the basis for the 1972 film. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Set in Portland and Washington DC. Ordered but unbound and lacking wrappers presumably as issued. Title page present dated November 27 1972 noted as SECOND REWRITE with credits for screenwriter Paul Gallico. 174 leaves with last page of text numbered 169. Mimeograph duplication on blue stock rectos only with blue onionskin revision pages throughout noted as 2nd Rewrite. Pages Very Good. Winkast Programming unknown books
1989réf. 163938Santa Monica CA: Braunstein / Hamady Productions 1989. Draft script for the 1990 film. From the archive of crew member Chris Scher. Based on the 1989 novel by Sarah Bird. With the help of his sister a cancer survivor pretends to be someone he is not to get a woman to fall in love with him. Shot on location in Charleston South Carolina. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Yellow titled self wrappers lacking rear wrapper noted as Rev. on the front wrapper dated 5/29/89 with credits for screenwriter and novelist Sarah Bird. Title page integral with front wrapper. 106 leaves with last page of text numbered 107. Xerographic duplication rectos only internally duplicated with copied annotations with pink and yellow revision pages throughout dated variously between 5/24/89 and 5/29/89. Pages Near Fine wrapper Very Good plus bound with two gold brads. Braunstein / Hamady Productions unknown
1989réf. 163938Santa Monica CA: Braunstein / Hamady Productions 1989. Draft script for the 1990 film. From the archive of crew member Chris Scher. Based on the 1989 novel by Sarah Bird. With the help of his sister a cancer survivor pretends to be someone he is not to get a woman to fall in love with him. Shot on location in Charleston South Carolina. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Yellow titled self wrappers lacking rear wrapper noted as Rev. on the front wrapper dated 5/29/89 with credits for screenwriter and novelist Sarah Bird. Title page integral with front wrapper. 106 leaves with last page of text numbered 107. Xerographic duplication rectos only internally duplicated with copied annotations with pink and yellow revision pages throughout dated variously between 5/24/89 and 5/29/89. Pages Near Fine wrapper Very Good plus bound with two gold brads. Braunstein / Hamady Productions unknown books
1978réf. 151157Los Angeles: Twentieth Century-Fox 1978. Vintage press kit for the 1978 film. Full-color illustrated pocketed folder containing 16 black and white photographs housed in a brown paper envelope and 17 gatherings of promotional reading material. Based on Ira Levin's 1976 novel. A man uncovers a group of Nazi doctors hiding in Brazil who hope to revive the Third Reich using young boys cloned from Hitler's DNA. Set in South America shot on location in England Austria Portugal and the US. Folder photographs and promotional material Near Fine. Twentieth Century-Fox unknown
1978réf. 151157Los Angeles: Twentieth Century-Fox 1978. Vintage press kit for the 1978 film. Full-color illustrated pocketed folder containing 16 black and white photographs housed in a brown paper envelope and 17 gatherings of promotional reading material. Based on Ira Levin's 1976 novel. A man uncovers a group of Nazi doctors hiding in Brazil who hope to revive the Third Reich using young boys cloned from Hitler's DNA. Set in South America shot on location in England Austria Portugal and the US. Folder photographs and promotional material Near Fine. Twentieth Century-Fox unknown books
