9 121 résultats
1948réf. 163789N.p.: N.p. 1948. Vintage reference photograph from the 1948 film showing actress Rita Hayworth leaning over to talk to director Charles Vidor on the set. Annotations in manuscript pencil on the verso. From the archive of film historian and author Joel Finler. Based on Prosper Mérimée's 1845 novella and a remake of the 1927 film directed by Raoul Walsh about a hot-spirited gypsy who captures the hearts of those around her. Vidor Hayworth and costar Glenn Ford previously collaborated on the 1946 film "Gilda." 6.5 x 8.5 inches. Very Good moderately toned. N.p. unknown
1965réf. 138325Prague: Filmove studio Barrandov 1965. Original program for the 1965 film with text in both French and English made for the international release of the film. Illustrated throughout with images from the film and line drawings. One of the best known films from the Czechoslovak New Wave nominated for a Best Foreign Language Film Oscar and bringing Forman to international attention. 11.25 x 8.25 inches 6 pages saddle stapled in self wrappers. Near Fine. Criterion Collection 144. Second Run 54. Filmove studio Barrandov unknown books
1936réf. 145854Paris: Films Albatros 1936. Vintage oversize double weight French studio still photograph from the 1936 film. Notations listing other French films in manuscript ink on verso and with a negative-printed credit for photographer Roger Forster at the bottom left corner of the recto. Winner of 1936's Louis Delluc Prize the first year the prize was awarded Renoir's film is based on a Maxim Gorky play depicting life in a flophouse centering on a bankrupted Baron Louis Jouvet a thief Jean Gabin his two lovers and the landlord. Akira Kurosawa also adapted Gorky's play in 1957 as . Renoir's adaptation not nearly as bleak as Gorky's play maintains a warm humanity but in the case of Kurosawa the setting is changed to Edo period Japan and the story remains faithfully grim. Set in Russia shot on location in France. 9 x 11.75 inches. Very Good plus light edgewear creases and pinholes at corners. Scorsese My Voyage to Italy. Criterion Collection 239. Films Albatros unknown
1973réf. 150828Burbank CA: Warner Brothers 1973. Vintage borderless reference photograph of John Huston and Paul Newman on the set of the 1973 film. Based on the 1971 novel "The Freedom Trap" by Desmond Bagley. Director John Huston's neo-noir Cold War spy thriller with Paul Newman as a British Intelligence officer who allows himself to be imprisoned to infiltrate a spy organization. Screenwriter Walter Hill's third produced screenplay. Shot on location in Ireland and England. 9.25 x 8 inches. Near Fine. Warner Brothers unknown
1973réf. 139749Los Angeles: Twentieth Century-Fox 1973. Vintage black-and-white reference studio still photographs from the 1973 film. The film follows the blunders of an antisemitic Frenchman a Rabbi and an Arab revolutionary. After a merry mixup the Frenchman must disguise himself as the Rabbi who is subsequently confused for the revolutionary. Audiences were initially turned off by the title believing it to be a religious film. The filmmakers added "mad" to emphasize its satirical nature. Shot on location in Various locations around the US and France. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1915réf. 144596France: Le Film d'Art 1915. Photograph from the 1915 French experimental short film struck from the original negative circa 1936. With manuscript annotations and agency stamps on the verso. Dr. Tube develops a powder that distorts reality after ingestion. He tests it out on himself a dog and a two couples. An early experimental film that uses distorted lenses and mirrors to create special effects that mimic an altered state of consciousness. 7 x 5 inches. Near Fine. Le Film d'Art unknown
1915réf. 144596France: Le Film d'Art 1915. Photograph from the 1915 French experimental short film struck from the original negative circa 1936. With holograph annotations and agency stamps on the verso. Dr. Tube develops a powder that distorts reality after ingestion. He tests it out on himself a dog and a two couples. An early experimental film that uses distorted lenses and mirrors to create special effects that mimic an altered state of consciousness. 7 x 5 inches. Near fine. Le Film d'Art unknown books
1973réf. 141542Stockholm: Sveriges Television SVT 1973. Draft script for the 1975 television film. Text in Swedish. Based on Mozart's 1791 opera "The Magic Flute" titled in German "Die Zauberflote" and here under the Swedish title "Trollflojten." Nominated for one Academy award. The Queen of the Night offers her daughter Pamina to Tamino but also offers Tamino a magic flute to bring Pamina to him. The Queen also gives magic bells to the bird hunter Papageno who joins Tamino on his journey for them both to find wives and learn about themselves. Shot on location in Stockholm. Yellow untitled wrappers. Title page present dated November 1973 with credits for screenwriter Ingmar Bergman and translator Alf Henriksson. 93 leaves with last page of text numbered 28. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with a spiral binding. Criterion Collection 71. Sveriges Television [SVT] unknown
1968réf. 135672London: Grand Films 1968. Complete set of vintage double weight color reference photographs from the 1968 film. 8 x 10 inches. Near Fine. Grand Films unknown
1968réf. 135672London: Grand Films 1968. Complete set of vintage double weight color still photographs from the 1968 film. 8 x 10 inches. Near Fine. Grand Films unknown books
1954réf. WRCLIT33899Hollywood: ZIV Television Programs Inc. 1954. 4354 leaves. Quarto. Mimeographed typescript printed on rectos only with dated revises on blue paper. Bradbound in mimeographed wrappers. With a handful of pencil revisions and annotations else very good. A "Final Master Script" of this adaptation of Stockton's story of stage illusions prepared as #63b of the FAVORITE STORY series. ZIV Television Programs, Inc. unknown books
1988réf. 171904N.p.: N.p. 1988. Revised Draft script for the 1988 television movie aired as part of the revamped 1988-1990 Disney television anthology series. With two annotations in manuscript ink to two pages of the script noting prices. The ghost of a private eye teams up with an out-of-work dancer to find the woman he believes to be responsible for his death. Originally aired on May 15 1988 on ABC. White titled pictorial wrappers. Title page present dated January 14 1988 noted as Revised with credits for screenwriters Blake and Jennifer Edwards. 113 leaves with last page of text numbered 109. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1956réf. 147925Burbank CA: Walt Disney Productions 1956. Vintage studio still photograph from the 1956 television movie. Disney re-edited the 1954 film Rob Roy the Highland Rogue into a two part movie for The Magical World of Disney which aired on ABC on October 3 and 10 1956. Wartime adventures of Scottish highland leader Rob Roy MacGregor Richard Todd outlawed and hunted by the forces of King George I Eric Pohlmann. Set in and shot on location in Scotland. 8 x 10 inches. Near Fine with light creasing in corner margins. Complete collation details available on request. Walt Disney Productions unknown books
1979réf. 132786Los Angeles: Golan-Globus Productions 1979. Three original draft title card maquettes hand lettered by Harold Adler for the 1979 film. Based on the 1960 novel by Isaac Bashevis Singer. The three sketches show different approaches to the title all distinct from the final lettering design used. Harold Adler was a calligrapher who created hand lettered titles on over 100 films worked frequently with Alfred Hitchcock and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "The Magician of Lublin" his credits include "Comanche!" 1956 "The Man with the Golden Arm" 1955 "The Seven Year Itch" 1955 "Carmen Jones" 1954 "Psycho" 1960 "The Birds" 1963 "In the Heat of the Night" 1967 and "Finian's Rainbow" 1969. In 2012 an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation Kansas City. At the turn of the Twentieth century a Jewish stage magician and con man whose career has been ruined by womanizing gets one more shot at the big time by attempting to pull off a never before seen trick. Two leaves. First leaf: 19 x 18 inches. About Near Fine with creasing to the edges. Two designs executed in black ink on white paper with a manuscript notation to the side in blue pencil. Second leaf: 15.5 x 5.5 inches. Black ink on white paper. Near Fine with manuscript annotations in blue pencil. Golan-Globus Productions unknown
1958réf. 156282Stockholm: Svensk Filmindustri SF 1958. Collection of nine vintage oversize double weight reference photographs from the 1958 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. A traveling magic show led by a depressed fraudulent illusionist faces opposition from a small town's authorities who wish to expose the spectacle as a sham. Shot on location in Stockholm Sweden. 9.25 x 11.75 inches. Generally Very Good with pinholes at the corners and several with small closed tears that have been repaired with archival tape on the versos. Criterion Collection 537. Rosenbaum 1000. Svensk Filmindustri [SF] unknown
1958réf. 151648Stockholm: Svensk Filmindustri SF 1958. Collection of 14 vintage black and white oversize double weight studio still photographs from the 1958 film. A traveling magic show led by a depressed fraudulent illusionist Max von Sydow faces opposition from a small town's authorities who wish to expose the spectacle as a sham. Shot on location in Stockholm Sweden. 12 x 9.5 inches. Near Fine. Criterion Collection 537. Rosenbaum 1000. Svensk Filmindustri [SF] unknown
1979réf. 132786Los Angeles: Golan-Globus Productions 1979. Three original draft title card maquettes hand lettered by Harold Adler for the 1979 film. Based on the 1960 novel by Isaac Bashevis Singer. The three sketches show different approaches to the title all distinct from the final lettering design used. Harold Adler was a calligrapher who created hand lettered titles on over 100 films worked frequently with Alfred Hitchcock and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "The Magician of Lublin" his credits include "Comanche!" 1956 "The Man with the Golden Arm" 1955 "The Seven Year Itch" 1955 "Carmen Jones" 1954 "Psycho" 1960 "The Birds" 1963 "In the Heat of the Night" 1967 and "Finian's Rainbow" 1969. In 2012 an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation Kansas City. At the turn of the Twentieth century a Jewish stage magician and con man whose career has been ruined by womanizing gets one more shot at the big time by attempting to pull off a never before seen trick. Two leaves. First leaf: 19 x 18 inches. About Near Fine with creasing to the edges. Two designs executed in black ink on white paper with a holograph notation to the side in blue pencil. Second leaf: 15.5 x 5.5 inches. Black ink on white paper. Near Fine with holograph annotations in blue pencil. Golan-Globus Productions unknown books
1950réf. 146343London: Ealing Studios 1950. Draft Shooting script for the 1950 British comedy film. With a few manuscript ink annotations and a single copied manuscript notation to page 81 noting a single line of dialogue in Chinese. A young boy cons a friend out of a toy magnet and consumed by guilt donates the magnet to a man collecting items for a charity auction. The story of the boy's assumed sacrifice drives the bids for the magnet up higher and higher and the lowly magnet begins to take on astronomical significance. Set and shot on location in New Brighton Wirral Cheshire and Liverpool. Tan titled wrappers noted as Draft Shooting Script on the front wrapper dated 13th January 1950. Title page present noted as DRAFT SHOOTING SCRIPT. 100 leaves with last page of text numbered 96. Mimeograph duplication rectos only with undated pink revision pages throughout. Pages Very Good plus wrapper Very Good plus bound with two silver brads. Ealing Studios unknown
1959réf. 144629Paris: Intermondia Films / Pretoria / Cinedis 1959. Collection of 4 original black-and-white single weight still photographs from the 1959 French-Italian film. Featuring Jean Gabin dancing gaily in a pub with costar Doll all photos with brief numerical annotations in manuscript pencil on the verso. Gabin plays a sophisticated tramp who lives during summer in an abandoned construction site. As winter draws near he devises a plan that will surely have him incarcerated and thus in warmer climates. To do so he chooses a bar to demolish but the crime only lands him a week in jail. Freedom proves too chilling and he vows to return. Grangier worked with Gabin on several films notably "The Night Affair" 1958 "The Counterfeiters of Paris" 1961 "Speaking of Murder" 1957 and "Maigret Sees Red" 1963 as did photographer Dole who was consistent if anything a regular fixture in films by Denys de La Patelliere Jean Delannoy. Photos 9.25 x 11.75 inches. Very Good plus overall with light curling discoloration. Intermondia Films / Pretoria / Cinedis unknown
1966réf. 132233Germany: Peter-Presse / Atlas Films 1966. Original German A1 poster for a 1966 German re-release of the 1942 US film. Orson Welles' followup to "Citizen Kane" 1941 was utterly different from Kane in style and texture but just as brilliant in its own way. Writer-director Welles does not appear on camera but his voiceover narration superbly sets the stage for the movie's action which fades in valentine fashion on Amberson Mansion the most ostentatious dwelling in all of turn-of-century Indianapolis. Despite the legendarily unsolvable problem of film editor Robert Wise being instructed by the studio-outside Welles' knowledge-to edit away nearly an hour of the film's length it remains a masterpiece of storytelling bringing Tarkington's Pulitzer winning novel to life in high style. Shipping billed at cost. Item can only be shipped within the US. 23 x 33 inches non-archivally mounted on board. Light rubbing and soil and a few edge nicks and chips. Very Good. Peter-Presse / Atlas Films unknown books
1942réf. 149126Hollywood: Mercury 1942. Vintage borderless reference photograph from the 1942 film showing director Orson Welles cinematographer Stanley Cortez and members of the cast including Joseph Cotton Anges Moorehead and Anne Baxter conferring during a lunch break. Mimeo snipe promoting Welles' Mercury Players and "APR 13 1942" stamp on verso. Based on the Pulitzer Prize winning 1918 novel by Booth Tarkington. Welles' followup to "Citizen Kane" 1941 was utterly different from Kane in style and texture but just as brilliant in its own way. Writer-director Welles does not appear on camera but his voiceover narration superbly sets the stage for the movie's action which fades in valentine fashion on Amberson Mansion the most ostentatious dwelling in all of turn-of-century Indianapolis. Despite the legendarily unsolvable problem of film editor Robert Wise being instructed by the studio-outside Welles' knowledge-to edit away nearly an hour of the film's length it remains a masterpiece of storytelling bringing Tarkington's Pulitzer winning novel to life in high style. Nominated for four Academy Awards including Best Picture Best Cinematography and Best Supporting Actress for Moorehead. 8 x 10 inches. Faint glue shadow from snipe else Near Fine. Complete collation details available on request. Rosenbaum 1000. Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Mercury unknown books
1942réf. 148689Los Angeles: Twentieth Century-Fox 1942. Final Draft script for the 1942 film here under the working title "The Magnificent Jerk." Production No. 647 and copy No.1 stamped on the front wrapper with FINAL printedd at the top right corner of same. Single annotation on title page amending title with "Dope" in holograph pencil. Laid in is a credit sequence page with credits divided horizontally from letters "a" to "h." Don Ameche runs a Dale Carnegie-esque "success school" that isn't terribly successful and at the suggestion of his secretary decides to pursue a promotion where the company makes a success out of the "laziest man in America" who turns out to be Henry Fonda. Set in New York City. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 1 and production No. 647 dated FEB. 14 1942. Distribution page present with receipt removed. Title page present dated February 14 1942 noted as Final Script with credits for screenwriter George Seaton. 136 leaves with last page of text numbered 131. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 2/18/42 and 3/30/42. Pages Near Fine wrapper Very Good plus with one two and a half inch closed tear on front wrapper and several small closed tears bound internally with two gold brads. Credit Sequence 8.5 x 11 inches. Very Good plus with center crease open tears at top and bottom hole punch and very small chip on top right. Twentieth Century-Fox unknown books
1959réf. 144627Paris: Intermondia Films / Pretoria / Cinedis 1959. Collection of 134 original black-and-white single weight still photographs from the 1959 French-Italian film. Featuring Jean Gabin dancing gaily in pub with costar Doll two photos of Gabin kicking a ball and in a manila envelope addressed to "M. de La Maziere and images of costar Cowl smoking a cigarette. Several photos are credited to photographer Dole on the recto with mimeograph numbers on the verso and nearly all with brief numerical annotations in holograph pencil on the verso. Housed in a vintage Ilford photo paper box with French title in holograph ink on the lid. Gabin plays a sophisticated tramp who lives during summer in an abandoned construction site. As winter draws near he devises a plan that will surely have him incarcerated and thus in warmer climates. To do so he chooses a bar to demolish but the crime only lands him a week in jail. Freedom proves too chilling and he vows to return. Grangier worked with Gabin on several films notably "The Night Affair" 1958 "The Counterfeiters of Paris" 1961 "Speaking of Murder" 1957 and "Maigret Sees Red" 1963 as did photographer Dole who was consistent if anything a regular fixture in films by Denys de La Patelliere Jean Delannoy. Christian de La Maziere was a journalist and member of the Charlemagne Division of the Waffen SS and was featured in Marcel Ophuls' 1969 documentary "The Sorrow and the Pity" discussing his role in WWII. He also worked for the fascist newspaper "Le Pays Libre" earlier and in 1974 he wrote "The Captive Dreamer." His involvement at Vichy and the Waffen SS was pardoned before his career in press and film relations and he garnered brief postwar celebrity. Photos range from 3.5 x 5 inches to 12 x 15.5 inches. Light curling and a few with slight discoloration and tiny bruises. Box Good overall. Full collation details available on request. Intermondia Films / Pretoria / Cinedis unknown books
1959réf. 144629Paris: Intermondia Films / Pretoria / Cinedis 1959. Collection of 4 original black-and-white single weight still photographs from the 1959 French-Italian film. Featuring Jean Gabin dancing gaily in a pub with costar Doll all photos with brief numerical annotations in holograph pencil on the verso. Gabin plays a sophisticated tramp who lives during summer in an abandoned construction site. As winter draws near he devises a plan that will surely have him incarcerated and thus in warmer climates. To do so he chooses a bar to demolish but the crime only lands him a week in jail. Freedom proves too chilling and he vows to return. Grangier worked with Gabin on several films notably "The Night Affair" 1958 "The Counterfeiters of Paris" 1961 "Speaking of Murder" 1957 and "Maigret Sees Red" 1963 as did photographer Dole who was consistent if anything a regular fixture in films by Denys de La Patelliere Jean Delannoy. Photos 9.25 x 11.75 inches. Very Good plus overall with light curling discoloration. Complete collation details available on request. Intermondia Films / Pretoria / Cinedis unknown books
1962réf. 132471London: National Screen Service / MGM 1962. Collection of 6 vintage full-color British front-of-house cards from the 1962 UK film. A handsome drifter on the run accused of murder gets involved with a pretty circus girl. Nancy Kwan stars as an Italian horse rider. 8 x 10 inches. Light creases at the extremities else Near Fine. National Screen Service / MGM unknown books
