11 160 résultats
1956réf. 158433N.p.: Passing Parade Films 1956. Draft script for the twelfth episode of season two of the 1956-1958 anthology television series. Copy belonging to child actor Johnny Crawford with his annotations on the front wrapper. A French immigrant arrives in California to cash in on the gold rush but discovers more money can be made by planting orchards. Originally aired on December 9 1956 on CBS. Housed in a brown card folder with a label noting the script title affixed to the front. Beige titled wrappers dated September 4 1956 noted as production No. 9588. Title page present noted as production No. 9588 with credit for screenwriter Joseph Landon. 35 leaves with last page of text numbered 33. Mimeograph duplication rectos only. Pages Good with moderate dampstaining and soil overall wrapper Near Fine bound internally with three gold brads. Passing Parade Films unknown
1956réf. 158433N.p.: Passing Parade Films 1956. Draft script for the twelfth episode of season two of the 1956-1958 anthology television series. Copy belonging to child actor Johnny Crawford with his annotations on the front wrapper. A French immigrant arrives in California to cash in on the gold rush but discovers more money can be made by planting orchards. Originally aired on December 9 1956 on CBS. Housed in a brown card folder with a label noting the script title affixed to the front. Beige titled wrappers dated September 4 1956 noted as production No. 9588. Title page present noted as production No. 9588 with credit for screenwriter Joseph Landon. 35 leaves with last page of text numbered 33. Mimeograph duplication rectos only. Pages Good with moderate dampstaining and soil overall wrapper Near Fine bound internally with three gold brads. Passing Parade Films unknown books
1969réf. 152994Los Angeles: Sigma Productions 1969. Draft script for the 1970 film. Copy belonging to an unknown crew member with their manuscript ink annotations to the title page and throughout pages 136-179 regarding props for scenes at the beach. Missing five pages likely as used or issued. Based on the 1968 novel by Marjorie Kellogg about a young woman who suffers severe facial scarring after being attacked with battery acid but finds comfort in friendship with two other social outcasts. Nominated for the Palme d'Or. Shot on location in Massachusetts and California. White wrappers with a vertical tear to the partial front wrapper obscuring the title. Title page present dated May 1 1969 with credits for director Otto Preminger and screenwriter-novelist Marjorie Kellogg. 177 leaves with last page of text numbered 184. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 6/27 and 8/11. Pages Very Good plus wrapper Good bound internally with a silver prong. Sigma Productions unknown
1969réf. 152994Los Angeles: Sigma Productions 1969. Draft script for the 1970 film. Copy belonging to an unknown crew member with their manuscript ink annotations to the title page and throughout pages 136-179 regarding props for scenes at the beach. Missing five pages likely as used or issued. Based on the 1968 novel by Marjorie Kellogg about a young woman who suffers severe facial scarring after being attacked with battery acid but finds comfort in friendship with two other social outcasts. Nominated for the Palme d'Or. Shot on location in Massachusetts and California. White wrappers with a vertical tear to the partial front wrapper obscuring the title. Title page present dated May 1 1969 with credits for director Otto Preminger and screenwriter-novelist Marjorie Kellogg. 177 leaves with last page of text numbered 184. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 6/27 and 8/11. Pages Very Good plus wrapper Good bound internally with a silver prong. Sigma Productions unknown books
1940réf. 148688Los Angeles: Twentieth Century-Fox 1940. Early First Draft Continuity script for the 1942 film thirteen months before the beginning of the production according to the AFI Catalog by screenwriter Tom Reed. Front wrapper contains annotation of "Legal Dept." in manuscript ink on upper right margin and ."3" amending "2152" stamp a Twentieth Century Fox "Received" stamp dated "Nov 12 40" and "Permanent Legal Records" production number "574" and copy number "7" stamps. Laid in is a four page mimeograph duplicated letter dated December 10 1940 on a Twentieth Century-Fox interoffice form from Darryl Zanuck who was in charge of the production to Lou Edelman who was originally assigned to produce of suggestions and criticisms to a December 6 1940 treatment of the script. Front page of letter contains two annotations in manuscript pencil and "Permanent Legal Records" and production number "2152" stamps. Congress reestablishes a military academy at West Point lead by a strict commander Laird Cregar who pushes the young men in hopes of breaking their spirits. After a grueling trial the remaining ten men are sent to the Indiana territory to fight with General William Henry Harrison Douglass Dumbrille. Nominated for an Academy Award for Best Cinematography. Set in West Point NY. Orange titled wrappers noted as FIRST DRAFT CONTINUITY on the front wrapper rubber-stamped copy No. 7 and production No. 547 dated NOV. 11. 1940. Distribution page present with receipt intact. Title page present dated November 11 1940 noted as 1st Draft Continuity with credits for screenwriter Tom Reed and story credit for Malvin Wald. 170 leaves with last page of text numbered 165. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Letter 8.5 x 11 inches. Near Fine. Twentieth Century-Fox unknown
1940réf. 148688Los Angeles: Twentieth Century-Fox 1940. Early First Draft Continuity script for the 1942 film thirteen months before the beginning of the production according to the AFI Catalog by screenwriter Tom Reed. Front wrapper contains annotation of "Legal Dept." in manuscript ink on upper right margin and ."3" amending "2152" stamp a Twentieth Century Fox "Received" stamp dated "Nov 12 40" and "Permanent Legal Records" production number "574" and copy number "7" stamps. Laid in is a four page mimeograph duplicated letter dated December 10 1940 on a Twentieth Century-Fox interoffice form from Darryl Zanuck who was in charge of the production to Lou Edelman who was originally assigned to produce of suggestions and criticisms to a December 6 1940 treatment of the script. Front page of letter contains two annotations in manuscript pencil and "Permanent Legal Records" and production number "2152" stamps. Congress reestablishes a military academy at West Point lead by a strict commander Laird Cregar who pushes the young men in hopes of breaking their spirits. After a grueling trial the remaining ten men are sent to the Indiana territory to fight with General William Henry Harrison Douglass Dumbrille. Nominated for an Academy Award for Best Cinematography. Set in West Point NY. Orange titled wrappers noted as FIRST DRAFT CONTINUITY on the front wrapper rubber-stamped copy No. 7 and production No. 547 dated NOV. 11. 1940. Distribution page present with receipt intact. Title page present dated November 11 1940 noted as 1st Draft Continuity with credits for screenwriter Tom Reed and story credit for Malvin Wald. 170 leaves with last page of text numbered 165. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Letter 8.5 x 11 inches. Near Fine. Twentieth Century-Fox unknown books
1962réf. 167461Los Angeles: Twentieth Century-Fox 1962. Two vintage studio still photographs from the 1962 film. Based on F. Scott Fitzgerald's fourth and final novel published in 1934 about an esteemed psychiatrist who sacrifices his career to marry his patient an emotionally unstable young woman. Director Henry King's final film. Set and shot on location in France Italy and Switzerland. 10 x 8 inches. One Fine one Near Fine with light wear to the finish. Twentieth Century-Fox unknown
1962réf. 142777Los Angeles: Twentieth Century-Fox 1962. Collection of 12 vintage promotional photographs from the 1962 film. Based on the 1934 novel by F. Scott Fitzgerald. The tables are turned when a psychiatrist Jason Robards who marries a patient Jennifer Jones becomes more and more dependent on her as she regains her strength. David O. Selznick had originally intended the film as a vehicle for his wife Jennifer Jones but financial difficulties forced Selznick to sell the property though he was still able to guarantee a role for Jones. Director Henry King's last film nominated for an Academy Award. Set in Switzerland and on the French Riviera shot on location in France Italy and Switzerland. 8 x 10 inches. All photos in Near Fine or better condition. Twentieth Century-Fox unknown
1962réf. 142777Los Angeles: Twentieth Century-Fox 1962. Collection of 12 vintage promotional photographs from the 1962 film. Based on the 1934 novel by F. Scott Fitzgerald. The tables are turned when a psychiatrist Jason Robards who marries a patient Jennifer Jones becomes more and more dependent on her as she regains her strength. David O. Selznick had originally intended the film as a vehicle for his wife Jennifer Jones but financial difficulties forced Selznick to sell the property though he was still able to guarantee a role for Jones. Director Henry King's last film nominated for an Academy Award. Set in Switzerland and on the French Riviera shot on location in France Italy and Switzerland. 8 x 10 inches. All photos in Near Fine or better condition. Twentieth Century-Fox unknown books
1962réf. 167461Los Angeles: Twentieth Century-Fox 1962. Two vintage studio still photographs from the 1962 film. Based on F. Scott Fitzgerald's fourth and final novel published in 1934 about an esteemed psychiatrist who sacrifices his career to marry his patient an emotionally unstable young woman. Director Henry King's final film. Set and shot on location in France Italy and Switzerland. 10 x 8 inches. One Fine one Near Fine with light wear to the finish. Twentieth Century-Fox unknown books
1970réf. 146562N.p.: N.p. 1970. Draft script for an unproduced film. With a single manuscript ink annotation on the front wrapper noting the title of the film. A ex-convict looking to pay his debts teams up with a hardened trucker determined to keep his small trucking operation in spite of violent intimidation tactics by a rival company. The two men make their way along a Tennessee trucking route headed for Atlanta culminating in a shootout at the Blue Ridge Mountain pass. Screenwriters Michael Scheff and David Spector were best known for the disaster thriller "Airport '77" 1977. Set in Gatlinburg Lexington the Blue Ridge Mountains and the apparently fictional town of Raeburn Tennessee. Blue untitled wrappers. Title page present with credits for screenwriters Michael Scheff and David Spector. 137 leaves with last page of text numbered 132. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1970réf. 146562N.p.: N.p. 1970. Draft script for an unproduced film. With a single manuscript ink annotation on the front wrapper noting the title of the film. A ex-convict looking to pay his debts teams up with a hardened trucker determined to keep his small trucking operation in spite of violent intimidation tactics by a rival company. The two men make their way along a Tennessee trucking route headed for Atlanta culminating in a shootout at the Blue Ridge Mountain pass. Screenwriters Michael Scheff and David Spector were best known for the disaster thriller "Airport '77" 1977. Set in Gatlinburg Lexington the Blue Ridge Mountains and the apparently fictional town of Raeburn Tennessee. Blue untitled wrappers. Title page present with credits for screenwriters Michael Scheff and David Spector. 137 leaves with last page of text numbered 132. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown books
1969réf. 167091N.p.: Aetos 1969. Vintage borderless reference photograph from the 1969 Italian film showing actors Silvana Mangano and Terence Stamp in an intimate moment. Stamp of photographer Angelo Frontoni on the verso. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle quartet preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9.25 x 6.75 inches. Near Fine. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown
1969réf. 160975N.p.: Aetos 1969. Vintage borderless reference photograph from the 1969 Italian film showing actress Silvana Mangano. With the stamps of photographer Angelo Frontoni and ABC on the verso along with annotations in manuscript pencil regarding layout. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9 x 7 inches. Very Good plus with light toning on the verso and faint tide marks on the top edge. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown
1969réf. 149363N.p.: Aetos 1969. Four vintage borderless reference photographs taken on the set of the 1969 Italian film. With the stamps of photographer Angelo Frontoni and Cinemondial on the verso along with manuscript ink and pencil annotations regarding layout. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9 x 7 inches. Very Good plus with light dampstaining to the versos. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown
1969réf. 149363N.p.: Aetos 1969. Four vintage borderless reference photographs taken on the set of the 1969 Italian film. With the stamps of photographer Angelo Frontoni and Cinemondial on the verso along with manuscript ink and pencil annotations regarding layout. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9 x 7 inches. Very Good plus with light dampstaining to the versos. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown books
1969réf. 167091N.p.: Aetos 1969. Vintage borderless reference photograph from the 1969 Italian film showing actors Silvana Mangano and Terence Stamp in an intimate moment. Stamp of photographer Angelo Frontoni on the verso. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle quartet preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9.25 x 6.75 inches. Near Fine. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown books
1969réf. 160975N.p.: Aetos 1969. Vintage borderless reference photograph from the 1969 Italian film showing actress Silvana Mangano. With the stamps of photographer Angelo Frontoni and ABC on the verso along with annotations in manuscript pencil regarding layout. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9 x 7 inches. Very Good plus with light toning on the verso and faint tide marks on the top edge. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown books
1988réf. 172338Santa Monica: Cinema City 1988. Shooting script for the 1988 film with rainbow revisions. A former drug dealer tries to quit his old habits but nevertheless finds himself caught in the crosshairs of a large-scale Drug Enforcement Administration investigation. The second film to be both written and directed by Robert Towne following "Personal Best" 1982. Nominated for an Academy Award for Best Cinematography. Set and shot on location in Manhattan Beach California. Self wrappers. Title page present dated January 14 1988 noted as SHOOTING SCRIPT with credit for Towne. 150 leaves with last page of text numbered 142. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between February 8 and March 4 1988. Pages about Fine bound with two gold brads. Cinema City unknown
1988réf. 172338Santa Monica: Cinema City 1988. Shooting script for the 1988 film with rainbow revisions. A former drug dealer tries to quit his old habits but nevertheless finds himself caught in the crosshairs of a large-scale Drug Enforcement Administration investigation. The second film to be both written and directed by Robert Towne following "Personal Best" 1982. Nominated for an Academy Award for Best Cinematography. Set and shot on location in Manhattan Beach California. Self wrappers. Title page present dated January 14 1988 noted as SHOOTING SCRIPT with credit for Towne. 150 leaves with last page of text numbered 142. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between February 8 and March 4 1988. Pages about Fine bound with two gold brads. Cinema City unknown books
1969réf. 162453N.p.: 21st Century Films 1969. Four vintage studio still photographs from the 1969 film. Two of the photographs with a provenance stamp on the verso. Teresa a young housewife is taken to a local brothel by her husband after finding out his only other experience with women was with prostitutes. Shot on location in New York. 8 x 10 inches. Near Fine. 21st Century Films unknown
1969réf. 162453N.p.: 21st Century Films 1969. Four vintage studio still photographs from the 1969 film. Two of the photographs with a provenance stamp on the verso. Teresa a young housewife is taken to a local brothel by her husband after finding out his only other experience with women was with prostitutes. Shot on location in New York. 8 x 10 inches. Near Fine. 21st Century Films unknown books
1951réf. 145446Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1951. Vintage black-and-white double weight studio still photograph from the 1951 film. Struck from the original negative with offset black border. Starring actors Ericson and Mauldin are prominently featured. "Silver Screen Archives" rubber-stamp on the verso. Based on an original story by Alfred Hayes and Stewart Stern. Phillip Ericson is a soldier in Italy during WWII where he meets and marries Teresa Angeli and returns to the US to an overbearing mother Patricia Collinge. Hayes and Stern were nominated for an Academy Award for their story and the film grossed more international sales than domestic. 8 x 10 inches. Very Good plus with light curling and toning and a short corner crease. Metro-Goldwyn-Mayer [MGM] unknown books
1951réf. 158855Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1951. Vintage studio still photograph from the 1951 film. Based on an original story by Alfred Hayes and Stewart Stern. A soldier in Italy during WWII meets and marries an Italian woman. They return to the US together and struggle to adjust. Set in Italy and New York City shot on location in Italy and New York City. 10 x 8 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown books
1961réf. 140972London: Romulus 1961. Draft script for the 1962 film. Copy belonging to producer James H. Ware with his name and annotations in manuscript ink and pencil throughout. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the novel of the same name also by James Barlow Graham Weir is an alcoholic schoolteacher who can not advance in his career due to his refusal to fight in the Second World War. He is working at a school where the teens do not like to be there and he is having a fallout with his wife all while a young student begins to have a crush on him leading to him catching a false sexual molestation charge. Set in London shot on location in Ireland. Blue titled wrappers. Title page present dated November 17 1961. 168 leaves with last page of text numbered 171. Mimeograph duplication with pink revision pages throughout. Pages Very Good plus wrapper Very Good plus bound internally with three silver brads. Romulus unknown
