11 160 résultats
1965réf. 159303Burbank CA: Buena Vista / Walt Disney Productions 1965. Vintage studio still photograph from the 1965 film. Based on the 1963 novel "Undercover Cat" by Mildred Gordon and Gordon Gordon. A family's cat comes home one day wearing a wristwatch. When the mother suspects foul play she tries to report the presumably stolen watch. 8 x 10 inches. Near Fine. Buena Vista / Walt Disney Productions unknown books
1965réf. 173035Burbank CA: Walt Disney Productions 1965. Two vintage double weight British front-of-house cards from the 1965 Disney film. Based on the 1963 novel "Undercover Cat" by Mildred Gordon and Gordon Gordon. A family's cat comes home one day wearing a wristwatch. When the mother suspects foul play she tries to report the presumably stolen watch. 8 x 10 inches. About Near Fine. Walt Disney Productions unknown books
1963réf. 162454N.p.: Topaz Film Corporation 1963. Vintage studio still photograph from the US release of the 1963 British film. Provenance stamp on the verso. Swinging London is a veritable playground for the promiscuous 18-year old Eva until she contracts a venereal disease causing trouble for everyone involved. Shot on location in London. 8 x 10 inches. Very Good with light creases to the left side. BFI 845. Topaz Film Corporation unknown books
1964réf. 158223N.p.: N.p. 1964. Collection of 83 vintage borderless reference photographs from the set of the 1964 French film. With the stamps of photographer Darcy Trigo Les Films Ariane and the film's title in French on the versos. A young woman is kidnapped and held for ransom by a treasure-hungry family friend forcing her young sailor lover to rescue her during his shore leave. A James Bond spoof in the wake of Jean-Paul Belmondo's swashbuckling success "Cartouche" 1962. Shot on location in Rio de Janeiro Brazil and Paris. 8 x 10 inches. Very Good to Good several photos with light fading and several with loss and bruising along the top margin. N.p. unknown
1964réf. 150645N.p.: N.p. 1964. Vintage borderless reference photograph of Philippe de Broca on the set of the 1964 film. Dufourquet Jean-Paul Belmondo is in Paris on shore leave eager to see his Agnes Francoise Dorléac. When he finally briefly sees her she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof in the wake of Belmondo's swashbuckling success "Cartouche" 1962 opposite Claudia Cardinale with puzzle solving murder in Brasilia art thieves and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Screenplay. Shot on location in Rio de Janeiro Brazil and Paris 8 x 10 inches. Near Fine. N.p. unknown
1964réf. 143227Paris: Les Films Ariane 1964. Collection of 343 vintage black-and-white photographs from the set of the 1964 film "That Man from Rio" here under the original French title "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio Les Films Ariane still photographer Trigo Brazilian magazine "O Cruzeiro " and French film title several with annotations in manuscript ink also on the verso several with Trigo's name in manuscript ink. Over 100 smaller photos bear white borders and credit for photographer Voinquel. Also included is an issue of French magazine "Telérama" Sunday August 18 1963 No. 709 featuring cover and editorial on Belmondo and the film an original Somarco accordion folder dated 1963 and original mailing envelope addressed to Maryse Martres Ariane Films Champs-Élysées from Télé-photo Paris. Martres Martin was a prolific French actress who was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Airman Adrien Dufourquet Belmondo is in Paris on shore leave eager to see his Agnes Dorléac. When he finally sees her only briefly before she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof in the wake of Belmondo's swashbuckling success "Cartouche" 1962 opposite Claudia Cardinale with puzzle solving murder in Brasilia art thieves and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Writing Story and Screenplay: Written Directly for the Screen 1965 and winner of a New York Film Critics Circle Award for Best Foreign Language Film 1964. Members of the cast and crew are featured throughout the collection including director de Brocca who earlier worked under directors Claude Chabrol and François Truffaut Belmondo cameramen and an extensive look at the scenery of Brazil and Paris. Boats racing Belmondo dangling from a speeding car and languid down times as cast and crew break for naps in the shade photographer Trigo's often provocative angles capture the director in dimly lit noirish scenarios and a glimpse of the action-packed thrill-ride of shooting a Bond spoof with elements of MacGuyver. Coincidentally photographer Voinquel's direct approach shows stills from a more casual standpoint not without generous documentation of the crew behind the camera. Photographs 7 x 9.25 inches and 3.5 x 5 inches some varying slightly overall. Mailing envelope and folder each 10 x 12.5 inches. Photos Very Good Plus overall moderate curling several with bruises or insect wear at the edges several with moderate dampstains. Envelope and folder Good with short tears and similar dampstains. Magazine Very Good wavy brief toning. Les Films Ariane unknown
1964réf. 143227Paris: Les Films Ariane 1964. Collection of 343 vintage black-and-white photographs from the set of the 1964 film "That Man from Rio" here under the original French title "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio Les Films Ariane still photographer Trigo Brazilian magazine "O Cruzeiro " and French film title several with annotations in manuscript ink also on the verso several with Trigo's name in manuscript ink. Over 100 smaller photos bear white borders and credit for photographer Voinquel. Also included is an issue of French magazine "Telérama" Sunday August 18 1963 No. 709 featuring cover and editorial on Belmondo and the film an original Somarco accordion folder dated 1963 and original mailing envelope addressed to Maryse Martres Ariane Films Champs-Élysées from Télé-photo Paris. Martres Martin was a prolific French actress who was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Airman Adrien Dufourquet Belmondo is in Paris on shore leave eager to see his Agnes Dorléac. When he finally sees her only briefly before she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof in the wake of Belmondo's swashbuckling success "Cartouche" 1962 opposite Claudia Cardinale with puzzle solving murder in Brasilia art thieves and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Writing Story and Screenplay: Written Directly for the Screen 1965 and winner of a New York Film Critics Circle Award for Best Foreign Language Film 1964. Members of the cast and crew are featured throughout the collection including director de Brocca who earlier worked under directors Claude Chabrol and François Truffaut Belmondo cameramen and an extensive look at the scenery of Brazil and Paris. Boats racing Belmondo dangling from a speeding car and languid down times as cast and crew break for naps in the shade photographer Trigo's often provocative angles capture the director in dimly lit noirish scenarios and a glimpse of the action-packed thrill-ride of shooting a Bond spoof with elements of MacGuyver. Coincidentally photographer Voinquel's direct approach shows stills from a more casual standpoint not without generous documentation of the crew behind the camera. Photographs 7 x 9.25 inches and 3.5 x 5 inches some varying slightly overall. Mailing envelope and folder each 10 x 12.5 inches. Photos Very Good Plus overall moderate curling several with bruises or insect wear at the edges several with moderate dampstains. Envelope and folder Good with short tears and similar dampstains. Magazine Very Good wavy brief toning. Les Films Ariane unknown books
1964réf. 158223N.p.: N.p. 1964. Collection of 83 vintage borderless reference photographs from the set of the 1964 French film. With the stamps of photographer Darcy Trigo Les Films Ariane and the film's title in French on the versos. A young woman is kidnapped and held for ransom by a treasure-hungry family friend forcing her young sailor lover to rescue her during his shore leave. A James Bond spoof in the wake of Jean-Paul Belmondo's swashbuckling success "Cartouche" 1962. Shot on location in Rio de Janeiro Brazil and Paris. 8 x 10 inches. Very Good to Good several photos with light fading and several with loss and bruising along the top margin. N.p. unknown books
1964réf. 150645N.p.: N.p. 1964. Vintage borderless reference photograph of Philippe de Broca on the set of the 1964 film. Dufourquet Jean-Paul Belmondo is in Paris on shore leave eager to see his Agnes Francoise Dorléac. When he finally briefly sees her she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof in the wake of Belmondo's swashbuckling success "Cartouche" 1962 opposite Claudia Cardinale with puzzle solving murder in Brasilia art thieves and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Screenplay. Shot on location in Rio de Janeiro Brazil and Paris 8 x 10 inches. Near Fine. N.p. unknown books
1966réf. 132442Culver City CA: National Screen Service / Columbia Pictures 1966. Eight vintage full-color British front-of-house cards from the 1966 UK release of the 1965 Spanish-Italian film. A fast-paced action spy thriller about a kidnapped American nuclear scientist and a secret agent who teams up with a nightclub owner to investigate. Klaus Kinski shows up as one of the villains. 8 x 10 inches. Brief corner creases and a few light horizontal creases else Near Fine. National Screen Service / Columbia Pictures unknown books
1975réf. 166078New York: Cinerama 1975. Vintage borderless reference photograph from the 1975 film showing director Andrzej Zulawski and actress Romy Schneider on the set. Printed mimeo snipe in German on the verso. Based on the 1972 novel "La Nuit americaine" by Christopher Frank. A photographer meets a failed actress who has resorted to appearing in porn films to make a living. Falling for her he borrows money to mount a production of "Richard III" and give her a role but she is torn between her love for him and her obligations to her husband. 6.5 x 7 inches trimmed irregularly. Light wear at the top left corner else Near Fine. Cinerama unknown
1975réf. 153877N.p.: Excelsior 1975. Vintage oversize borderless color reference photograph from the 1975 film. Stamp of Excelsior Films to the verso. Based on the 1972 novel "La Nuit americaine" by Christopher Frank. A photographer meets a failed actress who has resorted to appearing in porn films to make a living. Falling for her he borrows money to mount a production of "Richard III" and give her a role but she is torn between her love for him and her obligations to her husband. 12 x 9.5 inches. Very Good plus with pinholes and light creasing to the corners. Excelsior unknown
1975réf. 149387Paris: Albina Productions 1975. Vintage borderless photograph of director Andrzej Zulawski working with actress Romy Schneider on the set of the 1975 film. With the stamp of S.A. Telemagazine on the verso along with a few contemporary manuscript ink annotations. Based on the 1972 novel "La Nuit americaine" by Christopher Frank. A photographer meets a failed actress who has resorted to appearing in porn films to make a living. Falling for her he borrows money to mount a production of "Richard III" and give her a role but she is torn between her love for him and her obligations to her husband. 7 x 5 inches. Fine. Albina Productions unknown
1975réf. 139641Paris: Albina Productions 1975. Vintage photograph of Romy Schneider dressed as Marlene Dietrich in a scene from the 1975 film. With the stamp of photographer Giancarlo Botti on the verso as well as printed mimeo snipes in both English and French. Based on the 1972 novel "La Nuit americaine" by Christopher Frank. A photographer meets a failed actress who is starring in cheap softcore films. Falling for her he borrows money to mount a production of "Richard III" and give her a role but she is torn between her love for him and her obligations to her husband. 6.75 x 9.5 inches. Fine. Albina Productions unknown
1975réf. 153877N.p.: Excelsior 1975. Vintage oversize borderless color reference photograph from the 1975 film. Stamp of Excelsior Films to the verso. Based on the 1972 novel "La Nuit americaine" by Christopher Frank. A photographer meets a failed actress who has resorted to appearing in porn films to make a living. Falling for her he borrows money to mount a production of "Richard III" and give her a role but she is torn between her love for him and her obligations to her husband. 12 x 9.5 inches. Very Good plus with pinholes and light creasing to the corners. Excelsior unknown books
1975réf. 149387Paris: Albina Productions 1975. Vintage borderless photograph of director Andrzej Zulawski working with actress Romy Schneider on the set of the 1975 film. With the stamp of S.A. Telemagazine on the verso along with a few contemporary manuscript ink annotations. Based on the 1972 novel "La Nuit americaine" by Christopher Frank. A photographer meets a failed actress who has resorted to appearing in porn films to make a living. Falling for her he borrows money to mount a production of "Richard III" and give her a role but she is torn between her love for him and her obligations to her husband. 7 x 5 inches. Fine. Albina Productions unknown books
1975réf. 139641Paris: Albina Productions 1975. Vintage photograph of Romy Schneider dressed as Marlene Dietrich in a scene from the 1975 film. With the stamp of photographer Giancarlo Botti on the verso as well as printed mimeo snipes in both English and French. Based on the 1972 novel "La Nuit americaine" by Christopher Frank. A photographer meets a failed actress who is starring in cheap softcore films. Falling for her he borrows money to mount a production of "Richard III" and give her a role but she is torn between her love for him and her obligations to her husband. 6.75 x 9.5 inches. Fine. Albina Productions unknown books
1975réf. 166078New York: Cinerama 1975. Vintage borderless reference photograph from the 1975 film showing director Andrzej Zulawski and actress Romy Schneider on the set. Printed mimeo snipe in German on the verso. Based on the 1972 novel "La Nuit americaine" by Christopher Frank. A photographer meets a failed actress who has resorted to appearing in porn films to make a living. Falling for her he borrows money to mount a production of "Richard III" and give her a role but she is torn between her love for him and her obligations to her husband. 6.5 x 7 inches trimmed irregularly. Light wear at the top left corner else Near Fine. Cinerama unknown books
1977réf. 161138N.p.: N.p. 1977. Four vintage borderless color reference photographs from the 1977 film including three glossy and one satin-finish. One with the stamp of Delemar Films on the verso. Based on Pierre Louys' 1898 novel "Le femme et le patin" "The Woman and the Puppet" about the tempestuous relationship between a wealthy middle-aged Frenchman and a young Spanish dancer. The woman is played by both Carole Bouquet and Angela Molina interchangeably demonstrating the character's mercurial nature a decision Buñuel came to in desperation after original actress Maria Schneider proved a poor fit but that ultimately helped define the film as one of his late masterpieces. Shot on location in Switzerland in Andalucia and Madrid Spain and in Hauts-de-Seine and Paris France. 10 x 8 inches. Near Fine. Criterion Collection 143. Rosenbaum 1000. Schrader Canon Fodder 33. N.p. unknown
1977réf. 161138N.p.: N.p. 1977. Four vintage borderless color reference photographs from the 1977 film including three glossy and one satin-finish. One with the stamp of Delemar Films on the verso. Based on Pierre Louys' 1898 novel "Le femme et le patin" "The Woman and the Puppet" about the tempestuous relationship between a wealthy middle-aged Frenchman and a young Spanish dancer. The woman is played by both Carole Bouquet and Angela Molina interchangeably demonstrating the character's mercurial nature a decision Buñuel came to in desperation after original actress Maria Schneider proved a poor fit but that ultimately helped define the film as one of his late masterpieces. Shot on location in Switzerland in Andalucia and Madrid Spain and in Hauts-de-Seine and Paris France. 10 x 8 inches. Near Fine. Criterion Collection 143. Rosenbaum 1000. Schrader Canon Fodder 33. N.p. unknown books
1942réf. 130516Los Angeles: Twentieth Century-Fox 1942. First Draft Continuity for the 1942 film. This is a pre-production continuity not to be confused with a post-production continuity. The "other woman" in this early 1940s Twentieth Century-Fox programmer turns out to be Emily Virginia Gilmore faithful secretary to master architect Henry Summers James Ellison. Hoping to trap her boss into marriage Emily begins sending "mash notes" to Henry purportedly from a mysterious female admirer. She then coerces her old pal Ralph Dan Duryea to pose as her jealous Southern-fried boy friend of the nonexistent letter-writer. Poor Henry convinced that Ralph is the gangster who's been threatening him with bodily harm takes off for parts unknown. Our heroine spends the rest of the picture chasing Henry until he finally catches her Hal Erickson Rovi. From the AFI Catalog: "The working title of this film was 'Leap Year' also the title of Lamar Trotti's original story. According to a September 4 1941 memo in the Twentieth Century-Fox Records of the Legal Department located at the UCLA Arts Special Collections Library Trotti wrote the story "sometime ago" and sold it to the studio for one dollar when producer Walter Morosco decided to make it as a "low budget picture." Although the legal records indicate that Jerry Sackheim worked on a screenplay for the picture the extent of his contribution to the completed film has not been determined. Orange titled wrappers noted as FIRST DRAFT CONTINUITY on the front wrapper rubber-stamped copy No. 185 and production No. 730 dated June 6 1942. Distribution page present with receipt intact. Title page present dated June 6 1942 noted as 1st Draft Continuity with a sole credit for screenwriter Jungmeyer. 135 leaves mimeograph duplication with revision pages on blue stock dated variously between 6/10/42 and 6/20/42. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Twentieth Century-Fox unknown
1942réf. 130516Los Angeles: Twentieth Century-Fox 1942. First Draft Continuity for the 1942 film. This is a pre-production continuity not to be confused with a post-production continuity. The "other woman" in this early 1940s Twentieth Century-Fox programmer turns out to be Emily Virginia Gilmore faithful secretary to master architect Henry Summers James Ellison. Hoping to trap her boss into marriage Emily begins sending "mash notes" to Henry purportedly from a mysterious female admirer. She then coerces her old pal Ralph Dan Duryea to pose as her jealous Southern-fried boy friend of the nonexistent letter-writer. Poor Henry convinced that Ralph is the gangster who's been threatening him with bodily harm takes off for parts unknown. Our heroine spends the rest of the picture chasing Henry until he finally catches her Hal Erickson Rovi. From the AFI Catalog: "The working title of this film was 'Leap Year' also the title of Lamar Trotti's original story. According to a September 4 1941 memo in the Twentieth Century-Fox Records of the Legal Department located at the UCLA Arts Special Collections Library Trotti wrote the story "sometime ago" and sold it to the studio for one dollar when producer Walter Morosco decided to make it as a "low budget picture." Although the legal records indicate that Jerry Sackheim worked on a screenplay for the picture the extent of his contribution to the completed film has not been determined. Orange titled wrappers noted as FIRST DRAFT CONTINUITY on the front wrapper rubber-stamped copy No. 185 and production No. 730 dated June 6 1942. Distribution page present with receipt intact. Title page present dated June 6 1942 noted as 1st Draft Continuity with a sole credit for screenwriter Jungmeyer. 135 leaves mimeograph duplication with revision pages on blue stock dated variously between 6/10/42 and 6/20/42. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Twentieth Century-Fox unknown books
1968réf. 162456N.p.: Globe Pictures 1968. Six vintage studio still photographs from the US release of the 1966 German film. All photographs with provenance stamps on the versos two with labels obscuring previous provenance stamps. Attractive model Alexandra comes to Berlin to try and rekindle an old affair and becomes involved with her ex-lover as well as his employee. Shot on location in Berlin. 8 x 10 inches. Near Fine overall. Globe Pictures unknown
1968réf. 162456N.p.: Globe Pictures 1968. Six vintage studio still photographs from the US release of the 1966 German film. All photographs with provenance stamps on the versos two with labels obscuring previous provenance stamps. Attractive model Alexandra comes to Berlin to try and rekindle an old affair and becomes involved with her ex-lover as well as his employee. Shot on location in Berlin. 8 x 10 inches. Near Fine overall. Globe Pictures unknown books
1937réf. 165558Universal City: Universal Pictures 1937. Vintage photograph of actor William Lundigan enjoying a cup of coffee between takes on the set of the 1937 film. Printed mimeo snipe provenance stamp and the stamp of photographer Ed Jones on the verso. A small town reporter ends up in jail after attempting to pressure a notorious gangster's girlfriend into an interview. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Neat pinholes at each corner else about Near Fine. Universal Pictures unknown
