Lucio Fulci (director); Fernando Di Leo (screenwriter); Franco Nero, George HIlton (starring)Biblio.com
11 049 résultats
1966réf. 149344Rome: B.R.C. Produzione 1966. Vintage borderless reference photograph from the 1966 film showing actor Franco Nero crouching in the pose that would later be used for the Italian poster for the film. With manuscript annotations regarding layout and stamps to the verso. One of the few Westerns made by Fulci starring Nero and released the same year as "Django." Also released as "God Forgives I Don't!" Set on the US-Mexico border shot on location in Lazio Italy and Madrid Spain. 8 x 10 inches. Very Good plus overall. Pitts 1113. Cox 10000 Ways to Die. Blue Underground. B.R.C. Produzione unknown
1966réf. 149344Rome: B.R.C. Produzione 1966. Vintage borderless reference photograph from the 1966 film showing actor Franco Nero crouching in the pose that would later be used for the Italian poster for the film. With manuscript annotations regarding layout and stamps to the verso. One of the few Westerns made by Fulci starring Nero and released the same year as "Django." Also released as "God Forgives I Don't!" Set on the US-Mexico border shot on location in Lazio Italy and Madrid Spain. 8 x 10 inches. Very Good plus overall. Pitts 1113. Cox 10000 Ways to Die. Blue Underground. B.R.C. Produzione unknown books
1960réf. 134754Hollywood: Andrews-Vagemann Productions 1960. Two treatment scripts for an unproduced television series "The Brutes." Written by Jerome B. Thomas occasional writer for shows like "The Outer Limits" and the 1965 "Branded." This listing contains two scripts "HERE COME THE BRUTES" and "THE BRUTES: THE IDOLS I HAVE LOVED SO LONG." "HERE COME THE BRUTES" introduces the principle characters two whimsical womanizing electrical linemen traveling the country during the Great Depression and "THE IDOLS I HAVE LOVED SO LONG" is written about the linemen crew's confrontation with and attraction towards a fiery woman preacher. HERE COME THE BRUTES: Lacking wrappers. Title page present with credits for screenwriter Thomas. 21 leaves with last leaf of text unnumbered. Original typescript. Pages about Fine bound with two gold brads. THE BRUTES: THE IDOLS I HAVE LOVED SO LONG: Lacking wrappers. Title page present with credits for screenwriter Thomas. 45 leaves with last page of text numbered 43. Original typescript. Pages Near Fine unbound sheets. Andrews-Vagemann Productions unknown
1960réf. 134754Hollywood: Andrews-Vagemann Productions 1960. Two treatment scripts for an unproduced television series "The Brutes." Written by Jerome B. Thomas occasional writer for shows like "The Outer Limits" and the 1965 "Branded." This listing contains two scripts "HERE COME THE BRUTES" and "THE BRUTES: THE IDOLS I HAVE LOVED SO LONG." "HERE COME THE BRUTES" introduces the principle characters two whimsical womanizing electrical linemen traveling the country during the Great Depression and "THE IDOLS I HAVE LOVED SO LONG" is written about the linemen crew's confrontation with and attraction towards a fiery woman preacher. HERE COME THE BRUTES: Lacking wrappers. Title page present with credits for screenwriter Thomas. 21 leaves with last leaf of text unnumbered. Original typescript. Pages about Fine bound with two gold brads. THE BRUTES: THE IDOLS I HAVE LOVED SO LONG: Lacking wrappers. Title page present with credits for screenwriter Thomas. 45 leaves with last page of text numbered 43. Original typescript. Pages Near Fine unbound sheets. Andrews-Vagemann Productions unknown books
1956réf. 143240Tokyo: Nikkatsu 1956. First Draft script for the 1956 film. Title in English on rear wrapper. Based on a 1946 children's novel by Michio Takeyama about a conscience-driven Japanese soldier who adopts the lifestyle of a Buddhist monk after he fails to get his countrymen to surrender to an overwhelming force. Nominated for a Best Foreign Language Film Academy Award. Set in Burma during WWll shot on location in Burma and near the Izu Peninsula in Japan. White titled wrappers. Title page present. 70 leaves with last page of text numbered e-25. Mechanical duplication. Pages Near Fine with some toning due to age wrapper Very Good with mild foxing and light water damage near spine. Criterion Collection 379. Eureka Masters of Cinema 12. Nikkatsu unknown
1956réf. 143240Tokyo: Nikkatsu 1956. First Draft script for the 1956 film. Title in English on rear wrapper. Based on a 1946 children's novel by Michio Takeyama about a conscience-driven Japanese soldier who adopts the lifestyle of a Buddhist monk after he fails to get his countrymen to surrender to an overwhelming force. Nominated for a Best Foreign Language Film Academy Award. Set in Burma during WWll shot on location in Burma and near the Izu Peninsula in Japan. White titled wrappers. Title page present. 70 leaves with last page of text numbered e-25. Mechanical duplication. Pages Near Fine with some toning due to age wrapper Very Good with mild foxing and light water damage near spine. Criterion Collection 379. Eureka Masters of Cinema 12. Nikkatsu unknown books
1956réf. 158964Burbank CA: Warner Brothers 1956. Vintage studio still photograph from the 1956 Western film. Based on the 1956 novel by Louis L'Amour. A man sees the thieves who killed his brother and discovers they all work for a man who ransacked the closest sheriff's office. Shot on location in Keyesville and Calabasas California. 10 x 8 inches. Near Fine. Pitts 580. Warner Brothers unknown books
1957réf. 145069Los Angeles: Paramount Pictures 1957. Vintage studio still photograph from the set of the 1957 film. An imaginative and inaccurate biography of the famed comedian. 10 x 8 inches. Near Fine. Paramount Pictures unknown books
1971réf. 158638N.p.: Audubon Films 1971. Two vintage studio still photographs from the 1971 US release of the 1970 West German film. A sexploitation film about a small-town girl who moves to the big city where she begins a career as a sex worker eventually falling in with a group of revolutionaries. 10 x 8 inches. Near Fine. Audubon Films unknown
1969réf. 147017London: Columbia British Productions 1969. Draft script for the 1970 British film. Cinematographer Douglas Slocombe's name written and underlined in manuscript ink on the title page as well as an encircled "71" in red manuscript marker. Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable and maybe in love they agree to find suitable romantic partners for each other. Nominated for the Palme d'Or. Set in and shot on location in England Spain and Sweden. ornamental embossed titled wrapper. Title page present dated 1969 with credits for screenwriter Peter Draper and novelist Janice Elliott. PAGES leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three flat metal brads. Columbia British Productions unknown
1969réf. 147017London: Columbia British Productions 1969. Draft script for the 1970 British film. Cinematographer Douglas Slocombe's name written and underlined in manuscript ink on the title page as well as an encircled "71" in red manuscript marker. Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable and maybe in love they agree to find suitable romantic partners for each other. Nominated for the Palme d'Or. Set in and shot on location in England Spain and Sweden. ornamental embossed titled wrapper. Title page present dated 1969 with credits for screenwriter Peter Draper and novelist Janice Elliott. PAGES leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three flat metal brads. Columbia British Productions unknown books
1971réf. 158638N.p.: Audubon Films 1971. Two vintage studio still photographs from the 1971 US release of the 1970 West German film. A sexploitation film about a small-town girl who moves to the big city where she begins a career as a sex worker eventually falling in with a group of revolutionaries. 10 x 8 inches. Near Fine. Audubon Films unknown books
1962réf. 167588Los Angeles: Twentieth Century-Fox 1962. Vintage studio still photograph from the 1962 film. Loosely based on the 1920 German silent film "The Cabinet of Dr. Caligari." After her car breaks down a woman seeks shelter at the vast estate of Caligari a perverse Welsh hermit who imprisons the woman for his harem of tortured "guests." 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1962réf. 147773Los Angeles: Twentieth Century-Fox 1962. Collection of nine vintage studio still photographs two borderless from the 1962 film. Jane Lindstom's Glynis Johns car breaks down and she seeks assistance at the home of a man named Caligari Dan O'Herlihy where she soon finds herself prisoner and none of the other residents seem willing to help. Not a remake of the classic 1920 Robert Wiene film "The Cabinet of Dr. Caligari" despite the similarity of the title though it does contain a similar plot twist. 7 - 8 x 10 inches 2 - 9.25 x 7 . Near Fine some faint creasing in margins and light edgewear. Twentieth Century-Fox unknown
1962réf. 147773Los Angeles: Twentieth Century-Fox 1962. Collection of nine vintage studio still photographs two borderless from the 1962 film. Jane Lindstom's Glynis Johns car breaks down and she seeks assistance at the home of a man named Caligari Dan O'Herlihy where she soon finds herself prisoner and none of the other residents seem willing to help. Not a remake of the classic 1920 Robert Wiene film "The Cabinet of Dr. Caligari" despite the similarity of the title though it does contain a similar plot twist. 7 - 8 x 10 inches 2 - 9.25 x 7 . Near Fine some faint creasing in margins and light edgewear. Twentieth Century-Fox unknown books
1962réf. 150670Los Angeles: Twentieth Century-Fox 1962. Five vintage studio still photographs from the 1962 film. Loosely based on the 1920 German silent film "The Cabinet of Dr. Caligari." After her car breaks down a woman seeks shelter at the vast estate of Caligari a perverse Welsh hermit who imprisons the woman for his harem of tortured "guests." 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1962réf. 167588Los Angeles: Twentieth Century-Fox 1962. Vintage studio still photograph from the 1962 film. Loosely based on the 1920 German silent film "The Cabinet of Dr. Caligari." After her car breaks down a woman seeks shelter at the vast estate of Caligari a perverse Welsh hermit who imprisons the woman for his harem of tortured "guests." 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1962réf. 162303Los Angeles: Twentieth Century-Fox 1962. Vintage studio still photograph of Glynis Johns from the 1962 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Loosely based on the 1920 German silent film "The Cabinet of Dr. Caligari." After her car breaks down a woman seeks shelter at the vast estate of Caligari a perverse Welsh hermit who imprisons the woman for his harem of tortured "guests." 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1972réf. 150671Burbank CA: Warner Brothers 1972. Seven vintage studio still photographs from the 1972 film. The idealistic son of a former California governor is persuaded to run for the US Senate. In the face of almost certain failure he decides to try to bring controversial leftist views into public view and campaign against the corrupt political system. Nominated for two Academy Awards winning one for Best Screenplay for Jeremy Larner. Set and shot on location throughout California. 10 x 8 inches. Near Fine. Warner Brothers unknown
1972réf. 150671Burbank CA: Warner Brothers 1972. Seven vintage studio still photographs from the 1972 film. The idealistic son of a former California governor is persuaded to run for the US Senate. In the face of almost certain failure he decides to try to bring controversial leftist views into public view and campaign against the corrupt political system. Nominated for two Academy Awards winning one for Best Screenplay for Jeremy Larner. Set and shot on location throughout California. 10 x 8 inches. Near Fine. Warner Brothers unknown books
1972réf. 156320Beverly Hills CA: United Artists 1972. Vintage borderless reference photograph from the US release of the 1972 Italian film showing actress Heather Johnson on the set. Printed mimeo snipe affixed to the verso. Based on the medieval narrative poem by Geoffrey Chaucer and the second film in Pier Paolo Pasolini's Trilogy of Life series following "The Decameron" 1971 and followed by "A Thousand and One Nights" 1974. Johnson appeared in the segment "The Steward's Tale." Set and shot on location throughout England. 10 x 8 inches. Very Good with moderate edgewear curling and a short closed tear on the bottom edge. BFI 1116. Criterion Collection 633. United Artists unknown
1972réf. 156320Beverly Hills CA: United Artists 1972. Vintage borderless reference photograph from the US release of the 1972 Italian film showing actress Heather Johnson on the set. Printed mimeo snipe affixed to the verso. Based on the medieval narrative poem by Geoffrey Chaucer and the second film in Pier Paolo Pasolini's Trilogy of Life series following "The Decameron" 1971 and followed by "A Thousand and One Nights" 1974. Johnson appeared in the segment "The Steward's Tale." Set and shot on location throughout England. 10 x 8 inches. Very Good with moderate edgewear curling and a short closed tear on the bottom edge. BFI 1116. Criterion Collection 633. United Artists unknown books
1950réf. 160946Los Angeles: RKO Radio Pictures 1950. Vintage mini-banner poster for the 1950 film noir. Lew Ayres stars as Lin Vanner a manager of an oil company who after learning the payroll was stolen in a hold-up pursues and kills an innocent robbery suspect. He goes to the man's widow for solace inadvertently beginning a journey down a road in which he slowly finds himself in the same position as his victim. Critically lauded on release the film remains highly underrated due to its failure at the box office. Shot on location in Pioneertown California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby US. Spicer US. RKO Radio Pictures unknown
1950réf. 160946Los Angeles: RKO Radio Pictures 1950. Vintage mini-banner poster for the 1950 film noir. Lew Ayres stars as Lin Vanner a manager of an oil company who after learning the payroll was stolen in a hold-up pursues and kills an innocent robbery suspect. He goes to the man's widow for solace inadvertently beginning a journey down a road in which he slowly finds himself in the same position as his victim. Critically lauded on release the film remains highly underrated due to its failure at the box office. Shot on location in Pioneertown California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby US. Spicer US. RKO Radio Pictures unknown books
1963réf. 168179Culver City CA: Columbia Pictures 1963. Three vintage color studio still photographs from the 1963 film. Based on the 1950 novel of the same name by Henry Morton Robinson detailing the life of a young American priest who must face numerous moral dilemmas the rise of Nazis and growing bigotry while he rises into power within the church. The story is based in part on the career of Francis Joseph Cardinal Spellman archbishop of New York 1939-1967. Shot on location in Boston. 10 x 8 inches. Near Fine. Columbia Pictures unknown
