11 049 résultats
1963réf. 144462Culver City CA: Columbia Pictures 1963. Vintage borderless double weight photograph of Romy Schneider and Tom Tryon on the set of the 1963 film. With production stamp and manuscript annotations on the verso. Based on the 1950 novel of the same name by Henry Morton Robinson detailing the life of Stephen Fermoyle Tom Tryon a young American priest who must face personal moral dilemmas the rise of Naziism and bigotry while he rises into power within the church. The story is based in part on the career of Francis Joseph Cardinal Spellman archbishop of New York 1939-1967. Shot on location in Boston. 8 x 10 inches. Near Fine with lightly scalloped edges. Columbia Pictures unknown
1963réf. 144462Culver City CA: Columbia Pictures 1963. Vintage borderless double weight photograph of Romy Schneider and Tom Tryon on the set of the 1963 film. With production stamp and manuscript annotations on the verso. Based on the 1950 novel of the same name by Henry Morton Robinson detailing the life of Stephen Fermoyle Tom Tryon a young American priest who must face personal moral dilemmas the rise of Naziism and bigotry while he rises into power within the church. The story is based in part on the career of Francis Joseph Cardinal Spellman archbishop of New York 1939-1967. Shot on location in Boston. 8 x 10 inches. Near Fine with lightly scalloped edges. Columbia Pictures unknown books
1963réf. 168179Culver City CA: Columbia Pictures 1963. Three vintage color studio still photographs from the 1963 film. Based on the 1950 novel of the same name by Henry Morton Robinson detailing the life of a young American priest who must face numerous moral dilemmas the rise of Nazis and growing bigotry while he rises into power within the church. The story is based in part on the career of Francis Joseph Cardinal Spellman archbishop of New York 1939-1967. Shot on location in Boston. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1976réf. 137880N.p.: ITC Entertainment 1976. Draft script for the 1976 German-Italian-British film. A train traveling in Europe has been exposed to a deadly disease and the passengers are forbidden to leave the train. Terrorism and disaster follow with a star-studded cast including Richard Harris Martin Sheen and producer Carlo Ponti's wife Sophia Loren. Green titled wrappers. Title page present dated 1976 with credits for director Cosmatos and screenwriter Mankiewicz. 121 leaves with last page of text numbered 121. Xerographically reproduced. Pages Very Good plus wrapper Near Fine bound with a green Vello binding. ITC Entertainment unknown
1976réf. 137880N.p.: ITC Entertainment 1976. Draft script for the 1976 German-Italian-British film. A train traveling in Europe has been exposed to a deadly disease and the passengers are forbidden to leave the train. Terrorism and disaster follow with a star-studded cast including Richard Harris Martin Sheen and producer Carlo Ponti's wife Sophia Loren. Green titled wrappers. Title page present dated 1976 with credits for director Cosmatos and screenwriter Mankiewicz. 121 leaves with last page of text numbered 121. Xerographically reproduced. Pages Very Good plus wrapper Near Fine bound with a green Vello binding. ITC Entertainment unknown books
1956réf. 159859Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage reference photograph of actor Barry Fitzgerald from the 1956 film. With manuscript ink annotation on the verso identifying Fitzgerald. Based on the 1955 television play by Paddy Chayefsky. The daughter of a taxi driver is engaged to be married. Her mother wants to use the opportunity to have the big wedding she always dreamed of. Set in and shot on location in the Bronx New York City. 8 x 10 inches. Very Good plus with some slight creasing and wear to the finish. Metro-Goldwyn-Mayer [MGM] unknown books
1969réf. 161591N.p.: National Showmanship Films 1969. Three vintage studio still photographs from the US release of the 1965 Swedish film. One photograph with a provenance stamp on the verso. A group of women work together at a laundry when one begins to spread a rumor that the manager is a lesbian and tried to seduce her which creates a dangerously explosive situation. Shot on location in Santa Fe New Mexico and Nacka Sweden. 8 x 10 inches. Light edgewear else Near Fine. National Showmanship Films unknown
1969réf. 161591N.p.: National Showmanship Films 1969. Three vintage studio still photographs from the US release of the 1965 Swedish film. One photograph with a provenance stamp on the verso. A group of women work together at a laundry when one begins to spread a rumor that the manager is a lesbian and tried to seduce her which creates a dangerously explosive situation. Shot on location in Santa Fe New Mexico and Nacka Sweden. 8 x 10 inches. Light edgewear else Near Fine. National Showmanship Films unknown books
1942réf. 146014New York: Batten Barton Durstine and Osborn 1942. Draft script for the 1942 radio show episode originally broadcast on May 14 1942. With a few annotations in manuscript pencil and ink on the front wrapper. The anthology series was part of a campaign by the DuPont chemical corporation to rehabilitate its image following the public exposure of its arms race profiteering during World War I. In lieu of traditional advertising creative director Roy Durstine proposed that DuPont sponsor "Cavalcade" which integrated the company's slogan "Better Things For Better Living Through Chemistry" and agenda into its stories of American achievement and inspiration. The show was an early experiment in propagandistic corporate brand-building virtually unprecedented for a company that had no commercially available products to market to the public. To further promote their clean humanitarian ideals DuPont shied away from using attention-grabbing tactics such as the sound of gunfire that were popular on other radio programs at the time-a choice that attracted pacifist writers such as Norman Rosten and Arthur Miller to the show. This episode was written by Stephen Vincent Benet a Pulitzer Prize-winning American poet and novelist best known for his narrative poem "John Brown's Body" and dramatizes the inception of the American Revolution. White titled self wrappers dated 5/14/42 with credits for actor Raymond Massey and writer Stephen Vincent Benet. Title page integral with the front wrapper as issued. 37 leaves with last page of text numbered 36. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus unbound. Batten, Barton, Durstine and Osborn unknown
1942réf. 146014New York: Batten Barton Durstine and Osborn 1942. Draft script for the 1942 radio show episode originally broadcast on May 14 1942. With a few annotations in manuscript pencil and ink on the front wrapper. The anthology series was part of a campaign by the DuPont chemical corporation to rehabilitate its image following the public exposure of its arms race profiteering during World War I. In lieu of traditional advertising creative director Roy Durstine proposed that DuPont sponsor "Cavalcade" which integrated the company's slogan "Better Things For Better Living Through Chemistry" and agenda into its stories of American achievement and inspiration. The show was an early experiment in propagandistic corporate brand-building virtually unprecedented for a company that had no commercially available products to market to the public. To further promote their clean humanitarian ideals DuPont shied away from using attention-grabbing tactics such as the sound of gunfire that were popular on other radio programs at the time-a choice that attracted pacifist writers such as Norman Rosten and Arthur Miller to the show. This episode was written by Stephen Vincent Benet a Pulitzer Prize-winning American poet and novelist best known for his narrative poem "John Brown's Body" and dramatizes the inception of the American Revolution. White titled self wrappers dated 5/14/42 with credits for actor Raymond Massey and writer Stephen Vincent Benet. Title page integral with the front wrapper as issued. 37 leaves with last page of text numbered 36. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus unbound. Batten, Barton, Durstine and Osborn unknown books
1973réf. 141398N.p.: N.p. 1973. Revised Draft script for an unproduced film. Laid in is a letter discussing credits. Based on screenwriter Norman Thaddeus Vane's 1973 novel a fictionalized account of the Native American chieftain Geronimo and the band of twenty-five he led into the Arizona caves in order to avoid capture by American troops. Set in Arizona. Brown titled wrappers. Title page present dated 1973 noted as REVISED Screenplay with credit for screenwriter Norman Thaddeus Vane. 143 leaves with last page of text numbered 140. Xerographic duplication rectos only with blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two silver brads. N.p. unknown
1973réf. 141398N.p.: N.p. 1973. Revised Draft script for an unproduced film. Laid in is a letter discussing credits. Based on screenwriter Norman Thaddeus Vane's 1973 novel a fictionalized account of the Native American chieftain Geronimo and the band of twenty-five he led into the Arizona caves in order to avoid capture by American troops. Set in Arizona. Brown titled wrappers. Title page present dated 1973 noted as REVISED Screenplay with credit for screenwriter Norman Thaddeus Vane. 143 leaves with last page of text numbered 140. Xerographic duplication rectos only with blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two silver brads. N.p. unknown books
1980réf. 166581Los Angeles: Embassy Pictures 1980. Second Draft script for an unproduced film. Annotations in manuscript ink throughout the first 50 pages of the script indicating sets and props. During Prohibition a war veteran takes up competitive sharpshooting to support his family. Generic white Embassy Pictures studio wrappers. Title page present undated noted as Second Draft with credit for screenwriter Allan Scott. 120 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Embassy Pictures unknown
1980réf. 166581Los Angeles: Embassy Pictures 1980. Second Draft script for an unproduced film. Annotations in manuscript ink throughout the first 50 pages of the script indicating sets and props. During Prohibition a war veteran takes up competitive sharpshooting to support his family. Generic white Embassy Pictures studio wrappers. Title page present undated noted as Second Draft with credit for screenwriter Allan Scott. 120 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Embassy Pictures unknown books
1980réf. 161429N.p.: N.p. 1980. Draft script for an unproduced film. Noted as copy No. 3 in manuscript ink on the title page and with annotations in manuscript pencil on three leaves. Based on Robert Ludlum's 1977 novel about the secret files of J. Edgar Hoover and their disappearance after Hoover's death. Mustard titled wrappers. Title page present undated with credits for Ludlum and screenwriter Millard Kaufman. 130 leaves with last page of text numbered 128. Xerographic duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus bound with two silver screw brads. N.p. unknown
1980réf. 161429N.p.: N.p. 1980. Draft script for an unproduced film. Noted as copy No. 3 in manuscript ink on the title page and with annotations in manuscript pencil on three leaves. Based on Robert Ludlum's 1977 novel about the secret files of J. Edgar Hoover and their disappearance after Hoover's death. Mustard titled wrappers. Title page present undated with credits for Ludlum and screenwriter Millard Kaufman. 130 leaves with last page of text numbered 128. Xerographic duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus bound with two silver screw brads. N.p. unknown books
1925réf. 148229Los Angeles: Paramount Pictures 1925. Vintage reference photograph from the 1925 silent film showing actress Pola Negri holding a small goat. With a mimeo snipe on the verso. A dancer achieves sudden fame and wealth when she is discovered performing in a Spanish cafe and brought to New York but soon finds life in high society is more difficult than glamorous. Now considered to be a lost film. Set in New York and Spain. 10 x 8 inches. Very Good plus with light even toning and edgewear. Paramount Pictures unknown
1925réf. 148229Los Angeles: Paramount Pictures 1925. Vintage reference photograph from the 1925 silent film showing actress Pola Negri holding a small goat. With a mimeo snipe on the verso. A dancer achieves sudden fame and wealth when she is discovered performing in a Spanish cafe and brought to New York but soon finds life in high society is more difficult than glamorous. Now considered to be a lost film. Set in New York and Spain. 10 x 8 inches. Very Good plus with light even toning and edgewear. Paramount Pictures unknown books
1966réf. 151565Culver City CA: Columbia Pictures 1966. Vintage matte-finish double weight borderless reference photograph of director Arthur Penn talking with actress Jane Fonda on the set of the 1966 film. With a Columbia Pictures stamp on the verso along with a provenance stamp. Based on the 1952 Broadway play by Horton Foote about a small-town sheriff on the lookout for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. 8 x 10 inches. Near Fine. Spicer US. Twilight Time 242. Columbia Pictures unknown
1966réf. 142660Culver City CA: Columbia Pictures 1966. Vintage photograph on Jane Fonda taking a peek through a camera during shooting on the set of the 1966 film. With a Columbia Pictures stamp on the verso. Based on the 1952 Broadway play by Horton Foote about a small town sheriff on the look out for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. 8 x 10 inches. Near Fine. Spicer US. Twilight Time 242. Columbia Pictures unknown
1966réf. 133029Culver City CA: Columbia Pictures 1966. Vintage black-and-white reference photograph from the US release of the 1966 film noir. An underrated key film for director Penn something of an intellectual thriller made between two better known films "Mickey One" 1965 and "Bonnie and Clyde" 1967. Also very much an acting tour de force with early performances by Robert Duvall Jane Fonda and Robert Redford and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. A story set in Texas shot partially on location there. 8 x 10 inches. Near Fine. Spicer US. Columbia Pictures unknown
1966réf. 133029Culver City CA: Columbia Pictures 1966. Vintage black-and-white reference photograph from the US release of the 1966 film noir. An underrated key film for director Penn something of an intellectual thriller made between two better known films "Mickey One" 1965 and "Bonnie and Clyde" 1967. Also very much an acting tour de force with early performances by Robert Duvall Jane Fonda and Robert Redford and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. A story set in Texas shot partially on location there. 8 x 10 inches. Near Fine. Spicer US. Columbia Pictures unknown books
1966réf. 142660Culver City CA: Columbia Pictures 1966. Vintage photograph on Jane Fonda taking a peek through a camera during shooting on the set of the 1966 film. With a Columbia Pictures stamp on the verso. Based on the 1952 Broadway play by Horton Foote about a small town sheriff on the look out for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. 8 x 10 inches. Near Fine. Spicer US. Twilight Time 242. Columbia Pictures unknown books
1966réf. 151565Culver City CA: Columbia Pictures 1966. Vintage matte-finish double weight borderless reference photograph of director Arthur Penn talking with actress Jane Fonda on the set of the 1966 film. With a Columbia Pictures stamp on the verso along with a provenance stamp. Based on the 1952 Broadway play by Horton Foote about a small-town sheriff on the lookout for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. 8 x 10 inches. Near Fine. Spicer US. Twilight Time 242. Columbia Pictures unknown books
1966réf. 158842Culver City CA: Columbia Pictures 1966. Vintage studio still photograph of Martha Hyer from the 1966 film. An underrated key film for director Penn something of an intellectual thriller made between two better known films "Mickey One" 1965 and "Bonnie and Clyde" 1967. Also very much an acting tour de force with early performances by Robert Duvall Jane Fonda and Robert Redford and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. Set in Texas shot on location in California Calabasas and Chico. 8 x 10 inches. Near Fine with faint toning and light creating at the extremities. Spicer US. Twilight Time. Columbia Pictures unknown books
