10 264 résultats
1960réf. 130114Stockholm: Svensk Filmindustri 1960. Original Swedish poster for the 1960 film. A landmark twentieth century film whose irregular but inspired dramatic structure and juxtaposition of beauty and savagery has inspired many other great films from "The Last House on the Left" 1972 to "Irreversible" 2002. The first of two Bergman efforts to win the Academy Award for Best Foreign Film. 27.5 x 39.5 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown books
1960réf. 154454Stockholm: Svensk Filmindustri SF 1960. Vintage program for the French release of the 1960 Swedish film. Text and titles in French. Winner of the Academy Award for Best Foreign Language Film and nominated for the Palme d'Or with director Ingmar Bergman receiving a Special Mention at Cannes. 6.5 x 9.5 inches. 18 pages. Near Fine in lightly rubbed saddle stapled wrappers. Svensk Filmindustri [SF] unknown books
1960réf. 138553Stockholm: Svensk Filmindustri 1960. Vintage international program for the English language release of the 1960 Swedish film by Ingmar Bergman printed by Svensk Filmindustri in Sweden. Adapted from the thirteenth century Swedish ballad "Tores dottrar i Wange." Photo illustrated throughout. Winner of the Academy Award for Best Foreign Language Film and nominated for the Palme d'Or with director Bergman receiving a Special Mention at Cannes. 6.5 x 9.5 inches. 18 pages. Near Fine in lightly rubbed saddle stapled wrappers. Svensk Filmindustri unknown books
1974réf. 144139Rome: N.p. 1974. Draft script for the first episode Episode 1 of an unproduced television series. Based on "De Novelle Della Pescara" or "The Stories of Pescara" by Gabriele D'Annunzio published in 1902. The whole collection was envisioned as a miniseries and here is the first episode based on the first story "The Virgin Orsola." A schoolteacher in a convent is threatened with an illness that brings her to the edge of death when she is suddenly brought back. A virgin she has a sudden sexual awakening and longs for the touch of a certain soldier but is instead seduced by a pimp leading her to the brink of madness and eventual death. Set in Italy. Orange untitled wrappers. Title page present dated 1974 with credits for screenwriter Pasquale Prunas and novelist Gabriele D'Annunzio . 104 leaves with last page of text numbered 103. Xerographically reproduced. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown books
1964réf. 145415Los Angeles: Twentieth Century-Fox 1964. Six vintage black-and-white studio still photographs from the 1964 internationally produced film here under the US title "The Visit." Included are two film credits sheets from publicity manager Mort Segal referring to actress Demick as she visits Tunisia smokes a hookah and shops locally. One image from the set is shown. Please inquire for others. Based on Durrenmatt's 1956 play "Der Besuch der alten Dame." Karla Bergman is disgraced as an unwed mother and banished from her hometown. She later returns a fabulously wealthy woman ready to confront the child's father Serge Quinn who denied paternity and seek revenge. Nominated for a Palme d'Or at the 1964 Cannes Film Festival and for an Academy Award in 1965. 8 x 10 inches small white borders. Very Good plus with brief marginal creasing light curling and toning. Grant Worldwide. Twentieth Century-Fox unknown books
1959réf. 151144London: J. Arthur Rank 1959. Treatment script for an unproduced film circa 1959. Not to be confused with the 1972 BBC mini-series based on the same literary source. Based on Mary McMinnies' 1958 novel which follows the adventures of a pleasantly immoral young woman who has recently been relocated with her English Foreign Service husband to a Communist-run eastern European country. Gray titled wrappers noted as Treatment on the front wrapper dated 18-3-59. Title page present with credits for screenwriter JOHN MORTIMER and novel credits to Mary MacMinnies sic. 48 leaves with last page of text numbered 46. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a gold prong. J. Arthur Rank unknown
1959réf. 151144London: J. Arthur Rank 1959. Treatment script for an unproduced film circa 1959. Not to be confused with the 1972 BBC mini-series based on the same literary source. Based on Mary McMinnies' 1958 novel which follows the adventures of a pleasantly immoral young woman who has recently been relocated with her English Foreign Service husband to a Communist-run eastern European country. Gray titled wrappers noted as Treatment on the front wrapper dated 18-3-59. Title page present with credits for screenwriter JOHN MORTIMER and novel credits to Mary MacMinnies sic. 48 leaves with last page of text numbered 46. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a gold prong. J. Arthur Rank unknown books
1968réf. 162564N.p.: International Film Artists 1968. Vintage studio still photograph from the 1969 film. Prrovenance stamp on the verso. Also released under the title "Friends and Lovers." Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus with light edgewear and pinholes in the top margin. International Film Artists unknown
1968réf. 162564N.p.: International Film Artists 1968. Vintage studio still photograph from the 1969 film. Prrovenance stamp on the verso. Also released under the title "Friends and Lovers." Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident. Shot on location in Connecticut and New York. 8 x 10 inches. Very Good plus with light edgewear and pinholes in the top margin. International Film Artists unknown books
1960réf. 132579Culver City CA: Columbia Pictures 1960. Vintage black-and-white still photograph of Jack Lemmon from the 1960 US film. Distributor rubber-stamp on the verso. Based on a story by Herbert Carlson about a lieutenant who gets tricked into commanding garbage scow with a crew of dimwitted misfits on a secret mission in Japanese controlled waters. 8 x 10 inches. Very Good plus with light toning with a few faint creases. Columbia Pictures unknown books
1953réf. 161494Rome: Compagnia Cinematografica Champion 1953. Vintage studio still photograph from the 1953 film. Based on the 1950 novel by Georges Arnaud. Henri-Georges Clouzot's breakthrough masterpiece a tense and literally volatile thriller. Four luckless Europeans are hired by an American oil company to drive two trucks of nitroglycerine through the South American wilderness to extinguish a fire in the oil fields. Winner of the Palme d'Or. Shot on location in Gard and Bouches-du-Rhone France. 10 x 8 inches. Very Good plus. Criterion Collection 36. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Selby France. Compagnia Cinematografica Champion unknown
1953réf. 150501N.p.: N.p. 1953. Vintage reference photograph of L-R Henri-Georges Clouzot Charles Vanel unidentified woman and Vera Clouzot on the set of the 1953 French film. Based on the 1950 French novel by Georges Arnaud. Remade in 1958 as "Violent Road" directed by Howard W. Koch starring Brian Keith and Efrem Zimbalist Jr. and again in 1977 as "Sorcerer" directed by William Friedkin and starring Roy Scheider and Bruno Cremer. Henri-Georges Clouzot's breakthrough masterpiece a tense and literally volatile thriller. Four luckless Europeans are hired by an American oil company to drive two trucks of nitroglycerine through the South American wilderness to extinguish a fire in the oil fields. Winner of the Palme d'Or. Shot on location in Gard and Bouches-du-Rhone France. 9.5 x 7.25 inches. Near Fine. Criterion Collection 36. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Selby France. N.p. unknown
1953réf. 150501N.p.: N.p. 1953. Vintage reference photograph of L-R Henri-Georges Clouzot Charles Vanel unidentified woman and Vera Clouzot on the set of the 1953 French film. Based on the 1950 French novel by Georges Arnaud. Remade in 1958 as "Violent Road" directed by Howard W. Koch starring Brian Keith and Efrem Zimbalist Jr. and again in 1977 as "Sorcerer" directed by William Friedkin and starring Roy Scheider and Bruno Cremer. Henri-Georges Clouzot's breakthrough masterpiece a tense and literally volatile thriller. Four luckless Europeans are hired by an American oil company to drive two trucks of nitroglycerine through the South American wilderness to extinguish a fire in the oil fields. Winner of the Palme d'Or. Shot on location in Gard and Bouches-du-Rhone France. 9.5 x 7.25 inches. Near Fine. Criterion Collection 36. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Selby France. N.p. unknown books
1953réf. 161494Rome: Compagnia Cinematografica Champion 1953. Vintage studio still photograph from the 1953 film. Based on the 1950 novel by Georges Arnaud. Henri-Georges Clouzot's breakthrough masterpiece a tense and literally volatile thriller. Four luckless Europeans are hired by an American oil company to drive two trucks of nitroglycerine through the South American wilderness to extinguish a fire in the oil fields. Winner of the Palme d'Or. Shot on location in Gard and Bouches-du-Rhone France. 10 x 8 inches. Very Good plus. Criterion Collection 36. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Selby France. Compagnia Cinematografica Champion unknown books
1970réf. 149280Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage one sheet poster for the 1970 film. Based on the 1967 novel by Winston Graham. Deborah Dainton Samantha Eggar a polio victim in childhood uses a walking stick she doesn't really need and leads a overly structured somewhat reclusive life until she meets the charming mediocre artist Leigh Hartley David Hemmings. Hartley's insistence and friendship blossoms into romance and Dainton feels truly happy for the first time in her life. It is then Hartley reveals a plot he and his friends have to rob diamonds from the auction house where she works and Dainton discovers that nearly everything Hartley had told her about himself has been a lie. Set in and shot on location in Buckinghamshire and London. 27 x 41 inches. Folded as issued. Very Good with two inch closed tear to upper right chip and creasing in top left margin and rubbing at folds. Metro-Goldwyn-Mayer [MGM] unknown books
1968réf. 162565N.p.: Provocative Films 1968. Vintage studio still photograph with irregular margins from the 1968 film. With provenance stamps on the verso. Art and Vera an unhappily married couple become involved with two sisters Nan and Lauri and group therapy sessions run by a lesbian cult leader Jennifer. 8 x 10 inches. Very Good with light creasing a small chip to the bottom right margin and an emulsion irregularity along the top edge obscuring the top margin. Provocative Films unknown
1968réf. 162565N.p.: Provocative Films 1968. Vintage studio still photograph with irregular margins from the 1968 film. With provenance stamps on the verso. Art and Vera an unhappily married couple become involved with two sisters Nan and Lauri and group therapy sessions run by a lesbian cult leader Jennifer. 8 x 10 inches. Very Good with light creasing a small chip to the bottom right margin and an emulsion irregularity along the top edge obscuring the top margin. Provocative Films unknown books
1972réf. 141606New York: National General Pictures 1972. Eight vintage still photographs from the 1972 film. Based loosely on the writings and illustrations of James Thurber which were in turn based on Thurber's own life. Adhesive residue to the verso of all photographs with mimeograph snipe tipped on to the verso of two photos. Item also includes a three-page cast and crew list on Cinema Center Films letterhead. Jack Lemmon plays a jaded nearsighted cartoonist who falls for a single mother of three Barbara Harris against his own bachelor tendencies. The film utilizes a combination of both live action and animated scenes in order to portray Thurber's life as he himself had done. Set in Manhattan. 8 x 10 inches. All photos Near Fine or better. National General Pictures unknown books
1966réf. 141085N.p.: Europa Film 1966. Vintage pressbook for the 1966 film. In the wake of the Spanish Civil War a communist exile continues his anti-Franco activities from his new Paris home. The film follows his disillusionment with the revolution and its questionable tactics. Nominated for an Academy Award for Best Screenplay. Two pages saddle stapled 10 x 12 inches. Near Fine with a small manuscript graphite notation to the recto. Europa Film unknown
1966réf. 141085N.p.: Europa Film 1966. Vintage pressbook for the 1966 film. In the wake of the Spanish Civil War a communist exile continues his anti-Franco activities from his new Paris home. The film follows his disillusionment with the revolution and its questionable tactics. Nominated for an Academy Award for Best Screenplay. Two pages saddle stapled 10 x 12 inches. Near Fine with a small manuscript graphite notation to the recto. Europa Film unknown books
1962réf. 150983N.p.: N.p. 1962. Vintage reference photograph of Micheal Crawford Philip Leacock Steve McQueen and an unidentified woman on the set of the 1962 film. Based on the 1959 novel by John Hersey. The commander of a Boeing B-17 Flying Fortress bomber cocky hotshot Captain Buzz Rickson lives for the most dangerous missions and acts as though he may have a death wish. Shot on location in Cabridge Bovingdon and Kent England. 10 x 8 inches. Near Fine. N.p. unknown
1962réf. 150983N.p.: N.p. 1962. Vintage reference photograph of Micheal Crawford Philip Leacock Steve McQueen and an unidentified woman on the set of the 1962 film. Based on the 1959 novel by John Hersey. The commander of a Boeing B-17 Flying Fortress bomber cocky hotshot Captain Buzz Rickson lives for the most dangerous missions and acts as though he may have a death wish. Shot on location in Cabridge Bovingdon and Kent England. 10 x 8 inches. Near Fine. N.p. unknown books
1962réf. 162299N.p.: N.p. 1962. Two vintage studio still photographs from the 1962 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1959 novel by John Hersey. The hotshot commander of a Boeing B-17 Flying Fortress bomber lives for the most dangerous missions and acts as though he may have a death wish. Shot on location in Cabridge Bovingdon and Kent England. 10 x 8 inches. One Near Fine the other Very Good plus with creasing and tape residue at the bottom left corner. N.p. unknown books
1953réf. 167621N.p.: N.p. 1953. Two vintage studio still photographs from the 1953 film. The first feature film adaptation of H.G. Wells' classic 1898 novel. Winner of an Academy Award for Best Special Effects and nominated for two more. 10 x 8 inches. Very Good to Very Good plus both with portions clipped from the bottom margins see images. National Film Registry. Criterion Collection 1037. N.p. unknown books
1972réf. 147379London: K.L.K. Films 1972. Draft script for an unproduced film Ian La Frenais' adaptation of Nicholas Luard's 1967 novel a political thriller. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Down on his luck news photographer Sear is offered a large payment to cover the secret exodus of 10000 Hungarian refugees across the border and finds himself embroiled in a game of international espionage. Blue untitled wrappers with die-cut title window in the British style. Title page present February 1972 with credits for screenwriter Ian La Frenais. 109 leaves with last page of text numbered 107. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. K.L.K. Films unknown
