10 264 résultats
1923réf. 171351Beverly Hills CA: D.W. Griffith Productions / United Artists 1923. Vintage studio still photograph from the 1923 film showing Mae Marsh and Ivor Novello. "Made in USA" stamp on the verso. A wealthy aristocrat graduates from a seminary and decides to set out to see the world before taking charge of his parish. Traveling to New Orleans he finds himself falling in love with an impoverished orphaned woman. Shot on location in Florida and Louisiana including in New Iberia and St. Martinville. 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. D.W. Griffith Productions / United Artists unknown
1957réf. 132376Beverly Hills CA: United Artists 1957. Vintage full-color British front-of-house card from the UK release of the 1954 Mexican-American film. An archaeologist working in Mexico believes that there are remnants of an ancient civilization in a remote area. He requests a photographer and is frustrated when he is sent a young woman to do the job. He and his guide become increasingly attracted to her and the tension mounts. 8 x 10 inches. Near Fine. United Artists unknown books
1923réf. 171351Beverly Hills CA: D.W. Griffith Productions / United Artists 1923. Vintage studio still photograph from the 1923 film showing Mae Marsh and Ivor Novello. "Made in USA" stamp on the verso. A wealthy aristocrat graduates from a seminary and decides to set out to see the world before taking charge of his parish. Traveling to New Orleans he finds himself falling in love with an impoverished orphaned woman. Shot on location in Florida and Louisiana including in New Iberia and St. Martinville. 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. D.W. Griffith Productions / United Artists unknown books
1955réf. 167605Culver City CA: RKO Pathe Studios 1955. Two vintage hand-tinted color photographs from the 1955 short documentary film. A Technicolor short film about hunting focusing in particular on the whitetail deer. The first entry in RKO's Wildlife Album series of short films. Shot on location in Virginia. 10 x 8 inches. One Near Fine one Very Good plus. RKO Pathe Studios unknown
1955réf. 167605Culver City CA: RKO Pathe Studios 1955. Two vintage hand-tinted color photographs from the 1955 short documentary film. A Technicolor short film about hunting focusing in particular on the whitetail deer. The first entry in RKO's Wildlife Album series of short films. Shot on location in Virginia. 10 x 8 inches. One Near Fine one Very Good plus. RKO Pathe Studios unknown books
1950réf. 142332N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown
1950réf. 142332N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown books
1966réf. 172874Los Angeles: American International Pictures 1966. Two vintage studio still photographs from the 1966 film. The leader of a biker gang sets out to recover his stolen motorcycle getting one of their members killed in the process. Set in California shot on location in Southern California. 8 x 10 inches. Near Fine. McPadden Heavy Metal Movies. Olive Films. Weldon 1983. American International Pictures unknown books
1967réf. 160830Burbank CA: Warner Brothers / Seven Arts 1967. Revised Estimating script for the 1969 Western film. Sam Peckinpah's classic revisionist Western of nearly inestimable importance and violence made at the peak of his career and which-along with "Straw Dogs" 1971-remains the lasting testament to his vision. A major contributor to the "end of the West" theme so prevalent of the genre in the 1970s and one of the earliest New Hollywood Westerns. Set in Mexico shot on location in Mexico and Spain. Beige titled Warner Brothers wrappers dated November 15 1967 noted as Rev. Estimating Script and stamped copy No. 75. Title page present dated 11/15/67 with credits for screenwriters Wallen Green and Sam Peckinpah and story credit for Roy Sickner. 125 leaves with last page of text numbered 123. Mimeograph duplication rectos only. Pages about Fine wrapper Very Good plus bound internally with two gold brads. National Film Registry. Ebert I. Hardy US. Pitts 4934. Rosenbaum 1000. Schrader Canon Fodder 28. Warner Brothers / Seven Arts unknown
1967réf. 160830Burbank CA: Warner Brothers / Seven Arts 1967. Revised Estimating script for the 1969 Western film. Sam Peckinpah's classic revisionist Western of nearly inestimable importance and violence made at the peak of his career and which-along with "Straw Dogs" 1971-remains the lasting testament to his vision. A major contributor to the "end of the West" theme so prevalent of the genre in the 1970s and one of the earliest New Hollywood Westerns. Set in Mexico shot on location in Mexico and Spain. Beige titled Warner Brothers wrappers dated November 15 1967 noted as Rev. Estimating Script and stamped copy No. 75. Title page present dated 11/15/67 with credits for screenwriters Wallen Green and Sam Peckinpah and story credit for Roy Sickner. 125 leaves with last page of text numbered 123. Mimeograph duplication rectos only. Pages about Fine wrapper Very Good plus bound internally with two gold brads. National Film Registry. Ebert I. Hardy US. Pitts 4934. Rosenbaum 1000. Schrader Canon Fodder 28. Warner Brothers / Seven Arts unknown books
1970réf. 132913Paris: Les Films du Carrosse / Les Productions Artistes Associes 1970. Collection of twelve vintage reference photographs from the 1970 French film. Based on the true story of "feral child" Victor of Aveyron found living alone in the woods of France in 1800 and a doctor's attempts to educate him and introduce him to civilized society. Shot on location in Aubiat Auvergne and Paris. 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown
1970réf. 132913Paris: Les Films du Carrosse / Les Productions Artistes Associes 1970. Collection of twelve vintage reference photographs from the 1970 French film. Based on the true story of "feral child" Victor of Aveyron found living alone in the woods of France in 1800 and a doctor's attempts to educate him and introduce him to civilized society. Shot on location in Aubiat Auvergne and Paris. 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown books
1972réf. 153131London: Avianca 1972. Second Draft script for the 1973 film here under the working title "The Fourteen." Copy belonging to producer Harvey Harrison with his name in manuscript ink annotation to the title page. The eldest children of a working class family of fourteen are forced to take care of the younger children when their mother falls ill. Set and shot on location in London. Black untitled wrappers with a die-cut title window in the British style. Title page present undated noted as Second Draft Screenplay with credits for screenwriter Roland Starke. 122 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages and wrapper Very Good with wear to the top right page corners of the first 13 pages and front wrapper bound internally with two silver brads. Avianca unknown
1972réf. 153131London: Avianca 1972. Second Draft script for the 1973 film here under the working title "The Fourteen." Copy belonging to producer Harvey Harrison with his name in manuscript ink annotation to the title page. The eldest children of a working class family of fourteen are forced to take care of the younger children when their mother falls ill. Set and shot on location in London. Black untitled wrappers with a die-cut title window in the British style. Title page present undated noted as Second Draft Screenplay with credits for screenwriter Roland Starke. 122 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages and wrapper Very Good with wear to the top right page corners of the first 13 pages and front wrapper bound internally with two silver brads. Avianca unknown books
1953réf. 172902N.p.: N.p. 1953. Eight vintage reference photographs from the 1953 film. Two photographs with cropping annotations on the verso and one photograph with cropping annotations on the verso and a tipped-on overlay with additional cropping annotations. Based on the 1951 short story "Cyclists' Raid" by Frank Rooney. Widely considered the original outlaw motorcycle gang film firmly installing the rebel biker figure as an American cultural icon and launching Marlon Brando's career from initial stardom into infamy. Set in Wrightsville CA shot on location in Southern California. 8 x 10 inches. Very Good plus to Near Fine. Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. Weldon 1983. N.p. unknown
1953réf. 172902N.p.: N.p. 1953. Eight vintage reference photographs from the 1953 film. Two photographs with cropping annotations on the verso and one photograph with cropping annotations on the verso and a tipped-on overlay with additional cropping annotations. Based on the 1951 short story "Cyclists' Raid" by Frank Rooney. Widely considered the original outlaw motorcycle gang film firmly installing the rebel biker figure as an American cultural icon and launching Marlon Brando's career from initial stardom into infamy. Set in Wrightsville CA shot on location in Southern California. 8 x 10 inches. Very Good plus to Near Fine. Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. Weldon 1983. N.p. unknown books
1954réf. 150196N.p.: N.p. 1954. Vintage borderless reference photograph from the 1954 film showing actors Mary Murphy Bruno VeSota Will Wright and others looking on as Robert Keith and Robert Osterloh restrain a wounded Marlon Brando. Based on Frank Rooney's 1951 short story "The Cyclists' Raid." Two rival motorcycle gangs raise hell in a small town disrupting local racing events stealing and seducing the town girls. Widely considered the original outlaw motorcycle gang film firmly installing the rebel biker figure as an American cultural icon and launching Marlon Brando's career from initial stardom into infamy. Set in Carbonville and Wrightsville California and shot on location in Calabasas Thousand Oaks and Hollister California. 9 x 7.25 inches. Near Fine. Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. N.p. unknown books
1954réf. 158263Culver City CA: Columbia Pictures 1954. Vintage reference photograph from the 1954 film showing actors Marlon Brando and Mary Murphy. With a printed mimeo snipe affixed to the verso. Based on Frank Rooney's 1951 short story "The Cyclists' Raid." Two rival motorcycle gangs raise hell in a small town disrupting local racing events stealing and seducing the town girls. Widely considered the original outlaw motorcycle gang film firmly installing the rebel biker figure as an American cultural icon and launching Brando's career from initial stardom into infamy. Set in Carbonville and Wrightsville California and shot on location in Calabasas Thousand Oaks and Hollister California. 8 x 10 inches. Near Fine. Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. Columbia Pictures unknown books
1975réf. 139699N.p.: American International Pictures AIP 1975. Three vintage black-and-white studio still photographs from the 1975 film. An aging movie star pining for his lost days of fame throws a lavish Hollywood party in an attempt to pique the interest of some big shot producers. However the party flops resulting in an orgiastic and murderous free-for-all. Set in Hollywood shot on location in California. 10 x 8 inches. Fine with a stamp to the verso of each. American International Pictures [AIP] unknown books
1962réf. 162597N.p.: N.p. 1962. Vintage studio still photograph from the US release of the 1960 French film. Provenance stamp on the verso. A group of four schoolgirls escape their destitute lives to a housing project an abandoned house on an island. When an older girl reveals their secret to the schoolmistress scandal breaks out. Shot on location in River Marne France. 8 x 10 inches. Near Fine. N.p. unknown
1967réf. 150123N.p.: N.p. 1967. Four vintage borderless photographs from the 1967 film. All with "Les Films Armon BON" stamps two with "L.F. Films" stamps stuck with manuscript marker two with "5 / 20" one with "4 / 20" and one with "15 / 20" stamps all on verso. Stock car driver Rod Tillman Steve Alaimo goes undercover as a getaway driver for the California biker gang Satan's Angels. Shot on location in Florida. 8.5 x 6.75 inches 8.5 x 6.5 inches 8.75 x 6.25 inches and 8.25 x 7 inches. Very Good with light creasing and a few tiny pinholes. N.p. unknown
1967réf. 150123N.p.: N.p. 1967. Four vintage borderless photographs from the 1967 film. All with "Les Films Armon BON" stamps two with "L.F. Films" stamps stuck with manuscript marker two with "5 / 20" one with "4 / 20" and one with "15 / 20" stamps all on verso. Stock car driver Rod Tillman Steve Alaimo goes undercover as a getaway driver for the California biker gang Satan's Angels. Shot on location in Florida. 8.5 x 6.75 inches 8.5 x 6.5 inches 8.75 x 6.25 inches and 8.25 x 7 inches. Very Good with light creasing and a few tiny pinholes. N.p. unknown books
1962réf. 162597N.p.: N.p. 1962. Vintage studio still photograph from the US release of the 1960 French film. Provenance stamp on the verso. A group of four schoolgirls escape their destitute lives to a housing project an abandoned house on an island. When an older girl reveals their secret to the schoolmistress scandal breaks out. Shot on location in River Marne France. 8 x 10 inches. Near Fine. N.p. unknown books
1963réf. 132008New York: Louis de Rochemont Associates 1963. Third Draft script for an unproduced film about John Knox the Scottish clergyman and theologian considered to be the founder of the Presbyterian denomination in Scotland. Screenwriter Sloane credited as Sloan here was a screenwriter and wardrobe consultant whose film credits include "Martin Luther" 1953 "Stalag 17" 1953 "The Monster That Challenged the World" 1957 and a host of television movies and episodes. Presumed the only screen treatment on Knox the leader of the Protestant Reformation. Titled self wrappers noted as Third Draft on the front wrapper dated March 15 1963 with credits for screenwriter Sloane as Sloan and presenter Lothar Wolff. 109 leaves with last page of text numbered 108. Mechanical duplication. Near Fine bound with two gold brads. Louis de Rochemont Associates unknown
1963réf. 132008New York: Louis de Rochemont Associates 1963. Third Draft script for an unproduced film about John Knox the Scottish clergyman and theologian considered to be the founder of the Presbyterian denomination in Scotland. Screenwriter Sloane credited as Sloan here was a screenwriter and wardrobe consultant whose film credits include "Martin Luther" 1953 "Stalag 17" 1953 "The Monster That Challenged the World" 1957 and a host of television movies and episodes. Presumed the only screen treatment on Knox the leader of the Protestant Reformation. Titled self wrappers noted as Third Draft on the front wrapper dated March 15 1963 with credits for screenwriter Sloane as Sloan and presenter Lothar Wolff. 109 leaves with last page of text numbered 108. Mechanical duplication. Near Fine bound with two gold brads. Louis de Rochemont Associates unknown books
