11 049 résultats
1953réf. 146324London: Ealing Studios 1953. Second Draft script for the 1953 film here under the working title "Newmarket Heath." A former champion jockey who was discovered accepting bribes and subsequently banned from jockeying decides to train a young man to become his racing successor. Set and shot on location in England. Tall tan titled wrappers noted as Second Draft Script on the front wrapper dated 1st May 1953. Title page present dated 1st May 1953 noted as SECOND DRAFT SCRIPT. 131 leaves with last page of text numbered 130. Mimeograph duplication on lavender stock rectos only. Pages Near Fine wrapper Very Good plus bound with two silver brads. Ealing Studios unknown books
1946réf. 148260Los Angeles: Twentieth Century-Fox 1946. Three vintage photographs from the 1946 film two studio still photographs and one on the set photograph of Tyrone Power and actor Hassan Khayyam who had a small uncredited role in the film. Photograph of Power and Khayyam has annotations on recto in manuscript marker. Based on the 1944 novel by W. Somerset Maugham. A former pilot of World War I is traumatized by his experience in the war. He eventually travels to France to clear his head and loses his high-class fiance in the process. Ten years later he returns and she finds him stopping at nothing to win him back despite already being married to another man. Winner of one Academy Award for Best Supporting Actress and nominated for an additional three including Best Actor and Best Picture. Set in America and France shot on location in Denver Colorado. 8 x 10 inches. Very Good plus one light vertical crease to left and creasing to corner margins. Twentieth Century-Fox unknown
1946réf. 148260Los Angeles: Twentieth Century-Fox 1946. Three vintage photographs from the 1946 film two studio still photographs and one on the set photograph of Tyrone Power and actor Hassan Khayyam who had a small uncredited role in the film. Photograph of Power and Khayyam has annotations on recto in manuscript marker. Based on the 1944 novel by W. Somerset Maugham. A former pilot of World War I is traumatized by his experience in the war. He eventually travels to France to clear his head and loses his high-class fiance in the process. Ten years later he returns and she finds him stopping at nothing to win him back despite already being married to another man. Winner of one Academy Award for Best Supporting Actress and nominated for an additional three including Best Actor and Best Picture. Set in America and France shot on location in Denver Colorado. 8 x 10 inches. Very Good plus one light vertical crease to left and creasing to corner margins. Twentieth Century-Fox unknown books
1979réf. 166955Universal City: Universal Studios 1979. Two original screenplays both containing both Parts I and II of the 1979 TNT television series which aired in two two-hour parts on May 13 and 14 1979. Copies belonging to actress Christina Cummings who played the "Barmaid" with a marker annotation circling her character with her name adjacent on the Cast page of the first script and an ink annotation of "Barmaid / Sc 62.63" on the title page of the second script. Both screenplays are dated November 24 1978 the first on all yellow leaves with the latest revisions dated 1/30/79 and the second on yellow leaves with blue revision pages dated 2/21/79. Based on the 1975 historical novel by John Jakes the second of Jakes' "The Kent Family Chronicles" also known as "The American Bicentennial Series" preceded by the 1974 novel "The Bastard" and followed by the 1975 novel "The Seekers" which was then followed by five additional novels in the series over the following four years. Sequel to the 1978 Universal Television mini-series "The Bastard" directed by Lee H. Katzin. The continuing saga of Philip Kent Andrew Stevens the illegitimate son of an English nobleman who renounces his birthright to become a Colonial soldier during the American Revolution and befriends the southern aristocrat Judson Fletcher Don Johnson and helps to thwart a plot to assassinate George Washington played by Peter Graves. Shot on location in Hope Valley California. First Script on all yellow leaves: Front wrapper integral with title page dated November 24 1978 with credits for screenwriter Sean Baine author John Jakes and Participating Writer R. A. Cinader. 222 leaves with last page of text numbered 218. Mimeograph duplication rectos only. Pages Very Good plus with a rough tear to the top right corner of the title page and light foxing to the first and final leaves bound with two gold brads. Second Script yellow leaves with blue revision pages: Front wrapper integral with title page dated November 24 1978 with credits for screenwriter Sean Baine author John Jakes and Participating Writer R. A. Cinader. 219 leaves with last page of text numbered 219. Mimeograph duplication rectos only with blue revision pages throughout dated 2/20/79. Pages Very Good plus with edgewear and a closed tear to left side of the title page and light foxing to the first and final leaves bound with two gold brads. Universal Studios unknown
1979réf. 166955Universal City: Universal Studios 1979. Two original screenplays both containing both Parts I and II of the 1979 TNT television series which aired in two two-hour parts on May 13 and 14 1979. Copies belonging to actress Christina Cummings who played the "Barmaid" with a marker annotation circling her character with her name adjacent on the Cast page of the first script and an ink annotation of "Barmaid / Sc 62.63" on the title page of the second script. Both screenplays are dated November 24 1978 the first on all yellow leaves with the latest revisions dated 1/30/79 and the second on yellow leaves with blue revision pages dated 2/21/79. Based on the 1975 historical novel by John Jakes the second of Jakes' "The Kent Family Chronicles" also known as "The American Bicentennial Series" preceded by the 1974 novel "The Bastard" and followed by the 1975 novel "The Seekers" which was then followed by five additional novels in the series over the following four years. Sequel to the 1978 Universal Television mini-series "The Bastard" directed by Lee H. Katzin. The continuing saga of Philip Kent Andrew Stevens the illegitimate son of an English nobleman who renounces his birthright to become a Colonial soldier during the American Revolution and befriends the southern aristocrat Judson Fletcher Don Johnson and helps to thwart a plot to assassinate George Washington played by Peter Graves. Shot on location in Hope Valley California. First Script on all yellow leaves: Front wrapper integral with title page dated November 24 1978 with credits for screenwriter Sean Baine author John Jakes and Participating Writer R. A. Cinader. 222 leaves with last page of text numbered 218. Mimeograph duplication rectos only. Pages Very Good plus with a rough tear to the top right corner of the title page and light foxing to the first and final leaves bound with two gold brads. Second Script yellow leaves with blue revision pages: Front wrapper integral with title page dated November 24 1978 with credits for screenwriter Sean Baine author John Jakes and Participating Writer R. A. Cinader. 219 leaves with last page of text numbered 219. Mimeograph duplication rectos only with blue revision pages throughout dated 2/20/79. Pages Very Good plus with edgewear and a closed tear to left side of the title page and light foxing to the first and final leaves bound with two gold brads. Universal Studios unknown books
1967réf. 167722Budapest: Hungarofilm 1967. Collection of 23 vintage borderless reference photographs from the 1967 film including one showing director Miklós Jancsó on the set. Annotations in manuscript ink and pencil along with provenance labels on the versos. A Russian-Hungarian co-production the film was originally commissioned to celebrate the 50th anniversary of the 1917 October Revolution led by Lenin's Bolsheviks. However Jancsó chose to set the action two years later in 1919 focusing on the Hungarian soldiers supporting the Red Army in fighting the Whites. Instead of an idealized depiction of the revolution the resultant release was bleak and profoundly antiheroic and is today considered one of the masterpieces of Hungarian cinema. Generally 7 x 5 inches some with wide bottom margins. Very Good plus to Near Fine. Rosebaum 1000. Vogel Film as a Subversive Art. Hungarofilm unknown
1967réf. 141810Budapest: Mafilm 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which the Bolsheviks seized power. However Jancso chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting Jancso also chose to use a radically different approach to the film than that expected. Rather than shooting a hagiographic account of the birth of Soviet communism Jancso produced a profoundly anti-heroic film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general. 7.75 x 3.5 folded 15.25 x 10.75 unfolded. Near Fine. Rosebaum 1000. Vogel Film as a Subversive Art. Mafilm unknown
1967réf. 167722Budapest: Hungarofilm 1967. Collection of 23 vintage borderless reference photographs from the 1967 film including one showing director Miklós Jancsó on the set. Annotations in manuscript ink and pencil along with provenance labels on the versos. A Russian-Hungarian co-production the film was originally commissioned to celebrate the 50th anniversary of the 1917 October Revolution led by Lenin's Bolsheviks. However Jancsó chose to set the action two years later in 1919 focusing on the Hungarian soldiers supporting the Red Army in fighting the Whites. Instead of an idealized depiction of the revolution the resultant release was bleak and profoundly antiheroic and is today considered one of the masterpieces of Hungarian cinema. Generally 7 x 5 inches some with wide bottom margins. Very Good plus to Near Fine. Rosebaum 1000. Vogel Film as a Subversive Art. Hungarofilm unknown books
1967réf. 141810Budapest: Mafilm 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which the Bolsheviks seized power. However Jancso chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting Jancso also chose to use a radically different approach to the film than that expected. Rather than shooting a hagiographic account of the birth of Soviet communism Jancso produced a profoundly anti-heroic film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general. 7.75 x 3.5 folded 15.25 x 10.75 unfolded. Near Fine. Rosebaum 1000. Vogel Film as a Subversive Art. Mafilm unknown books
1951réf. 149914N.p.: N.p. 1951. Vintage reference photograph from the 1951 film showing director John Huston in costume for his cameo as a Union veteran. With manuscript ink and pencil annotations on the verso regarding layout along with a collector label. Based on the classic 1895 novel by Stephen Crane which follows a Union soldier throughout the course of the Civil War. At the completion of shooting Huston considered the film one of his best but MGM cut over an hour from his film before releasing it to a poor reception. 8 x 10 inches. Very Good plus lightly creased and worn to the corners. N.p. unknown
1951réf. 143633Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1951. Vintage studio still photograph from the 1951 film showing director John Huston on location. Based on the classic 1895 novel by Stephen Crane. At the completion of shooting Huston considered the film one of his best but MGM cut over an hour from it before the release. 10 x 8 inches. Very Good plus with light creasing to the corners and light toning to the margins. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown
1951réf. 143633Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1951. Vintage studio still photograph from the 1951 film showing director John Huston on location. Based on the classic 1895 novel by Stephen Crane. At the completion of shooting Huston considered the film one of his best but MGM cut over an hour from it before the release. 10 x 8 inches. Very Good plus with light creasing to the corners and light toning to the margins. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown books
1951réf. 149914N.p.: N.p. 1951. Vintage reference photograph from the 1951 film showing director John Huston in costume for his cameo as a Union veteran. With manuscript ink and pencil annotations on the verso regarding layout along with a collector label. Based on the classic 1895 novel by Stephen Crane which follows a Union soldier throughout the course of the Civil War. At the completion of shooting Huston considered the film one of his best but MGM cut over an hour from his film before releasing it to a poor reception. 8 x 10 inches. Very Good plus lightly creased and worn to the corners. N.p. unknown books
1972réf. 160117Los Angeles: Omnibus Productions Inc. / National Broadcasting Company NBC 1972. Second Draft script for the 1973 television movie originally aired on March 18 1973 on NBC. Working copy belonging to screenwriter Ron Bishop with an annotation in manuscript pencil on the title page noting "Bishop only" and 18 manuscript revision pages in Bishop's hand laid in. Based on the 1937 novella by John Steinbeck filmed once before by Lewis Milestone in 1949. Winner of two Primetime Emmy awards and nominated for seven more. Shot on location in Sonora California. Beige generic agency wrappers. Title page present undated noted as Second Draft with credits for screenwriter Ron Bishop and novelist John Steinbeck. 126 leaves with last page of text numbered 124. Xerographic duplication rectos only with 18 undated manuscript revision pages laid in. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Omnibus Productions Inc. / National Broadcasting Company [NBC] unknown
1949réf. 148867North Hollywood: Republic Pictures 1949. Four vintage photographs two studio still photographs and two publicity photographs one iconic photograph of Robert Mitchum and one headshot of Shepperd Studwick all from the 1949 film. Based on the novella by John Steinbeck who also wrote the screenplay published in full in 1937. A young boy Peter Miles is enamored with the colt he has been entrusted to raise only to find the colt has caught an illness and is dying. Steinbeck's first film assignment though other Steinbeck screenplays would end up being released prior to "The Red Pony." At the time it was the longest and costliest production in Republic history borrowing Robert Mitchum from RKO and also starring Myrna Loy. Set in and shot on location in California. 8 x 10 inches. Very Good plus with light creasing in margins and even fading on three of the photographs and a small bruise in the right margin of one. Republic Pictures unknown
1949réf. 148867North Hollywood: Republic Pictures 1949. Four vintage photographs two studio still photographs and two publicity photographs one iconic photograph of Robert Mitchum and one headshot of Shepperd Studwick all from the 1949 film. Based on the novella by John Steinbeck who also wrote the screenplay published in full in 1937. A young boy Peter Miles is enamored with the colt he has been entrusted to raise only to find the colt has caught an illness and is dying. Steinbeck's first film assignment though other Steinbeck screenplays would end up being released prior to "The Red Pony." At the time it was the longest and costliest production in Republic history borrowing Robert Mitchum from RKO and also starring Myrna Loy. Set in and shot on location in California. 8 x 10 inches. Very Good plus with light creasing in margins and even fading on three of the photographs and a small bruise in the right margin of one. Republic Pictures unknown books
1972réf. 160117Los Angeles: Omnibus Productions Inc. / National Broadcasting Company NBC 1972. Second Draft script for the 1973 television movie originally aired on March 18 1973 on NBC. Working copy belonging to screenwriter Ron Bishop with an annotation in manuscript pencil on the title page noting "Bishop only" and 18 manuscript revision pages in Bishop's hand laid in. Based on the 1937 novella by John Steinbeck filmed once before by Lewis Milestone in 1949. Winner of two Primetime Emmy awards and nominated for seven more. Shot on location in Sonora California. Beige generic agency wrappers. Title page present undated noted as Second Draft with credits for screenwriter Ron Bishop and novelist John Steinbeck. 126 leaves with last page of text numbered 124. Xerographic duplication rectos only with 18 undated manuscript revision pages laid in. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Omnibus Productions Inc. / National Broadcasting Company [NBC] unknown books
1948réf. 167643London: The Rank Organization 1948. Two vintage reference photographs from the 1948 British film. Printed mimeo snipes and J. Arthur Rank stamps on the versos. Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus." Nominated for five Academy Awards winning two. 9.75 x 7.75 inches. About Near Fine. Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown
1948réf. 160687London: The Rank Organization 1948. Five vintage reference photographs from the 1948 British film showing the film's famous and impressionistic "ballet sequence." Three with printed mimeo snipes affixed to the versos and all five with stamps of The Rank Organisation on the versos. Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus." Nominated for five Academy Awards winning two. 9.5 x 8 inches. Near Fine to Very Good plus some with light toning. Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown
1948réf. 160687London: The Rank Organization 1948. Five vintage reference photographs from the 1948 British film showing the film's famous and impressionistic "ballet sequence." Three with printed mimeo snipes affixed to the versos and all five with stamps of The Rank Organisation on the versos. Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus." Nominated for five Academy Awards winning two. 9.5 x 8 inches. Near Fine to Very Good plus some with light toning. Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown books
1948réf. 167643London: The Rank Organization 1948. Two vintage reference photographs from the 1948 British film. Printed mimeo snipes and J. Arthur Rank stamps on the versos. Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus." Nominated for five Academy Awards winning two. 9.75 x 7.75 inches. About Near Fine. Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown books
1915réf. 151537Los Angeles: Fox Film 1915. Vintage lobby card for the 1915 silent film. Based on the 1908 play by Walter C. Hackett and Owen Frawley Kildare in turn based on Kildare's 1903 memoir "My Mamie Rose." A poor Irish-American orphan rises into power as a mob leader but decides to cut his criminal ties when he falls in love with a beautiful social worker. One of the first full-length gangster films presumed to be lost until the 1970s and now preserved at the Museum of Modern Art's Department of Film. Set in New York. 14 x 11 inches. Very Good moderately toned and edgeworn with pinholes to the corners. National Film Registry. Scorsese A Personal Journey Through American Movies. Fox Film unknown
1915réf. 151537Los Angeles: Fox Film 1915. Vintage lobby card for the 1915 silent film. Based on the 1908 play by Walter C. Hackett and Owen Frawley Kildare in turn based on Kildare's 1903 memoir "My Mamie Rose." A poor Irish-American orphan rises into power as a mob leader but decides to cut his criminal ties when he falls in love with a beautiful social worker. One of the first full-length gangster films presumed to be lost until the 1970s and now preserved at the Museum of Modern Art's Department of Film. Set in New York. 14 x 11 inches. Very Good moderately toned and edgeworn with pinholes to the corners. National Film Registry. Scorsese A Personal Journey Through American Movies. Fox Film unknown books
1969réf. 146615N.p.: Cinema Center Films 1969. Five vintage studio photographs from the 1969 film 2 of Steve McQueen 2 of Sharon Farrell and 1 of Mitch Vogel. Based on Faulkner's Pulitzer Prize-winning 1962 novel his last book. Boon McQueen and his buddy are reivers or thieves who steal the McCaslin family's new car a Winton Flyer. They are out on bond by the owner of the car but Boon can't help himself and steals the car again this time traveling to Memphis to see his beau Corrie Farrell. Nominated for 2 Academy Awards. Shot on location in Mississippi. 8 x 10 inches. Near Fine some light creasing. Cinema Center Films unknown
1969réf. 146615N.p.: Cinema Center Films 1969. Five vintage studio photographs from the 1969 film 2 of Steve McQueen 2 of Sharon Farrell and 1 of Mitch Vogel. Based on Faulkner's Pulitzer Prize-winning 1962 novel his last book. Boon McQueen and his buddy are reivers or thieves who steal the McCaslin family's new car a Winton Flyer. They are out on bond by the owner of the car but Boon can't help himself and steals the car again this time traveling to Memphis to see his beau Corrie Farrell. Nominated for 2 Academy Awards. Shot on location in Mississippi. 8 x 10 inches. Near Fine some light creasing. Cinema Center Films unknown books
