11.065 risultati
1967rif. 141810Budapest: Mafilm 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which the Bolsheviks seized power. However Jancso chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting Jancso also chose to use a radically different approach to the film than that expected. Rather than shooting a hagiographic account of the birth of Soviet communism Jancso produced a profoundly anti-heroic film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general. 7.75 x 3.5 folded 15.25 x 10.75 unfolded. Near Fine. Rosebaum 1000. Vogel Film as a Subversive Art. Mafilm unknown books
1951rif. 149914N.p.: N.p. 1951. Vintage reference photograph from the 1951 film showing director John Huston in costume for his cameo as a Union veteran. With manuscript ink and pencil annotations on the verso regarding layout along with a collector label. Based on the classic 1895 novel by Stephen Crane which follows a Union soldier throughout the course of the Civil War. At the completion of shooting Huston considered the film one of his best but MGM cut over an hour from his film before releasing it to a poor reception. 8 x 10 inches. Very Good plus lightly creased and worn to the corners. N.p. unknown
1951rif. 143633Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1951. Vintage studio still photograph from the 1951 film showing director John Huston on location. Based on the classic 1895 novel by Stephen Crane. At the completion of shooting Huston considered the film one of his best but MGM cut over an hour from it before the release. 10 x 8 inches. Very Good plus with light creasing to the corners and light toning to the margins. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown
1951rif. 143633Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1951. Vintage studio still photograph from the 1951 film showing director John Huston on location. Based on the classic 1895 novel by Stephen Crane. At the completion of shooting Huston considered the film one of his best but MGM cut over an hour from it before the release. 10 x 8 inches. Very Good plus with light creasing to the corners and light toning to the margins. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown books
1951rif. 149914N.p.: N.p. 1951. Vintage reference photograph from the 1951 film showing director John Huston in costume for his cameo as a Union veteran. With manuscript ink and pencil annotations on the verso regarding layout along with a collector label. Based on the classic 1895 novel by Stephen Crane which follows a Union soldier throughout the course of the Civil War. At the completion of shooting Huston considered the film one of his best but MGM cut over an hour from his film before releasing it to a poor reception. 8 x 10 inches. Very Good plus lightly creased and worn to the corners. N.p. unknown books
1972rif. 160117Los Angeles: Omnibus Productions Inc. / National Broadcasting Company NBC 1972. Second Draft script for the 1973 television movie originally aired on March 18 1973 on NBC. Working copy belonging to screenwriter Ron Bishop with an annotation in manuscript pencil on the title page noting "Bishop only" and 18 manuscript revision pages in Bishop's hand laid in. Based on the 1937 novella by John Steinbeck filmed once before by Lewis Milestone in 1949. Winner of two Primetime Emmy awards and nominated for seven more. Shot on location in Sonora California. Beige generic agency wrappers. Title page present undated noted as Second Draft with credits for screenwriter Ron Bishop and novelist John Steinbeck. 126 leaves with last page of text numbered 124. Xerographic duplication rectos only with 18 undated manuscript revision pages laid in. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Omnibus Productions Inc. / National Broadcasting Company [NBC] unknown
1949rif. 148867North Hollywood: Republic Pictures 1949. Four vintage photographs two studio still photographs and two publicity photographs one iconic photograph of Robert Mitchum and one headshot of Shepperd Studwick all from the 1949 film. Based on the novella by John Steinbeck who also wrote the screenplay published in full in 1937. A young boy Peter Miles is enamored with the colt he has been entrusted to raise only to find the colt has caught an illness and is dying. Steinbeck's first film assignment though other Steinbeck screenplays would end up being released prior to "The Red Pony." At the time it was the longest and costliest production in Republic history borrowing Robert Mitchum from RKO and also starring Myrna Loy. Set in and shot on location in California. 8 x 10 inches. Very Good plus with light creasing in margins and even fading on three of the photographs and a small bruise in the right margin of one. Republic Pictures unknown
1949rif. 148867North Hollywood: Republic Pictures 1949. Four vintage photographs two studio still photographs and two publicity photographs one iconic photograph of Robert Mitchum and one headshot of Shepperd Studwick all from the 1949 film. Based on the novella by John Steinbeck who also wrote the screenplay published in full in 1937. A young boy Peter Miles is enamored with the colt he has been entrusted to raise only to find the colt has caught an illness and is dying. Steinbeck's first film assignment though other Steinbeck screenplays would end up being released prior to "The Red Pony." At the time it was the longest and costliest production in Republic history borrowing Robert Mitchum from RKO and also starring Myrna Loy. Set in and shot on location in California. 8 x 10 inches. Very Good plus with light creasing in margins and even fading on three of the photographs and a small bruise in the right margin of one. Republic Pictures unknown books
1972rif. 160117Los Angeles: Omnibus Productions Inc. / National Broadcasting Company NBC 1972. Second Draft script for the 1973 television movie originally aired on March 18 1973 on NBC. Working copy belonging to screenwriter Ron Bishop with an annotation in manuscript pencil on the title page noting "Bishop only" and 18 manuscript revision pages in Bishop's hand laid in. Based on the 1937 novella by John Steinbeck filmed once before by Lewis Milestone in 1949. Winner of two Primetime Emmy awards and nominated for seven more. Shot on location in Sonora California. Beige generic agency wrappers. Title page present undated noted as Second Draft with credits for screenwriter Ron Bishop and novelist John Steinbeck. 126 leaves with last page of text numbered 124. Xerographic duplication rectos only with 18 undated manuscript revision pages laid in. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Omnibus Productions Inc. / National Broadcasting Company [NBC] unknown books
1948rif. 167643London: The Rank Organization 1948. Two vintage reference photographs from the 1948 British film. Printed mimeo snipes and J. Arthur Rank stamps on the versos. Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus." Nominated for five Academy Awards winning two. 9.75 x 7.75 inches. About Near Fine. Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown
1948rif. 160687London: The Rank Organization 1948. Five vintage reference photographs from the 1948 British film showing the film's famous and impressionistic "ballet sequence." Three with printed mimeo snipes affixed to the versos and all five with stamps of The Rank Organisation on the versos. Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus." Nominated for five Academy Awards winning two. 9.5 x 8 inches. Near Fine to Very Good plus some with light toning. Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown
1948rif. 160687London: The Rank Organization 1948. Five vintage reference photographs from the 1948 British film showing the film's famous and impressionistic "ballet sequence." Three with printed mimeo snipes affixed to the versos and all five with stamps of The Rank Organisation on the versos. Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus." Nominated for five Academy Awards winning two. 9.5 x 8 inches. Near Fine to Very Good plus some with light toning. Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown books
1948rif. 167643London: The Rank Organization 1948. Two vintage reference photographs from the 1948 British film. Printed mimeo snipes and J. Arthur Rank stamps on the versos. Loosely based on the 1845 fairy tale by Hans Christian Andersen following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus." Nominated for five Academy Awards winning two. 9.75 x 7.75 inches. About Near Fine. Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41. The Rank Organization unknown books
1915rif. 151537Los Angeles: Fox Film 1915. Vintage lobby card for the 1915 silent film. Based on the 1908 play by Walter C. Hackett and Owen Frawley Kildare in turn based on Kildare's 1903 memoir "My Mamie Rose." A poor Irish-American orphan rises into power as a mob leader but decides to cut his criminal ties when he falls in love with a beautiful social worker. One of the first full-length gangster films presumed to be lost until the 1970s and now preserved at the Museum of Modern Art's Department of Film. Set in New York. 14 x 11 inches. Very Good moderately toned and edgeworn with pinholes to the corners. National Film Registry. Scorsese A Personal Journey Through American Movies. Fox Film unknown
1915rif. 151537Los Angeles: Fox Film 1915. Vintage lobby card for the 1915 silent film. Based on the 1908 play by Walter C. Hackett and Owen Frawley Kildare in turn based on Kildare's 1903 memoir "My Mamie Rose." A poor Irish-American orphan rises into power as a mob leader but decides to cut his criminal ties when he falls in love with a beautiful social worker. One of the first full-length gangster films presumed to be lost until the 1970s and now preserved at the Museum of Modern Art's Department of Film. Set in New York. 14 x 11 inches. Very Good moderately toned and edgeworn with pinholes to the corners. National Film Registry. Scorsese A Personal Journey Through American Movies. Fox Film unknown books
1969rif. 146615N.p.: Cinema Center Films 1969. Five vintage studio photographs from the 1969 film 2 of Steve McQueen 2 of Sharon Farrell and 1 of Mitch Vogel. Based on Faulkner's Pulitzer Prize-winning 1962 novel his last book. Boon McQueen and his buddy are reivers or thieves who steal the McCaslin family's new car a Winton Flyer. They are out on bond by the owner of the car but Boon can't help himself and steals the car again this time traveling to Memphis to see his beau Corrie Farrell. Nominated for 2 Academy Awards. Shot on location in Mississippi. 8 x 10 inches. Near Fine some light creasing. Cinema Center Films unknown
1969rif. 146615N.p.: Cinema Center Films 1969. Five vintage studio photographs from the 1969 film 2 of Steve McQueen 2 of Sharon Farrell and 1 of Mitch Vogel. Based on Faulkner's Pulitzer Prize-winning 1962 novel his last book. Boon McQueen and his buddy are reivers or thieves who steal the McCaslin family's new car a Winton Flyer. They are out on bond by the owner of the car but Boon can't help himself and steals the car again this time traveling to Memphis to see his beau Corrie Farrell. Nominated for 2 Academy Awards. Shot on location in Mississippi. 8 x 10 inches. Near Fine some light creasing. Cinema Center Films unknown books
1941rif. 156662Culver City CA: Walt Disney 1941. Vintage studio still photograph from the 1941 film showing three animators working on designs for a number of classic Disney animated characters including Mickey and Minnie Mouse Goofy and Pluto. From the archive of film historian and author Joel Finler. Based on the 1930 short story by Kenneth Grahame. A behind-the-scenes documentary about Walt Disney's animation process including the cartoon short of the title which in later years was often exhibited separately from this film. The first Disney animated feature to include live-action footage. 10 x 8 inches. Very Good plus with moderate soil overall and wear at the corners. Walt Disney unknown
1941rif. 156662Culver City CA: Walt Disney 1941. Vintage studio still photograph from the 1941 film showing three animators working on designs for a number of classic Disney animated characters including Mickey and Minnie Mouse Goofy and Pluto. From the archive of film historian and author Joel Finler. Based on the 1930 short story by Kenneth Grahame. A behind-the-scenes documentary about Walt Disney's animation process including the cartoon short of the title which in later years was often exhibited separately from this film. The first Disney animated feature to include live-action footage. 10 x 8 inches. Very Good plus with moderate soil overall and wear at the corners. Walt Disney unknown books
1962rif. 146753N.p.: Davis-Royal Films 1962. Vintage studio still photograph from the 1962 film. "The Reluctant Saint" is the story of Giuseppe Desa Maximilian Schell a 17th century Franciscan friar and mystic recognized as St. Joseph of Cupertino by the Catholic Church. Set in and shot on location in Rome. 8 x 10 inches. Very Good pinholes with chipping at corners. Davis-Royal Films unknown books
1959rif. 146808Los Angeles: Twentieth Century-Fox 1959. Collection of 41 vintage studio still photographs from the 1959 film. Based on the 1952 play by Liam O'Brien. Set in early 1900s Pennsylvania where a freethinking man Mr. Horace Pennypacker Clifton Webb turns out to secretly have had a second family with a total of 17 children between the two. 8 x 10 inches. Very Good to Near Fine light curling nearly half uniformly faded some faint creasing a few with small closed tears in margins. Twentieth Century-Fox unknown
1959rif. 146808Los Angeles: Twentieth Century-Fox 1959. Collection of 41 vintage studio still photographs from the 1959 film. Based on the 1952 play by Liam O'Brien. Set in early 1900s Pennsylvania where a freethinking man Mr. Horace Pennypacker Clifton Webb turns out to secretly have had a second family with a total of 17 children between the two. 8 x 10 inches. Very Good to Near Fine light curling nearly half uniformly faded some faint creasing a few with small closed tears in margins. Twentieth Century-Fox unknown books
1966rif. 158517Los Angeles: Twentieth Century-Fox 1966. Vintage studio still photograph from the US release of the 1966 film showing Jacqueline Pearce in costume as The Reptile attacking Jennifer Daniel. Provenance stamp and annotations in manuscript pencil on the verso. Newcomers in a small Cornish village discover that the locals are plagued by mysterious ailments and even deaths that resemble snakebite poisoning. Shot on location in Berkshire and Surrey. 10 x 8 inches. About Near Fine. Johnson and Del Vecchio p. 268. Twentieth Century-Fox unknown
1966rif. 158517Los Angeles: Twentieth Century-Fox 1966. Vintage studio still photograph from the US release of the 1966 film showing Jacqueline Pearce in costume as The Reptile attacking Jennifer Daniel. Provenance stamp and annotations in manuscript pencil on the verso. Newcomers in a small Cornish village discover that the locals are plagued by mysterious ailments and even deaths that resemble snakebite poisoning. Shot on location in Berkshire and Surrey. 10 x 8 inches. About Near Fine. Johnson and Del Vecchio p. 268. Twentieth Century-Fox unknown books
1952rif. 141395N.p.: Artes Films 1952. Eight vintage studio still photographs from the 1952 French film. Mimeo snipe affixed to the versos of four stills. Based on Jean-Paul Sartre's 1946 play "The Respectful Prostitute." A racially charged film based on the play which caused Sartre to be deemed "anti-American" for its incisive critique of racism in America. A prostitute is compelled to testify against an innocent African American in a murder cover-up. 8 x 10 inches. Very Good plus. Light ware and curling overall scattered manuscript ink and pencil annotations to the versos. Artes Films unknown
