11.066 risultati
1981rif. 160661N.p.: N.p. 1981. Collection of ten vintage borderless color reference photographs from the 1981 film including six in black-and-white and four in color. Black-and-white photographs with mimeo snipes on the verso. Loosely based on the classic 1866 novella. In nineteenth-century London a party guest turns up dead at a respectable couple's engagement gathering leading the remaining guests into a whirlpool of sex and debauchery in pursuit of the culprit. 9.5 x 7 inches. About Fine. N.p. unknown books
1950rif. 142348N.p.: N.p. 1950. Original treatment script for an unproduced film. Ribbon copy typescript. In a nonspecific Communist-occupied country in Central Europe during the Cold War a group of military police arrest a woman they believe to be a spy. She maintains her innocence yet still she has an interesting alibi married an artist three days before and finding him dead and speaks English with a Magyar accent despite an "English" upbringing. Set in Central Europe. Brown wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter Moore. 48 leaves with last leaf of text numbered 45. Ribbon copy typescript. Pages Near Fine wrapper Near Fine bound with a string binding. N.p. unknown books
1957rif. 144227Culver City CA: Columbia Pictures 1957. Vintage photograph of Carroll Baker Jack Garfein Paul Richards and Ben Gazzara on the set of the 1957 film. With mimeo snipe manuscript annotations in pencil and a press agency stamp on the verso. Based on the 1947 novel and stage play by Calder Willingham "End As a Man" and with much of the same cast as the stage production. Set at a southern military college Jocko de Paris Ben Gazzara is a sadistic cadet leader well known to be violent and power-hungry. In a particularly malicious act of hazing he sets up the expulsion of the son of the school's headmaster and subsequently manipulates his social circle into silence until they can no longer take it. Shot on location in Florida. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1946rif. 172449Culver City CA: RKO Radio Pictures 1946. Four vintage studio still photographs from the 1946 film noir. A UN War Crimes Commissioner tracks down a Nazi who has integrated himself in a small Connecticut town. With uncredited contributions to the screenplay by Orson Welles and John Huston. Nominated for one Academy Award. Set in the fictional town of Harper Connecticut. 8 x 10 inches. Very Good plus. Grant US. Olive Films. Selby US Canon. Silver and Ward Classic Noir. Spicer US. RKO Radio Pictures unknown books
1976rif. 161046N.p.: N.p. 1976. Three vintage borderless reference photographs from the 1976 film. One with a stamp noting the film's French title on the verso and all three with layout annotations in manuscript ink. Loosely based on the 1967 novel by André Pieyre de Mandiargues about a man who becomes romantically involved with a Parisian sex worker shortly after his wife's suicide. Set and shot on location in Paris. 9.5 x 6.25 inches. Near Fine. N.p. unknown
1966rif. 162261N.p.: Emerson Film Enterprises 1966. Vintage studio still photograph from the 1966 film. Provenance stamp on the verso. A newlywed learns her husband is a pimp and ultimately agrees to work for him as a call girl. Shot on location in Texas. 8 x 10 inches. Near Fine. Emerson Film Enterprises unknown books
1976rif. 161046N.p.: N.p. 1976. Three vintage borderless reference photographs from the 1976 film. One with a stamp noting the film's French title on the verso and all three with layout annotations in manuscript ink. Loosely based on the 1967 novel by André Pieyre de Mandiargues about a man who becomes romantically involved with a Parisian sex worker shortly after his wife's suicide. Set and shot on location in Paris. 9.5 x 6.25 inches. Near Fine. N.p. unknown books
1970rif. 141804Los Angeles: New World Pictures 1970. Vintage one sheet poster for the 1970 film. The first film in producer Roger Corman's "nurse quintet" followed by "Private Duty Nurses" 1971 "Night Call Nurses" 1972 and "Candy Stripe Nurses" 1974. The second film released by Corman's later legendary New World Picutres. Set and shot on location in Torrance California. 27 x 41. Folded. Very Good plus with some light toning and a bump to the upper portion of the poster. New World Pictures unknown
1970rif. 141804Los Angeles: New World Pictures 1970. Vintage one sheet poster for the 1970 film. The first film in producer Roger Corman's "nurse quintet" followed by "Private Duty Nurses" 1971 "Night Call Nurses" 1972 and "Candy Stripe Nurses" 1974. The second film released by Corman's later legendary New World Picutres. Set and shot on location in Torrance California. 27 x 41. Folded. Very Good plus with some light toning and a bump to the upper portion of the poster. New World Pictures unknown books
1954rif. 159704Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1954. Vintage publicity photograph of actor Edmund Purdom from the 1954 film. Based on the 1901 play "Alt Heidelberg" by Wilhelm Meyer-Förster and the 1924 operetta adaptation with libretto by Dorothy Donnelly. A young Prince is arranged to marry a Princess but she does not find him to be kind or warm. The Prince is sent away to university to help him become better socialized until the King falls horribly ill. Set in Germany. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1980rif. 163633Los Angeles: Twentieth Century-Fox 1980. Seven film still photographs for the 1980 film. A fugitive stumbles onto a movie set where he is mistaken for a stunt man allowing him to hide out from the law and romance the film's leading lady. 8 x 10 inchesl Near Fine. Twentieth Century-Fox unknown
1980rif. 151178Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film. Full-color illustrated pocketed folder containing five black and white photographs and two gatherings of promotional reading material. A fugitive stumbles onto a movie set where he is mistaken for a stunt man allowing him to hide out from the law and romance the film's leading lady. Folder photographs and promotional material Near Fine. Twentieth Century-Fox unknown
1980rif. 151178Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film. Full-color illustrated pocketed folder containing five black and white photographs and two gatherings of promotional reading material. A fugitive stumbles onto a movie set where he is mistaken for a stunt man allowing him to hide out from the law and romance the film's leading lady. Folder photographs and promotional material Near Fine. Twentieth Century-Fox unknown books
1980rif. 163633Los Angeles: Twentieth Century-Fox 1980. Seven film still photographs for the 1980 film. A fugitive stumbles onto a movie set where he is mistaken for a stunt man allowing him to hide out from the law and romance the film's leading lady. 8 x 10 inchesl Near Fine. Twentieth Century-Fox unknown books
1962rif. 144544Paris: C.A.P.A.C. 1962. Four vintage photographs from the 1962 French comedy film. With manuscript annotations on the verso of each. Pierre Pierre Etaix follows his parents wishes to get married but rather than romancing Laurence Laurence Lignieres the upbeat woman next door who has taken a liking to him he yearns for Stella France Arnel a famous singer he knows only through television. Shot on location in Paris. 7 x 5 inches. Near fine. C.A.P.A.C. unknown
1962rif. 135647Paris: C.A.P.A.C. / Cocinor 1962. Collection of 6 vintage borderless black-and-white studio still photographs from the French release of the 1962 film. Each photo with the stamp of French distributor Cocinor on the verso. 5 x 7 inches. Very Good plus with pinholes at the corners of each photograph. Criterion Collection 655. C.A.P.A.C. / Cocinor unknown
1962rif. 135645Paris: C.A.P.A.C. 1962. Vintage borderless black-and-white reference photograph from the French release of the 1962 film. With stamp on the verso noting reference number 582. 5 x 7 inches. Near Fine. Criterion Collection 655. C.A.P.A.C. unknown
1962rif. 135647Paris: C.A.P.A.C. / Cocinor 1962. Collection of 6 vintage borderless black-and-white studio still photographs from the French release of the 1962 film. Each photo with the stamp of French distributor Cocinor on the verso. 5 x 7 inches. Very Good plus with pinholes at the corners of each photograph. Criterion Collection 655. C.A.P.A.C. / Cocinor unknown books
1962rif. 144544Paris: C.A.P.A.C. 1962. Four vintage photographs from the 1962 French comedy film. With manuscript annotations on the verso of each. Pierre Pierre Etaix follows his parents wishes to get married but rather than romancing Laurence Laurence Lignieres the upbeat woman next door who has taken a liking to him he yearns for Stella France Arnel a famous singer he knows only through television. Shot on location in Paris. 7 x 5 inches. Near fine. C.A.P.A.C. unknown books
1962rif. 135645Paris: C.A.P.A.C. 1962. Vintage borderless black-and-white reference photograph from the French release of the 1962 film. With stamp on the verso noting reference number 582. 5 x 7 inches. Near Fine. Criterion Collection 655. C.A.P.A.C. unknown books
1957rif. 172280N.p.: N.p. 1957. Final script for the 1957 film. Specially bound copy belonging to actress Jacqueline Evans who played the uncredited role of Mrs. Braddock with her annotations in manuscript pencil underlining dialogue on several leaves. SIGNED in round-robin fashion by numerous cast and crew members on the first seven leaves some with inscriptions. Signatures include director Henry King and actors Ava Gardner Mel Ferrer Tyrone Power and Errol Flynn humorously signing as "E. Hemingway" among others. Full provenance available. The first screen adaptation of the 1926 novel by Ernest Hemingway. One of the most honest film adaptations of its era attributable mainly to the screenplay by novelist and Hemingway acolyte Peter Viertel. Featuring a standout performance by Errol Flynn as the hedonistic hard-drinking burned-out Mike Campbell. in other words as himself. Shot on location in Pamplona Paris Biarritz and Mexico. Title page present noted as Final Script dated February 20 1957. 147 leaves with last page of text numbered 142. Mimeograph duplication on eye-rest green stock rectos only with blue revision pages throughout dated variously between March 11 and 14 1957. Pages Near Fine binding Very Good plus specially bound in textured brown cloth with an orange ribbon bookmark. N.p. unknown
1957rif. 156242Los Angeles: Twentieth Century-Fox 1957. Final Draft script for the 1957 film. The first screen adaptation of the 1926 novel by Ernest Hemingway. One of the most honest film adaptations of its era attributable mainly to the screenplay by novelist and Hemingway acolyte Peter Viertel. Featuring a standout performance by Errol Flynn as the hedonistic hard-drinking burned-out Mike Campbell. in other words as himself. Shot on location in Pamplona Paris Biarritz and Mexico. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 97 and production No. 683 dated February 20 1957. Distribution page present with receipt removed. Title page present dated February 20 1957 noted as Final Script. 154 leaves with last page of text numbered 142. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 3/11/57 and 6/3/57. Pages with silverfish damage to the corners of the first few pages and final revision page else Near Fine wrapper Very Good plus with toning and creasing at the extremities and a small dampstain to the heel bound internally with three gold brads. Twentieth Century-Fox unknown
1957rif. 153967Los Angeles: Twentieth Century-Fox 1957. Vintage borderless reference photograph of producer Darryl F. Zanuck with a camera crew on the set of the 1957 film. Printed mimeo snipe affixed to the verso. A fairly faithful adaptation of Ernest Hemingway's 1926 novel about a group of British and American expatriates in Paris who travel to Pamplona to watch the running of the bulls. Featuring a career revitalizing performance from Errol Flynn as a hedonistic hard living drunk which would lead to him being cast as an alcoholic in several more films-roles he had a literal lifetime of experience preparing for. Set in Spain and France shot on location in Spain France and Mexico the latter much to the consternation of Hemingway who said "You're meant to be in Spain and all you see walking around are nothing but Mexicans. It looked pretty silly" and reportedly walked out after 25 minutes. 9.5 x 7 inches. Near Fine. Twentieth Century-Fox unknown
1957rif. 141568Los Angeles: Twentieth Century-Fox 1957. Four British front-of-house cards from the 1957 film. The story of a motley assortment of expatriates who travel to Pamplona to attend the running of the bulls it reflected Hemingway's own abiding fascination with bullfighting. Featuring a standout performance by Errol Flynn as the hedonistic hard-drinking burned-out Mike Campbell.in other words himself. Though considered one of the most honest "big" film adaptations of its era due mainly to the screenplay by novelist and Hemingway acolyte Peter Viertel the author is said to have walked out only 25 minutes into the premier. Zanuck's first independent production after his departure from Fox. The snipe on this photograph's verso suggests that Zanuck also had a hand in directing certain Parisian scenes as is depicted here. Shot on location in France Mexico and Spain. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown
1957rif. 141568Los Angeles: Twentieth Century-Fox 1957. Four British front-of-house cards from the 1957 film. The story of a motley assortment of expatriates who travel to Pamplona to attend the running of the bulls it reflected Hemingway's own abiding fascination with bullfighting. Featuring a standout performance by Errol Flynn as the hedonistic hard-drinking burned-out Mike Campbell.in other words himself. Though considered one of the most honest "big" film adaptations of its era due mainly to the screenplay by novelist and Hemingway acolyte Peter Viertel the author is said to have walked out only 25 minutes into the premier. Zanuck's first independent production after his departure from Fox. The snipe on this photograph's verso suggests that Zanuck also had a hand in directing certain Parisian scenes as is depicted here. Shot on location in France Mexico and Spain. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books