11 049 résultats
1972réf. 162173N.p.: N.p. 1972. Two vintage lobby cards for the 1972 German film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An exploitation film exploring the sex lives of women who arrive in Munich for the 1972 Olympics. 11.5 x 9.25 inches. Near Fine one with a tiny splash at the bottom margin. N.p. unknown books
1954réf. 167868N.p.: Herzog Film 1954. Vintage German program for the 1953 film. Based on Charles Major's 1898 novel "When Knighthood Was in Flower" about Mary Tudor the younger sister of King Henry VIII. The third of Disney's British film productions following "Treasure Island" 1950 and "The Story of Robin Hood" 1952. Major's novel also served as the basis for two silent film adaptations one in 1908 and one in 1923. 7.25 x 10.5 inches. Bi-fold. Very Good moderately faded and creased. Herzog Film unknown books
1952réf. 132396London: Twentieth Century-Fox 1952. Vintage full-color British front-of-house card from the UK release of the 1951 US film. In 1858 France Emperor Napoleon sends military officers to Normandy in search of a group of rebels. They encounter a masked cavalier and his companions including an heiress to the fabled treasure of Monte Cristo. 8 x 10 inches. Very Good plus with pinholes at the corners. Twentieth Century-Fox unknown books
1964réf. 132348London: British Lion 1964. Vintage black-and-white still photograph of Oliver Reed and Jane Merrow from the 1964 UK film with mimeograph snipes affixed to the verso. A group of young men mingle among the seasonal tourists in search of sexual conquests. The leader of the group aims to conquer a fashion model from a well-to-do family but he finds himself unexpectedly falling in love. 8 x 10 inches. Very Good plus with ink annotations on the verso. British Lion unknown books
1970réf. 141068N.p.: N.p. 1970. Draft script for an unproduced film. Three pages with annotations in manuscript ink. Returning home from a trip to the fort a man finds his friend and wife dead and his money and livestock stolen. He searches for the men responsible in order to seek vengeance. Set in Arizona. Tan untitled wrappers. Title page present with credit for screenwriter Joy Dexter. 100 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with staples. N.p. unknown
1970réf. 141068N.p.: N.p. 1970. Draft script for an unproduced film. Three pages with annotations in manuscript ink. Returning home from a trip to the fort a man finds his friend and wife dead and his money and livestock stolen. He searches for the men responsible in order to seek vengeance. Set in Arizona. Tan untitled wrappers. Title page present with credit for screenwriter Joy Dexter. 100 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with staples. N.p. unknown books
1974réf. 139505Los Angeles: Embassy Pictures 1974. Vintage oversize double weight borderless still photograph from the 1974 film based on the 1971 novel by Evelyn Anthony. Shot struck and mounted by the film's still photographer Bob Willoughby with manuscript notation on the verso in his hand. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 11 x 14 inches. Near Fine. Embassy Pictures unknown
1974réf. 139505Los Angeles: Embassy Pictures 1974. Vintage oversize double weight borderless still photograph from the 1974 film based on the 1971 novel by Evelyn Anthony. Shot struck and mounted by the film's still photographer Bob Willoughby with manuscript notation on the verso in his hand. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 11 x 14 inches. Near Fine. Embassy Pictures unknown books
1960réf. 140889N.p.: N.p. 1960. Treatment script for an unproduced television series. A new school for native children has been built on the reservation but no parents want to send their children distrusting the white establishment. An old scout seeks out a chief who is an old friend to convince him to send his children to the school. Yellow titled wrappers with credits for screenwriter Jack Lewis. Title page present noted as television Outline with credits for screenwriter Jack Lewis. 12 leaves with last leaf of text numbered 11. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1960réf. 140889N.p.: N.p. 1960. Treatment script for an unproduced television series. A new school for native children has been built on the reservation but no parents want to send their children distrusting the white establishment. An old scout seeks out a chief who is an old friend to convince him to send his children to the school. Yellow titled wrappers with credits for screenwriter Jack Lewis. Title page present noted as television Outline with credits for screenwriter Jack Lewis. 12 leaves with last leaf of text numbered 11. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1970réf. 146525N.p.: N.p. 1970. Eight-page Treatment script for an unproduced film. Attached on the front wrapper is a handwritten note from producer Anthony Unger to casting agent Paul Kohner on Academy Players Directory letterhead introducing the script. A veteran posts an ad in the newspaper offering to perform any service-especially seeking out risky and problematic endeavors-for $107941.72 which he intends to give to the family of a friend killed in the war. According to the final page of the script based on a real ad posted in the International Herald Tribune in February 1970. Set in Southeast Asia and London. Navy titled card label wrappers. Title page present with credits for screenwriter Ted Strauss. 9 leaves with last page of text numbered 8. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three silver brads. N.p. unknown
1970réf. 146525N.p.: N.p. 1970. Eight-page Treatment script for an unproduced film. Attached on the front wrapper is a handwritten note from producer Anthony Unger to casting agent Paul Kohner on Academy Players Directory letterhead introducing the script. A veteran posts an ad in the newspaper offering to perform any service-especially seeking out risky and problematic endeavors-for $107941.72 which he intends to give to the family of a friend killed in the war. According to the final page of the script based on a real ad posted in the International Herald Tribune in February 1970. Set in Southeast Asia and London. Navy titled card label wrappers. Title page present with credits for screenwriter Ted Strauss. 9 leaves with last page of text numbered 8. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three silver brads. N.p. unknown books
1957réf. 164813Universal City: Universal-International 1957. Vintage publicity photograph from the 1957 film showing actor Robert Stack. Printed mimeo snipe affixed to the verso. Based on the 1935 novel "Pylon" by William Faulkner. A disillusioned war hero now works as a barnstorming pilot at rural air shows accompanied by his parachuting wife young son and plane mechanic. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 10 x 8 inches. Near Fine. Eureka Masters of Cinema 64. Rosenbaum 1000. Universal-International unknown
1957réf. 164813Universal City: Universal-International 1957. Vintage publicity photograph from the 1957 film showing actor Robert Stack. Printed mimeo snipe affixed to the verso. Based on the 1935 novel "Pylon" by William Faulkner. A disillusioned war hero now works as a barnstorming pilot at rural air shows accompanied by his parachuting wife young son and plane mechanic. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 10 x 8 inches. Near Fine. Eureka Masters of Cinema 64. Rosenbaum 1000. Universal-International unknown books
1957réf. 150405Universal City: Universal Pictures 1957. Vintage reference photograph from the 1957 film showing actress Elaine Stewart reclining on a pool float while director Jack Arnold and a camera crew capture the shot from the poolside. With a printed mimeo snipe affixed to the verso. A dark tale about Nick Hoak a corrupt sheriff in a small Nevada town whose principal concerns are the maintenance and upkeep of all illegal activity. A lawyer and his lascivious wife stumble into Hoak's territory and conflict ensues. One of the seedier late noirs with a tawdry quality that transcended its big studio trappings. 10 x 8 inches. Near Fine. Grant US. Selby US. Spicer US. Silver and Ward Classic Noir. Universal Pictures unknown
1957réf. 149863Universal City CA: Universal Pictures 1957. Continuity and Dialogue for the 1957 film. One of the seedier and we mean that in a complimentary way late noirs with a tawdry quality that transcended its big studio trappings "The Tattered Dress" spins a dark tale about a corrupt sheriff in a small Nevada town Carson whose principal concerns are the maintenance and upkeep of all illegal activity. Lawyer Chandler and wife Crain stumble into Carson's territory and conflict ensues. Set in California shot on location in Palm Springs California. White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1840 dated January 18 1957 with credits for director Jack Arnold. Approximately 120 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. Selby US. Spicer US. Grant US. Silver and Ward Classic Noir. Universal Pictures unknown
1957réf. 164735Universal City: Universal Pictures 1957. Two vintage publicity photographs from the 1957 film noir one showing actor Jeff Chandler the other showing actress Jeanne Crain. One with provenance stamps and annotations in manuscript ink and pencil on the verso. A dark tale about Nick Hoak a corrupt sheriff in a small Nevada town whose principal concerns are the maintenance and upkeep of all illegal activity. A lawyer and his lascivious wife stumble into Hoak's territory and conflict ensues. One of the seedier late noirs with a tawdry quality that transcended its big studio trappings. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Set in Desert View Nevada shot on location in California. 8 x 10 inches. Very Good plus to Near Fine. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US. Universal Pictures unknown
1957réf. 150405Universal City: Universal Pictures 1957. Vintage reference photograph from the 1957 film showing actress Elaine Stewart reclining on a pool float while director Jack Arnold and a camera crew capture the shot from the poolside. With a printed mimeo snipe affixed to the verso. A dark tale about Nick Hoak a corrupt sheriff in a small Nevada town whose principal concerns are the maintenance and upkeep of all illegal activity. A lawyer and his lascivious wife stumble into Hoak's territory and conflict ensues. One of the seedier late noirs with a tawdry quality that transcended its big studio trappings. 10 x 8 inches. Near Fine. Grant US. Selby US. Spicer US. Silver and Ward Classic Noir. Universal Pictures unknown books
1957réf. 164735Universal City: Universal Pictures 1957. Two vintage publicity photographs from the 1957 film noir one showing actor Jeff Chandler the other showing actress Jeanne Crain. One with provenance stamps and annotations in manuscript ink and pencil on the verso. A dark tale about Nick Hoak a corrupt sheriff in a small Nevada town whose principal concerns are the maintenance and upkeep of all illegal activity. A lawyer and his lascivious wife stumble into Hoak's territory and conflict ensues. One of the seedier late noirs with a tawdry quality that transcended its big studio trappings. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Set in Desert View Nevada shot on location in California. 8 x 10 inches. Very Good plus to Near Fine. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US. Universal Pictures unknown books
1957réf. 149863Universal City CA: Universal Pictures 1957. Continuity and Dialogue for the 1957 film. One of the seedier and we mean that in a complimentary way late noirs with a tawdry quality that transcended its big studio trappings "The Tattered Dress" spins a dark tale about a corrupt sheriff in a small Nevada town Carson whose principal concerns are the maintenance and upkeep of all illegal activity. Lawyer Chandler and wife Crain stumble into Carson's territory and conflict ensues. Set in California shot on location in Palm Springs California. White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1840 dated January 18 1957 with credits for director Jack Arnold. Approximately 120 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. Selby US. Spicer US. Grant US. Silver and Ward Classic Noir. Universal Pictures unknown books
1969réf. 145326N.p.: n.p. 1969. Early Draft script though noted as a "Final Draft screenplay" for the 1971 film dated two years prior to its release. The number "283" is annotated in faded manuscript ink at the top right corner of the title page. A young woman receives an obscene phone call and becomes obsessed with the anonymous caller trying to track him down. An important slightly experimental X-rated comedy that is ground zero in the history early 1970s sexual climate in America predicting the more conventional porn chic that would land with the release of "Deep Throat" the following year. Set in New York City shot on location in New York City. Maroon titled studio duplicating leather wrappers. Title page present dated June 25 1969 noted as Final Draft with credits for screenwriter Nelson Lyon. 114 leaves with last page of text numbered 111. Mimeograph duplication rectos only with blue revision pages dated 10/8/69. Pages Near Fine wrapper Very Good with some soil bound with two gold screws. Vinegar Syndrome 7. n.p. unknown
1969réf. 145326N.p.: n.p. 1969. Early Draft script though noted as a "Final Draft screenplay" for the 1971 film dated two years prior to its release. The number "283" is annotated in faded manuscript ink at the top right corner of the title page. A young woman receives an obscene phone call and becomes obsessed with the anonymous caller trying to track him down. An important slightly experimental X-rated comedy that is ground zero in the history early 1970s sexual climate in America predicting the more conventional porn chic that would land with the release of "Deep Throat" the following year. Set in New York City shot on location in New York City. Maroon titled studio duplicating leather wrappers. Title page present dated June 25 1969 noted as Final Draft with credits for screenwriter Nelson Lyon. 114 leaves with last page of text numbered 111. Mimeograph duplication rectos only with blue revision pages dated 10/8/69. Pages Near Fine wrapper Very Good with some soil bound with two gold screws. Vinegar Syndrome 7. n.p. unknown books
1979réf. 156345London: Mainline 1979. Two vintage photographs from the 1979 film including one borderless and one bordered both showing actress Toyah Wilcox. One with the printed label of Mainline Pictures on the verso and one with manuscript ink and pencil annotations. From the archive of film historian and author Joel Finler. Derek Jarman's avant-garde adaptation of William Shakespeare's 17th century play fusing direct quotes from the play with camp punk and New Age sensibilities featuring previous Jarman collaborators Wilcox Karl Johnson Jack Birkett and Helen Wellington-Lloyd. Shot on location at Stoneleigh Abbey in Warwickshire. 8 x 10 inches. Near Fine. Mainline unknown
1979réf. 156345London: Mainline 1979. Two vintage photographs from the 1979 film including one borderless and one bordered both showing actress Toyah Wilcox. One with the printed label of Mainline Pictures on the verso and one with manuscript ink and pencil annotations. From the archive of film historian and author Joel Finler. Derek Jarman's avant-garde adaptation of William Shakespeare's 17th century play fusing direct quotes from the play with camp punk and New Age sensibilities featuring previous Jarman collaborators Wilcox Karl Johnson Jack Birkett and Helen Wellington-Lloyd. Shot on location at Stoneleigh Abbey in Warwickshire. 8 x 10 inches. Near Fine. Mainline unknown books
1923réf. 167801Hollywood: Paramount Pictures 1923. Vintage program for the 1923 silent film. A wildly popular two-part Christian epic beginning with a retelling of the Book of Exodus and closing with a modern story of two brothers in the 1920s and their relationship to the Ten Commandments. Nominated for six Academy Awards including Best Picture. 9 x 12 inches. 17 leaves printed on rectos and versos. Pages Very Good wrappers Good only with an owner name on the front wrapper and moderate wear along the spine. Side-stapled. Paramount Pictures unknown
