11 049 résultats
1967réf. 149639Paris: Nouvelles editions de films 1967. Two vintage borderless double weight photographs from the set of the 1967 film. The first photograph shows Louis Malle and Jean-Paul Belmondo who is in costume conferring on the set. With the stamp of photographer Vincent Rossel and the name of the film as well as manuscript annotations regarding layout on the verso. The second photograph shows director Louis Malle standing with his back to the camera and other crew members at work on a rooftop in preparation for a scene. A few penciled annotations on the verso. Based on the 1897 novel by Georges Darien. After his inheritance is stolen by his uncle a young man embarks on a life of crime to win back what was taken from him. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Nouvelles editions de films unknown books
1951réf. 161590N.p.: N.p. 1951. Vintage reference photograph from the set of the 1951 film showing actor James Arness in costume as the titular Thing with his stunt double just behind. Annotations in manuscript ink noting the same on the verso. Based on John W. Campbell's 1938 novella "Who Goes There" which also served as the basis for John Carpenter's 1982 masterpiece "The Thing." US Air Force crew and scientists at an arctic research station accidentally thaw out the still-living body of a humanoid alien which promptly begins to attack them. Set in Anchorage shot on location throughout Los Angeles and in Glacier National Park Montana. 8 x 10 inches. Fine. N.p. unknown
1958réf. 153191Universal City: Universal 1958. Vintage photograph from the 1958 horror film. When an ancient box is unburied and opened the head of a man executed for sorcery 400 years earlier comes to life and begins telepathically controlling people in an attempt to reunite with his body and regain his full power. 10 x 8 inches. Light diagonal creasing to the corners else Near Fine. Universal unknown
1951réf. 161590N.p.: N.p. 1951. Vintage reference photograph from the set of the 1951 film showing actor James Arness in costume as the titular Thing with his stunt double just behind. Annotations in manuscript ink noting the same on the verso. Based on John W. Campbell's 1938 novella "Who Goes There" which also served as the basis for John Carpenter's 1982 masterpiece "The Thing." US Air Force crew and scientists at an arctic research station accidentally thaw out the still-living body of a humanoid alien which promptly begins to attack them. Set in Anchorage shot on location throughout Los Angeles and in Glacier National Park Montana. 8 x 10 inches. Fine. N.p. unknown books
1958réf. 153191Universal City: Universal 1958. Vintage photograph from the 1958 horror film. When an ancient box is unburied and opened the head of a man executed for sorcery 400 years earlier comes to life and begins telepathically controlling people in an attempt to reunite with his body and regain his full power. 10 x 8 inches. Light diagonal creasing to the corners else Near Fine. Universal unknown books
1970réf. 148337N.p.: N.p. 1970. Collection of 12 vintage French color lobby cards from the 1970 film. Housed in original labeled paper envelope. Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. Shot on location in Paris La Rochelle and Thoiry France. 11.75 x 9.25 inches. Near Fine. N.p. unknown
1970réf. 144567Paris: Fida Cinematografica 1970. Vintage borderless photograph of director Claude Sautet on the set of the 1970 French-Italian film. With manuscript annotations on the verso. Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. Shot on location in Paris La Rochelle and Thoiry France. 6.5 x 9.5 inches. Near Fine. Fida Cinematografica unknown
1970réf. 139655Paris: Fida Cinematografica / Lira Films 1970. Vintage borderless reference photograph of Romy Schneider and Michel Piccoli on the set of the 1970 French-Italian film. With the stamp of photographer Michel Ginfray on the verso. Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. 12 x 7.75 inches. Near Fine. Fida Cinematografica / Lira Films unknown
1970réf. 148337N.p.: N.p. 1970. Collection of 12 vintage French color lobby cards from the 1970 film. Housed in original labeled paper envelope. Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. Shot on location in Paris La Rochelle and Thoiry France. 11.75 x 9.25 inches. Near Fine. N.p. unknown books
1970réf. 139655Paris: Fida Cinematografica / Lira Films 1970. Vintage borderless reference photograph of Romy Schneider and Michel Piccoli on the set of the 1970 French-Italian film. With the stamp of photographer Michel Ginfray on the verso. Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. 12 x 7.75 inches. Near Fine. Fida Cinematografica / Lira Films unknown books
1970réf. 144567Paris: Fida Cinematografica 1970. Vintage borderless photograph of director Claude Sautet on the set of the 1970 French-Italian film. With manuscript annotations on the verso. Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. Shot on location in Paris La Rochelle and Thoiry France. 6.5 x 9.5 inches. Near Fine. Fida Cinematografica unknown books
1949réf. 151694N.p.: N.p. 1949. Vintage reference photograph of director Carol Reed with his camera crew on the set of the 1949 film noir. With a London Film Studios stamp to the verso. An unemployed pulp fiction novelist travels to postwar Vienna to investigate the death of an old school friend. Screenwriter Graham Greene's first and only original screenplay and second collaboration with Carol Reed following "The Fallen Idol" 1948 and preceding "Our Man in Havana" 1959. Set and shot on location in Vienna Austria and England. 10 x 7.75 inches. Near Fine. Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. N.p. unknown
1949réf. 150986N.p.: N.p. 1949. Two vintage reference photographs one of Orson Welles and Carol Reed and one of Reed Joseph Cotten and Welles on the set of the 1949 film. Reed's classic 1949 British film noir based on an original screenplay by Graham Greene starring Cotten as Holly Martins Anna Schmidt as Valli and Welles as Harry Lime with Cotten and Welles at the peak of their respective powers. The second of three films in which Green collaborated directly with Reed and remains Greene's only original screenplay. Produced and directed by Reed who narrated the UK version and who worked with Greene on two other films "The Fallen Idol" and "Our Man in Havana." Winner of the Academy Award for Best Cinematography nominated for Best Editing and Best Director. Set in and shot on location in Vienna Austria and England UK. 8 x 10 inches. Near Fine. Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. N.p. unknown
1948réf. 133625London: Carol Reed Productions 1948. Vintage candid photograph from the UK release of the 1949 film. From the archive of Maurice Bessy with his stamp on the verso along with the stamp of photographer Leslie Baker and another for Carol Reed Productions and The London Films Studios in Shepperton England. A mimeo snipe also on the verso describes the photo in which the film's star Joseph Cotten looks down lovingly on two miniature Pinscher dogs who are sitting in Welles' directing chair. Noted is the fact the two dogs are from the only known family of the breed in the United Kingdom. Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only originally screenplay. 8 x 10 inches. Fine. In a lovely museum-quality frame with archival UV glass double mounted with both sides exposed for viewing. Carol Reed Productions unknown
1948réf. 133983London: Carol Reed Productions 1948. Vintage candid black-and-white still photograph from the UK release of the 1949 film. Shown are Carol Reed and his crew setting up a shot while Graham Greene looks on a rare shot of the two collaborators at work together. Stamped on the verso is "A CAROL REED PRODUCTION / "THE THIRD MAN" / PRODUCED AT / THE LONDON FILM STUDIOS / SHEPPERTON-ENGLAND." Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only original screenplay. 8 x 10 inches. Near Fine. Carol Reed Productions unknown
1959réf. 167630N.p.: F.F.F. Films 1959. Four vintage studio still photographs from the US release of the 1957 West German film. An eighteen-year-old in postwar Berlin develops feelings for his male friend and is eventually drawn into the underground world of gay bars. His mother attempts to bring him back onto a heterosexual path by encouraging a romance with the family's housemaid. Director Veit Harlan is best remembered today for his work with the Nazis most notably the antisemitic propaganda film "Jud Süß" 1940. Set and shot on location in Berlin. 10 x 8 inches. Very Good to Very Good plus. F.F.F. Films unknown
1948réf. 133625London: Carol Reed Productions 1948. Vintage candid photograph from the UK release of the 1949 film. From the archive of Maurice Bessy with his stamp on the verso along with the stamp of photographer Leslie Baker and another for Carol Reed Productions and The London Films Studios in Shepperton England. A mimeo snipe also on the verso describes the photo in which the film's star Joseph Cotten looks down lovingly on two miniature Pinscher dogs who are sitting in Welles' directing chair. Noted is the fact the two dogs are from the only known family of the breed in the United Kingdom. Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only originally screenplay. 8 x 10 inches. Fine. In a lovely museum-quality frame with archival UV glass double mounted with both sides exposed for viewing. Carol Reed Productions unknown books
1948réf. 133983London: Carol Reed Productions 1948. Vintage candid black-and-white still photograph from the UK release of the 1949 film. Shown are Carol Reed and his crew setting up a shot while Graham Greene looks on a rare shot of the two collaborators at work together. Stamped on the verso is "A CAROL REED PRODUCTION / "THE THIRD MAN" / PRODUCED AT / THE LONDON FILM STUDIOS / SHEPPERTON-ENGLAND." Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only original screenplay. 8 x 10 inches. Near Fine. Carol Reed Productions unknown books
1949réf. 151694N.p.: N.p. 1949. Vintage reference photograph of director Carol Reed with his camera crew on the set of the 1949 film noir. With a London Film Studios stamp to the verso. An unemployed pulp fiction novelist travels to postwar Vienna to investigate the death of an old school friend. Screenwriter Graham Greene's first and only original screenplay and second collaboration with Carol Reed following "The Fallen Idol" 1948 and preceding "Our Man in Havana" 1959. Set and shot on location in Vienna Austria and England. 10 x 7.75 inches. Near Fine. Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. N.p. unknown books
1949réf. 150986N.p.: N.p. 1949. Two vintage reference photographs one of Orson Welles and Carol Reed and one of Reed Joseph Cotten and Welles on the set of the 1949 film. Reed's classic 1949 British film noir based on an original screenplay by Graham Greene starring Cotten as Holly Martins Anna Schmidt as Valli and Welles as Harry Lime with Cotten and Welles at the peak of their respective powers. The second of three films in which Green collaborated directly with Reed and remains Greene's only original screenplay. Produced and directed by Reed who narrated the UK version and who worked with Greene on two other films "The Fallen Idol" and "Our Man in Havana." Winner of the Academy Award for Best Cinematography nominated for Best Editing and Best Director. Set in and shot on location in Vienna Austria and England UK. 8 x 10 inches. Near Fine. Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. N.p. unknown books
1959réf. 167630N.p.: F.F.F. Films 1959. Four vintage studio still photographs from the US release of the 1957 West German film. An eighteen-year-old in postwar Berlin develops feelings for his male friend and is eventually drawn into the underground world of gay bars. His mother attempts to bring him back onto a heterosexual path by encouraging a romance with the family's housemaid. Director Veit Harlan is best remembered today for his work with the Nazis most notably the antisemitic propaganda film "Jud Süß" 1940. Set and shot on location in Berlin. 10 x 8 inches. Very Good to Very Good plus. F.F.F. Films unknown books
1948réf. 151858Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1948. Vintage matte black-and-white double weight studio still reference photograph from the 1948 film. From the collection of actor Van Heflin who played Athos in the film. Based on Dumas' 1844 serialized novel. D'Artagnan Kelly travels to Paris to join the Musketeers and does so by dispatching the evil Richelieu's Vincent Price men not once but twice. Countess de Winter Turner has her own agenda ultimately leading to her execution as the Musketeers are exonerated of their own death sentences. Nominated for an Academy Award. 8 x 10 inches. Near Fine overall. Metro-Goldwyn-Mayer [MGM] unknown
1965réf. 146561N.p.: N.p. 1965. Synopsis for an unproduced film based on the novel of the same name by Irving Wallace. Included with the synopsis is a two-page typed document on Brenco Pictures Corporation letterhead dated November 11 1965 discussing the popularity of Wallace's prior novels and proposing a budget for the film along with a small note addressed to casting agent Paul Kohner signed by screenwriter Stanley Meyer. Also included is the envelope which likely contained the documents. Based on the 1963 novel wherein a team of anthropologists travel to the South Pacific to study the polyamorous inhabitants of a small secret island. Set in the South Pacific. Black untitled wrappers with a die-cut title window. Title page present noted as Brief Summary. 6 leaves with last page of text numbered 5. Carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus bound with three silver brads. N.p. unknown
1957réf. 164297N.p.: N.p. 1957. Two vintage reference photographs of actress Joanne Woodward on the set of the 1957 film-one showing Woodward with Lee J. Cobb the other showing Woodward with David Wayne. Annotations in manuscript ink and pencil on the verso. Based on the case of Chris Costner Sizemore a woman believed to have dissociative identity disorder then called multiple personality disorder. Woodward received the Academy Award for Best Actress for her performance. 10 x 8 inches. About Near Fine. N.p. unknown
1957réf. 164297N.p.: N.p. 1957. Two vintage reference photographs of actress Joanne Woodward on the set of the 1957 film-one showing Woodward with Lee J. Cobb the other showing Woodward with David Wayne. Annotations in manuscript ink and pencil on the verso. Based on the case of Chris Costner Sizemore a woman believed to have dissociative identity disorder then called multiple personality disorder. Woodward received the Academy Award for Best Actress for her performance. 10 x 8 inches. About Near Fine. N.p. unknown books
