11.066 Ergebnisse
1976Best.-Nr. 138189Hollywood: Paramount Pictures 1976. Vintage press kit for the 1976 film. Included in the kit are 18 vintage black-and-white studio still photographs and 58 pages of promotional and production information. Based on the 1964 novel "Le locataire chimerique" by Roland Topor. The third final film in Polanski's "Apartment Trilogy" following "Repulsion" and "Rosemary's Baby" in which Polanski plays the role of a man who finds out that the previous tenant of his Parisian apartment attempted suicide by jumping out the window. Slowly the man becomes obsessed with the tenant taking on more and more of her habits ultimately including her attempts at self destruction. Nominated for the Palme d'Or. Set in Paris and shot there on location. Photographs 8 x 10 inches. 18 pages of production information saddle stapled 8.5 x 11 inches with an additional 40 pages of corner stapled production information. All materials about Fine housed in a Very Good plus studio folder. Paramount Pictures unknown books
1974Best.-Nr. 160750Burbank CA: Warner Brothers 1974. Collection of 43 vintage studio still photographs from the 1974 film. An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Actor George Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. When Mike Kaplan a Warner Bros international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching the film saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." 10 x 8 inches. Very Good plus lightly curled at the edges and some with light creasing and wear to the finish. Warner Brothers unknown
1973Best.-Nr. 121469Burbank CA: Warner Brothers 1973. Final script for the 1973 film based on the 1972 novel by Michael Crichton. Noted director Mike Hodges' third film and first to be made in the US after "Get Carter" in 1971 and "Pulp" in 1972. An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. When Mike Kaplan a Warner Brothers international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching The Terminal Man saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." Mustard yellow titled wrappers stamped FINAL on the front wrapper and dated May 9 1973. Distribution page present with receipt intact. Title page present with a credit for screenwriter Hodges. 108 leaves mechanical duplication eye-rest green stock. Pages Near Fine wrapper Very Good plus with a diagonal crease on the front panel internally bound with two gold brads. Warner Brothers unknown
1974Best.-Nr. 160750Burbank CA: Warner Brothers 1974. Collection of 43 vintage studio still photographs from the 1974 film. An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Actor George Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. When Mike Kaplan a Warner Bros international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching the film saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." 10 x 8 inches. Very Good plus lightly curled at the edges and some with light creasing and wear to the finish. Warner Brothers unknown books
1973Best.-Nr. 121469Burbank CA: Warner Brothers 1973. Final script for the 1973 film based on the 1972 novel by Michael Crichton. Noted director Mike Hodges' third film and first to be made in the US after "Get Carter" in 1971 and "Pulp" in 1972. An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. When Mike Kaplan a Warner Brothers international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching The Terminal Man saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." Mustard yellow titled wrappers stamped FINAL on the front wrapper and dated May 9 1973. Distribution page present with receipt intact. Title page present with a credit for screenwriter Hodges. 108 leaves mechanical duplication eye-rest green stock. Pages Near Fine wrapper Very Good plus with a diagonal crease on the front panel internally bound with two gold brads. Warner Brothers unknown books
1980Best.-Nr. 171659N.p.: N.p. 1980. Vintage reference photograph from a re-release of the 1930 film showing Fay Wray and Gary Cooper. Annotations in manuscript ink and pencil on the verso. Based on O. Henry's 1909 story "A Double-dyed Deceiver." A bandit kills a gambler in self-defense and goes on the lam. As he runs he is aided by a lawyer who demands the bandit's help in a money swindling scheme. 8 x 10 inches. Near Fine. N.p. unknown books
1974Best.-Nr. 170361N.p.: N.p. 1974. Vintage borderless reference photograph from the set of the 1974 film showing the Sawyer family as played by John Dugan Gunnar Hansen Edwin Neal and Jim Siedow. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock Watterson Austin and San Marcos Texas. 8 x 10 inches. Fine. Thrower Nightmare USA. N.p. unknown
1974Best.-Nr. 163782N.p.: N.p. 1974. Vintage borderless color reference photograph from the 1974 film showing actor Gunnar Hansen in costume as Leatherface. Provenance labels on the verso. From the archive of film historian and author Joel Finler. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock Watterson Austin and San Marcos Texas. 5 x 7 inches. Fine. Thrower Nightmare USA. N.p. unknown
1986Best.-Nr. 150254N.p.: Cannon Films 1986. Vintage studio still photograph of director Tobe Hooper with Dennis Hopper and Caroline Williams on the set of the 1986 film. Nearly a decade after the first installment now a slasher classic Tobe Hooper revisits his chainsaw-toting prodigy "Leatherface" but to the dismay of most critics. This feature with the great Dennis Hopper as a creepy sheriff has achieved cult status in light of its being underrated since its release. Set in and shot on location in Bastrop Prarie Dell and Austin Texas. 8 x 10 inches. Near Fine. Arrow 1494. Glover Men Women and Chainsaws. Cannon Films unknown
1974Best.-Nr. 170361N.p.: N.p. 1974. Vintage borderless reference photograph from the set of the 1974 film showing the Sawyer family as played by John Dugan Gunnar Hansen Edwin Neal and Jim Siedow. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock Watterson Austin and San Marcos Texas. 8 x 10 inches. Fine. Thrower Nightmare USA. N.p. unknown books
1974Best.-Nr. 163782N.p.: N.p. 1974. Vintage borderless color reference photograph from the 1974 film showing actor Gunnar Hansen in costume as Leatherface. Provenance labels on the verso. From the archive of film historian and author Joel Finler. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock Watterson Austin and San Marcos Texas. 5 x 7 inches. Fine. Thrower Nightmare USA. N.p. unknown books
1986Best.-Nr. 150254N.p.: Cannon Films 1986. Vintage studio still photograph of director Tobe Hooper with Dennis Hopper and Caroline Williams on the set of the 1986 film. Nearly a decade after the first installment now a slasher classic Tobe Hooper revisits his chainsaw-toting prodigy "Leatherface" but to the dismay of most critics. This feature with the great Dennis Hopper as a creepy sheriff has achieved cult status in light of its being underrated since its release. Set in and shot on location in Bastrop Prarie Dell and Austin Texas. 8 x 10 inches. Near Fine. Arrow 1494. Glover Men Women and Chainsaws. Cannon Films unknown books
1968Best.-Nr. 150357Burbank CA: American Broadcasting Company ABC 1968. Vintage reference photograph of Truman Capote with child actor Michael Kearney who played Buddy based on the young Capote on the set of the 1968 television film. "The Thanksgiving Visitor" aired Thanksgiving night November 28 1968 on ABC. Mimeo snipe and "NOV 25 1968" stamp on verso. Based on Capote's 1967 autobiographical short story based on his childhood in Alabama published in the November 1967 issue of McCall's magazine later published by Random House in 1968. A sequel to Capote's 1956 autobiographical short story "A Christmas Memory" which was also the basis for an ABC television movie also directed by Frank Perry written by Truman Capote and Eleanor Perry and starring Geraldine Page which aired on December 21 1966. Geraldine Page reprises her role as the quirky Aunt Sook helping nine-year-old Buddy deal with a bully on Thanksgiving. Page won a second Emmy Award following 1966's "A Christmas Memory" for her lauded portrayal of Capote's Aunt Sook. Set in Alabama shot on location in Pike Road Alabama. 10 x 8 inches. Light edgewear else Near Fine. American Broadcasting Company [ABC] unknown
1968Best.-Nr. 150357Burbank CA: American Broadcasting Company ABC 1968. Vintage reference photograph of Truman Capote with child actor Michael Kearney who played Buddy based on the young Capote on the set of the 1968 television film. "The Thanksgiving Visitor" aired Thanksgiving night November 28 1968 on ABC. Mimeo snipe and "NOV 25 1968" stamp on verso. Based on Capote's 1967 autobiographical short story based on his childhood in Alabama published in the November 1967 issue of McCall's magazine later published by Random House in 1968. A sequel to Capote's 1956 autobiographical short story "A Christmas Memory" which was also the basis for an ABC television movie also directed by Frank Perry written by Truman Capote and Eleanor Perry and starring Geraldine Page which aired on December 21 1966. Geraldine Page reprises her role as the quirky Aunt Sook helping nine-year-old Buddy deal with a bully on Thanksgiving. Page won a second Emmy Award following 1966's "A Christmas Memory" for her lauded portrayal of Capote's Aunt Sook. Set in Alabama shot on location in Pike Road Alabama. 10 x 8 inches. Light edgewear else Near Fine. American Broadcasting Company [ABC] unknown books
1967Best.-Nr. 152383N.p.: N.p. 1967. Collection of 21 vintage borderless double weight photographs from the 1967 film. Many with the stamp of still photographer Vincent Rossel on the verso one with the stamp of Globe Photos and one with a provenance stamp. Based on the 1897 novel by Georges Darien. After his inheritance is stolen by his uncle a young man embarks on a life of crime to win back what was taken from him. Set and shot on location in Paris. 10 x 8 inches. Near Fine. N.p. unknown
1967Best.-Nr. 149639Paris: Nouvelles editions de films 1967. Two vintage borderless double weight photographs from the set of the 1967 film. The first photograph shows Louis Malle and Jean-Paul Belmondo who is in costume conferring on the set. With the stamp of photographer Vincent Rossel and the name of the film as well as manuscript annotations regarding layout on the verso. The second photograph shows director Louis Malle standing with his back to the camera and other crew members at work on a rooftop in preparation for a scene. A few penciled annotations on the verso. Based on the 1897 novel by Georges Darien. After his inheritance is stolen by his uncle a young man embarks on a life of crime to win back what was taken from him. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Nouvelles editions de films unknown
1960Best.-Nr. 173109N.p.: N.p. 1960. Vintage reference photograph of actor Vincent Price and director screenwriter and animator Richard Williams on the set of the 1993 animated film circa 1960s. With cropping annotations to the margins of the recto and cropping annotations and provenance stamps on the verso. Although production began in the 1960s the film remained unfinished and unreleased until 1993 when Williams was forced out and Allied Filmmakers hastily edited finished and released it under the title "The Princess and the Cobbler." It was subsequently re-released in 1995 by Mirimax Family Films under the title "Arabian Knight." A cobbler falls in love with a princess angering the Grand Vizier who plans to marry her himself. 5.5 x 8 inches. Very Good plus. N.p. unknown books
1967Best.-Nr. 152383N.p.: N.p. 1967. Collection of 21 vintage borderless double weight photographs from the 1967 film. Many with the stamp of still photographer Vincent Rossel on the verso one with the stamp of Globe Photos and one with a provenance stamp. Based on the 1897 novel by Georges Darien. After his inheritance is stolen by his uncle a young man embarks on a life of crime to win back what was taken from him. Set and shot on location in Paris. 10 x 8 inches. Near Fine. N.p. unknown books
1967Best.-Nr. 149639Paris: Nouvelles editions de films 1967. Two vintage borderless double weight photographs from the set of the 1967 film. The first photograph shows Louis Malle and Jean-Paul Belmondo who is in costume conferring on the set. With the stamp of photographer Vincent Rossel and the name of the film as well as manuscript annotations regarding layout on the verso. The second photograph shows director Louis Malle standing with his back to the camera and other crew members at work on a rooftop in preparation for a scene. A few penciled annotations on the verso. Based on the 1897 novel by Georges Darien. After his inheritance is stolen by his uncle a young man embarks on a life of crime to win back what was taken from him. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Nouvelles editions de films unknown books
1951Best.-Nr. 161590N.p.: N.p. 1951. Vintage reference photograph from the set of the 1951 film showing actor James Arness in costume as the titular Thing with his stunt double just behind. Annotations in manuscript ink noting the same on the verso. Based on John W. Campbell's 1938 novella "Who Goes There" which also served as the basis for John Carpenter's 1982 masterpiece "The Thing." US Air Force crew and scientists at an arctic research station accidentally thaw out the still-living body of a humanoid alien which promptly begins to attack them. Set in Anchorage shot on location throughout Los Angeles and in Glacier National Park Montana. 8 x 10 inches. Fine. N.p. unknown
1958Best.-Nr. 153191Universal City: Universal 1958. Vintage photograph from the 1958 horror film. When an ancient box is unburied and opened the head of a man executed for sorcery 400 years earlier comes to life and begins telepathically controlling people in an attempt to reunite with his body and regain his full power. 10 x 8 inches. Light diagonal creasing to the corners else Near Fine. Universal unknown
1951Best.-Nr. 161590N.p.: N.p. 1951. Vintage reference photograph from the set of the 1951 film showing actor James Arness in costume as the titular Thing with his stunt double just behind. Annotations in manuscript ink noting the same on the verso. Based on John W. Campbell's 1938 novella "Who Goes There" which also served as the basis for John Carpenter's 1982 masterpiece "The Thing." US Air Force crew and scientists at an arctic research station accidentally thaw out the still-living body of a humanoid alien which promptly begins to attack them. Set in Anchorage shot on location throughout Los Angeles and in Glacier National Park Montana. 8 x 10 inches. Fine. N.p. unknown books
1958Best.-Nr. 153191Universal City: Universal 1958. Vintage photograph from the 1958 horror film. When an ancient box is unburied and opened the head of a man executed for sorcery 400 years earlier comes to life and begins telepathically controlling people in an attempt to reunite with his body and regain his full power. 10 x 8 inches. Light diagonal creasing to the corners else Near Fine. Universal unknown books
1970Best.-Nr. 148337N.p.: N.p. 1970. Collection of 12 vintage French color lobby cards from the 1970 film. Housed in original labeled paper envelope. Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. Shot on location in Paris La Rochelle and Thoiry France. 11.75 x 9.25 inches. Near Fine. N.p. unknown
1970Best.-Nr. 144567Paris: Fida Cinematografica 1970. Vintage borderless photograph of director Claude Sautet on the set of the 1970 French-Italian film. With manuscript annotations on the verso. Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. Shot on location in Paris La Rochelle and Thoiry France. 6.5 x 9.5 inches. Near Fine. Fida Cinematografica unknown
