11.046 risultati
1962rif. 171100Stockholm: Svensk Filmindustri SF 1962. Draft script for the 1963 Swedish film. Copy belonging to actor Bertha Sånnell with her name in manuscript ink on a label affixed to the front wrapper her annotations in manuscript ink and pencil on two script pages and on a sheet of lined paper bound in at the rear of the script. The second entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy a series of films that launched an important phase in the director's career. A quiet relentless meditation on the nature of faith imperfection and beauty. Red untitled wrappers. Title page present undated with credit for Bergman. 135 leaves with last page of text numbered 133. Mimeograph duplication rectos only. Pages Very Good plus wrapper Good perfect-bound with the spine of the wrapper and the first two leaves detached from the text block. Criterion Collection 210. Ebert III. Svensk Filmindustri [SF] unknown books
1963rif. 130145Stockholm: Svensk Filmindustri 1963. Original Swedish photographic style poster for the 1963 film. The second entry in Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. "Winter Light" takes place in entirely within a three-hour period on a Sunday afternoon in November mixing the affections and repulsions of a pastor a parishioner who is a schoolteacher and a fisherman. A quiet relentless meditation on the nature of faith imperfection and beauty. 27.5 x 39.25 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown books
1963rif. 130176Stockholm: Svensk Filmindustri 1963. Original Swedish illustrated poster for the 1963 film. The second entry in Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. "Winter Light" takes place in entirely within a three-hour period on a Sunday afternoon in November mixing the affections and repulsions of a pastor a parishioner who is a schoolteacher and a fisherman. A quiet relentless meditation on the nature of faith imperfection and beauty. 27.5 x 39.5 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown books
1963rif. 156277Stockholm: Svensk Filmindustri 1963. Collection of 15 vintage double weight oversize reference photographs from the 1963 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. The second entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. A quiet relentless meditation on the nature of faith imperfection and beauty. 9.25 x 11.75 inches. Generally Very Good plus some with pinholes and small closed tears. Criterion Collection 210. Ebert III. Svensk Filmindustri unknown books
1962rif. 171100Stockholm: Svensk Filmindustri SF 1962. Draft script for the 1963 Swedish film. Copy belonging to actor Bertha Sånnell with her name in manuscript ink on a label affixed to the front wrapper her annotations in manuscript ink and pencil on two script pages and on a sheet of lined paper bound in at the rear of the script. The second entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy a series of films that launched an important phase in the director's career. A quiet relentless meditation on the nature of faith imperfection and beauty. Red untitled wrappers. Title page present undated with credit for Bergman. 135 leaves with last page of text numbered 133. Mimeograph duplication rectos only. Pages Very Good plus wrapper Good perfect-bound with the spine of the wrapper and the first two leaves detached from the text block. Criterion Collection 210. Ebert III. Svensk Filmindustri [SF] unknown
1963rif. 156277Stockholm: Svensk Filmindustri 1963. Collection of 15 vintage double weight oversize reference photographs from the 1963 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. The second entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. A quiet relentless meditation on the nature of faith imperfection and beauty. 9.25 x 11.75 inches. Generally Very Good plus some with pinholes and small closed tears. Criterion Collection 210. Ebert III. Svensk Filmindustri unknown
1963rif. 130176Stockholm: Svensk Filmindustri 1963. Original Swedish illustrated poster for the 1963 film. The second entry in Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. "Winter Light" takes place in entirely within a three-hour period on a Sunday afternoon in November mixing the affections and repulsions of a pastor a parishioner who is a schoolteacher and a fisherman. A quiet relentless meditation on the nature of faith imperfection and beauty. 27.5 x 39.5 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1963rif. 130145Stockholm: Svensk Filmindustri 1963. Original Swedish photographic style poster for the 1963 film. The second entry in Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. "Winter Light" takes place in entirely within a three-hour period on a Sunday afternoon in November mixing the affections and repulsions of a pastor a parishioner who is a schoolteacher and a fisherman. A quiet relentless meditation on the nature of faith imperfection and beauty. 27.5 x 39.25 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1979rif. 151527Los Angeles: AVCO Embassy Pictures 1979. Vintage press kit for the 1979 film. Black-and-white illustrated pocketed folder containing 21 black and white photographs and 16 gatherings of promotional reading material. Based on Richard Condon's 1974 novel. A pitch-black satire following the half-brother of fictional US President Kegan closely modeled on John F. Kennedy as he begins to uncover the circumstances which led to Kegan's assassination 19 years prior. Folder photographs and promotional material Near Fine. Spicer US Neo-Noir. AVCO Embassy Pictures unknown books
1979rif. 151527Los Angeles: AVCO Embassy Pictures 1979. Vintage press kit for the 1979 film. Black-and-white illustrated pocketed folder containing 21 black and white photographs and 16 gatherings of promotional reading material. Based on Richard Condon's 1974 novel. A pitch-black satire following the half-brother of fictional US President Kegan closely modeled on John F. Kennedy as he begins to uncover the circumstances which led to Kegan's assassination 19 years prior. Folder photographs and promotional material Near Fine. Spicer US Neo-Noir. AVCO Embassy Pictures unknown
1968rif. 160762Universal City: Universal Studios 1968. Second Revised Final script for the 1969 film. Copy belonging to cinematographer Jules Brenner with his name in manuscript ink on the front wrapper. A successful race car driver dreams of winning the Indy 500 and stops at nothing to achieve his goal sacrificing his relationships with his wife and stepson in the progress. Shot on location in Elkhart Lake Wisconsin and Indianapolis Indiana. Yellow titled Universal Studios wrappers noted as SECOND REVISED FINAL SCREENPLAY on the front wrapper noted as production No. 02017 dated April 16 1968. Title page present noted as Second Revised Final Screenplay with credit for screenwriter Howard Rodman. 152 leaves with last page of text numbered 130. Mimeograph duplication rectos only with pink and blue revision pages throughout dated variously between 4/26/68 and 5/14/68. Pages Very Good plus wrapper Very Good plus moderately soiled with a dampstain on the fore-edges bound with three gold brads. Universal Studios unknown books
1968rif. 160762Universal City: Universal Studios 1968. Second Revised Final script for the 1969 film. Copy belonging to cinematographer Jules Brenner with his name in manuscript ink on the front wrapper. A successful race car driver dreams of winning the Indy 500 and stops at nothing to achieve his goal sacrificing his relationships with his wife and stepson in the progress. Shot on location in Elkhart Lake Wisconsin and Indianapolis Indiana. Yellow titled Universal Studios wrappers noted as SECOND REVISED FINAL SCREENPLAY on the front wrapper noted as production No. 02017 dated April 16 1968. Title page present noted as Second Revised Final Screenplay with credit for screenwriter Howard Rodman. 152 leaves with last page of text numbered 130. Mimeograph duplication rectos only with pink and blue revision pages throughout dated variously between 4/26/68 and 5/14/68. Pages Very Good plus wrapper Very Good plus moderately soiled with a dampstain on the fore-edges bound with three gold brads. Universal Studios unknown
1953rif. 148513Universal City: Universal Pictures 1953. Vintage photograph of director Budd Boetticher and Julie Adams relaxing in a tree from the 1953 film. Mimeo snipe on verso. An early Technicolor Western from seminal American director Budd Boetticher. Gringo miner Gallager Van Heflin is caught up in the Mexican revolution of 1910-1911 when corrupt administrator Ruiz George Dolenz appropriates his mine. Gallager saves the life of guerilla leader Raquel Adams then finds there's a price on his head. Set in Mexico shot on location in the Simi Hills and the Ray Corrigan Ranch Simi Valley California. 8 x 10 inches. Near Fine with light creasing near the edges. Universal Pictures unknown books
1953rif. 148513Universal City: Universal Pictures 1953. Vintage photograph of director Budd Boetticher and Julie Adams relaxing in a tree from the 1953 film. Mimeo snipe on verso. An early Technicolor Western from seminal American director Budd Boetticher. Gringo miner Gallager Van Heflin is caught up in the Mexican revolution of 1910-1911 when corrupt administrator Ruiz George Dolenz appropriates his mine. Gallager saves the life of guerilla leader Raquel Adams then finds there's a price on his head. Set in Mexico shot on location in the Simi Hills and the Ray Corrigan Ranch Simi Valley California. 8 x 10 inches. Near Fine with light creasing near the edges. Universal Pictures unknown
1987rif. 156337N.p.: N.p. 1987. Vintage borderless reference photograph from the 1987 film showing director Wim Wenders actor Peter Falk cinematographer Henri Alekan and an extra on the set. Printed mimeo snipe affixed to the verso. Wenders' masterpiece a love letter to West Berlin told through the experiences of an angel who yearns to be human. The director dedicated the film to his cinematic predecessors Yasujiro Ozu Francois Truffaut and Andrei Tarkovsky whose influences shine throughout his oeuvre. Set and shot on location in West Berlin. 7 x 4.75 inches. Near Fine. Criterion Collection 490. Ebert I. N.p. unknown books
1987rif. 162362N.p.: N.p. 1987. Two vintage borderless oversize color reference photographs from the 1987 film both showing director Wim Wenders on the set. Wenders' masterpiece a love letter to West Berlin told through the experiences of an angel who yearns to be human. The director dedicated the film to his cinematic predecessors Yasujiro Ozu François Truffaut and Andrei Tarkovsky whose influences shine throughout his oeuvre. Set and shot on location in West Berlin. 11.75 x 8.25 inches. About Fine. Criterion Collection 490. Ebert I. N.p. unknown books
1987rif. 162362N.p.: N.p. 1987. Two vintage borderless oversize color reference photographs from the 1987 film both showing director Wim Wenders on the set. Wenders' masterpiece a love letter to West Berlin told through the experiences of an angel who yearns to be human. The director dedicated the film to his cinematic predecessors Yasujiro Ozu François Truffaut and Andrei Tarkovsky whose influences shine throughout his oeuvre. Set and shot on location in West Berlin. 11.75 x 8.25 inches. About Fine. Criterion Collection 490. Ebert I. N.p. unknown
1987rif. 156337N.p.: N.p. 1987. Vintage borderless reference photograph from the 1987 film showing director Wim Wenders actor Peter Falk cinematographer Henri Alekan and an extra on the set. Printed mimeo snipe affixed to the verso. Wenders' masterpiece a love letter to West Berlin told through the experiences of an angel who yearns to be human. The director dedicated the film to his cinematic predecessors Yasujiro Ozu Francois Truffaut and Andrei Tarkovsky whose influences shine throughout his oeuvre. Set and shot on location in West Berlin. 7 x 4.75 inches. Near Fine. Criterion Collection 490. Ebert I. N.p. unknown
rif. 146415N.p.: N.p. Unknown. Draft script for an unproduced film. With a manuscript ink annotation to the title page presumably to a prospective actor from screenwriter Darin Mercado and lines for the character "Billy" marked with manuscript pencil. Possibly incomplete. After being dumped by a long-term girlfriend once again a serial monogamist heads to a bar determined to have a one-night-stand. White self wrappers. Title page present with credits for screenwriter Darin Mercado. 24 leaves with last page of text numbered 24. Xerox rectos only. Pages Very Good plus partially bound with three staples at the top left corner. N.p. unknown books
rif. 146415N.p.: N.p. Unknown. Draft script for an unproduced film. With a manuscript ink annotation to the title page presumably to a prospective actor from screenwriter Darin Mercado and lines for the character "Billy" marked with manuscript pencil. Possibly incomplete. After being dumped by a long-term girlfriend once again a serial monogamist heads to a bar determined to have a one-night-stand. White self wrappers. Title page present with credits for screenwriter Darin Mercado. 24 leaves with last page of text numbered 24. Xerox rectos only. Pages Very Good plus partially bound with three staples at the top left corner. N.p. unknown
1980rif. 151183Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film containing five black and white photographs and two gatherings of promotional reading material. A high school English teacher and his friend a fashion photographer fall in love with the same girl a sexually liberated young woman who has recently relocated to New York from Kentucky. Photographs and promotional material Near Fine. Twentieth Century-Fox unknown books
1980rif. 151183Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film containing five black and white photographs and two gatherings of promotional reading material. A high school English teacher and his friend a fashion photographer fall in love with the same girl a sexually liberated young woman who has recently relocated to New York from Kentucky. Photographs and promotional material Near Fine. Twentieth Century-Fox unknown
1957rif. 150435N.p.: N.p. 1957. Vintage reference photograph from the 1957 film showing actress Jayne Mansfield leaning over to get a bottle of ginger ale from the refrigerator. With a manuscript pencil annotation identifying Mansfield and the film title on the verso. Based on the 1955 Broadway play which also starred Jayne Mansfield. A satirical take on mid-century Hollywood following an ad man who hires a famous actress to promote a new line of lipstick but must pretend to be the actress' lover in exchange in order to make her real boyfriend jealous. 8 x 10 inches. Near Fine. National Film Registry. Rosenbaum 1000. N.p. unknown books
1957rif. 150435N.p.: N.p. 1957. Vintage reference photograph from the 1957 film showing actress Jayne Mansfield leaning over to get a bottle of ginger ale from the refrigerator. With a manuscript pencil annotation identifying Mansfield and the film title on the verso. Based on the 1955 Broadway play which also starred Jayne Mansfield. A satirical take on mid-century Hollywood following an ad man who hires a famous actress to promote a new line of lipstick but must pretend to be the actress' lover in exchange in order to make her real boyfriend jealous. 8 x 10 inches. Near Fine. National Film Registry. Rosenbaum 1000. N.p. unknown
1984rif. 163349Burbank CA: Warner Brothers 1984. Revised Estimating Draft script for the 1986 film seen here under both the release title and the working title "Jocks." Another early working title was "First and Goal." A divorced high school track coach lands a position as a college football coach in spite of her lack of experience and is tasked with working the team's players into shape. Goldenrod titled wrappers. Title page present dated December 21 1984 noted as REV. ESTIMATED DRAFT with credits for screenwriters Ezra Sacks and Michael Leeson. 141 leaves with last page of text numbered 118. Xerographic duplication rectos only with yellow pink and blue revision pages throughout dated variously between 2/11/85 and 3/7/85. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
