11 046 résultats
1927réf. 134524Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1927. Shooting script for the 1928 film. Metro-Goldwyn-Mayer file copy with rubber stamps on the front wrapper indicating such. Carbon typescript with descriptive text and intertitles in black type. A few typeovers and annotations in manuscript pencil throughout. A rare example of a silent film screenplay. Based on the 1923 stage adaptation by David Belasco and Tom Cushing about professional clowns Tito Chaney and Simon Siegel who take in an abandoned child and name her Simonetta Young who was 15 at the time. When Simonetta is older she joins the circus and meets Count Luigi Ravelli Asther who becomes infatuated with her. Ravelli consults a doctor about his fits of uncontrollable laughter and there he meets Tito who has come to seek help for his fits of uncontrollable weeping. The two decide to help each other but soon find they are both vying for Simonetta's love. Nominated for an Academy Award in 1929 for Best Title Writing the only year for that category. Set in Italy shot on location in Elysian Park a suburb of Los Angeles California. Blue studio wrappers noted as FIRST TEMPORARY INCOMPLETE on the front wrapper rubber-stamped production No. 1640 and copy No. 5236 dated November 19 1927 with credits for playwrights Belasco and Cushing and screenwriter Meehan. 72 leaves carbon typescript on watermarked onionskin stock. Pages Near Fine wrapper Very Good now encapsulated in mylar bound with two gold brads. Blake 2001 US. Metro-Goldwyn-Mayer [MGM] unknown
1960réf. 147008N.p.: N.p. 1960. Treatment script for an unproduced film. With a few small manuscript pencil annotations mostly revising spelling mistakes. When an aging musician meets a handsome younger man she sees the autumn romance as a way out of her stagnant life with her sister-but not all is as it seems. Screenwriter Warren Burton was better known as an actor for film and television most notably in "All My Children" from 1978-1979. Set in New York. Salmon titled wrappers. Title page present with credits for screenwriter Warren Burton. 38 leaves with last page of text numbered 36. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1960réf. 147008N.p.: N.p. 1960. Treatment script for an unproduced film. With a few small manuscript pencil annotations mostly revising spelling mistakes. When an aging musician meets a handsome younger man she sees the autumn romance as a way out of her stagnant life with her sister-but not all is as it seems. Screenwriter Warren Burton was better known as an actor for film and television most notably in "All My Children" from 1978-1979. Set in New York. Salmon titled wrappers. Title page present with credits for screenwriter Warren Burton. 38 leaves with last page of text numbered 36. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1961réf. 168495N.p.: N.p. 1961. Two vintage borderless reference photographs from the 1961 French film one showing director Alain Resnais talking with Delphine Seyrig and Giorgio Albertazzi the other showing Resnais talking with Seyrig alone. Provenance stamps and annotations in manuscript ink on the versos. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.5 inches. About Near Fine with faint toning on the edges. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961réf. 144267Paris: Cocinor 1961. Vintage snapshot size photograph of Alain Resnais on the set of the 1961 film. With manuscript annotations in pencil and a press agency stamp on the verso of each. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Nominated for an Academy Award for Best Original Screenplay. Shot on location in Germany and France. 3.5 x 5 inches. Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. Cocinor unknown books
1961réf. 159807N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with two "Photofest" stamps. alexander An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961réf. 153855N.p.: N.p. 1961. Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. A divisive film viewed by critics as either an ambiguous surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961réf. 153966N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with manuscript ink and pencil annotations. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961réf. 149454Paris: F.O.G. 1961. Collection of six vintage reference photographs from the 1961 film two borderless two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos. Three photos shown. Please inquire for others. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Viewed as either ambiguous surreal masterpiece or an incomprehensible indulgence with almost no middle ground. Nominated for an Academy Award for Best Original Screenplay. 7 x 5 inches. Very Good plus with light edgewear one with creasing at left corners. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. F.O.G. unknown books
1961réf. 168495N.p.: N.p. 1961. Two vintage borderless reference photographs from the 1961 French film one showing director Alain Resnais talking with Delphine Seyrig and Giorgio Albertazzi the other showing Resnais talking with Seyrig alone. Provenance stamps and annotations in manuscript ink on the versos. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.5 inches. About Near Fine with faint toning on the edges. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961réf. 159807N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with two "Photofest" stamps. alexander An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961réf. 153855N.p.: N.p. 1961. Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. A divisive film viewed by critics as either an ambiguous surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961réf. 153966N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with manuscript ink and pencil annotations. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961réf. 149454Paris: F.O.G. 1961. Collection of six vintage reference photographs from the 1961 film two borderless two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos. Three photos shown. Please inquire for others. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Viewed as either ambiguous surreal masterpiece or an incomprehensible indulgence with almost no middle ground. Nominated for an Academy Award for Best Original Screenplay. 7 x 5 inches. Very Good plus with light edgewear one with creasing at left corners. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. F.O.G. unknown
1961réf. 144267Paris: Cocinor 1961. Vintage snapshot size photograph of Alain Resnais on the set of the 1961 film. With manuscript annotations in pencil and a press agency stamp on the verso of each. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Nominated for an Academy Award for Best Original Screenplay. Shot on location in Germany and France. 3.5 x 5 inches. Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. Cocinor unknown
1980réf. 141195N.p.: N.p. 1980. Draft script for an unproduced film. Single annotation in manuscript pencil on the first page. Written by Spencer Eastman whose other screenwriting credits include "Hide in Plain Sight" 1980 "Kansas" 1988 "War Party" 1988 and "Night Game" 1989. A story set in West Berlin after the Second World War involving members of the CIA double agents and love interests. White untitled wrappers. Title page present with credit for screenwriter Spencer Eastman. 135 leaves with last page of text numbered 135. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1980réf. 141195N.p.: N.p. 1980. Draft script for an unproduced film. Single annotation in manuscript pencil on the first page. Written by Spencer Eastman whose other screenwriting credits include "Hide in Plain Sight" 1980 "Kansas" 1988 "War Party" 1988 and "Night Game" 1989. A story set in West Berlin after the Second World War involving members of the CIA double agents and love interests. White untitled wrappers. Title page present with credit for screenwriter Spencer Eastman. 135 leaves with last page of text numbered 135. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1959réf. 140572N.p.: Bryna Productions 1959. Two vintage studio still photographs from the 1959 film. Two old friends are turned against one another in this 1959 Western starring Kirk Douglas Anthony Quinn and Carolyn Jones. Douglas' wife is raped and murdered by Quinn's son resulting in a showdown between the two men. Shot on location in California and Arizona. 8 x 10 inches. Near Fine with a manuscript ink notation to the verso of each and pin holes to the margin. Bryna Productions unknown books
1966réf. 132301Poland: N.p. 1966. Original Polish A1 poster circa 1966 for the 1959 US film. Kirk Douglas and Earl Holliman reunite in this film after Gunfight at the OK Corral 1957 again under the direction of John Sturges. The story brings together elements of "High Noon" "3:10 to Yuma" and Sturges' "Bad Day at Black Rock." Remade in 1985 as the Indian film "Bhawani Junction." Shot by Charles Lang on location in Old Tucson Arizona and set in the fictitious neighboring towns of Pauley and Gun Hill. Artwork by Jerzy Flisak. 22.5 x 32 inches rolled. A few minor professional repairs on archival linen. Fine. Pitts 2240. N.p. unknown books
1966réf. 132301Poland: N.p. 1966. Original Polish A1 poster circa 1966 for the 1959 US film. Kirk Douglas and Earl Holliman reunite in this film after Gunfight at the OK Corral 1957 again under the direction of John Sturges. The story brings together elements of "High Noon" "3:10 to Yuma" and Sturges' "Bad Day at Black Rock." Remade in 1985 as the Indian film "Bhawani Junction." Shot by Charles Lang on location in Old Tucson Arizona and set in the fictitious neighboring towns of Pauley and Gun Hill. Artwork by Jerzy Flisak. 22.5 x 32 inches rolled. A few minor professional repairs on archival linen. Fine. Pitts 2240. N.p. unknown
1969réf. 146916N.p.: Alsid Productions 1969. Vintage studio still photograph from the 1969 film showing Barbara Hershey sunning herself in a bikini. Based on the 1968 Evan Hunter aka Ed McBain novel of the same name. Three teens bond while spending a summer on Fire Island. When they're joined by a fourth the dynamic between the trio is thrown causing one to become increasingly jealous and unstable. Set and shot on location in Long Island New York. 8 x 10 inches. Near Fine light edgewear. Alsid Productions unknown books
1969réf. 146916N.p.: Alsid Productions 1969. Vintage studio still photograph from the 1969 film showing Barbara Hershey sunning herself in a bikini. Based on the 1968 Evan Hunter aka Ed McBain novel of the same name. Three teens bond while spending a summer on Fire Island. When they're joined by a fourth the dynamic between the trio is thrown causing one to become increasingly jealous and unstable. Set and shot on location in Long Island New York. 8 x 10 inches. Near Fine light edgewear. Alsid Productions unknown
1966réf. 140950N.p.: N.p. 1966. Draft script for an unproduced film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the short story "The Skedule" by Helen H. Wilson about a prim and proper English woman and an Aussie traveling together through the Outback where an African Queen-esque romance soon develops. A pet project of Australian actor Rod Taylor who struggled from 1964 until 1974 to get this film made though he was ultimately unsuccessful. Set in Australia. Green blank wrappers with die cut title window in the British style. Title page present dated July 1966 with credits for screenwriter Ted Willis and author Helen H. Wilson. 144 leaves with last page of text numbered 131. Mechanical duplication with pink and yellow revision pages throughout dated variously between September 24 1967 and September 26 1967. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1966réf. 140950N.p.: N.p. 1966. Draft script for an unproduced film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the short story "The Skedule" by Helen H. Wilson about a prim and proper English woman and an Aussie traveling together through the Outback where an African Queen-esque romance soon develops. A pet project of Australian actor Rod Taylor who struggled from 1964 until 1974 to get this film made though he was ultimately unsuccessful. Set in Australia. Green blank wrappers with die cut title window in the British style. Title page present dated July 1966 with credits for screenwriter Ted Willis and author Helen H. Wilson. 144 leaves with last page of text numbered 131. Mechanical duplication with pink and yellow revision pages throughout dated variously between September 24 1967 and September 26 1967. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1963réf. 159366Los Angeles: Twentieth Century-Fox 1963. Vintage studio still photograph from the 1963 film. While trying to save a hot air balloonist Lassie and Timmy get stuck in the balloon and must fend for themselves in the wild. 8 x 10 inches. Fine. Weldon 1983. Twentieth Century-Fox unknown books
