11 045 résultats
1982réf. 137794Los Angeles: Paul Kohner 1982. Draft script for the 1987 West German film "Lang soll er leben" here under the English working title "More Than One Life." Agency copy in Paul Kohner Inc. wrappers. Screenwriter Mally was an actress in the 1970s starring in several German films and starred in German television throughout the 1980s and 1990s. A comedy set in Los Angeles in the mid 1970s with flashback scenarios to Prague during WWII and subplots involving theater and romance. White wrappers. Title page present dated 1982 with credits for screenwriter Mally and translator Dr. Harald O. Durenforth. 140 leaves with last page of text numbered 139. Mechanical duplication. Pages and wrapper Near Fine bound internally with three gold brads. Paul Kohner unknown
1963réf. 149232Paris: Lux Film 1963. Promotional flyer for the 1963 French film. Text in French. During World War I a man supplements his income by luring middle-class Parisian women to a countryside villa where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed. The first and only screenwriting credit of author and playwright Francoise Sagan. Shot on location in Paris and Gambais France. 10.5 x 8.5 inches. Single sheet. Near Fine with a small dampstain to the top edge. Lux Film unknown books
1963réf. 149232Paris: Lux Film 1963. Promotional flyer for the 1963 French film. Text in French. During World War I a man supplements his income by luring middle-class Parisian women to a countryside villa where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed. The first and only screenwriting credit of author and playwright Francoise Sagan. Shot on location in Paris and Gambais France. 10.5 x 8.5 inches. Single sheet. Near Fine with a small dampstain to the top edge. Lux Film unknown
1955réf. 170764Burbank CA: Warner Brothers 1955. Vintage publicity photograph from the 1955 film showing Joan Collins in a glittering two-piece ensemble and matching jewelry. French release stamp on the verso. An epic drama set in Ancient Egypt about the construction of the Great Pyramid co-written by William Faulkner. Although poorly received upon release-and notable as Howard Hawks' first commercial failure-the film has since been reevaluated by a host of critics including Jonathan Rosenbaum who praised the film for its continued relevance in relation to contemporary politics. Shot on location in Egypt. 8 x 10 inches. Very Good plus. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown books
1955réf. 170764Burbank CA: Warner Brothers 1955. Vintage publicity photograph from the 1955 film showing Joan Collins in a glittering two-piece ensemble and matching jewelry. French release stamp on the verso. An epic drama set in Ancient Egypt about the construction of the Great Pyramid co-written by William Faulkner. Although poorly received upon release-and notable as Howard Hawks' first commercial failure-the film has since been reevaluated by a host of critics including Jonathan Rosenbaum who praised the film for its continued relevance in relation to contemporary politics. Shot on location in Egypt. 8 x 10 inches. Very Good plus. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown
1974réf. 150864N.p.: N.p. 1974. Vintage borderless reference photograph of Robert Bresson and crew on the set of the 1974 film with two provenance stamps of film scholar and author "J. P. Berthome" on verso. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. N.p. unknown books
1974réf. 150503N.p.: N.p. 1974. Vintage borderless reference photograph of director Robert Bresson and still photographer Jacques Henri Lartigue on the set of the 1974 film with cinematographer Pasqualino de Santis just visible at the top left corner. With a provenance stamp on the verso along with manuscript ink annotations. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 9.25 x 7 inches. Near Fine. Rosenbaum 1000. N.p. unknown books
1974réf. 150217N.p.: N.p. 1974. Vintage oversize borderless reference photograph of Robert Bresson on the set of the 1974 film one of the film's jousting sequences. Jacques Henri Lartigue credit printed on verso. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 11.75 x 8 inches. Very Good plus with some creasing and wear to extremities. Rosenbaum 1000. N.p. unknown books
1974réf. 150503N.p.: N.p. 1974. Vintage borderless reference photograph of director Robert Bresson and still photographer Jacques Henri Lartigue on the set of the 1974 film with cinematographer Pasqualino de Santis just visible at the top left corner. With a provenance stamp on the verso along with manuscript ink annotations. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 9.25 x 7 inches. Near Fine. Rosenbaum 1000. N.p. unknown
1974réf. 150217N.p.: N.p. 1974. Vintage oversize borderless reference photograph of Robert Bresson on the set of the 1974 film one of the film's jousting sequences. Jacques Henri Lartigue credit printed on verso. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 11.75 x 8 inches. Very Good plus with some creasing and wear to extremities. Rosenbaum 1000. N.p. unknown
1974réf. 150864N.p.: N.p. 1974. Vintage borderless reference photograph of Robert Bresson and crew on the set of the 1974 film with two provenance stamps of film scholar and author "J. P. Berthome" on verso. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. N.p. unknown
1984réf. 152231Burbank CA: Warner Brothers 1984. First Draft script for an unproduced film. Based on iconic leading lady Lana Turner's 1982 autobiography following Turner's humble beginnings and rise to fame and the alcoholism and relationship troubles which clouded her later years. Red titled wrappers. Title page present dated February 29 1984 noted as FIRST DRAFT with credits for screenwriter James Lee. 177 leaves with last page of text numbered 175. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1984réf. 152231Burbank CA: Warner Brothers 1984. First Draft script for an unproduced film. Based on iconic leading lady Lana Turner's 1982 autobiography following Turner's humble beginnings and rise to fame and the alcoholism and relationship troubles which clouded her later years. Red titled wrappers. Title page present dated February 29 1984 noted as FIRST DRAFT with credits for screenwriter James Lee. 177 leaves with last page of text numbered 175. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1934réf. 160349N.p.: Franco-American Film Company 1934. Vintage Spanish magazine advertisement for the 1934 film here under the Spanish title "El lago de las damas." Based on the 1929 novel "Grand Hotel" by Vicki Baum. A young man starts a summer job at a lake resort where he falls in love. Their situation is complicated by the tomboy who lives across the lake and his ex girlfriend showing up. 9.5 x 13 inches. Very Good with creasing along the right edge and at the top right corner as well as four small tears at the right edge presumably from creasing. Franco-American Film Company unknown books
1934réf. 160349N.p.: Franco-American Film Company 1934. Vintage Spanish magazine advertisement for the 1934 film here under the Spanish title "El lago de las damas." Based on the 1929 novel "Grand Hotel" by Vicki Baum. A young man starts a summer job at a lake resort where he falls in love. Their situation is complicated by the tomboy who lives across the lake and his ex girlfriend showing up. 9.5 x 13 inches. Very Good with creasing along the right edge and at the top right corner as well as four small tears at the right edge presumably from creasing. Franco-American Film Company unknown
réf. 146946N.p.: N.p. Unknown. Draft script for an unproduced film. Saloon owner and brothel madam "Ladyfingers" Lindsey strikes out on a hunt for hidden Japanese gold in the Philippines with help from her one-time beau and a posse of gunslingers. Screenwriter Robert Vincent O'Neil was best known for "The Baltimore Bullet" 1980 as well as a string of erotic thrillers during the 1980s including "Vice Squad" 1982 "Deadly Force" 1983 and "Angel" 1984. Set in Manila and Corregidor Island. Brown titled wrappers. Title page present with credits for screenwriters William Mercer and Robert V. O'Neil. 121 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good lightly dampstained bound internally with three gold brads. N.p. unknown books
réf. 146946N.p.: N.p. Unknown. Draft script for an unproduced film. Saloon owner and brothel madam "Ladyfingers" Lindsey strikes out on a hunt for hidden Japanese gold in the Philippines with help from her one-time beau and a posse of gunslingers. Screenwriter Robert Vincent O'Neil was best known for "The Baltimore Bullet" 1980 as well as a string of erotic thrillers during the 1980s including "Vice Squad" 1982 "Deadly Force" 1983 and "Angel" 1984. Set in Manila and Corregidor Island. Brown titled wrappers. Title page present with credits for screenwriters William Mercer and Robert V. O'Neil. 121 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good lightly dampstained bound internally with three gold brads. N.p. unknown
réf. 160647Hollywood: Motown-Weston-Furie Productions 1971. Final Shooting script for the 1972 film. Copy belonging to early production designer Harry Horner with his name in manuscript ink on the title page. Noted as copy No. 23 on the lower right corner of the title page with manuscript pencil and ink annotations on six pages. According to the AFI Catalog immediately prior to the commencement of photography several last-minute changes were made to the production crew including the replacement of Harry Horner with Carl Anderson. The script found here also co-credits director Sidney J. Furie as screenwriter with Terence McCloy. Furie did not receive a screenwriting credit in the final film. Based on Billie Holiday's 1956 autobiography co-authored by William Duffy which recounts Holiday's troubled rise to fame failed romantic relationships and drug addiction. Diana Ross' film debut. Set in New York and Baltimore. Red untitled wrappers. Title page present dated November 11 1971 noted as Final Shooting Script with credits for screenwriters Sidney J. Furie and Terence McCloy. 134 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near FIne wrapper Near FIne bound in a Near Fine red three-ring binder. Motown-Weston-Furie Productions unknown books
réf. 160647Hollywood: Motown-Weston-Furie Productions 1971. Final Shooting script for the 1972 film. Copy belonging to early production designer Harry Horner with his name in manuscript ink on the title page. Noted as copy No. 23 on the lower right corner of the title page with manuscript pencil and ink annotations on six pages. According to the AFI Catalog immediately prior to the commencement of photography several last-minute changes were made to the production crew including the replacement of Harry Horner with Carl Anderson. The script found here also co-credits director Sidney J. Furie as screenwriter with Terence McCloy. Furie did not receive a screenwriting credit in the final film. Based on Billie Holiday's 1956 autobiography co-authored by William Duffy which recounts Holiday's troubled rise to fame failed romantic relationships and drug addiction. Diana Ross' film debut. Set in New York and Baltimore. Red untitled wrappers. Title page present dated November 11 1971 noted as Final Shooting Script with credits for screenwriters Sidney J. Furie and Terence McCloy. 134 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near FIne wrapper Near FIne bound in a Near Fine red three-ring binder. Motown-Weston-Furie Productions unknown
1979réf. 151011N.p.: N.p. 1979. Two vintage reference photographs with bottom margins from the 1979 film one of Catriona MacColl and Barry Stokes and one on the set photograph of MacColl Stokes and director Jacques Demy. One with with provenance stamp of film scholar and author "Jean-Pierre Berthome" and layout annotations in manuscript red pencil on verso. Based on the 1972-1973 Japanese manga series "The Rose of Versailles" by Riyoko Ikeda which was also made into a 40 episode anime series under the same name directed by Tadao Nagahama and Osamu Dezak and broadcast on Nippon Television from October 10 1979 to September 3 1980. Oscar Francois de Jarjayes captain of the guards at the Palace of Versailles under King Louis XVI and Marie Antoinette was born a girl and raised as a boy by her militant father. She now finds herself conflicted while in the maw of the French Revolution with the boy she loved in her youth Oscar on the opposite side of the struggle. Shot on location in Paris Seine-et-Marne Oise and Versailles France. 9.25 x 7 inches. Some faint creasing else Near Fine. N.p. unknown books
1979réf. 151011N.p.: N.p. 1979. Two vintage reference photographs with bottom margins from the 1979 film one of Catriona MacColl and Barry Stokes and one on the set photograph of MacColl Stokes and director Jacques Demy. One with with provenance stamp of film scholar and author "Jean-Pierre Berthome" and layout annotations in manuscript red pencil on verso. Based on the 1972-1973 Japanese manga series "The Rose of Versailles" by Riyoko Ikeda which was also made into a 40 episode anime series under the same name directed by Tadao Nagahama and Osamu Dezak and broadcast on Nippon Television from October 10 1979 to September 3 1980. Oscar Francois de Jarjayes captain of the guards at the Palace of Versailles under King Louis XVI and Marie Antoinette was born a girl and raised as a boy by her militant father. She now finds herself conflicted while in the maw of the French Revolution with the boy she loved in her youth Oscar on the opposite side of the struggle. Shot on location in Paris Seine-et-Marne Oise and Versailles France. 9.25 x 7 inches. Some faint creasing else Near Fine. N.p. unknown
1945réf. 146563Culver City CA: Universal Pictures 1945. Vintage studio still photograph from the 1945 film of Deanna Durbin as amateur sleuth Nikki Collins. Mimeo snipe on the verso. Leslie Charteris wrote the original screen story but not the screenplay for this film and subsequently published the story as a novel in conjunction with the film's release. A light mystery with a terrific Woolrich-esque plot wherein a young girl Deanna Durbin sees a man being murdered from her train car window. Known for her addiction to mystery novels she is not taken seriously by the police and begins her own investigation. 8 x 10 inches. Very Good with creasing and small pinholes. Spicer US. Grant US. Selby US. Universal Pictures unknown books
1945réf. 146563Culver City CA: Universal Pictures 1945. Vintage studio still photograph from the 1945 film of Deanna Durbin as amateur sleuth Nikki Collins. Mimeo snipe on the verso. Leslie Charteris wrote the original screen story but not the screenplay for this film and subsequently published the story as a novel in conjunction with the film's release. A light mystery with a terrific Woolrich-esque plot wherein a young girl Deanna Durbin sees a man being murdered from her train car window. Known for her addiction to mystery novels she is not taken seriously by the police and begins her own investigation. 8 x 10 inches. Very Good with creasing and small pinholes. Spicer US. Grant US. Selby US. Universal Pictures unknown
1970réf. 153168London: Hemisphere Productions 1970. Draft script for an unproduced film. A dramatization of the life of infamous English aristocrat Jane Elizabeth Digby who married four times and had a succession of unusual lovers including an earl two European kings a sheik an Austrian statesman and the generals of India and Austria. English screenwriter Arthur Hopcraft was best known for his literary adaptations for television including "Hard Times" 1977 "Tinker Tailor Soldier Spy" 1979 "Bleak House" 1985 and "Rebecca" 1997. Brown untitled wrappers with a die-cut title window in the British style. Title page present undated with credits for director Waris Hussein and screenwriter Arthur Hopcraft. 120 leaves with last page of text numbered 118. Mimeograph duplication on eye-rest green stock rectos only. Pages Very Good plus wrapper Very Good with a light tide mark to the left edge of the front wrapper bound internally with two silver brads. Hemisphere Productions unknown books
1970réf. 153168London: Hemisphere Productions 1970. Draft script for an unproduced film. A dramatization of the life of infamous English aristocrat Jane Elizabeth Digby who married four times and had a succession of unusual lovers including an earl two European kings a sheik an Austrian statesman and the generals of India and Austria. English screenwriter Arthur Hopcraft was best known for his literary adaptations for television including "Hard Times" 1977 "Tinker Tailor Soldier Spy" 1979 "Bleak House" 1985 and "Rebecca" 1997. Brown untitled wrappers with a die-cut title window in the British style. Title page present undated with credits for director Waris Hussein and screenwriter Arthur Hopcraft. 120 leaves with last page of text numbered 118. Mimeograph duplication on eye-rest green stock rectos only. Pages Very Good plus wrapper Very Good with a light tide mark to the left edge of the front wrapper bound internally with two silver brads. Hemisphere Productions unknown
