11 058 résultats
1957réf. 161357N.p.: N.p. 1957. Revised Final script for the 1957 film. Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Eight reference photographs from the film bound in variously among the script pages. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960. Based on the 1945 Broadway play by Luther Davis in turn based on Frederic Wakeman's 1944 novel "Shore Leave." Three Naval pilots on a four-day leave in San Francisco attempt to ignore the distant call of war instead drinking dancing and seducing local women. Set and shot on location in San Francisco. Bound in light blue cloth with navy quarter leather binding with five raised bands and gilt titles on the spine. Title page present dated April 5 1957 noted as Revised Final with credits for screenwriter Julius Epstein director Stanley Donen novelist Frederic Wakeman and playwright Luther Davis. 158 leaves with last page of text numbered 143. Mimeograph duplication on eye-rest green stock rectos only with blue revision pages throughout dated variously between 4/25/57 and 5/3/57. Pages Near Fine binding Near Fine. N.p. unknown
1946réf. 153867N.p.: N.p. 1946. Vintage reference photograph from the 1946 film showing director Billy Wilder and actress Kim Novak. Based on the 1944 play "L'ora della fantasia" "The Dazzling Hour" by Anna Bonacci. A jealous piano teacher playing host to an infamous nightclub singer sends his beautiful wife away in the hopes of keeping the lecherous singer from seducing her. Set in Climax Nevada shot on location in Los Angeles. 7.5 x 9.75 inches. Near Fine. N.p. unknown books
1964réf. 136035N.p.: Lopert Pictures Corporation 1964. Vintage black-and-white reference photograph from the set of the 1964 film. Director Billy Wilder shown with Kim Novak. Based on the 1945 Italian play "L'ora della fantasia" by Anna Bonacci. A jealous piano teacher playing host to an infamous nightclub singer sends his beautiful wife away in the hopes of keeping the lecherous singer from seducing her. 8 x 10 inches. Near Fine condition. Lopert Pictures Corporation unknown books
1946réf. 153867N.p.: N.p. 1946. Vintage reference photograph from the 1946 film showing director Billy Wilder and actress Kim Novak. Based on the 1944 play "L'ora della fantasia" "The Dazzling Hour" by Anna Bonacci. A jealous piano teacher playing host to an infamous nightclub singer sends his beautiful wife away in the hopes of keeping the lecherous singer from seducing her. Set in Climax Nevada shot on location in Los Angeles. 7.5 x 9.75 inches. Near Fine. N.p. unknown
1964réf. 170747N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 film showing Frank A. Coe as Frankenstein's monster holding a nude woman. Layout annotations in manuscript pencil on the verso. An alien lands on Earth in order to kidnap the perfect human woman to use to create a race of servants for his home world. He finds the answer in the laboratory of mad scientist Dr. Breedlove. Originally titled "Dr. Breedlove or How I Learned to Stop Worrying and Love" then retitled "Kiss Me Quick" in order to exploit Billy Wilder's "Kiss Me Stupid." 8 x 10 inches. Very Good plus. N.p. unknown books
1964réf. 170747N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 film showing Frank A. Coe as Frankenstein's monster holding a nude woman. Layout annotations in manuscript pencil on the verso. An alien lands on Earth in order to kidnap the perfect human woman to use to create a race of servants for his home world. He finds the answer in the laboratory of mad scientist Dr. Breedlove. Originally titled "Dr. Breedlove or How I Learned to Stop Worrying and Love" then retitled "Kiss Me Quick" in order to exploit Billy Wilder's "Kiss Me Stupid." 8 x 10 inches. Very Good plus. N.p. unknown
1970réf. 138425London: Excelsior Film Productions 1970. First Draft script for an unproduced film with the tentative titles "Kiss Me" and "In Confidence Limited" written by Peter Yeldham whose notable film credits include "The Long Duel" 1967 "Age of Consent" 1969 and "The Call of the Wild" 1972. Brief notation in manuscript ink on two pages. Set in London where romance and slapstick abound featuring private detectives who are after a missing widow. Blue titled wrappers with die-cut window. Title page present undated noted as First Draft in manuscript ink with a credit for screenwriter Yeldham. 151 leaves with last page of text numbered 150. Roneograph. Pages Very Good plus wrapper detached but present bound internally with two silver brads. Excelsior Film Productions unknown books
1970réf. 138425London: Excelsior Film Productions 1970. First Draft script for an unproduced film with the tentative titles "Kiss Me" and "In Confidence Limited" written by Peter Yeldham whose notable film credits include "The Long Duel" 1967 "Age of Consent" 1969 and "The Call of the Wild" 1972. Brief notation in manuscript ink on two pages. Set in London where romance and slapstick abound featuring private detectives who are after a missing widow. Blue titled wrappers with die-cut window. Title page present undated noted as First Draft in manuscript ink with a credit for screenwriter Yeldham. 151 leaves with last page of text numbered 150. Roneograph. Pages Very Good plus wrapper detached but present bound internally with two silver brads. Excelsior Film Productions unknown
1996réf. 163673N.p.: Redeemable Features 1996. Final Shooting script for the 1997 film. With a note in manuscript ink affixed to the title page with tape with contact information for unknown crew members. Also with substantive manuscript ink annotations throughout. A gay man and a stereotypical heterosexual Italian American man move in together after a misunderstanding in a vacancy ad. Set in New York City shot on location in Manhattan and The Bronx. Clear mylar front wrapper red rear wrapper supplied but as used during film development. Title page present dated 3/96 noted as Final Shooting Script with credits for director and screenwriter Anthony Vitale. 110 leaves with last page of text numbered 108. Xerographic duplication rectos only with blue undated revision pages throughout. Pages Very Good plus wrapper Very Good plus bound internally with three silver brads. Redeemable Features unknown books
1996réf. 163673N.p.: Redeemable Features 1996. Final Shooting script for the 1997 film. With a note in manuscript ink affixed to the title page with tape with contact information for unknown crew members. Also with substantive manuscript ink annotations throughout. A gay man and a stereotypical heterosexual Italian American man move in together after a misunderstanding in a vacancy ad. Set in New York City shot on location in Manhattan and The Bronx. Clear mylar front wrapper red rear wrapper supplied but as used during film development. Title page present dated 3/96 noted as Final Shooting Script with credits for director and screenwriter Anthony Vitale. 110 leaves with last page of text numbered 108. Xerographic duplication rectos only with blue undated revision pages throughout. Pages Very Good plus wrapper Very Good plus bound internally with three silver brads. Redeemable Features unknown
1980réf. 141949Santa Monica: Pendragon Film 1980. Draft script for the 1981 film "Kiss Daddy Goodbye" seen here under the alternate title "Caution Children at Play." Copy belonging to costume designer David Chierichetti with his name blue ink on the front wrapper and his manuscript annotations throughout. Two telekinetic children avenge their death of their father a professor of the occult who was killed by a gang of renegade bikers. Director Patrick Regan cast his own children for the leading roles. Set in California. Orange titled wrappers. Title page present rubber stamped copy No. 024 with credits for screenwriters Alain Silver Patrick Regan Ron Abrams and Mary Stewart. 96 leaves with last page of text numbered 94. Xerographic duplication first generation copy with no copied punch holes on yellow stock. Pages and wrapper Near Fine bound with two gold brads. Pendragon Film unknown books
1980réf. 141949Santa Monica: Pendragon Film 1980. Draft script for the 1981 film "Kiss Daddy Goodbye" seen here under the alternate title "Caution Children at Play." Copy belonging to costume designer David Chierichetti with his name blue ink on the front wrapper and his manuscript annotations throughout. Two telekinetic children avenge their death of their father a professor of the occult who was killed by a gang of renegade bikers. Director Patrick Regan cast his own children for the leading roles. Set in California. Orange titled wrappers. Title page present rubber stamped copy No. 024 with credits for screenwriters Alain Silver Patrick Regan Ron Abrams and Mary Stewart. 96 leaves with last page of text numbered 94. Xerographic duplication first generation copy with no copied punch holes on yellow stock. Pages and wrapper Near Fine bound with two gold brads. Pendragon Film unknown
1998réf. 163621N.p.: N.p. 1998. First Draft script for an unproduced film based on the life of Ivan "Joe" Deckard a mobster serving a 50-year prison sentence for drug smuggling and other illegal activities. INSCRIBED by Deckard on the title page: "Kevin / Get yourself a cold 'Bud' and enjoy this. Soon we'll see it on the screen / Have a long and happy life / Joe Deckard." Not to be confused with the 1996 film directed by the Farrelly Brothers. Screenwriter Pablo F. Fenjves is best known for ghostwriting the controversial 2007 O.J. Simpson memoir "If I Did It." Set in Miami. Blue generic card wrappers. Title page present dated June 1 1988 noted as First Draft with credit for Fenjves. 115 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with a silver prong. N.p. unknown books
1998réf. 163621N.p.: N.p. 1998. First Draft script for an unproduced film based on the life of Ivan "Joe" Deckard a mobster serving a 50-year prison sentence for drug smuggling and other illegal activities. INSCRIBED by Deckard on the title page: "Kevin / Get yourself a cold 'Bud' and enjoy this. Soon we'll see it on the screen / Have a long and happy life / Joe Deckard." Not to be confused with the 1996 film directed by the Farrelly Brothers. Screenwriter Pablo F. Fenjves is best known for ghostwriting the controversial 2007 O.J. Simpson memoir "If I Did It." Set in Miami. Blue generic card wrappers. Title page present dated June 1 1988 noted as First Draft with credit for Fenjves. 115 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with a silver prong. N.p. unknown
1961réf. 154327Glendale CA: Allied Artists 1961. Vintage reference photograph from the 1961 film showing Dan O'Herlihy menacing Mickey Rooney. Printed mimeo snipe affixed to the verso. Based on the 1959 book by Leo Katcher. A dramatization of the exploits of Arnold Rothstein a small time gambler during the Prohibition Era who rises through the New York ranks to become an influential mob boss. Set in New York. 10 x 8 inches. Near Fine. Allied Artists unknown books
1978réf. 147860Los Angeles: Paramount Pictures 1978. Vintage studio still photograph of Judd Hirsh Shelley Winters and Susan Sarandon from the 1978 film. Mimeo snipe affixed to verso and folded over recto. Based on Peter Maas' 1975 novel about a modern day criminal Gypsy family living in New York whose aging patriarch "king" Zharko Stepanowicz Sterling Hayden passes his leadership to his unwilling grandson Dave Eric Roberts leaving Dave's father Groffo Hirsh angry and resentful. Eric Roberts film debut. Set in and shot on location in New York and New Jersey. 8 x 10 inches. Near Fine with light edgewear. Olive Films 645VQ. Paramount Pictures unknown books
1954réf. 141026N.p.: N.p. 1954. Draft script for an unproduced film. With a letter rejecting the script laid in. During Reconstruction a newspaperman comes to Texas where he encounters a slew of carpetbaggers who are exploiting the locals running the town and murdering at will. The newspaperman and his southern friend decide to start a newspaper in order to expose the corrupt system. Set in Jefferson Texas. Tan titled wrappers with credits for screenwriter Jack Lewis and author John Clark. 104 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine with a silver prong binding. N.p. unknown books
1954réf. 141026N.p.: N.p. 1954. Draft script for an unproduced film. With a letter rejecting the script laid in. During Reconstruction a newspaperman comes to Texas where he encounters a slew of carpetbaggers who are exploiting the locals running the town and murdering at will. The newspaperman and his southern friend decide to start a newspaper in order to expose the corrupt system. Set in Jefferson Texas. Tan titled wrappers with credits for screenwriter Jack Lewis and author John Clark. 104 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine with a silver prong binding. N.p. unknown
1970réf. 143874Hollywood: Goldfarb-Lewis Agency 1970. Original Treatment script for an unproduced film. Based on Guy Endore's novel of the same name about the life of Alexandre Dumas. Brown untitled wrappers. Title page present with credits for screenwriter Dale Wasserman and novelist Guy Endore. 39 leaves with last page of text numbered 36. Xerographically reproduced. Pages Fine wrapper Fine bound internally with three gold brads. Goldfarb-Lewis Agency unknown books
1970réf. 143874Hollywood: Goldfarb-Lewis Agency 1970. Original Treatment script for an unproduced film. Based on Guy Endore's novel of the same name about the life of Alexandre Dumas. Brown untitled wrappers. Title page present with credits for screenwriter Dale Wasserman and novelist Guy Endore. 39 leaves with last page of text numbered 36. Xerographically reproduced. Pages Fine wrapper Fine bound internally with three gold brads. Goldfarb-Lewis Agency unknown
1961réf. 158839N.p.: Samuel Bronston Productions 1961. Two vintage reference photographs from the 1961 film with mimeo snipe and one provenance stamp on the verso of each. A dramatization of the life of Jesus Christ from his birth in Bethlehem to his crucifixion and subsequent resurrection. Shot on location in Madrid Spain. 10 x 8 inches. Near Fine. Samuel Bronston Productions unknown books
1961réf. 158839N.p.: Samuel Bronston Productions 1961. Two vintage reference photographs from the 1961 film with mimeo snipe and one provenance stamp on the verso of each. A dramatization of the life of Jesus Christ from his birth in Bethlehem to his crucifixion and subsequent resurrection. Shot on location in Madrid Spain. 10 x 8 inches. Near Fine. Samuel Bronston Productions unknown
1968réf. 164198Universal City: Universal Pictures 1968. Vintage banner poster for US release of the 1967 Japanese-American kaiju film. Rare in this size format. The fourth film in the King Kong franchise. Loosely based on the animated Rankin/Bass' television series "The King Kong Show" the first anime-based series produced in Japan for an American company which was aired on ABC from 1966 through 1969 and the second and final Toho-produced film featuring King Kong preceded by the 1963 film "King Kong vs. Godzilla" until the 2021 film "Godzilla vs. Kong." A robot duplicate of King Kong Mechani-Kong is manufactured to dig for the highly radioactive Element X. When Mechani-Kong is unable to dig for the material the evil Doctor Who and Madame Piranha decide to kidnap the real Kong. 82 x 24 inches. Very Good with a chip missing at the top left corner several closed tears to the bottom right margin and cello and paper tape repairs to the verso of the bottom right. Colors bright and unfaded. Universal Pictures unknown books
1968réf. 164198Universal City: Universal Pictures 1968. Vintage banner poster for US release of the 1967 Japanese-American kaiju film. Rare in this size format. The fourth film in the King Kong franchise. Loosely based on the animated Rankin/Bass' television series "The King Kong Show" the first anime-based series produced in Japan for an American company which was aired on ABC from 1966 through 1969 and the second and final Toho-produced film featuring King Kong preceded by the 1963 film "King Kong vs. Godzilla" until the 2021 film "Godzilla vs. Kong." A robot duplicate of King Kong Mechani-Kong is manufactured to dig for the highly radioactive Element X. When Mechani-Kong is unable to dig for the material the evil Doctor Who and Madame Piranha decide to kidnap the real Kong. 82 x 24 inches. Very Good with a chip missing at the top left corner several closed tears to the bottom right margin and cello and paper tape repairs to the verso of the bottom right. Colors bright and unfaded. Universal Pictures unknown
1964réf. 157694N.p.: N.p. 1964. Vintage reference photograph from the 1964 film showing director Joseph Losey on the set. One photograph with the stamp of Israel Film Archive and a printed mimeo label on the verso. Based on the 1964 play "Hamp" by John Wilson in turn based on the 1955 novel "Return to the Wood" by James Lansdale Hodson. During World War I a British soldier is accused of desertion after being the sole survivor of his a bloody attack. 8 x 10 inches. Near Fine. N.p. unknown books
