11 058 résultats
1964réf. 157694N.p.: N.p. 1964. Vintage reference photograph from the 1964 film showing director Joseph Losey on the set. One photograph with the stamp of Israel Film Archive and a printed mimeo label on the verso. Based on the 1964 play "Hamp" by John Wilson in turn based on the 1955 novel "Return to the Wood" by James Lansdale Hodson. During World War I a British soldier is accused of desertion after being the sole survivor of his a bloody attack. 8 x 10 inches. Near Fine. N.p. unknown
1970réf. 144150Burbank CA: Sequoia Pictures 1970. Draft script for an unproduced film. Thriller set in Spain. American gangsters find themselves in the cross fire between armed revolutionaries and the military. Light blue titled wrappers with credits for screenwriter S. Lee Pogostin. Title page present with credits for screenwriter S. Lee Pogostin. 117 leaves with last page of text numbered 116. Mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Sequoia Pictures unknown books
1970réf. 144150Burbank CA: Sequoia Pictures 1970. Draft script for an unproduced film. Thriller set in Spain. American gangsters find themselves in the cross fire between armed revolutionaries and the military. Light blue titled wrappers with credits for screenwriter S. Lee Pogostin. Title page present with credits for screenwriter S. Lee Pogostin. 117 leaves with last page of text numbered 116. Mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Sequoia Pictures unknown
1985réf. 152301Burbank CA: Warner Brothers 1985. Revised Final Draft script for the 1986 television film seen here under the working title "Stolen Dreams" with an annotation on the front wrapper amending the title to "Killer in the Mirror." The film originally aired on March 31 1986 on NBC. Director-screenwriter Frank De Felitta has a storied career as a novelist screenwriter and director of horror films and thrillers with highlights including "The Entity" 1982 "Audrey Rose" 1977 "ZPG" 1972 and "Dark Night of the Scarecrow" 1981. A woman's evil twin marries her sister's wealthy beloved murders him fakes her own death and attempts to frame her sister for the murder. Blue titled wrappers. Title page present dated December 26 1985 noted as REV. FINAL DRAFT with credits for director-screenwriter Frank De Felitta. 123 leaves with last page of text numbered 111. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 12/27/85 and 01/27/86. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1986réf. 147643N.p.: Warner Brothers 1986. Five vintage studio still photographs from the 1986 television film housed in original glassine envelope. Premiered on NBC on March 31 1986. Ann Jillian stars as twin sisters Samantha and Karen. Evil twin Samantha steals her sister's wealthy boyfriend Jason Len Cariou marries and kills him then frames her sister for the murder. 8 x 10 inches. Near Fine. Warner Brothers unknown books
1985réf. 152301Burbank CA: Warner Brothers 1985. Revised Final Draft script for the 1986 television film seen here under the working title "Stolen Dreams" with an annotation on the front wrapper amending the title to "Killer in the Mirror." The film originally aired on March 31 1986 on NBC. Director-screenwriter Frank De Felitta has a storied career as a novelist screenwriter and director of horror films and thrillers with highlights including "The Entity" 1982 "Audrey Rose" 1977 "ZPG" 1972 and "Dark Night of the Scarecrow" 1981. A woman's evil twin marries her sister's wealthy beloved murders him fakes her own death and attempts to frame her sister for the murder. Blue titled wrappers. Title page present dated December 26 1985 noted as REV. FINAL DRAFT with credits for director-screenwriter Frank De Felitta. 123 leaves with last page of text numbered 111. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 12/27/85 and 01/27/86. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1973réf. 161101Amsterdam: Actueel Film NV 1973. Two vintage oversize photographs from the 1973 film. Both with the stamp of Actueel Film on the versos. A group of Interpol agents investigate the seemingly random killings of drug and pornography traffickers. Director Romain Gary was married to the film's star Jean Seberg at the time of production. Shot on location in Afghanistan in Comunidad Valenciana Murcia and Madrid Spain and in Tunisia. 11.5 x 9.5 inches. Very Good plus with pinholes at the corners repaired with paper tape on the verso. Actueel Film NV unknown books
1973réf. 161101Amsterdam: Actueel Film NV 1973. Two vintage oversize photographs from the 1973 film. Both with the stamp of Actueel Film on the versos. A group of Interpol agents investigate the seemingly random killings of drug and pornography traffickers. Director Romain Gary was married to the film's star Jean Seberg at the time of production. Shot on location in Afghanistan in Comunidad Valenciana Murcia and Madrid Spain and in Tunisia. 11.5 x 9.5 inches. Very Good plus with pinholes at the corners repaired with paper tape on the verso. Actueel Film NV unknown
1967réf. 159675Beverly Hills CA: United Artists 1967. Two vintage studio still photographs from the 1967 film. A ship's cargo is washed ashore in Hong Kong after a typhoon. The people living on the island claim the cargo as their own but a local powerful man threatens them all unless he is the sole owner of the cargo. The locals hire a mercenary to take him on. Set in New Territories Hong Kong shot on location in Hong Kong and Macau China. 8 x 10 inches. Near Fine. Weldon 1996. United Artists unknown books
1995réf. 7W-K1W9-QM9L1996 Faber & Faber paperback edition. Some reading wear inscription inside cover minor marks to edge else good condition. From the cover: 'Well I always wanted to make the teenage movie that I felt America never made. The great American teenage movie like the 'great American novel.' That's what I always wanted to do. I remember back in the fifties when I was a kid and the teenage movies were like City Across the River and Cassavetes was an actor in one and Tony Curtis was in one. And I would see these movies and I would say 'Those kids don't look like kids they're all older people they're all like grown-ups.' So right away they don't ring true. That's why some of the teenage movies that I do like - Over the Edge - the reason why I liked that movie was that they used kids the right age they actually used kids. Real kids. I knew my film had to be from the inside so I called this kid writer I knew through skateboarding and he came over and I told him what I wanted and he said 'I've been waiting all my life to write this' and he knocked out the screenplay in three weeks. I think when you see the movie Kids that most of us - not all of us but most of us - will say 'Yeah that's the way we were that's the way kids are.' - Larry Clark Larry Clark is one of the most important photographers of the last quarter century. Harmony Korine is 19 years old. Grove Press paperback
1980réf. 141505New York: Orner Productions 1980. Draft script for an unproduced film. A man loses his job and begins to doubt his ability to provide for his family. His wife encourages him to keep up appearances while pursuing his dreams. Title page integral with front wrapper dated March 11 1980 with credit for screenwriter Helene Flaster. 59 leaves with last page of text numbered 57. Xerographic duplication rectos only. Pages Near Fine unbound. Orner Productions unknown books
1980réf. 141505New York: Orner Productions 1980. Draft script for an unproduced film. A man loses his job and begins to doubt his ability to provide for his family. His wife encourages him to keep up appearances while pursuing his dreams. Title page integral with front wrapper dated March 11 1980 with credit for screenwriter Helene Flaster. 59 leaves with last page of text numbered 57. Xerographic duplication rectos only. Pages Near Fine unbound. Orner Productions unknown
1999réf. 135833London: Target Television 1999. Three Draft scripts for episodes two and three of the 1999 three-part television miniseries. This listing includes two separate drafts for episode 3. Also includes 13 pages of photocopied storyboards and six pages of call sheets and shooting location information. Copies belonging to make-up artist Teresa Kelly with her manuscript name and annotations to the later script for episode 3 the call sheet and the storyboards and filming information. The story of a family's struggle with a severely ADHD son and his improvement through the use of prescription drugs behavioral changes and a special school. Nominated for a British Academy Television Award and a Royal Television Society Award. Set in the United Kingdom shot on location in Hertfordshire England. Episode 2 of 3: Tall white self wrappers as issued dated 28th June 1999 with credits for screenwriter Marchant. Title page present integral with the front wrapper. 61 leaves with last page of text numbered 60. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with a single silver brad. Episode 3 of 3 28th June 1999: Tall white self wrappers as issued dated 28th June 1999 with credits for screenwriter Marchant. Title page present integral with the front wrapper. 70 leaves with last page of text numbered 69. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with a single silver brad. Episode 3 of 3 22nd July 1999: Tall white self wrappers as issued dated 22nd July 1999 with credits for screenwriter Marchant. Title page present integral with the front wrapper. 58 leaves with last page of text numbered 57. Mechanical duplication with pink and green revision pages throughout dated 31st July 1999 and 9th August 1999 respectively. Pages Near Fine wrapper Very Good plus bound with a single silver brad. Target Television unknown books
1999réf. 135833London: Target Television 1999. Three Draft scripts for episodes two and three of the 1999 three-part television miniseries. This listing includes two separate drafts for episode 3. Also includes 13 pages of photocopied storyboards and six pages of call sheets and shooting location information. Copies belonging to make-up artist Teresa Kelly with her manuscript name and annotations to the later script for episode 3 the call sheet and the storyboards and filming information. The story of a family's struggle with a severely ADHD son and his improvement through the use of prescription drugs behavioral changes and a special school. Nominated for a British Academy Television Award and a Royal Television Society Award. Set in the United Kingdom shot on location in Hertfordshire England. Episode 2 of 3: Tall white self wrappers as issued dated 28th June 1999 with credits for screenwriter Marchant. Title page present integral with the front wrapper. 61 leaves with last page of text numbered 60. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with a single silver brad. Episode 3 of 3 28th June 1999: Tall white self wrappers as issued dated 28th June 1999 with credits for screenwriter Marchant. Title page present integral with the front wrapper. 70 leaves with last page of text numbered 69. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with a single silver brad. Episode 3 of 3 22nd July 1999: Tall white self wrappers as issued dated 22nd July 1999 with credits for screenwriter Marchant. Title page present integral with the front wrapper. 58 leaves with last page of text numbered 57. Mechanical duplication with pink and green revision pages throughout dated 31st July 1999 and 9th August 1999 respectively. Pages Near Fine wrapper Very Good plus bound with a single silver brad. Target Television unknown
1973réf. 161148Beverly Hills CA: Twentieth Century-Fox 1973. Vintage program for the 1973 film which premiered at The Regent Theater in Westwood Village in Los Angeles on October 3 1973. With his cowboy days suddenly behind him as the American West becomes tame Kid Blue decides to try his hand at a factory job. He finds the routine workday to be monotonous and soon drifts back to the life he knew. Set in Texas shot on location in Mexico. 5.5 x 8.5 inches. Bi-fold. Very Good plus with light edgewear and an annotation in manuscript ink on the upper left of the front wrapper. Twentieth Century-Fox unknown books
1973réf. 161148Beverly Hills CA: Twentieth Century-Fox 1973. Vintage program for the 1973 film which premiered at The Regent Theater in Westwood Village in Los Angeles on October 3 1973. With his cowboy days suddenly behind him as the American West becomes tame Kid Blue decides to try his hand at a factory job. He finds the routine workday to be monotonous and soon drifts back to the life he knew. Set in Texas shot on location in Mexico. 5.5 x 8.5 inches. Bi-fold. Very Good plus with light edgewear and an annotation in manuscript ink on the upper left of the front wrapper. Twentieth Century-Fox unknown
1984réf. 147143N.p.: N.p. 1984. Revised Draft script for the 1985 film. With a single manuscript ink annotation on the front wrapper. A KGB sleeper agent is tasked with stealing top secret CIA microchips but decides to defect and use the microchips to hazard a deal with the US government instead. Shot on location in Los Angeles. White titled front wrapper lacking rear wrapper. Title page present dated 1/10/84 noted as Revised with credits for director Dwight H. Little and screenwriter Sandra K. Bailey. 104 leaves with last page of text numbered 100. Xerographic duplication rectos only. Pages Near Fine wrapper Good bound with three gold brads. N.p. unknown books
1984réf. 147143N.p.: N.p. 1984. Revised Draft script for the 1985 film. With a single manuscript ink annotation on the front wrapper. A KGB sleeper agent is tasked with stealing top secret CIA microchips but decides to defect and use the microchips to hazard a deal with the US government instead. Shot on location in Los Angeles. White titled front wrapper lacking rear wrapper. Title page present dated 1/10/84 noted as Revised with credits for director Dwight H. Little and screenwriter Sandra K. Bailey. 104 leaves with last page of text numbered 100. Xerographic duplication rectos only. Pages Near Fine wrapper Good bound with three gold brads. N.p. unknown
1987réf. 144497Paris: Gaumont 1987. Vintage oversize borderless photograph of Jean-Luc Godard from the 1987 film. With manuscript annotations on the verso. An experimental film that irreverently mixes genres twisting together a broad range of references to literature film comedy and the history of cinema. Starring Godard himself as a filmmaker thus blurring the fictional category from the outset. Made the same year as Godard's production of "King Lear." 12 x 9 inches. Near Fine. Olive Films 327. Gaumont unknown books
1987réf. 144497Paris: Gaumont 1987. Vintage oversize borderless photograph of Jean-Luc Godard from the 1987 film. With manuscript annotations on the verso. An experimental film that irreverently mixes genres twisting together a broad range of references to literature film comedy and the history of cinema. Starring Godard himself as a filmmaker thus blurring the fictional category from the outset. Made the same year as Godard's production of "King Lear." 12 x 9 inches. Near Fine. Olive Films 327. Gaumont unknown
1969réf. 146948N.p.: N.p. 1969. Revised Draft script for an unproduced Western film. With a single annotation in manuscript pencil on the front wrapper. Laid in with the script is a letter from Cinerama executive vice president Joseph M. Sugar to producer Mark Anthony noting the actors slated to appear in the film and confirming financing. Two criminals are pursued by a former lawman across Texas although their own working relationship rapidly deteriorates as they travel. Set in Texas. Light green titled wrappers. Title page present with credits for screenwriter ED BRENNAN. 103 leaves with last page of text numbered 102-109. Mimeograph duplication rectos only with pink and blue revision pages dated variously from 3/17/69 to 3/25/69. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1969réf. 146948N.p.: N.p. 1969. Revised Draft script for an unproduced Western film. With a single annotation in manuscript pencil on the front wrapper. Laid in with the script is a letter from Cinerama executive vice president Joseph M. Sugar to producer Mark Anthony noting the actors slated to appear in the film and confirming financing. Two criminals are pursued by a former lawman across Texas although their own working relationship rapidly deteriorates as they travel. Set in Texas. Light green titled wrappers. Title page present with credits for screenwriter ED BRENNAN. 103 leaves with last page of text numbered 102-109. Mimeograph duplication rectos only with pink and blue revision pages dated variously from 3/17/69 to 3/25/69. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1990réf. 147444New York: N.p. 1990. Two scripts for an unproduced film a 1983 First Draft script and a 1990 Draft script. The First Draft script titled "Kean: A Film Biography" contains a few annotations in manuscript marker of text and dialogue corrections. The 1990 Draft script is entitled "Kean: A Play for Life." Accompanying the First Draft script is a Laid in letter as well as photographically duplicated copy signed "Fred" with New York address and telephone number and dated 6/12/83 in manuscript marker from Frederic Kimball to producer Elliott Kastner. Kimball closes the letter with "I hope you are still interested. Al is." likely referring to Al Pacino a longtime confidant and collaborator on films such as "Looking for Richard" 1996 "Author Author" 1982 "Dick Tracy" 1990 and "And Justice for All" 1979. Also laid in is an additional copy of the first page of the First Draft script. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. A biopic on the tumultuous life of the 19th century British Shakespearean actor Edumund Kean. 1983 First Draft Script: Title page integral with wrapper dated 6/10/86 noted as First Draft with credits for screenwriter Frederic Kimball. 83 leaves with last page of text numbered 82. Offset duplication rectos only. Pages Near Fine unbound Laid in letter 8.5 x 11 inches. Very Good folded horizontally 1/2" from top with large 2 x 3 inch chip on top left and small closed tears on left side. 1990 Draft Script: Title page integral with wrapper dated 1990 with credits for screenwriter Frederic Kimball. 124 leaves with last page of text numbered 123. Xerographically reproduced. Pages Near Fine bound with prong binding. N.p. unknown books
1990réf. 147444New York: N.p. 1990. Two scripts for an unproduced film a 1983 First Draft script and a 1990 Draft script. The First Draft script titled "Kean: A Film Biography" contains a few annotations in manuscript marker of text and dialogue corrections. The 1990 Draft script is entitled "Kean: A Play for Life." Accompanying the First Draft script is a Laid in letter as well as photographically duplicated copy signed "Fred" with New York address and telephone number and dated 6/12/83 in manuscript marker from Frederic Kimball to producer Elliott Kastner. Kimball closes the letter with "I hope you are still interested. Al is." likely referring to Al Pacino a longtime confidant and collaborator on films such as "Looking for Richard" 1996 "Author Author" 1982 "Dick Tracy" 1990 and "And Justice for All" 1979. Also laid in is an additional copy of the first page of the First Draft script. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. A biopic on the tumultuous life of the 19th century British Shakespearean actor Edumund Kean. 1983 First Draft Script: Title page integral with wrapper dated 6/10/86 noted as First Draft with credits for screenwriter Frederic Kimball. 83 leaves with last page of text numbered 82. Offset duplication rectos only. Pages Near Fine unbound Laid in letter 8.5 x 11 inches. Very Good folded horizontally 1/2" from top with large 2 x 3 inch chip on top left and small closed tears on left side. 1990 Draft Script: Title page integral with wrapper dated 1990 with credits for screenwriter Frederic Kimball. 124 leaves with last page of text numbered 123. Xerographically reproduced. Pages Near Fine bound with prong binding. N.p. unknown
1978réf. 170201Burbank CA: National Broadcasting Company NBC 1978. Draft script for the 1978 television movie "Katie: Portrait of a Centerfold" seen here under the working title "Centerfold" which aired October 23 1978 on NBC. Copy belonging to unknown crew member Irwin Draper with his name in manuscript in on the front wrapper. One of Kim Basinger's earliest film roles and the film that would begin to transition her reputation away from being a model to that of a respected screen actress. Here she plays a Texas beauty queen who moves to Hollywood to seek her fame only to wind up posing for a centerfold. Set in Texas and California. Blue titled wrappers. Title page present dated May 25 1978 with credits for screenwriters Nancy Audley and Howard Chesley and producers Robert Greenwald and Frank von Zerneck. 113 leaves with last page of text numbered 111. Xerographic duplication. Pages and wrapper Fine bound with two copper brads. National Broadcasting Company [NBC] unknown books
