11.071 risultati
1955rif. 153202Burbank CA: Warner Brothers 1955. Four vintage reference photographs from the 1955 film together depicting a fight sequence involving James Dean and Julie Harris. Based on the 1952 novel by John Steinbeck about two brothers who struggle for the attentions and favor of their deeply religious emotionally troubled father. Winner of Best Dramatic Film at Cannes and nominated for the Palme d'Or. Actress Jo Van Fleet would go on to win a Best Supporting Actress Oscar and the film was nominated for three more Academy Awards including Best Director Best Screenplay and the first ever posthumous acting nomination in Academy history for Dean's lead performance. Set and shot on location in Monterey and Salinas California. 10 x 8 inches. Slightly faded else Near Fine. National Film Registry. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown
1974rif. 144984Universal City: Universal Pictures 1974. Three studio still photographs from the set of the 1974 film. With a mimeo snipe on the verso of each. A catastrophic earthquake destroys much of Los Angeles killing a huge number of citizens and leaving the rest to struggle for their lives. The film was hugely successful at the box office ranking as the third highest-grossing film of the year. Winner of the Academy Awards for Best Sound and Best Special Effects nominated for three others. Shot on location in Los Angeles. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1974rif. 145519Universal City: Universal Pictures 1974. Vintage studio still photograph of director Mark Robson and actress Ava Gardner on the set of the 1974 film. With a mimeo snipe on the verso. A catastrophic earthquake destroys much of Los Angeles killing a huge number of citizens and leaving the rest to struggle for their lives. The film was hugely successful at the box office ranking as the third highest-grossing film of the year. Winner of the Academy Awards for Best Sound and Best Special Effects nominated for three others. Shot on location in Los Angeles. 8 x 10 inches. Near Fine. Universal Pictures unknown books
rif. 169036Los Angeles: Tri-Star TriStar Pictures 1980. Draft script for an unproduced film written by noted horror and mystery writer Robert Bloch. Based on Gordon R. Dickson and Poul Anderson's "Hoka" comedy science fiction stories first compiled in the 1957 collection "Earthman's Burden" about a race of aliens who resemble teddy bears. Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. Navy Tri-Star Pictures wrappers with a title label affixed to the front wrapper. Lacking title page presumably as issued. 167 leaves with last page of text numbered 167. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Tri-Star [TriStar] Pictures unknown books
rif. BBS-2022275Tri-Star Pictures. Very Good. Unproduced script by Robert Bloch based on the novel by Anderson and Dickson. In a navy folder branded with Tri-Star Pictures bound with metal button clasps. Folder is very good with light shelf-wear and edgewear. Metal clasps are secure free of rust; they have also scraped into the inside back cover a little. Binding sound. 167 pages are bound in with 9 additional revision pages laid-in. Revision pages toned; original pages bright. Free of markings. Tri-Star Pictures unknown
rif. 169036Los Angeles: Tri-Star TriStar Pictures 1980. Draft script for an unproduced film written by noted horror and mystery writer Robert Bloch. Based on Gordon R. Dickson and Poul Anderson's "Hoka" comedy science fiction stories first compiled in the 1957 collection "Earthman's Burden" about a race of aliens who resemble teddy bears. Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. Navy Tri-Star Pictures wrappers with a title label affixed to the front wrapper. Lacking title page presumably as issued. 167 leaves with last page of text numbered 167. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Tri-Star [TriStar] Pictures unknown
1956rif. 152463Tokyo: Shochiku 1956. Vintage borderless reference photograph from the 1956 film. With manuscript ink annotations on the verso noting the film's title and the names of director Yasujiro Ozu and actor Chishu Ryu. From the archive of film historian and author Joel Finler. A married white-collar worker begins an affair at his job with a young woman nicknamed Goldfish. Ozu's first film after a three year hiatus and one of the last of his marriage-related films. Set and shot on location in Tokyo Okayama Shiga and Kanagawa. 6 x 4.5 inches. Near Fine. Criterion Eclipse 3. Shochiku unknown books
1956rif. 152463Tokyo: Shochiku 1956. Vintage borderless reference photograph from the 1956 film. With manuscript ink annotations on the verso noting the film's title and the names of director Yasujiro Ozu and actor Chishu Ryu. From the archive of film historian and author Joel Finler. A married white-collar worker begins an affair at his job with a young woman nicknamed Goldfish. Ozu's first film after a three year hiatus and one of the last of his marriage-related films. Set and shot on location in Tokyo Okayama Shiga and Kanagawa. 6 x 4.5 inches. Near Fine. Criterion Eclipse 3. Shochiku unknown
1970rif. 140924Levallois France: Crosnier 1970. Treatment script for an unproduced film. A young nurse working as the caretaker of an elderly rich man is invited to attend the funeral of the man's prized horse. It is soon revealed that the horse may not be dead after all. Green untitled wrappers with a die-cut title window in the British style. Title page present with credit for screenwriter Marc Grunebaum. 127 leaves with last leaf of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Crosnier unknown books
1970rif. 140924Levallois France: Crosnier 1970. Treatment script for an unproduced film. A young nurse working as the caretaker of an elderly rich man is invited to attend the funeral of the man's prized horse. It is soon revealed that the horse may not be dead after all. Green untitled wrappers with a die-cut title window in the British style. Title page present with credit for screenwriter Marc Grunebaum. 127 leaves with last leaf of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Crosnier unknown
1948rif. 173095London: Curzon Film Distributors 1948. Vintage reference photograph from the British release of the 1948 French film. With a Curzon Film Distributors stamp on the verso with a manuscript ink annotation identifying the film under the English language title "Dedee." Based on the 1939 novel by Henri La Barthe writing as Ashelbé. A sex worker falls in love with a sailor and tries to escape life with her pimp. Set in Antwerp. 8 x 10 inches. Very Good with creasing at the left of the photograph. Grant France. Selby France. Curzon Film Distributors unknown books
1972rif. 158656N.p.: N.p. 1972. Vintage reference photograph of actress Jenny Runacre from the 1972 film. Layout annotations in manuscript pencil on the verso along with the stamp of The Other Cinema in London and an Alternative Arts stamp with the film title. Stephen Dwoskin's second feature film. Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. 10 x 8 inches. Very Good plus. N.p. unknown books
1972rif. 158656N.p.: N.p. 1972. Vintage reference photograph of actress Jenny Runacre from the 1972 film. Layout annotations in manuscript pencil on the verso along with the stamp of The Other Cinema in London and an Alternative Arts stamp with the film title. Stephen Dwoskin's second feature film. Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. 10 x 8 inches. Very Good plus. N.p. unknown
1967rif. 157986N.p.: N.p. 1967. Four vintage studio still photographs from the 1967 film. One with annotations in manuscript ink and pencil on the verso regarding cropping. From the archive of film historian and author Joel Finler. A bold film adaptation of the controversial allegorical drama by Amiri Baraka writing here as he often did in the 1960s as Leroi Jones. An erratic white woman meets an African American man on a subway car. When he begins to respond to her erotic advances she begins to taunt him viciously goading him until he explodes into violence. Anthony Anthony Harvey's important and still impactful first directorial effort followed by many successful films including "The Lion in Winter" 1968 "They Might Be Giants" 1971 and "The Glass Menagerie" 1973. Set in New York with subway exteriors shot in Manhattan and interiors shot in London. 10 x 8 inches. Near Fine. N.p. unknown books
1967rif. 157986N.p.: N.p. 1967. Four vintage studio still photographs from the 1967 film. One with annotations in manuscript ink and pencil on the verso regarding cropping. From the archive of film historian and author Joel Finler. A bold film adaptation of the controversial allegorical drama by Amiri Baraka writing here as he often did in the 1960s as Leroi Jones. An erratic white woman meets an African American man on a subway car. When he begins to respond to her erotic advances she begins to taunt him viciously goading him until he explodes into violence. Anthony Anthony Harvey's important and still impactful first directorial effort followed by many successful films including "The Lion in Winter" 1968 "They Might Be Giants" 1971 and "The Glass Menagerie" 1973. Set in New York with subway exteriors shot in Manhattan and interiors shot in London. 10 x 8 inches. Near Fine. N.p. unknown
1975rif. 149660Paris: Sofracima 1975. Vintage oversize borderless color reference photograph from the 1975 film showing actress Isabelle Huppert. With the stamp of Cine-Voc Films on the verso. A middle-aged man on his annual family camping vacation rapes and murders the teenage daughter of his old friends then frames a group of Arab immigrant workers for the crime. 12 x 9.5 inches. Very Good plus with pinholes to the corners and light wear to the top edge. Sofracima unknown books
1975rif. 149660Paris: Sofracima 1975. Vintage oversize borderless color reference photograph from the 1975 film showing actress Isabelle Huppert. With the stamp of Cine-Voc Films on the verso. A middle-aged man on his annual family camping vacation rapes and murders the teenage daughter of his old friends then frames a group of Arab immigrant workers for the crime. 12 x 9.5 inches. Very Good plus with pinholes to the corners and light wear to the top edge. Sofracima unknown
1960rif. 141008N.p.: N.p. 1960. Treatment script for an unproduced film. Signature of reader Ilse Lahn of the Paul Kohner Agency on the title page in manuscript ink. Three men rob a bank and almost get away with it until a young ventriloquist intervenes allowing the lawmen to capture the crooks. Lacking wrappers. Title page present with credit for screenwriter Jack Lewis. Six leaves with last page of text numbered five. Mimeograph duplication rectos only. Pages Very Good plus bound with a staple. N.p. unknown books
1960rif. 141008N.p.: N.p. 1960. Treatment script for an unproduced film. Signature of reader Ilse Lahn of the Paul Kohner Agency on the title page in manuscript ink. Three men rob a bank and almost get away with it until a young ventriloquist intervenes allowing the lawmen to capture the crooks. Lacking wrappers. Title page present with credit for screenwriter Jack Lewis. Six leaves with last page of text numbered five. Mimeograph duplication rectos only. Pages Very Good plus bound with a staple. N.p. unknown
1946rif. 151733Los Angeles: Vanguard Films 1946. Promotional folder for the 1946 film on heavy buff card stock with large "Duel in the Sun" black and red logo on face of folder and "Duel in the Sun Pictures and Stories" printed on upper tab. Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. Set in Texas shot on location in Arizona and California. 11.75 x 9.5 inches. Near Fine Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Vanguard Films unknown books
1947rif. 143180Los Angeles: Selznick International 1947. Post-production Footage Schedule script for the 1946 film complete as issued by Selznick Studios. Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. Set in Texas shot on location in Arizona and California. Footage schedule script prints 308-437 dated May 10 1947. Blue titled wrappers three staples 3 leaves. Near Fine. Selznick International unknown books
1947rif. 151729Los Angeles: Selznick International 1947. Censorship Cuts script for the 1946 film. Based on the 1944 novel by Niven Busch. A recently orphaned girl is sent to live with her father's cousin. When both of sons take a liking to her she must make a decision amid their growing conflict. Set in Texas shot on location in Arizona and California. Gray titled wrappers noted as Censorship Cuts on the front wrapper. Title page integral with first page dated July 31 1947 noted as Censorship Cuts. 4 leaves with last page of text numbered 4. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Selznick International unknown books
1947rif. 151728Los Angeles: Selznick International 1947. Trailer #3 Dialogue Cutting Continuity script for the 1946 film. Based on the 1944 novel by Niven Busch. A recently orphaned girl is sent to live with her father's cousin. When both of sons take a liking to her she must make a decision amid their growing conflict. Set in Texas shot on location in California and Arizona. Gray titled wrappers noted as Trailer #3 Dialogue Cutting Continuity on the front wrapper dated May 29 1947. 4 leaves with last page of text numbered 4. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two staples along the top edge. Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Selznick International unknown books
1947rif. 143493Los Angeles: Selznick International 1947. Music Timing Schedule for the 1946 film. Based on the 1944 novel by Niven Busch. A recently orphaned girl is sent to live with her father's cousin. When both of sons take a liking to her she must make a decision amid their growing conflict. Set in Texas shot on location in California and Arizona. Tall white self-wrappers production No. 103 dated June 10 1947 with credits for musical director Dimitri Tiomkin. 11 leaves with last page of text numbered 11. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with one staple at the top left corner. Selznick International unknown books
1946rif. 159853Culver City CA: Selznick International 1946. Two vintage borderless reference photographs and two vintage bordered reference photographs of director King Vidor on the set of the 1946 Western film. Three linen-backed with printed mimeo snipes affixed to the verso. Based on Niven Busch's 1944 novel. Two brothers fight over their love for a young relative while their father attempts to sway railroad builders from constructing a new line on his land. A lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939. Set in Texas shot on location in Arizona and California. Two 9.5 x 7.25 inches two 10 x 8 inches. Generally Very Good plus with light creasing and wear on the edges. Hardy p. 152. Pitts 1187. Selznick International unknown books
