11.046 risultati
2006rif. 156849Columbia NC: HPE Rights 2006. Shooting script for the 2007 neo-noir film. Based on the 1975 novel by Brian Garfield the sequel to his 1972 novel "Death Wish." Kevin Bacon seeks revenge after seeing his son killed in a gang initiation. Set in Columbia South Carolina shot on location in Columbia South Carolina and Los Angeles. Front wrapper dated 8/11/06 noted as Shooting Script with credits for screenwriter Ian Mackenzie Jeffers. 126 leaves with last page of text numbered 106. Xerographic duplication rectos only with pink and yellow revision pages throughout dated variously between 9/13/06 and 9/14/06. Pages Near Fine bound with two gold brads. Grant US Neo-Noir. HPE Rights unknown
1972rif. 132510Culver City CA: Columbia Pictures 1972. Draft script for the 1973 film. Copy belonging to actress Tresa Hughes with her annotations and yellow revision leaves throughout. Rita a middle aged New York City homemaker finds herself in an emotional crisis which forces her to re-examine her life as well as her relationships with her mother her eye doctor husband her alienated daughter and estranged son. Hughes was nominated for a Tony award for Best Actress for her role in the 1961 production of "The Devil's Advocate." Black titled wrappers with credits for screenwriter Stern. Title page present with credits for screenwriter Stern. 112 leaves mimeograph duplication with yellow revision pages throughout all dated 10/6/72. Pages Near Fine wrapper Very Good bound with two gold screw brads. Columbia Pictures unknown books
1955rif. 144737Culver City CA: RKO Radio Pictures 1955. Second Revised Draft script for the 1956 film noir. Loosely based on the death of Russian-born financier Serge Rubinstein. Copy belonging to Guy Prescott who plays an uncredited role in the film as the assistant to Captain LaFarge played by Morris Ankrum with Prescott's manuscript annotations at the inclusion of his dialogue and appearances. George Sanders plays a wealthy hated businessman who has conned his way to the top and as the film begins has been found murdered. We see his life in a series of flashbacks as it is told to the police by his secretary and fellow con artist Yvonne DeCarlo. One of only two films in which Saunders and his real-life brother Tom Conway also play brothers onscreen. Shot on location in New York City and California. Tan titled wrappers noted as 2ND REVISION on the front wrapper copy No. 54 dated December 29 1955 with credits for producer Charles Martin. Title page present dated December 29 1955 noted as 2ND REVISE with credits for screenwriter/producer Martin. 179 leaves with last page of text numbered 190. Mimeograph duplication rectos only with blue and pink undated revision pages throughout. Pages Near Fine wrapper Very Good plus bound with two gold brads. Grant US. Selby US. Spicer US. RKO Radio Pictures unknown books
1968rif. 163595Universal City: Universal Pictures 1968. Vintage bound production budget and two cost reports for the 1969 Western film. This grouping of documentation does NOT include the film's script. Based on the 1968 novel by Lewis B. Patten. An old-fashioned lawman is fired after killing a man in self-defense but refuses to resign resulting in violence on both sides. Actor Richard Widmark was dissatisfied with the film's original director Robert Totten and arranged to have him replaced by Don Siegel. Each director felt that the film did not represent his creative vision and the resultant dispute over the directorial credit led the Directors Guild of America to create the pseudonym Alan Smithee. Set in the fictional Cottonwood Springs shot on location in California and Arizona. Tall green Universal Pictures leatherette wrappers dated June 26 1968 noted as production No. 2022 with credits for Totten actors Richard Widmark and Lena Horne and producer Richard Lyons. Approximately 50 leaves. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver screw brads. Pitts 1015. Universal Pictures unknown books
1955rif. 144737Culver City CA: RKO Radio Pictures 1955. Second Revised Draft script for the 1956 film noir. Loosely based on the death of Russian-born financier Serge Rubinstein. Copy belonging to Guy Prescott who plays an uncredited role in the film as the assistant to Captain LaFarge played by Morris Ankrum with Prescott's manuscript annotations at the inclusion of his dialogue and appearances. George Sanders plays a wealthy hated businessman who has conned his way to the top and as the film begins has been found murdered. We see his life in a series of flashbacks as it is told to the police by his secretary and fellow con artist Yvonne DeCarlo. One of only two films in which Saunders and his real-life brother Tom Conway also play brothers onscreen. Shot on location in New York City and California. Tan titled wrappers noted as 2ND REVISION on the front wrapper copy No. 54 dated December 29 1955 with credits for producer Charles Martin. Title page present dated December 29 1955 noted as 2ND REVISE with credits for screenwriter/producer Martin. 179 leaves with last page of text numbered 190. Mimeograph duplication rectos only with blue and pink undated revision pages throughout. Pages Near Fine wrapper Very Good plus bound with two gold brads. Grant US. Selby US. Spicer US. RKO Radio Pictures unknown
1968rif. 163595Universal City: Universal Pictures 1968. Vintage bound production budget and two cost reports for the 1969 Western film. This grouping of documentation does NOT include the film's script. Based on the 1968 novel by Lewis B. Patten. An old-fashioned lawman is fired after killing a man in self-defense but refuses to resign resulting in violence on both sides. Actor Richard Widmark was dissatisfied with the film's original director Robert Totten and arranged to have him replaced by Don Siegel. Each director felt that the film did not represent his creative vision and the resultant dispute over the directorial credit led the Directors Guild of America to create the pseudonym Alan Smithee. Set in the fictional Cottonwood Springs shot on location in California and Arizona. Tall green Universal Pictures leatherette wrappers dated June 26 1968 noted as production No. 2022 with credits for Totten actors Richard Widmark and Lena Horne and producer Richard Lyons. Approximately 50 leaves. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver screw brads. Pitts 1015. Universal Pictures unknown
1972rif. 132510Culver City CA: Columbia Pictures 1972. Draft script for the 1973 film. Copy belonging to actress Tresa Hughes with her annotations and yellow revision leaves throughout. Rita a middle aged New York City homemaker finds herself in an emotional crisis which forces her to re-examine her life as well as her relationships with her mother her eye doctor husband her alienated daughter and estranged son. Hughes was nominated for a Tony award for Best Actress for her role in the 1961 production of "The Devil's Advocate." Black titled wrappers with credits for screenwriter Stern. Title page present with credits for screenwriter Stern. 112 leaves mimeograph duplication with yellow revision pages throughout all dated 10/6/72. Pages Near Fine wrapper Very Good bound with two gold screw brads. Columbia Pictures unknown
1958rif. 152538N.p.: N.p. 1958. Archive of production material for an unproduced television presentation presumably a pilot seen here under its alternate title "Silent Enemy." Included are one partial draft script several letters and memos between screenwriter Arthur Hailey agent Maeve Southgate and Theatre Guild executives William Herman and Arthur Heinemann. Also in the archive are several memos from within the Theatre Guild office discussing revisions to the script and ultimately declining to move ahead with production. Dated variously between May 12 and September 5 1958 with a three-page manuscript summary of revisions made to the script ostensibly in Hailey's hand and two carbon typescript summaries of the same. As noted in several letters from Maeve Southgate Hailey's screenplay was previously used for the television episode "Death Minus One" which aired on BBC on the British television anthology series "Encounter" on January 28 1958. A young American girl visiting her cousin in London is trapped when postwar ruins collapse leading a police sergeant to rescue her. As he works to retrieve the girl The sergeant discovers an unexploded bomb with her among the rubble. Set in London. Draft script: Lacking wrappers and title page. Approximately 60 leaves. Mimeograph duplication rectos only. Pages Near Fine unbound. All other materials lightly creased to the edges else Near Fine overall. Pagination available upon request. N.p. unknown books
1958rif. 152538N.p.: N.p. 1958. Archive of production material for an unproduced television presentation presumably a pilot seen here under its alternate title "Silent Enemy." Included are one partial draft script several letters and memos between screenwriter Arthur Hailey agent Maeve Southgate and Theatre Guild executives William Herman and Arthur Heinemann. Also in the archive are several memos from within the Theatre Guild office discussing revisions to the script and ultimately declining to move ahead with production. Dated variously between May 12 and September 5 1958 with a three-page manuscript summary of revisions made to the script ostensibly in Hailey's hand and two carbon typescript summaries of the same. As noted in several letters from Maeve Southgate Hailey's screenplay was previously used for the television episode "Death Minus One" which aired on BBC on the British television anthology series "Encounter" on January 28 1958. A young American girl visiting her cousin in London is trapped when postwar ruins collapse leading a police sergeant to rescue her. As he works to retrieve the girl The sergeant discovers an unexploded bomb with her among the rubble. Set in London. Draft script: Lacking wrappers and title page. Approximately 60 leaves. Mimeograph duplication rectos only. Pages Near Fine unbound. All other materials lightly creased to the edges else Near Fine overall. Pagination available upon request. N.p. unknown
1977rif. 152290N.p.: N.p. 1977. Draft script for an unproduced film. A class of predominantly Black students at Howard University College of Medicine share a variety of humorous sentimental and unusual experiences in their time at the school. Jefferson previously worked as a screenwriter for "Disco 9000" 1977 and "Death Drug" 1978. Set in Washington DC. Brown titled wrappers. Title page present with credits for screenwriter Roland S. Jefferson and story credits to Jefferson and Eric P. Jones. 149 leaves with last page of text numbered 133. Xerographic duplication rectos only with blue pink yellow and green revision pages throughout dated variously between 4/16/77 and 4/20/77. Pages and wrapper Very Good plus bound with two gold brads. N.p. unknown books
1977rif. 152290N.p.: N.p. 1977. Draft script for an unproduced film. A class of predominantly Black students at Howard University College of Medicine share a variety of humorous sentimental and unusual experiences in their time at the school. Jefferson previously worked as a screenwriter for "Disco 9000" 1977 and "Death Drug" 1978. Set in Washington DC. Brown titled wrappers. Title page present with credits for screenwriter Roland S. Jefferson and story credits to Jefferson and Eric P. Jones. 149 leaves with last page of text numbered 133. Xerographic duplication rectos only with blue pink yellow and green revision pages throughout dated variously between 4/16/77 and 4/20/77. Pages and wrapper Very Good plus bound with two gold brads. N.p. unknown
1971rif. 151550N.p.: Alfa Cinematografica 1971. Vintage oversize borderless reference photograph of Luchino Visconti and Silvana Mangano on the set of the 1971 film. Mimeo snipe "Parimage" stamp and "Camera Press" stamp on verso. Based on Thomas Mann's 1912 novella. Mann's lonely and obsessed novelist was transformed by Visconti into a composer based on Mahler who travels to Venice for his health and becomes increasingly obsessed with an adolescent Polish boy. The middle film of Visconit's "German Trilogy" an impressionistic conceptual cycle that begins with "The Damned" 1969 and ends with "Ludwig" 1972. Nominated for an Academy Award and for the Palm d'Or. Shot on location in Venice Italy. 12 x 9 inches. Very Good plus with some creasing and two small closed tears to left edge. Criterion Collection 962. Vogel Film as a Subversive Art. Alfa Cinematografica unknown books
1971rif. 151550N.p.: Alfa Cinematografica 1971. Vintage oversize borderless reference photograph of Luchino Visconti and Silvana Mangano on the set of the 1971 film. Mimeo snipe "Parimage" stamp and "Camera Press" stamp on verso. Based on Thomas Mann's 1912 novella. Mann's lonely and obsessed novelist was transformed by Visconti into a composer based on Mahler who travels to Venice for his health and becomes increasingly obsessed with an adolescent Polish boy. The middle film of Visconit's "German Trilogy" an impressionistic conceptual cycle that begins with "The Damned" 1969 and ends with "Ludwig" 1972. Nominated for an Academy Award and for the Palm d'Or. Shot on location in Venice Italy. 12 x 9 inches. Very Good plus with some creasing and two small closed tears to left edge. Criterion Collection 962. Vogel Film as a Subversive Art. Alfa Cinematografica unknown
1968rif. 158067N.p.: N.p. 1968. Draft script for an unproduced film. In 1908 a deformed man in a small midwestern city becomes involved in an illicit grave digging operation in order to finance his wheelchair-bound sweetheart's surgery. Screenwriter Donald L. Brodie was best known as a character actor appearing in over 250 films and television programs between the late 1920s and late 1980s. He directed one film "A Fig Leaf for Eve" in 1944. Gray wrappers with a typed title label affixed to the front wrapper. Title page present noting a copyright date of July 10 1968 with credits for screenwriter Donald L. Brodie. 80 leaves with last page of text numbered 79. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. N.p. unknown books
1968rif. 158067N.p.: N.p. 1968. Draft script for an unproduced film. In 1908 a deformed man in a small midwestern city becomes involved in an illicit grave digging operation in order to finance his wheelchair-bound sweetheart's surgery. Screenwriter Donald L. Brodie was best known as a character actor appearing in over 250 films and television programs between the late 1920s and late 1980s. He directed one film "A Fig Leaf for Eve" in 1944. Gray wrappers with a typed title label affixed to the front wrapper. Title page present noting a copyright date of July 10 1968 with credits for screenwriter Donald L. Brodie. 80 leaves with last page of text numbered 79. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1968rif. 147160Unknown: Unknown 1968. Draft script for the 1968 film. A pitch black comedy about a man sentenced to death who survives his hanging leading to a two-hour debate among his executioners over how best to handle the situation. Loosely based on a 1958 crime and execution and a rare for its time discussion of the discrimination faced by ethnic Koreans in Japanese society. Black titled wrappers. Title page present rubber-stamped copy No. 035. Approximately 130 leaves with last page of text numbered h-8. Mimeograph duplication rectos and versos. Pages Near Fine wrapper Near Fine with perfect binding. Criterion Collection 798. Rosenbaum 1000. Vogel Film as a Subversive Art. Unknown unknown books
1968rif. 147160Unknown: Unknown 1968. Draft script for the 1968 film. A pitch black comedy about a man sentenced to death who survives his hanging leading to a two-hour debate among his executioners over how best to handle the situation. Loosely based on a 1958 crime and execution and a rare for its time discussion of the discrimination faced by ethnic Koreans in Japanese society. Black titled wrappers. Title page present rubber-stamped copy No. 035. Approximately 130 leaves with last page of text numbered h-8. Mimeograph duplication rectos and versos. Pages Near Fine wrapper Near Fine with perfect binding. Criterion Collection 798. Rosenbaum 1000. Vogel Film as a Subversive Art. Unknown unknown
1986rif. 140590Atlanta GA: New World Pictures 1986. Revised Draft script for the 1987 film. With a few annotations in manuscript pencil throughout. Gunnery Sergeant Burns Dryer is sent to the Middle East where he acts as a guard at the local US Embassy. However due to the pacific nature of the ambassador the marine corps detachment is severely limited in their ability to protect the base thus allowing terrorists to take over and take everyone hostage except Burns. Now Burns must act as an army of one to defeat the terrorists and save the Americans. Set in the Middle East. White titled self wrappers noted as Revised Draft on the front wrapper dated February 24 1986 with credits for screenwriter John Gatliff. 117 leaves with last page of text numbered 106. Photographically reprodcued with revision pages dated between February 18 1986 and February 24 1986. Pages Very Good plus wrapper missing bound with two gold brads. New World Pictures unknown books
1986rif. 140590Atlanta GA: New World Pictures 1986. Revised Draft script for the 1987 film. With a few annotations in manuscript pencil throughout. Gunnery Sergeant Burns Dryer is sent to the Middle East where he acts as a guard at the local US Embassy. However due to the pacific nature of the ambassador the marine corps detachment is severely limited in their ability to protect the base thus allowing terrorists to take over and take everyone hostage except Burns. Now Burns must act as an army of one to defeat the terrorists and save the Americans. Set in the Middle East. White titled self wrappers noted as Revised Draft on the front wrapper dated February 24 1986 with credits for screenwriter John Gatliff. 117 leaves with last page of text numbered 106. Photographically reprodcued with revision pages dated between February 18 1986 and February 24 1986. Pages Very Good plus wrapper missing bound with two gold brads. New World Pictures unknown
1990rif. 164014Los Angeles: Astoria Films 1990. Draft script for an unproduced film. From the archive of crew member Chris Scher. Based on the 1981 novel by Richard Hugo. A kindhearted homicide cop moves from Seattle to rural Montana hoping to lead a more peaceful life-a hope that is dashed when he is called to investigate a string of gruesome ax murders. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present undated with credits for Hugo and screenwriter Michael Hacker. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages about Near Fine bound with two gold brads. Astoria Films unknown books
1990rif. 164014Los Angeles: Astoria Films 1990. Draft script for an unproduced film. From the archive of crew member Chris Scher. Based on the 1981 novel by Richard Hugo. A kindhearted homicide cop moves from Seattle to rural Montana hoping to lead a more peaceful life-a hope that is dashed when he is called to investigate a string of gruesome ax murders. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present undated with credits for Hugo and screenwriter Michael Hacker. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages about Near Fine bound with two gold brads. Astoria Films unknown
1964rif. 159177Burbank CA: Warner Brothers 1964. Vintage studio still photograph from the 1964 film. A woman visiting New York City on business meets a man at her hotel that she is interested in until she learns he is soon-to-be-married. The man questioning whether he is ready to settle down takes an interest in her. Set in and shot on location in New York City. 10 x 8 inches. About Fine. Warner Brothers unknown books
1965rif. 147913Los Angeles: Twentieth Century-Fox 1965. Two vintage studio still photographs of James Stewart and Glynis Johns from the 1965 film. Both with "Silver Screen Archives" stamp on the verso. Based on John Haase's 1963 novel Erasmus with Freckles. The bumbling Robet Leaf Stewart is a poet and Arts professor at the local university who shuns all things scientific. When its revealed his young son Erasmus Bill Mumy has no artistic abilities but is a mathematic genius the professor's life suddenly becomes much more complicated. With an appearance by Brigitte Bardot as herself. Set in and shot on location in Sausalito California and Paris. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1969rif. 161745N.p.: Distribpix 1969. Two vintage studio still photographs from the 1969 film. Provenance stamps on the versos. When middle-aged Chandler finds himself impotent due to astrological reasons his young bride finds satisfaction elsewhere. Shot on location in New York. 8 x 10 inches. Very Good plus one with a wax pencil annotation in the bottom margin. Distribpix unknown books
1969rif. 161745N.p.: Distribpix 1969. Two vintage studio still photographs from the 1969 film. Provenance stamps on the versos. When middle-aged Chandler finds himself impotent due to astrological reasons his young bride finds satisfaction elsewhere. Shot on location in New York. 8 x 10 inches. Very Good plus one with a wax pencil annotation in the bottom margin. Distribpix unknown
