11.065 risultati
1960rif. 163709Universal City: Universal International Pictures 1960. Vintage full color banner poster for the 1960 film with a "Classified By Ontario Board of Censors as Adult Entertainment" label on the lower right. Rare in this format. Steve Allen stars as a sociology professor accused of corrupting the students morals after conducting a survey about their lifestyles and sexual habits. An unofficial follow-up to the hit 1958 film "High School Confidential!" 118.5 x 24 inches. Very Good plus with censor label partially detached. Bright and unfaded. Universal International Pictures unknown
1964rif. 134845Various cities: Various studios 1964. Collection of 49 vintage still photographs from various film adaptations of Tennessee Williams plays. All stills are black and white and US issue unless otherwise noted. Included are: A STREETCAR NAMED DESIRE 1951 Elia Kazan 1 press photograph of Marlon Brando and Kim Hunter with TCF stamp and press annotations on the verso. THE ROSE TATTOO 1955 Daniel Mann. 14 US studio photographs THE LONG HOT SUMMER 1958 Martin Ritt Eight British front of house cards. Front-of-house cards are the equivalent of US lobby cards but the same size as US color stills and typically have images that do not appear on US lobby cards and stills. 8 x 10 inches. Very minor wear at the extremities about Near Fine overall. A film based on several literary sources including William Faulkner's "The Hamlet" Faulkner short stories "Barn Burning" and "Spotted Horses" as well as Tennessee Williams' "Cat on a Hot Tin Roof." SUDDENLY LAST SUMMER 1959 Joseph L. Mankiewicz 1 press photograph of Elizabeth Taylor and Montgomery Clift with press annotations on the verso. 6 British front of house cards with the rating of "X" then in use in Great Britain. SUMMER AND SMOKE 1961 Peter Glenville 12 studio still photographs 2 with press annotations on the verso and 1 on the recto at the margin. SWEET BIRD OF YOUTH 1962 Richard Brooks. 1 still photograph of Paul Newman and Geraldine Page with a mimeo ditto-style snipe describing the scene printed on the verso. NIGHT OF THE IGUANA 1964 John Huston 1 still photograph of Richard Burton grabbing a long blade. Various studios unknown books
1964rif. 134845Various cities: Various studios 1964. Collection of 49 vintage still photographs from various film adaptations of Tennessee Williams plays. All stills are black and white and US issue unless otherwise noted. Included are: A STREETCAR NAMED DESIRE 1951 Elia Kazan 1 press photograph of Marlon Brando and Kim Hunter with TCF stamp and press annotations on the verso. THE ROSE TATTOO 1955 Daniel Mann. 14 US studio photographs THE LONG HOT SUMMER 1958 Martin Ritt Eight British front of house cards. Front-of-house cards are the equivalent of US lobby cards but the same size as US color stills and typically have images that do not appear on US lobby cards and stills. 8 x 10 inches. Very minor wear at the extremities about Near Fine overall. A film based on several literary sources including William Faulkner's "The Hamlet" Faulkner short stories "Barn Burning" and "Spotted Horses" as well as Tennessee Williams' "Cat on a Hot Tin Roof." SUDDENLY LAST SUMMER 1959 Joseph L. Mankiewicz 1 press photograph of Elizabeth Taylor and Montgomery Clift with press annotations on the verso. 6 British front of house cards with the rating of "X" then in use in Great Britain. SUMMER AND SMOKE 1961 Peter Glenville 12 studio still photographs 2 with press annotations on the verso and 1 on the recto at the margin. SWEET BIRD OF YOUTH 1962 Richard Brooks. 1 still photograph of Paul Newman and Geraldine Page with a mimeo ditto-style snipe describing the scene printed on the verso. NIGHT OF THE IGUANA 1964 John Huston 1 still photograph of Richard Burton grabbing a long blade. Various studios unknown
rif. 140712Palos Verdes Peninsula CA: Capitol International Pictures. Draft script for an unproduced film. With a few annotations in manuscript ink throughout. Alex the playwright daughter of a famous actress is taking her mother's body to her homeland of Greece to bury her when she meets Kristo a married man whose wife is pregnant with his brother's child. They begin a serendipitous romance in Athens starting completely anew until everything starts to fall apart with Kristo's university friend trying to sleep with Alex until he reveals he is actually a homosexual the death of Kristo's brother and Alex's husband running into all of them at a party. Set in Athens. White titled wrappers. Title page present with credits for screenwriter Walter Anton White. 165 leaves with last page of text numbered 164. Mechanical duplication Pages Near Fine wrapper Near Fine bound with two gold brads. Capitol International Pictures unknown books
rif. 140712Palos Verdes Peninsula CA: Capitol International Pictures. Draft script for an unproduced film. With a few annotations in manuscript ink throughout. Alex the playwright daughter of a famous actress is taking her mother's body to her homeland of Greece to bury her when she meets Kristo a married man whose wife is pregnant with his brother's child. They begin a serendipitous romance in Athens starting completely anew until everything starts to fall apart with Kristo's university friend trying to sleep with Alex until he reveals he is actually a homosexual the death of Kristo's brother and Alex's husband running into all of them at a party. Set in Athens. White titled wrappers. Title page present with credits for screenwriter Walter Anton White. 165 leaves with last page of text numbered 164. Mechanical duplication Pages Near Fine wrapper Near Fine bound with two gold brads. Capitol International Pictures unknown
1983rif. 153889N.p.: N.p. 1983. Draft script for the 1985 film here under the working title "Emerald." Based on the 1984 novel "The Emerald Illusion" about a German secret agent who faces off with an American spy in a prison in occupied France during World War II. Screenwriter and novelist Ronald Bass would go on to win an Academy Award in 1988 for his screenplay for "Rain Man." Set in Germany shot on location in France. Green untitled wrappers. Title page present dated August 24 1983 with credits for screenwriter and novelist Ronald Bass. 118 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages and wrapper Very Good plus with dampstaining affecting the front wrapper and top right corner of the title page bound with two gold brads. N.p. unknown books
1983rif. 153889N.p.: N.p. 1983. Draft script for the 1985 film here under the working title "Emerald." Based on the 1984 novel "The Emerald Illusion" about a German secret agent who faces off with an American spy in a prison in occupied France during World War II. Screenwriter and novelist Ronald Bass would go on to win an Academy Award in 1988 for his screenplay for "Rain Man." Set in Germany shot on location in France. Green untitled wrappers. Title page present dated August 24 1983 with credits for screenwriter and novelist Ronald Bass. 118 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages and wrapper Very Good plus with dampstaining affecting the front wrapper and top right corner of the title page bound with two gold brads. N.p. unknown
1970rif. 144148N.p.: N.p. 1970. Draft script for an unproduced film. With occasional manuscript annotations in blue ink throughout. Adapted for the screen from Alan Morris' 1970 novel "The Tale Of The Lazy Dog." A ragtag group consisting of an Irish journalist a French woman married to a man in the CIA a mercenary pilot and a shameless adventurer are amuck in the war torn region of Laos Cambodia and Vietnam attempting to extort one and a half billion dollars. Set in Laos Cambodia and Vietnam. Blue titled wrappers. Title page present noted as with credits for screenwriter Dursley Berkeley and novelist Alan Williams. 112 with last page of text numbered 114. Mechanical duplication. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown books
1970rif. 144148N.p.: N.p. 1970. Draft script for an unproduced film. With occasional manuscript annotations in blue ink throughout. Adapted for the screen from Alan Morris' 1970 novel "The Tale Of The Lazy Dog." A ragtag group consisting of an Irish journalist a French woman married to a man in the CIA a mercenary pilot and a shameless adventurer are amuck in the war torn region of Laos Cambodia and Vietnam attempting to extort one and a half billion dollars. Set in Laos Cambodia and Vietnam. Blue titled wrappers. Title page present noted as with credits for screenwriter Dursley Berkeley and novelist Alan Williams. 112 with last page of text numbered 114. Mechanical duplication. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1985rif. 160776Buenos Aires: Aries Film International 1985. Final Draft script for the 1985 film here under the working title "The Fine White Line" with manuscript ink and pencil annotations on the rectos and/or versos of 36 pages regarding dialogue and character motivation with three pages with annotated post-its regarding wardrobe attached to the versos. Script preceded by a two page "Character Notes." An undercover DEA agent played by John Schneider has infiltrated South America's largest cocaine cartel and is ordered by the organization's kingpin to assassinate a journalist running for president. One of ten films produced by Roger Corman in Argentina during the 1980s. Set in Bolivia shot on location in Argentina and Mexico. Blue untitled wrappers. Title page present dated 2/16/85 noted as FINAL DRAFT - revised with credits for screenwriter Steven M. Krauzer and story by David Vinas and Hector Olivera. 131 leaves with last page of text numbered 114. Xerographic duplication rectos only with goldenrod revision pages throughout dated 3/12/85. Pages Near Fine wrapper Very Good plus bound with three gold brads. Aries Film International unknown books
1985rif. 160776Buenos Aires: Aries Film International 1985. Final Draft script for the 1985 film here under the working title "The Fine White Line" with manuscript ink and pencil annotations on the rectos and/or versos of 36 pages regarding dialogue and character motivation with three pages with annotated post-its regarding wardrobe attached to the versos. Script preceded by a two page "Character Notes." An undercover DEA agent played by John Schneider has infiltrated South America's largest cocaine cartel and is ordered by the organization's kingpin to assassinate a journalist running for president. One of ten films produced by Roger Corman in Argentina during the 1980s. Set in Bolivia shot on location in Argentina and Mexico. Blue untitled wrappers. Title page present dated 2/16/85 noted as FINAL DRAFT - revised with credits for screenwriter Steven M. Krauzer and story by David Vinas and Hector Olivera. 131 leaves with last page of text numbered 114. Xerographic duplication rectos only with goldenrod revision pages throughout dated 3/12/85. Pages Near Fine wrapper Very Good plus bound with three gold brads. Aries Film International unknown
1980rif. 151081Los Angeles: Paramount Pictures 1980. Vintage press kit for the 1980 film. Full-color illustrated pocketed folder containing one black and white photograph and one handbook of promotional reading material. A woman escapes from a mental institution in New York and hitches a ride with a trucker to California where she plans to avenge her wrongful institutionalization by her unethical husband. Folder photographs and promotional material Near Fine. Paramount Pictures unknown books
1980rif. 168211Los Angeles: Paramount Pictures 1980. Vintage borderless studio still photograph from the 1980 film showing Dyan Cannon and Michael Lerner. A woman escapes from a mental institution in New York and hitches a ride with a trucker to California where she plans to avenge her wrongful institutionalization by her unethical husband. Shot on location in Stockton California. 10 x 8 inches. Near Fine. Paramount Pictures unknown books
1980rif. 163674Universal City: Universal City Studios 1980. Five vintage studio still photographs from the 1980 film. Based on Loretta Lynn's autobiography "Loretta Lynn: Coal Miner's Daughter" cowritten by George Vecsey. A dramatization of Lynn's life following her poverty-stricken upbringing in Butcher Hollow Kentucky to her rise to fame as a country music superstar. Winner of an Academy Award for Sissy Spacek as Best Actress nominated for six others including Best Picture Best Screenplay and Best Cinematography. Shot on location in Kentucky Tennessee and Virginia. 8 x 10 inches. Light even toning commensurate with age else Near Fine. Universal City Studios unknown books
1980rif. 163674Universal City: Universal City Studios 1980. Five vintage studio still photographs from the 1980 film. Based on Loretta Lynn's autobiography "Loretta Lynn: Coal Miner's Daughter" cowritten by George Vecsey. A dramatization of Lynn's life following her poverty-stricken upbringing in Butcher Hollow Kentucky to her rise to fame as a country music superstar. Winner of an Academy Award for Sissy Spacek as Best Actress nominated for six others including Best Picture Best Screenplay and Best Cinematography. Shot on location in Kentucky Tennessee and Virginia. 8 x 10 inches. Light even toning commensurate with age else Near Fine. Universal City Studios unknown
1956rif. 140428France / Italy: Les Films Ariane 1956. Collection of over 80 vintage borderless single weight candid and glamor photographs and film negatives black-and-white and color and color transparencies for the 1956 French-Italian film. Most of the images are glamour portraits of the film's leading women: Dany Carrel Nicole Courcel Giorgia Moll and Beatrice Altariba. Several color transparencies show Brigitte Bardot whose sister Mijanou starred in the film leaving a small airplane with her male companion. Several photos rubber-stamped with various photographer names and agencies including Esther Kiss Rene Hollinger and L. Markine. Housed in a vintage French Crumiere brand photo paper box. A remake of Jacques Deval's 1936 film of the same name about a women's boarding house and the group of women forced to band together because of a housing shortage. Released during the heyday of American exploitation films about women's prisons all-girl boarding schools and girl gangs. Photographs range from 7.25 x 9.25 inches to 3 x 4 inches with most being smaller developed photos from medium-format transparencies negatives and transparencies include 15 frames on 35mm strips 6 mounted medium format color transparencies 5 medium format color transparencies and 39 medium format negatives. Negatives with light rubbing. Very Good plus overall. Box split at corners foxing Good. Les Films Ariane unknown books
1956rif. 140428France / Italy: Les Films Ariane 1956. Collection of over 80 vintage borderless single weight candid and glamor photographs and film negatives black-and-white and color and color transparencies for the 1956 French-Italian film. Most of the images are glamour portraits of the film's leading women: Dany Carrel Nicole Courcel Giorgia Moll and Beatrice Altariba. Several color transparencies show Brigitte Bardot whose sister Mijanou starred in the film leaving a small airplane with her male companion. Several photos rubber-stamped with various photographer names and agencies including Esther Kiss Rene Hollinger and L. Markine. Housed in a vintage French Crumiere brand photo paper box. A remake of Jacques Deval's 1936 film of the same name about a women's boarding house and the group of women forced to band together because of a housing shortage. Released during the heyday of American exploitation films about women's prisons all-girl boarding schools and girl gangs. Photographs range from 7.25 x 9.25 inches to 3 x 4 inches with most being smaller developed photos from medium-format transparencies negatives and transparencies include 15 frames on 35mm strips 6 mounted medium format color transparencies 5 medium format color transparencies and 39 medium format negatives. Negatives with light rubbing. Very Good plus overall. Box split at corners foxing Good. Les Films Ariane unknown
1966rif. 151607N.p.: N.p. 1966. Collection of 17 vintage borderless reference photographs from the 1966 Czechoslovakian film. With the printed label of Columbus Film in Zurich affixed to the verso. Based on Bohumil Hrabal's 1965 novel about a young man working at a German-occupied train station in Czechoslovakia during World War II. A key entry in Czechoslovak New Wave film poignantly asserting that the Czech people were part of an oppressive system during the war hitting the mark with sly wit and a peculiar innocence. Set and shot on location in the Central Bohemian Region of the Czech Republic. 9.5 x 7 inches. Near Fine. N.p. unknown books
1966rif. 151607N.p.: N.p. 1966. Collection of 17 vintage borderless reference photographs from the 1966 Czechoslovakian film. With the printed label of Columbus Film in Zurich affixed to the verso. Based on Bohumil Hrabal's 1965 novel about a young man working at a German-occupied train station in Czechoslovakia during World War II. A key entry in Czechoslovak New Wave film poignantly asserting that the Czech people were part of an oppressive system during the war hitting the mark with sly wit and a peculiar innocence. Set and shot on location in the Central Bohemian Region of the Czech Republic. 9.5 x 7 inches. Near Fine. N.p. unknown
1977rif. 151940Culver City CA: Columbia Pictures 1977. Vintage reference photograph of Steven Spielberg and François Truffaut on the set of the 1977 film. Roy Neary Dreyfuss is one of several people who witness UFOs at night and subsequently begins to have visions of a mysterious place. Government agents also have similar encounters only they discover physical evidence of extraterrestrials. Roy and the agents join together and are led to a place not unlike the place in Roy's visions where they have a close encounter of the third kind: contact. Winner of an Academy Award Best Cinematography 1978 and Spielberg's third feature as director following "Jaws" 1975 and "The Sugarland Express" 1974. Set in Muncie Indiana shot on location in Alabama and India. 9.75 x 8.25 inches. Near Fine. National Film Registry. Columbia Pictures unknown books
1980rif. 157332Culver City CA: Columbia Pictures 1980. Vintage studio still photograph from the 1980 re-release of the 1977 film showing Steven Spielberg on the set. From the archive of film historian and author Joel Finler. After witnessing a UFO hovering over his suburban home an electrician joins with several government agents to seek out and hopefully make contact with the aliens. Winner of an Academy Award for Best Cinematography. Set in Muncie Indiana shot on location in Alabama and India. 10 x 8 inches. Very Good plus with light creasing at three corners and a short closed tear on the right edge. National Film Registry. Columbia Pictures unknown books
1980rif. 157332Culver City CA: Columbia Pictures 1980. Vintage studio still photograph from the 1980 re-release of the 1977 film showing Steven Spielberg on the set. From the archive of film historian and author Joel Finler. After witnessing a UFO hovering over his suburban home an electrician joins with several government agents to seek out and hopefully make contact with the aliens. Winner of an Academy Award for Best Cinematography. Set in Muncie Indiana shot on location in Alabama and India. 10 x 8 inches. Very Good plus with light creasing at three corners and a short closed tear on the right edge. National Film Registry. Columbia Pictures unknown
1977rif. 151940Culver City CA: Columbia Pictures 1977. Vintage reference photograph of Steven Spielberg and François Truffaut on the set of the 1977 film. Roy Neary Dreyfuss is one of several people who witness UFOs at night and subsequently begins to have visions of a mysterious place. Government agents also have similar encounters only they discover physical evidence of extraterrestrials. Roy and the agents join together and are led to a place not unlike the place in Roy's visions where they have a close encounter of the third kind: contact. Winner of an Academy Award Best Cinematography 1978 and Spielberg's third feature as director following "Jaws" 1975 and "The Sugarland Express" 1974. Set in Muncie Indiana shot on location in Alabama and India. 9.75 x 8.25 inches. Near Fine. National Film Registry. Columbia Pictures unknown
1985rif. 119986N.p.: N.p. 1985. Draft script for the 1986 comedy film. The headmaster of a British school is trying to get to a conference for school headmasters where he is meant to give a speech. He runs into a number of obstacles that delay him resulting in one of the most hilarious stressful movies ever made. Set in England shot on location in West Midlands Shropshire Worcestershire and Yorkshire England. Blue untitled wrappers with a die-cut title window in the British style. Title page present with manuscript ink annotation noting copy No. 160 dated March 1985 with credits for screenwriter Michael Frayn. 164 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus wit some curling at the corners internally bound with two silver brads. N.p. unknown books
1985rif. 119986N.p.: N.p. 1985. Draft script for the 1986 comedy film. The headmaster of a British school is trying to get to a conference for school headmasters where he is meant to give a speech. He runs into a number of obstacles that delay him resulting in one of the most hilarious stressful movies ever made. Set in England shot on location in West Midlands Shropshire Worcestershire and Yorkshire England. Blue untitled wrappers with a die-cut title window in the British style. Title page present with manuscript ink annotation noting copy No. 160 dated March 1985 with credits for screenwriter Michael Frayn. 164 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus wit some curling at the corners internally bound with two silver brads. N.p. unknown
