11.045 risultati
1978rif. 149428Los Angeles: Cinema Shares International 1978. Vintage borderless matte reference photograph from the 1977 film. With a printed mimeo snipe on the verso along with a provenance stamp. An exploitative horror film late on the coattails of cautionary drug movies of the 1960s about a string of violent murders in Los Angeles linked to a dangerous LSD strain called "Blue Sunshine." Set and shot on location in Los Angeles. 8 x 10 inches. Near Fine. Thrower Nightmare USA. Cinema Shares International unknown
1946rif. 159187Los Angeles: Paramount Pictures 1946. Vintage studio still photograph of Bing Crosby and Fred Astaire from the 1946 film. With provenance stamps on the verso. A man hosting a radio broadcast is telling his life story mostly about himself and a friend trying to make it big after World War I-until both men fall for the same woman. 8 x 10 inches. Very Good plus with some pin holes along the edges. Paramount Pictures unknown books
1946rif. 159187Los Angeles: Paramount Pictures 1946. Vintage studio still photograph of Bing Crosby and Fred Astaire from the 1946 film. With provenance stamps on the verso. A man hosting a radio broadcast is telling his life story mostly about himself and a friend trying to make it big after World War I-until both men fall for the same woman. 8 x 10 inches. Very Good plus with some pin holes along the edges. Paramount Pictures unknown
1971rif. 161546N.p.: MDA Film 1971. Six studio still photographs from the 1971 film. Five photographs with provenance stamps on the versos one of which is on a label obscuring an older provenance stamp. After an artist's suicide friends and lovers share their memories of him most of whom are convinced he would never have killed himself and that one of them had something to do with his demise. Set in and shot on location in New York. 8 x 10 inches. Near Fine overall. MDA Film unknown books
1971rif. 161546N.p.: MDA Film 1971. Six studio still photographs from the 1971 film. Five photographs with provenance stamps on the versos one of which is on a label obscuring an older provenance stamp. After an artist's suicide friends and lovers share their memories of him most of whom are convinced he would never have killed himself and that one of them had something to do with his demise. Set in and shot on location in New York. 8 x 10 inches. Near Fine overall. MDA Film unknown
1969rif. 149414Munich: Constantin-Film 1969. Four vintage borderless reference photographs from the 1969 German release of the US film. With printed mimeo snipes on the verso. Andy Warhol's final film an attempt to represent sex between a man and a woman Warhol superstars Louis Waldon and Viva respectively as naturalistically as possible. A groundbreaking influential production insofar as it was the first adult film to receive wide theatrical release in the US. Set and shot on location in New York. 7 x 5 inches. Near Fine. Constantin-Film unknown books
1969rif. 149414Munich: Constantin-Film 1969. Four vintage borderless reference photographs from the 1969 German release of the US film. With printed mimeo snipes on the verso. Andy Warhol's final film an attempt to represent sex between a man and a woman Warhol superstars Louis Waldon and Viva respectively as naturalistically as possible. A groundbreaking influential production insofar as it was the first adult film to receive wide theatrical release in the US. Set and shot on location in New York. 7 x 5 inches. Near Fine. Constantin-Film unknown
1965rif. 147218Los Angeles: Twentieth Century-Fox Television 1965. First Draft script for the 14th and final episode of the first and only season of "Blue Light" originally aired on ABC on May 18 1966. With manuscript ink annotations to the cast list noting the names of prospective actors for each role. An American spy living in Germany during World War II receives orders to kill a scientist who appears to be completing an atomic bomb for the SS but soon realizes the man may be working against the Nazis after all. Set in Germany. Red titled wrappers noted as FIRST DRAFT on the front wrapper dated DECEMBER 22 1965. Title page present dated December 22 1965 noted as FIRST DRAFT with credits for screenwriter Harold Livingstone. 36 leaves with last page of text numbered 33. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox Television unknown books
1965rif. 147218Los Angeles: Twentieth Century-Fox Television 1965. First Draft script for the 14th and final episode of the first and only season of "Blue Light" originally aired on ABC on May 18 1966. With manuscript ink annotations to the cast list noting the names of prospective actors for each role. An American spy living in Germany during World War II receives orders to kill a scientist who appears to be completing an atomic bomb for the SS but soon realizes the man may be working against the Nazis after all. Set in Germany. Red titled wrappers noted as FIRST DRAFT on the front wrapper dated DECEMBER 22 1965. Title page present dated December 22 1965 noted as FIRST DRAFT with credits for screenwriter Harold Livingstone. 36 leaves with last page of text numbered 33. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox Television unknown
1982rif. 150549N.p.: N.p. 1982. Second Draft script for an unproduced film. From the collection of novelist William Hjortsberg who worked as a screenwriter in Hollywood between 1977-1985. Hjortsberg is best known for the film adaptation of "Angel Heart" 1987 based on his 1978 novel. An advertising executive is thrown into grief when his fiancée is accidentally murdered in a mugging but soon finds himself receiving messages from her spirit pressing him to take revenge against her killer. Blue untitled wrappers. Title page present dated 28 June 82 noted as SECOND DRAFT with credit for screenwriter DeWitt Beall. 108 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1982rif. 150549N.p.: N.p. 1982. Second Draft script for an unproduced film. From the collection of novelist William Hjortsberg who worked as a screenwriter in Hollywood between 1977-1985. Hjortsberg is best known for the film adaptation of "Angel Heart" 1987 based on his 1978 novel. An advertising executive is thrown into grief when his fiancée is accidentally murdered in a mugging but soon finds himself receiving messages from her spirit pressing him to take revenge against her killer. Blue untitled wrappers. Title page present dated 28 June 82 noted as SECOND DRAFT with credit for screenwriter DeWitt Beall. 108 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1966rif. 150834N.p.: N.p. 1966. Vintage borderless double weight photograph of Michelangelo Antonioni on the set of the 1966 film with provenance stamp of film scholar and author "J. P. Berthome" on verso. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar. Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom and featuring an international cast. The director's brash use of color set design non-standard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. In his 2009 essay on the film Danny Lyon notes "It is apt that through his established style Antonioni made a movie that is perhaps closest to communicating the myth of the swinging Sixties scene but also the confusion of the time. . Britain's new and very chaotic cultural revolution was perhaps most effectively captured by an Italian." Winner of the Palme d'Or. Nominated for two Academy Awards for Best Director and Best Screenplay. 10 x 8 inches. Light edgewear and creasing in far corners else Near Fine. Criterion Collection 865. Ebert I. Grant UK/Italy. N.p. unknown books
1966rif. 168483N.p.: N.p. 1966. Vintage borderless reference photograph from the 1966 film showing a sex scene between actors Jane Birkin and Gillian Hills with David Hemmings looking on on the right. Provenance stamps and annotations in manuscript pencil and ink on the verso. Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom featuring an international cast. The director's brash use of color set design nonstandard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. Winner of the Palme d'Or. Nominated for the Academy Awards for Best Director and Best Screenplay. Set and shot on location in London. 10 x 8 inches. Near Fine. Criterion Collection 865. Ebert I. Grant UK. N.p. unknown books
1966rif. 168483N.p.: N.p. 1966. Vintage borderless reference photograph from the 1966 film showing a sex scene between actors Jane Birkin and Gillian Hills with David Hemmings looking on on the right. Provenance stamps and annotations in manuscript pencil and ink on the verso. Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom featuring an international cast. The director's brash use of color set design nonstandard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. Winner of the Palme d'Or. Nominated for the Academy Awards for Best Director and Best Screenplay. Set and shot on location in London. 10 x 8 inches. Near Fine. Criterion Collection 865. Ebert I. Grant UK. N.p. unknown
1966rif. 150834N.p.: N.p. 1966. Vintage borderless double weight photograph of Michelangelo Antonioni on the set of the 1966 film with provenance stamp of film scholar and author "J. P. Berthome" on verso. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar. Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom and featuring an international cast. The director's brash use of color set design non-standard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. In his 2009 essay on the film Danny Lyon notes "It is apt that through his established style Antonioni made a movie that is perhaps closest to communicating the myth of the swinging Sixties scene but also the confusion of the time. . Britain's new and very chaotic cultural revolution was perhaps most effectively captured by an Italian." Winner of the Palme d'Or. Nominated for two Academy Awards for Best Director and Best Screenplay. 10 x 8 inches. Light edgewear and creasing in far corners else Near Fine. Criterion Collection 865. Ebert I. Grant UK/Italy. N.p. unknown
1966rif. 162417N.p.: N.p. 1966. Five vintage borderless reference photographs from the 1966 film showing a scene with David Hemmings staging a photoshoot with a topless Vanessa Redgrave Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom featuring an international cast. The director's brash use of color set design nonstandard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. Winner of the Palme d'Or. Nominated for the Academy Awards for Best Director and Best Screenplay. Set and shot on location in London. 9.75 x 8 inches. Near Fine. Criterion Collection 865. Ebert I. Grant UK. N.p. unknown books
1966rif. 162417N.p.: N.p. 1966. Five vintage borderless reference photographs from the 1966 film showing a scene with David Hemmings staging a photoshoot with a topless Vanessa Redgrave Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom featuring an international cast. The director's brash use of color set design nonstandard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. Winner of the Palme d'Or. Nominated for the Academy Awards for Best Director and Best Screenplay. Set and shot on location in London. 9.75 x 8 inches. Near Fine. Criterion Collection 865. Ebert I. Grant UK. N.p. unknown
1981rif. 168110Culver City CA: Columbia Pictures / Filmways 1981. Two vintage studio still photographs from the 1981 film both showing actor John Travolta. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 8 x 10 inches. Fine. Criterion Collection 562. Grant US. Spicer Neo-Noir. Columbia Pictures / Filmways unknown books
1981rif. 132103N.p.: Filmways Pictures 1981. Vintage black-and-white still photograph of John Travolta from the 1981 film. A De Palma highspot with influences from Antonioni's "Blow-Up" and Francis Ford Coppola's "The Conversation." A fine role for John Travolta who would experience a slight career dip and bounce back hard with Quentin Tarantino's "Pulp Fiction." 8 x 10 inches. About Near Fine. Filmways Pictures unknown books
1981rif. 151952N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 8 x 10 inches. Near Fine. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown books
1981rif. 142109US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown books
1981rif. 127394N.p.: Filmways 1981. Vintage one sheet poster for the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 27 x 41 inches. Very Good plus with light splashing to the top third. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown books
1981rif. 127394N.p.: Filmways 1981. Vintage one sheet poster for the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 27 x 41 inches. Very Good plus with light splashing to the top third. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown
1981rif. 151952N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 8 x 10 inches. Near Fine. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown
1981rif. 142109US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown
