11,046 results
1951ref. 156171N.p.: N.p. 1951. Vintage program for the 1952 German film. Text and titles in German. In 18th century Bavaria a woman gives birth to an illegitimate child but is shielded from becoming the subject of gossip in her small town by her aunt a winemaker. She later enjoys a romance with a soldier in the Austrian and Hungarian ranks. Shot on location in Munich Bad Tölz Innsbruck and Nymphenburg. 7.25 x 10.5 inches. Bi-fold. About Near Fine. N.p. unknown books
1982ref. 167880Los Angeles: New Line Cinema 1982. Three vintage studio still photographs from the 1982 film. A teenage runaway travels from New Jersey to New York in order to become famous in the punk subculture only to discover the punk scene long since faded and relocated to Los Angeles. Susan Seidelman would go on to direct "Desperately Seeking Susan" with some considering "Smithereens" a stylistic precursor to that film. The first American independent film to be invited to compete for the Palme d'Or at Cannes. 10 x 8 inches. Lightly toned else Near Fine. New Line Cinema unknown
1982ref. 167880Los Angeles: New Line Cinema 1982. Three vintage studio still photographs from the 1982 film. A teenage runaway travels from New Jersey to New York in order to become famous in the punk subculture only to discover the punk scene long since faded and relocated to Los Angeles. Susan Seidelman would go on to direct "Desperately Seeking Susan" with some considering "Smithereens" a stylistic precursor to that film. The first American independent film to be invited to compete for the Palme d'Or at Cannes. 10 x 8 inches. Lightly toned else Near Fine. New Line Cinema unknown books
1990ref. 164014Los Angeles: Astoria Films 1990. Draft script for an unproduced film. From the archive of crew member Chris Scher. Based on the 1981 novel by Richard Hugo. A kindhearted homicide cop moves from Seattle to rural Montana hoping to lead a more peaceful life-a hope that is dashed when he is called to investigate a string of gruesome ax murders. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present undated with credits for Hugo and screenwriter Michael Hacker. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages about Near Fine bound with two gold brads. Astoria Films unknown
1990ref. 164014Los Angeles: Astoria Films 1990. Draft script for an unproduced film. From the archive of crew member Chris Scher. Based on the 1981 novel by Richard Hugo. A kindhearted homicide cop moves from Seattle to rural Montana hoping to lead a more peaceful life-a hope that is dashed when he is called to investigate a string of gruesome ax murders. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present undated with credits for Hugo and screenwriter Michael Hacker. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages about Near Fine bound with two gold brads. Astoria Films unknown books
1972ref. 128339N.p.: New World Pictures 1972. Original US one sheet poster a variant size in a variant yellow color scheme for the 1972 Italian film. An early role for Vonetta McGee who would star in television shows like "L.A. Law" and "Bustin' Loose" and several other Blaxploitation films in the 1970s. The film poster here is the yellow variant also known to have been printed in red. 23 x 34.25 inches folded. Studio label on the verso. Very Good plus with a couple of short closed tears and a couple of light stains. Parish and Hill 14. New World Pictures unknown
1972ref. 128339N.p.: New World Pictures 1972. Original US one sheet poster a variant size in a variant yellow color scheme for the 1972 Italian film. An early role for Vonetta McGee who would star in television shows like "L.A. Law" and "Bustin' Loose" and several other Blaxploitation films in the 1970s. The film poster here is the yellow variant also known to have been printed in red. 23 x 34.25 inches folded. Studio label on the verso. Very Good plus with a couple of short closed tears and a couple of light stains. Parish and Hill 14. New World Pictures unknown books
1969ref. 162138N.p.: Entertainment Ventures 1969. Vintage studio still photograph from the 1969 US/German film. Provenance stamp on the verso. A sexploitation version of the tales of the legendary English outlaw by exploitation director Richard Kante starring Robin Hood's "lusty men and baudy wenches." 8 x 10 inches. Very Good plus. Entertainment Ventures unknown
1971ref. 152553Los Angeles: Mondo Films 1971. Draft script for the 1971 film here under the working title "Kicks." Copy belonging to an unknown cast member with two manuscript ink annotations to pages 48 and 49. Two cruel biker thugs arrive at a large mansion where they proceed to attack the two women living there steal and sell the house's valuables and murder a concerned neighbor. Red titled wrappers. Title page present undated with credits for director-screenwriter Richard Kanter and screenwriters Ted Paramore and Sal Comstock. 111 leaves with last page of text numbered 110. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Mondo Films unknown
1969ref. 162138N.p.: Entertainment Ventures 1969. Vintage studio still photograph from the 1969 US/German film. Provenance stamp on the verso. A sexploitation version of the tales of the legendary English outlaw by exploitation director Richard Kante starring Robin Hood's "lusty men and baudy wenches." 8 x 10 inches. Very Good plus. Entertainment Ventures unknown books
1971ref. 152553Los Angeles: Mondo Films 1971. Draft script for the 1971 film here under the working title "Kicks." Copy belonging to an unknown cast member with two manuscript ink annotations to pages 48 and 49. Two cruel biker thugs arrive at a large mansion where they proceed to attack the two women living there steal and sell the house's valuables and murder a concerned neighbor. Red titled wrappers. Title page present undated with credits for director-screenwriter Richard Kanter and screenwriters Ted Paramore and Sal Comstock. 111 leaves with last page of text numbered 110. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Mondo Films unknown books
ref. 155122New York: Deathtrap Films 1986. Vintage portrait photograph of actress Lung Leg from the 1985 short film. INSCRIBED on the verso in director Richard Kern's hand "Lung Leg / in / "You Killed Me First" / A R. Kern Movie / copyright 1986 / Photo copyright R Kern" with two "R. Kern Photographs" stamps and a "Deathtrap Films" stamp on the verso. A landmark work in the Cinema of Transgression. Conceived by Kern and artist David Wojnarowicz as both a film and a multi-media art installation the film was shot unscripted over two days and was largely based on Wojnarowicz's childhood specifically the scenes concerning the terrifying and abusive father played by Wojnarowicz. Performance artist Karen Finley starred as the subservient mother and the young East Village model Leg who would go on to star in several more of Kern's films and music videos starred as the lead daughter Elisabeth/Cassandra. The film premiered at Wojnarowicz's "You Killed Me First Installation #8" at the Ground Zero Gallery in December 1985. A seemingly normal family sits down for Thanksgiving dinner and after a series of disturbing flashbacks revealing previous family traumas the daughter shoots her family at the dinner table angrily proclaiming "You killed me first!" A scathing and darkly humorous indictment of petit-bourgeois conservatism and religiosity. 8 x 10 inches. Near Fine. Deathtrap Films unknown
ref. 155122New York: Deathtrap Films 1986. Vintage portrait photograph of actress Lung Leg from the 1985 short film. INSCRIBED on the verso in director Richard Kern's hand "Lung Leg / in / "You Killed Me First" / A R. Kern Movie / copyright 1986 / Photo copyright R Kern" with two "R. Kern Photographs" stamps and a "Deathtrap Films" stamp on the verso. A landmark work in the Cinema of Transgression. Conceived by Kern and artist David Wojnarowicz as both a film and a multi-media art installation the film was shot unscripted over two days and was largely based on Wojnarowicz's childhood specifically the scenes concerning the terrifying and abusive father played by Wojnarowicz. Performance artist Karen Finley starred as the subservient mother and the young East Village model Leg who would go on to star in several more of Kern's films and music videos starred as the lead daughter Elisabeth/Cassandra. The film premiered at Wojnarowicz's "You Killed Me First Installation #8" at the Ground Zero Gallery in December 1985. A seemingly normal family sits down for Thanksgiving dinner and after a series of disturbing flashbacks revealing previous family traumas the daughter shoots her family at the dinner table angrily proclaiming "You killed me first!" A scathing and darkly humorous indictment of petit-bourgeois conservatism and religiosity. 8 x 10 inches. Near Fine. Deathtrap Films unknown books
1973ref. 154511Beverly Hills CA: Sean Inn Inc 1973. Shooting script for the 1973 film. The mafia attempts to muscle in on an African American numbers-running ring. Shot on location in Cleveland. Black wrappers with red titles. Title page present dated Revised May 12 1973 noted as SHOOTING SCRIPT with credits for screenwriter Don Williams. 128 leaves with last page of text numbered 119. Mimeograph duplication rectos only with blue and white revision pages throughout dated variously between 5/24/73 and 6/6/73. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Sean Inn, Inc unknown
1973ref. 154511Beverly Hills CA: Sean Inn Inc 1973. Shooting script for the 1973 film. The mafia attempts to muscle in on an African American numbers-running ring. Shot on location in Cleveland. Black wrappers with red titles. Title page present dated Revised May 12 1973 noted as SHOOTING SCRIPT with credits for screenwriter Don Williams. 128 leaves with last page of text numbered 119. Mimeograph duplication rectos only with blue and white revision pages throughout dated variously between 5/24/73 and 6/6/73. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Sean Inn, Inc unknown books
1968ref. 170550N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 film showing Julie Christie leaning in the doorway of a cable car. Provenance stamp and label on the verso. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about an unhappy newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead. 8 x 10 inches. About Near Fine. Rosenbaum 1000. N.p. unknown
1973ref. 127868N.p.: N.p. 1973. Vintage Cuban poster for the Cuban release of the 1968 film designed by Eduardo Muñoz Bachs. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about a newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead that are not so much cameos as they are part of movie's atmosphere. Entered into competition at Cannes in 1968 before that year's festival was canceled. Eduardo Muñoz Bachs was a revered Cuban artist best known for his over 2000 movie poster designs. His work also encompassed comics children's book illustration and animation. Bachs is also noted for having designed the first poster for the Instituto Cubano de Arte e Industria Cinematograficos ICAIC founded shortly after the Cuban Revolution to produce and promote Cuban films. 20 x 30 inches. Very Good plus with faint rubbing and a spot of scratching to the upper mid center. Rosenbaum 1000. N.p. unknown
1967ref. 161281Various cities: Raymond Wagner / Petersham Films 1967. Draft script for the 1968 film. Copy belonging to one of the film's production designers with their annotations regarding specific needed objects written in manuscript pencil and ink on the first and last pages of the script. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about an unhappy newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead. Blue untitled wrappers. Title page present dated March 17 1967 with credits for novelist John Haase and screenwriter Larry Marcus. 101 leaves with last page of text numbered 100. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Rosenbaum 1000. Raymond Wagner / Petersham Films unknown
1968ref. 150385N.p.: N.p. 1968. Vintage reference photograph from the 1968 film showing director Richard Lester cinematographer Nicolas Roeg and a camera crew filming a sidewalk scene with actress Julie Christie on location in San Francisco. With a printed mimeo snipe affixed to the verso. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about an unhappy newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead. 8 x 10 inches. Near Fine with faint wear to the bottom left corner. Rosenbaum 1000. N.p. unknown
1965ref. 149601London: Woodfall Film Productions 1965. Vintage borderless candid photograph from the 1965 film showing actors Ray Brooks and Charlotte Rampling lounging at the beach. With a printed mimeo snipe on the verso along with manuscript annotations regarding layout and the stamp of Keystone Agency. Based on Ann Jellicoe's 1962 play. An awkward young man seeks out the help of his slick womanizing flatmate in learning how to seduce women but trouble arises when they both set their marks on the same girl. Although nominally a comedy a film that bears far more similarity to a kitchen sink drama due largely to its polarizing final act. Winner of the Palme d'Or. Set and shot on location in London. 7.25 x 9.5 inches. Very Good plus with light wear and soil to the verso. Woodfall Film Productions unknown
1965ref. 151229N.p.: N.p. 1965. Vintage borderless reference photograph from the set of the 1965 film showing actresses Lucy Bartlett and Charlotte Rampling in between takes wearing matching wetsuits. Based on Ann Jellicoe's 1962 play. An awkward young man seeks out the help of his slick womanizing flatmate in learning how to seduce women but trouble arises when they both set their marks on the same girl. Although nominally a comedy a film that bears far more similarity to a kitchen sink drama due largely to its polarizing final act. Winner of the Palme d'Or. Set and shot on location in London. 9.5 x 7 inches. Near Fine. N.p. unknown
1959ref. 149880London: British Lion 1959. Three vintage reference photographs from the 1959 short film. With printed mimeo snipes affixed to the verso. A surreal slapstick sketch comedy film filmed over 2 days on a shoestring budget of approximately 70 British pounds. Considered influential on mid-century British comedy particularly Monty Python's Flying Circus and a purported favorite of The Beatles. Two photographs approximately 10 x 8 inches one photograph 8.25 x 6.5 inches. Very Good plus lightly creased. British Lion unknown
1975ref. 163632Los Angeles: Twentieth Century-Fox 1975. Vintage studio still photograph of Richard Chamberlain from the 1974 film. Sequel to the 1973 film and covering the events of the second half of Alexandre Dumas' 1844 novel following the legendary swashbucklers as they defend Queen Anne and her servant from the wily Cardinal Richelieu and Milady de Winter. Set in France and shot on location in various locations throughout Spain and England. 8 x 10 inches Near Fine. Twentieth Century-Fox unknown books
1974ref. 163625Los Angeles: Twentieth Century-Fox 1974. Vintage portrait photograph of Raquel Welch in character from the 1973 film. Based on the 1844 French novel which follows a young country bumpkin who befriends three master swordsmen in hopes of eventually joining the prestigious Musketeers of the Guard. Set in Paris shot on location in Spain. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1965ref. 149601London: Woodfall Film Productions 1965. Vintage borderless candid photograph from the 1965 film showing actors Ray Brooks and Charlotte Rampling lounging at the beach. With a printed mimeo snipe on the verso along with manuscript annotations regarding layout and the stamp of Keystone Agency. Based on Ann Jellicoe's 1962 play. An awkward young man seeks out the help of his slick womanizing flatmate in learning how to seduce women but trouble arises when they both set their marks on the same girl. Although nominally a comedy a film that bears far more similarity to a kitchen sink drama due largely to its polarizing final act. Winner of the Palme d'Or. Set and shot on location in London. 7.25 x 9.5 inches. Very Good plus with light wear and soil to the verso. Woodfall Film Productions unknown books