11,049 results
1974ref. 163625Los Angeles: Twentieth Century-Fox 1974. Vintage portrait photograph of Raquel Welch in character from the 1973 film. Based on the 1844 French novel which follows a young country bumpkin who befriends three master swordsmen in hopes of eventually joining the prestigious Musketeers of the Guard. Set in Paris shot on location in Spain. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1965ref. 149601London: Woodfall Film Productions 1965. Vintage borderless candid photograph from the 1965 film showing actors Ray Brooks and Charlotte Rampling lounging at the beach. With a printed mimeo snipe on the verso along with manuscript annotations regarding layout and the stamp of Keystone Agency. Based on Ann Jellicoe's 1962 play. An awkward young man seeks out the help of his slick womanizing flatmate in learning how to seduce women but trouble arises when they both set their marks on the same girl. Although nominally a comedy a film that bears far more similarity to a kitchen sink drama due largely to its polarizing final act. Winner of the Palme d'Or. Set and shot on location in London. 7.25 x 9.5 inches. Very Good plus with light wear and soil to the verso. Woodfall Film Productions unknown books
1965ref. 151229N.p.: N.p. 1965. Vintage borderless reference photograph from the set of the 1965 film showing actresses Lucy Bartlett and Charlotte Rampling in between takes wearing matching wetsuits. Based on Ann Jellicoe's 1962 play. An awkward young man seeks out the help of his slick womanizing flatmate in learning how to seduce women but trouble arises when they both set their marks on the same girl. Although nominally a comedy a film that bears far more similarity to a kitchen sink drama due largely to its polarizing final act. Winner of the Palme d'Or. Set and shot on location in London. 9.5 x 7 inches. Near Fine. N.p. unknown books
1973ref. 127868N.p.: N.p. 1973. Vintage Cuban poster for the Cuban release of the 1968 film designed by Eduardo Muñoz Bachs. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about a newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead that are not so much cameos as they are part of movie's atmosphere. Entered into competition at Cannes in 1968 before that year's festival was canceled. Eduardo Muñoz Bachs was a revered Cuban artist best known for his over 2000 movie poster designs. His work also encompassed comics children's book illustration and animation. Bachs is also noted for having designed the first poster for the Instituto Cubano de Arte e Industria Cinematograficos ICAIC founded shortly after the Cuban Revolution to produce and promote Cuban films. 20 x 30 inches. Very Good plus with faint rubbing and a spot of scratching to the upper mid center. Rosenbaum 1000. N.p. unknown books
1968ref. 170550N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 film showing Julie Christie leaning in the doorway of a cable car. Provenance stamp and label on the verso. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about an unhappy newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead. 8 x 10 inches. About Near Fine. Rosenbaum 1000. N.p. unknown books
1967ref. 161281Various cities: Raymond Wagner / Petersham Films 1967. Draft script for the 1968 film. Copy belonging to one of the film's production designers with their annotations regarding specific needed objects written in manuscript pencil and ink on the first and last pages of the script. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about an unhappy newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead. Blue untitled wrappers. Title page present dated March 17 1967 with credits for novelist John Haase and screenwriter Larry Marcus. 101 leaves with last page of text numbered 100. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Rosenbaum 1000. Raymond Wagner / Petersham Films unknown books
1968ref. 150385N.p.: N.p. 1968. Vintage reference photograph from the 1968 film showing director Richard Lester cinematographer Nicolas Roeg and a camera crew filming a sidewalk scene with actress Julie Christie on location in San Francisco. With a printed mimeo snipe affixed to the verso. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about an unhappy newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead. 8 x 10 inches. Near Fine with faint wear to the bottom left corner. Rosenbaum 1000. N.p. unknown books
1963ref. 132047Beverly Hills CA: United Artists 1963. Vintage color British front-of-house card from the 1963 UK film. Features June Ritchie Bernard Cribbins and Ron Moody. The sequel to "The Mouse that Roared" finds the tiny of country Grand Fenwick using a fake space program to finagle money from both the US and USSR to fix the plumbing in their castle. 8 x 10 inches. Very Good with brief insect damage to the top edge and light creasing. United Artists unknown books
1959ref. 149880London: British Lion 1959. Three vintage reference photographs from the 1959 short film. With printed mimeo snipes affixed to the verso. A surreal slapstick sketch comedy film filmed over 2 days on a shoestring budget of approximately 70 British pounds. Considered influential on mid-century British comedy particularly Monty Python's Flying Circus and a purported favorite of The Beatles. Two photographs approximately 10 x 8 inches one photograph 8.25 x 6.5 inches. Very Good plus lightly creased. British Lion unknown books
1991ref. 150483Beverly Hills CA: Orion Classics 1991. Vintage reference photograph of Richard Linklater and cinematographer Lee Daniel on the set of the 1991 film. Paper snipe on verso. Shot on 16mm on a $3000 budget Linklater's film documents a day in the life of countless young social outcasts and misfits in Austin Texas and became a key film in the American independent film movement of the 1990s. Set in and shot on location in Austin Texas. 8 x 10 inches. Light edgewear else Near Fine. National Film Registry. Criterion Collection 247. Orion Classics unknown
1991ref. 150483Beverly Hills CA: Orion Classics 1991. Vintage reference photograph of Richard Linklater and cinematographer Lee Daniel on the set of the 1991 film. Paper snipe on verso. Shot on 16mm on a $3000 budget Linklater's film documents a day in the life of countless young social outcasts and misfits in Austin Texas and became a key film in the American independent film movement of the 1990s. Set in and shot on location in Austin Texas. 8 x 10 inches. Light edgewear else Near Fine. National Film Registry. Criterion Collection 247. Orion Classics unknown books
1978ref. 146437New York: New Line Cinema 1978. Draft script for an unproduced film. A big business murder mystery. The Apex Corporation is floundering under pressure from socialists leading its board members to desperate drastic measures to save the company. Screenwriter Richard Maltby Jr. is known for his involvement in American musical theater in particular for directing the Tony-winning musicals "Ain't Misbehavin'" 1978 and "Fosse" 1999. Set in Manhattan New York. Black titled faux leather wrappers with credit for screenwriter Richard Maltby Jr. Title page present dated 3/30/78 noted as DRAFT with credit for screenwriter Richard Maltby Jr. 123 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a single staple on the front wrapper bound with two gold brads. New Line Cinema unknown
1998ref. 141593Santa Monica: Artisan Entertainment 1998. Draft script for the 1999 film. With a single notation in manuscript ink on the front wrapper. Based on the 1958 novel by Richard Matheson. A man is hypnotized by his sister-in-law leading to haunted visions and the complete breakdown of his family life. Set in Chicago shot on location there. Yellow titled self wrappers dated August 14 1998 with credits for screenwriter David Koepp and author Richard Matheson. Title page integral with front wrapper. 116 leaves with last page of text numbered 113. Xerographic duplication with yellow and pink revision pages throughout dated variously between September 9 1998 and September 18 1998. Pages Near Fine wrapper Near Fine bound with two gold brads. Artisan Entertainment unknown
1945ref. 170263Los Angeles: Twentieth Century-Fox 1945. First Draft Continuity script for an unproduced film. Laid in with the script is a typed letter dated January 11 1946 from story department head David Stephenson to director Brian Foy critiquing the script's plot and recommending revisions. Annotations on the distribution page in manuscript pencil regarding potential casting options. Not to be confused with the 1953 film starring Cyd Charisse and Fred Astaire. An orphan turned successful pop singer organizes a show-stopping dance and music event to raise money for his former orphanage while balancing a love triangle with two beautiful women. Screenwriter Richard Macaulay is best known for "Riding on Air" 1937 "Ready Willing and Able" 1937 "The Roaring Twenties" 1939 and "Born to Kill" 1947. Orange titled wrappers dated August 30 1945 and noted as FIRST DRAFT CONTINUITY on the front wrapper stamped copy No. 14. Distribution page present receipt removed. Title page present dated August 30 1945 noted as 1st Draft Continuity with credit for screenwriter Richard Macaulay. 106 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Twentieth Century-Fox unknown
1945ref. 170263Los Angeles: Twentieth Century-Fox 1945. First Draft Continuity script for an unproduced film. Laid in with the script is a typed letter dated January 11 1946 from story department head David Stephenson to director Brian Foy critiquing the script's plot and recommending revisions. Annotations on the distribution page in manuscript pencil regarding potential casting options. Not to be confused with the 1953 film starring Cyd Charisse and Fred Astaire. An orphan turned successful pop singer organizes a show-stopping dance and music event to raise money for his former orphanage while balancing a love triangle with two beautiful women. Screenwriter Richard Macaulay is best known for "Riding on Air" 1937 "Ready Willing and Able" 1937 "The Roaring Twenties" 1939 and "Born to Kill" 1947. Orange titled wrappers dated August 30 1945 and noted as FIRST DRAFT CONTINUITY on the front wrapper stamped copy No. 14. Distribution page present receipt removed. Title page present dated August 30 1945 noted as 1st Draft Continuity with credit for screenwriter Richard Macaulay. 106 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Twentieth Century-Fox unknown books
1978ref. 146437New York: New Line Cinema 1978. Draft script for an unproduced film. A big business murder mystery. The Apex Corporation is floundering under pressure from socialists leading its board members to desperate drastic measures to save the company. Screenwriter Richard Maltby Jr. is known for his involvement in American musical theater in particular for directing the Tony-winning musicals "Ain't Misbehavin'" 1978 and "Fosse" 1999. Set in Manhattan New York. Black titled faux leather wrappers with credit for screenwriter Richard Maltby Jr. Title page present dated 3/30/78 noted as DRAFT with credit for screenwriter Richard Maltby Jr. 123 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a single staple on the front wrapper bound with two gold brads. New Line Cinema unknown books
1998ref. 141593Santa Monica: Artisan Entertainment 1998. Draft script for the 1999 film. With a single notation in manuscript ink on the front wrapper. Based on the 1958 novel by Richard Matheson. A man is hypnotized by his sister-in-law leading to haunted visions and the complete breakdown of his family life. Set in Chicago shot on location there. Yellow titled self wrappers dated August 14 1998 with credits for screenwriter David Koepp and author Richard Matheson. Title page integral with front wrapper. 116 leaves with last page of text numbered 113. Xerographic duplication with yellow and pink revision pages throughout dated variously between September 9 1998 and September 18 1998. Pages Near Fine wrapper Near Fine bound with two gold brads. Artisan Entertainment unknown books
1979ref. 140901Universal City: Universal Television 1979. Draft script for the 1980 television film here under the working title "A Member of the Family." With a few annotations in manuscript ink. Laid in is an interoffice memo regarding actor Martin Sheen. After his wife leaves a father struggles with keeping both his life and the lives of his children on track. White titled self wrappers dated March 5 1979 with credit for screenwriter Alvin Sapinsley. 120 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Universal Television unknown
1979ref. 140901Universal City: Universal Television 1979. Draft script for the 1980 television film here under the working title "A Member of the Family." With a few annotations in manuscript ink. Laid in is an interoffice memo regarding actor Martin Sheen. After his wife leaves a father struggles with keeping both his life and the lives of his children on track. White titled self wrappers dated March 5 1979 with credit for screenwriter Alvin Sapinsley. 120 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Universal Television unknown books
1966ref. 157065Los Angeles: Twentieth Century-Fox 1966. Vintage call sheet for the ABC television series "The Felony Squad" on green paper the pilot episode Season 1 Episode 1 "The Streets are Paved with Quicksand" with "Production Requirements" on the verso dated "July 20 1966" on the recto and verso with annotations in manuscript ink on recto and verso. "The Felony Squad" aired on ABC from September 12 1966 to January 31 1969 with the season 1 episode 1 pilot aired on September 12 1966. Twenty year veteran police officer Howard Duff is partnered with rookie cop Dennis Cole in a major crimes unit in a major metropolis. Cole is accused of brutality after arresting a high-powered attorney attempting to bribe a valet following a brawl. 8.5 x 11 inches. Near Fine. Twentieth Century-Fox unknown books
1990ref. 158129N.p.: N.p. 1990. Revised Second Draft for the 1991 film. Copy belonging to an unknown person involved in pre-production with manuscript ink annotations throughout relating mostly to locations and shooting. A man who just got out of a three year stay at a mental hospital is released and immediately mistaken for a millionaire. A con-man takes advantage of the situation. The last movie in which Gene Wilder and Richard Pryor acted as a comedy duo. Set in Los Angeles shot on location in Los Angeles. Light blue blank card wrappers. Title page present dated September 4 1990 noted as Revised Second Draft with a credit for Ziggy Steinberg. 136 leaves with last page of text numbered 127. Xerographic duplication rectos only with undated revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1979ref. 157103Universal City: Universal City Studios 1979. Vintage studio still photograph from the 1981 film showing actor Richard Pryor behind the camera. Printed mimeo snipe affixed to the verso. A cynical ex-convict is hired to drive a group of orphaned special needs children and their schoolteacher across the country from Philadelphia to Seattle growing closer to the group in the process and gaining a new outlook on life. Set in Philadelphia and Washington shot on location in Carnation Ellensburg and Snohomish Washington. 8 x 10 inches. Near Fine. Universal City Studios unknown
ref. 158138Universal City: Universal City Studios 1979. Archive of three draft scripts for the 1981 film including a First Draft script a Final Draft script and a "Second Revised Final Draft Screenplay / Added Scenes and Retakes" partial script for the 1981 film dated between June 29 1979 and February 13 1981. The first two drafts are under the working title "Family Dream." Two of the three scripts show an annotation in manuscript ink amending the film's title on title page. A cynical ex-convict is hired to drive a group of orphaned special needs children and their schoolteacher across the country from Philadelphia to Seattle growing closer to the group in the process and gaining a new outlook on life. Set in Philadelphia and Washington shot on location in Carnation Ellensburg and Snohomish Washington. First Draft: Under the title "Family Dream." Green titled wrappers noted as First Draft on the front wrapper rubber-stamped copy No. 00545 dated June 29 1979. Title page present noted as First Draft with credits for screenwriter Roger L. Simon. 129 leaves with last page of text numbered 128. Mimeograph duplication rectos only. Pages Very Good plus wrapper Near Fine bound with three gold brads. Final Draft: Under the title "Family Dream." Red titled wrappers noted as Final Draft on the front wrapper rubber-stamped copy No. 00545 dated September 21 1979. Title page present noted as Final Draft with credits for screenwriters Roger L. Simon and Lonne Elder III. 121 leaves with last page of text numbered 120. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. "Second Revised Final Draft Screenplay / Added Scenes and Retakes" partial script: Under the working title "Richard Pryor's New Movie Formerly: Family Dream." Salmon titled wrappers noted as Second Revised Final Draft Screenplay / Added Scenes and Retakes on the front wrapper dated February 13 1981. Title page present dated February 13 1981 noted as Second Revised Final Draft with credits for screenwriter Roger L. Simon and story by Richard Pryor. With pink and blue revision leaves throughout. 59 leaves with last page of text numbered 57. Xerographic duplication rectos only with pink and blue revision pages throughout dated 2/13/81 and 2/18/81. Pages Very Good plus wrapper Very Good plus bound with three gold brads. Universal City Studios unknown
1979ref. 157103Universal City: Universal City Studios 1979. Vintage studio still photograph from the 1981 film showing actor Richard Pryor behind the camera. Printed mimeo snipe affixed to the verso. A cynical ex-convict is hired to drive a group of orphaned special needs children and their schoolteacher across the country from Philadelphia to Seattle growing closer to the group in the process and gaining a new outlook on life. Set in Philadelphia and Washington shot on location in Carnation Ellensburg and Snohomish Washington. 8 x 10 inches. Near Fine. Universal City Studios unknown books
ref. 158138Universal City: Universal City Studios 1979. Archive of three draft scripts for the 1981 film including a First Draft script a Final Draft script and a "Second Revised Final Draft Screenplay / Added Scenes and Retakes" partial script for the 1981 film dated between June 29 1979 and February 13 1981. The first two drafts are under the working title "Family Dream." Two of the three scripts show an annotation in manuscript ink amending the film's title on title page. A cynical ex-convict is hired to drive a group of orphaned special needs children and their schoolteacher across the country from Philadelphia to Seattle growing closer to the group in the process and gaining a new outlook on life. Set in Philadelphia and Washington shot on location in Carnation Ellensburg and Snohomish Washington. First Draft: Under the title "Family Dream." Green titled wrappers noted as First Draft on the front wrapper rubber-stamped copy No. 00545 dated June 29 1979. Title page present noted as First Draft with credits for screenwriter Roger L. Simon. 129 leaves with last page of text numbered 128. Mimeograph duplication rectos only. Pages Very Good plus wrapper Near Fine bound with three gold brads. Final Draft: Under the title "Family Dream." Red titled wrappers noted as Final Draft on the front wrapper rubber-stamped copy No. 00545 dated September 21 1979. Title page present noted as Final Draft with credits for screenwriters Roger L. Simon and Lonne Elder III. 121 leaves with last page of text numbered 120. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. "Second Revised Final Draft Screenplay / Added Scenes and Retakes" partial script: Under the working title "Richard Pryor's New Movie Formerly: Family Dream." Salmon titled wrappers noted as Second Revised Final Draft Screenplay / Added Scenes and Retakes on the front wrapper dated February 13 1981. Title page present dated February 13 1981 noted as Second Revised Final Draft with credits for screenwriter Roger L. Simon and story by Richard Pryor. With pink and blue revision leaves throughout. 59 leaves with last page of text numbered 57. Xerographic duplication rectos only with pink and blue revision pages throughout dated 2/13/81 and 2/18/81. Pages Very Good plus wrapper Very Good plus bound with three gold brads. Universal City Studios unknown books
