11,046 results
1985ref. 160776Buenos Aires: Aries Film International 1985. Final Draft script for the 1985 film here under the working title "The Fine White Line" with manuscript ink and pencil annotations on the rectos and/or versos of 36 pages regarding dialogue and character motivation with three pages with annotated post-its regarding wardrobe attached to the versos. Script preceded by a two page "Character Notes." An undercover DEA agent played by John Schneider has infiltrated South America's largest cocaine cartel and is ordered by the organization's kingpin to assassinate a journalist running for president. One of ten films produced by Roger Corman in Argentina during the 1980s. Set in Bolivia shot on location in Argentina and Mexico. Blue untitled wrappers. Title page present dated 2/16/85 noted as FINAL DRAFT - revised with credits for screenwriter Steven M. Krauzer and story by David Vinas and Hector Olivera. 131 leaves with last page of text numbered 114. Xerographic duplication rectos only with goldenrod revision pages throughout dated 3/12/85. Pages Near Fine wrapper Very Good plus bound with three gold brads. Aries Film International unknown books
1981ref. 141750Long Beach CA: Premiere Pictures 1981. Production budget for an unproduced film. A Hitchcockian thriller about a murderer who seduces and kills a photographer's model. The photographer gets curious and begins her own investigation despite the obvious dangers involved. Set in Los Angeles. Brown untitled wrappers. Title page present. 17 leaves with last page of text numbered 7. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine spiral bound. Pagination available upon request. Premiere Pictures unknown
1981ref. 153804Long Beach CA: Premiere World Pictures 1981. Draft script for an unproduced film. Annotation in manuscript ink on the front wrapper noting copy No. 12 and single annotation in manuscript pencil on the title page. A photographer becomes involved in the murder of a prominent fashion model. Set in California. Green untitled wrappers. Title page present dated 1981 with credits for screenwriter Roger Ernest. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages and wrapper Near Fine bound internally with three silver brads. Premiere World Pictures unknown
ref. 146801N.p.: N.p. Unknown. Draft script for an unproduced film. Included with the script are four laid-in xerographically duplicated pages detailing the script's summary and prospective audience. A young successful photographer for a women's erotic magazine finds herself caught in a love triangle between a gallery owner and a troubled boxer. Set in Hollywood and Malibu. Green untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 100 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1980ref. 149781N.p.: N.p. 1980. Draft script for an unproduced film. Passengers on a ship heading to the Caribbean in the 1940s contend with a group of black marketeers who wish to commandeer the vessel for their own nefarious means. Beige pictorial front wrapper lacking rear wrapper. Title page present dated 1980 with credits for screenwriter Roger Ernest. 124 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good unbound. N.p. unknown
1970ref. 141850N.p.: N.p. 1970. Draft script for an unproduced film. During a visit to the 1890 Annual Bicycle Race in Boston a young man gets inspired to take up bicycle riding. He improves and eventually is ready to compete on a professional level. Set in Boston. Blue titled wrappers. Title page present with credit for screenwriter Roger Ernest. 127 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
ref. 142235N.p.: N.p. Treatment script for an unproduced film. Two men are captured and are being held in a plantation camp deep within the Mexican jungle where conditions are unspeakably horrendous. Set in Mexico. Blue untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 25 leaves with last leaf of text numbered 24. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with comb binding. N.p. unknown
1981ref. 141750Long Beach CA: Premiere Pictures 1981. Production budget for an unproduced film. A Hitchcockian thriller about a murderer who seduces and kills a photographer's model. The photographer gets curious and begins her own investigation despite the obvious dangers involved. Set in Los Angeles. Brown untitled wrappers. Title page present. 17 leaves with last page of text numbered 7. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine spiral bound. Pagination available upon request. Premiere Pictures unknown books
1981ref. 153804Long Beach CA: Premiere World Pictures 1981. Draft script for an unproduced film. Annotation in manuscript ink on the front wrapper noting copy No. 12 and single annotation in manuscript pencil on the title page. A photographer becomes involved in the murder of a prominent fashion model. Set in California. Green untitled wrappers. Title page present dated 1981 with credits for screenwriter Roger Ernest. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages and wrapper Near Fine bound internally with three silver brads. Premiere World Pictures unknown books
ref. 146801N.p.: N.p. Unknown. Draft script for an unproduced film. Included with the script are four laid-in xerographically duplicated pages detailing the script's summary and prospective audience. A young successful photographer for a women's erotic magazine finds herself caught in a love triangle between a gallery owner and a troubled boxer. Set in Hollywood and Malibu. Green untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 100 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1980ref. 149781N.p.: N.p. 1980. Draft script for an unproduced film. Passengers on a ship heading to the Caribbean in the 1940s contend with a group of black marketeers who wish to commandeer the vessel for their own nefarious means. Beige pictorial front wrapper lacking rear wrapper. Title page present dated 1980 with credits for screenwriter Roger Ernest. 124 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good unbound. N.p. unknown books
1970ref. 141850N.p.: N.p. 1970. Draft script for an unproduced film. During a visit to the 1890 Annual Bicycle Race in Boston a young man gets inspired to take up bicycle riding. He improves and eventually is ready to compete on a professional level. Set in Boston. Blue titled wrappers. Title page present with credit for screenwriter Roger Ernest. 127 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
ref. 142235N.p.: N.p. Treatment script for an unproduced film. Two men are captured and are being held in a plantation camp deep within the Mexican jungle where conditions are unspeakably horrendous. Set in Mexico. Blue untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 25 leaves with last leaf of text numbered 24. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with comb binding. N.p. unknown books
1995ref. 135826London: Independent Television 1995. Draft scripts for four episodes of the 1996 television show "Delta Wave:" "A Twist of Lemming: Part 1" "A Twist of Lemming: Part 2" "A Glitch in Time: Part 1" and "A Glitch in Time: Part 2." A television show about two children with psycho-kinetic powers and their scientist caretaker. The show ran for only ten episodes containing five storylines featuring the title characters separated into two episodes each. This listing is for two complete storylines: "A Twist of Lemming" and "A Glitch in Time." Set in Cambridge England. "A Twist of Lemming: Part One:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 65 leaves with last page of text numbered 65. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. "A Twist of Lemming: Part Two:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 70 leaves with last page of text numbered 70. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. "A Glitch in Time: Part One:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 62 leaves with last page of text numbered 62. Mechanical duplication. Pages Near Fine wrapper Near Fine bound prong binding. "A Glitch in Time: Part Two:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 73 leaves with last page of text numbered 73. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. Independent Television unknown
1997ref. 135849London: Bentley Productions 1997. 5th Draft script for the 1997 television episode of the show "The Broker's Man." Though broadcast in two parts this script contains both the first and second parts. Kevin Whately plays Jimmy Griffin an ex-cop now working as an investigator for an insurance company still finds ways to use his detective skills at his new job and somehow between his wife and employees fawning over him manages to create a lot of drama beyond that which he finds through his work. In this episode an ex-soldier kills his father and attempts to claim the father's insurance at which point Jimmy and his whole family gets involved. Tall white self wrappers as issued noted as 5th Draft on the front wrapper dated 30 January 1997 with credits for screenwriters Ashton and O'Mara. Title page integral with the front wrapper. 163 leaves with last page of text numbered 162. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a single silver brad. Bentley Productions unknown
1997ref. 135849London: Bentley Productions 1997. 5th Draft script for the 1997 television episode of the show "The Broker's Man." Though broadcast in two parts this script contains both the first and second parts. Kevin Whately plays Jimmy Griffin an ex-cop now working as an investigator for an insurance company still finds ways to use his detective skills at his new job and somehow between his wife and employees fawning over him manages to create a lot of drama beyond that which he finds through his work. In this episode an ex-soldier kills his father and attempts to claim the father's insurance at which point Jimmy and his whole family gets involved. Tall white self wrappers as issued noted as 5th Draft on the front wrapper dated 30 January 1997 with credits for screenwriters Ashton and O'Mara. Title page integral with the front wrapper. 163 leaves with last page of text numbered 162. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a single silver brad. Bentley Productions unknown books
1995ref. 135826London: Independent Television 1995. Draft scripts for four episodes of the 1996 television show "Delta Wave:" "A Twist of Lemming: Part 1" "A Twist of Lemming: Part 2" "A Glitch in Time: Part 1" and "A Glitch in Time: Part 2." A television show about two children with psycho-kinetic powers and their scientist caretaker. The show ran for only ten episodes containing five storylines featuring the title characters separated into two episodes each. This listing is for two complete storylines: "A Twist of Lemming" and "A Glitch in Time." Set in Cambridge England. "A Twist of Lemming: Part One:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 65 leaves with last page of text numbered 65. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. "A Twist of Lemming: Part Two:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 70 leaves with last page of text numbered 70. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. "A Glitch in Time: Part One:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 62 leaves with last page of text numbered 62. Mechanical duplication. Pages Near Fine wrapper Near Fine bound prong binding. "A Glitch in Time: Part Two:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 73 leaves with last page of text numbered 73. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. Independent Television unknown books
1987ref. 147084N.p.: N.p. 1987. Draft script for an unproduced film. Amid citywide protests over increasingly brutal gang violence a middle-aged police officer decides to take matters into his own hands by donning a World War II officer's uniform and taking to the streets as a Thompson-toting crime-fighting vigilante. Set in Huntington Park Los Angeles. Gray titled wrappers with credits for screenwriter Roger Karshner. Title page present dated 1987 with credits for screenwriter Roger Karshner. 117 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Very Good wrapper Very Good lightly dampstained along the top page edges bound with three gold brads. N.p. unknown
1987ref. 147084N.p.: N.p. 1987. Draft script for an unproduced film. Amid citywide protests over increasingly brutal gang violence a middle-aged police officer decides to take matters into his own hands by donning a World War II officer's uniform and taking to the streets as a Thompson-toting crime-fighting vigilante. Set in Huntington Park Los Angeles. Gray titled wrappers with credits for screenwriter Roger Karshner. Title page present dated 1987 with credits for screenwriter Roger Karshner. 117 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Very Good wrapper Very Good lightly dampstained along the top page edges bound with three gold brads. N.p. unknown books
1962ref. 150670Los Angeles: Twentieth Century-Fox 1962. Five vintage studio still photographs from the 1962 film. Loosely based on the 1920 German silent film "The Cabinet of Dr. Caligari." After her car breaks down a woman seeks shelter at the vast estate of Caligari a perverse Welsh hermit who imprisons the woman for his harem of tortured "guests." 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1972ref. 148347N.p.: N.p. 1972. Vintage French color lobby card from the 1972 film with film title on gold label affixed to bottom right of recto and "CFDC-Lyon" stamp on the verso. Seven small time crooks attempt to steal a prestigious jewelry collection in an exhibition. Set in and shot on location in Paris. 12 x 9.25 inches. Very Good plus pinholes and light edgewear to corners. N.p. unknown books
1967ref. 152491Paris: Pier Luigi 1967. Vintage oversize borderless double weight reference photograph of director Roger Vadim actor Honey Autumm a crew member and an extra from the set of the 1968 film. Shot by still photographer Emilio Lari with his stamp on the verso as well layout annotations in manuscript pencil and stamps reading "Noir & Blanc" "APIS-PARIS." Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space and shot in Rome. 9.5 x 11.75 inches. Light edgewear else Near Fine. Vogel Film as a Subversive Art. Pier Luigi unknown
1968ref. 150474N.p.: N.p. 1968. Vintage borderless double weight reference photograph of Jane Fonda and Roger Vadim on the set of the 1968 film. Photographer Alfonso Avincola stamp on verso. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space and shot on location in Rome. 8 x 10.5 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown
1960ref. 161500N.p.: N.p. 1960. Vintage reference photograph taken on the set of the 1960 film showing director Roger Vadim with his wife Annette adjusting a prosthetic wound. An erotic horror film based on Sheridan Le Fanu's 1872 novella "Carmilla" with the location shifted from 19th century Styria to twentieth century Italy. Shot at Hadrian's Villa in Tivoli. 8 x 10 inches. Near Fine. N.p. unknown
1974ref. 167738London: New Realm Film Distributors 1974. Vintage borderless satin-finish color reference photograph from the 1974 French sexploitation film showing a topless Sirpa Lane. Provenance stamps and annotations in manuscript ink and pencil on the verso. An adventurous young woman is determined to enjoy every sexual experience life has to offer even if the pursuit leads her into danger. 6.25 x 9.5 inches. Near Fine. New Realm Film Distributors unknown
