10,190 results
1986ref. 167882N.p.: N.p. 1986. Seven vintage reference photographs from the groundbreaking 1986 film. One of the first films to depict the impact of AIDS on the queer community in New York and one of actor Steve Buscemi's first starring roles. The first and last directorial effort for Bill Sherwood who would die from complications due to AIDS four years after the film's release. Shot on location in New York. 10 x 8 inches. Very Good plus to Near Fine. N.p. unknown
1996ref. 167666N.p.: N.p. 1996. Draft script for the 1996 film. Steve Buscemi's feature film directorial debut about an unemployed single ex-mechanic who spends all of his time at the eponymous Trees Lounge a neighborhood bar with a motley cast of characters. Set and shot on location throughout New York in Queens Brooklyn Valley Stream and Long Island. Generic white "Live International" wrappers. Title page present undated with credit for Buscemi. 104 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1996ref. 167666N.p.: N.p. 1996. Draft script for the 1996 film. Steve Buscemi's feature film directorial debut about an unemployed single ex-mechanic who spends all of his time at the eponymous Trees Lounge a neighborhood bar with a motley cast of characters. Set and shot on location throughout New York in Queens Brooklyn Valley Stream and Long Island. Generic white "Live International" wrappers. Title page present undated with credit for Buscemi. 104 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1986ref. 167882N.p.: N.p. 1986. Seven vintage reference photographs from the groundbreaking 1986 film. One of the first films to depict the impact of AIDS on the queer community in New York and one of actor Steve Buscemi's first starring roles. The first and last directorial effort for Bill Sherwood who would die from complications due to AIDS four years after the film's release. Shot on location in New York. 10 x 8 inches. Very Good plus to Near Fine. N.p. unknown books
2002ref. 163347N.p.: Muddfilms 2002. Vintage press kit for the 2004 film. The press kit was produced in 2002 following the film's screening at the 2002 NoDance Film Festival in Park City Utah where the film won the "Best Director" jury prize. The press kit referred to as a "Media Pack" on the label on the enclosing folder includes a gathering of 24 pages which include film reviews synopses statements and bios of the cast and crew a two page review by Michael Edwards a March 2002 issue of "Entertainment Showcase" a CD of image files from the film six color promotional flyers and collages on photographic paper promoting the film and four flyers promoting the films screening at the 2002 NoDance Film Festival. A surprisingly disturbing and entertaining black comedy. Millard Mudd a struggling alcoholic cartoon writer with writer's block finds himself at the end of his rope until he accidentally hits a stray dog Lucky while out on a liquor run. While nursing Lucky back to health Lucky begins talking teaching Mudd how to craft award winning scripts and to kill. Folder and contents Near Fine overall. Muddfilms unknown
1987ref. 162929N.p.: N.p. 1987. Draft script for an unproduced television episode from the 1987-1988 television series. This one season television series follows a controversial sportswriter constantly on the brink of being fired from the newspaper he works for. In this episode the titular character must get a physical done and is scared when they find something out of the ordinary. Set in the American Southwest. White untitled self wrappers lacking rear wrapper with adhesive label for the Rosen/Turtle Group Inc. talent agency at bottom right corner of front wrapper and with credits for screenwriter Steve Cuden. Title page integral with front wrapper. 32 leaves with last page of text numbered 32. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
2002ref. 163347N.p.: Muddfilms 2002. Vintage press kit for the 2004 film. The press kit was produced in 2002 following the film's screening at the 2002 NoDance Film Festival in Park City Utah where the film won the "Best Director" jury prize. The press kit referred to as a "Media Pack" on the label on the enclosing folder includes a gathering of 24 pages which include film reviews synopses statements and bios of the cast and crew a two page review by Michael Edwards a March 2002 issue of "Entertainment Showcase" a CD of image files from the film six color promotional flyers and collages on photographic paper promoting the film and four flyers promoting the films screening at the 2002 NoDance Film Festival. A surprisingly disturbing and entertaining black comedy. Millard Mudd a struggling alcoholic cartoon writer with writer's block finds himself at the end of his rope until he accidentally hits a stray dog Lucky while out on a liquor run. While nursing Lucky back to health Lucky begins talking teaching Mudd how to craft award winning scripts and to kill. Folder and contents Near Fine overall. Muddfilms unknown books
1987ref. 162929N.p.: N.p. 1987. Draft script for an unproduced television episode from the 1987-1988 television series. This one season television series follows a controversial sportswriter constantly on the brink of being fired from the newspaper he works for. In this episode the titular character must get a physical done and is scared when they find something out of the ordinary. Set in the American Southwest. White untitled self wrappers lacking rear wrapper with adhesive label for the Rosen/Turtle Group Inc. talent agency at bottom right corner of front wrapper and with credits for screenwriter Steve Cuden. Title page integral with front wrapper. 32 leaves with last page of text numbered 32. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1953ref. 125507Sherman Oaks CA: Republic Pictures 1953. Original pressbook for the 1953 film noir. Screenplay by noted screenwriter Steve Fisher. One sheet folded once as issued 11 x 17 inches. Near Fine with a faint horizontal fold crease at the center of the wrapper and pages. Lyons US. Martin 121. Selby US. 71. Spicer US. Republic Pictures unknown
1938ref. 164549Universal City: Universal Pictures 1938. Vintage reference photograph of actor Larry J. Blake from the 1938 film with a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the short story "If You Break My Heart" by Steve Fisher. Sally Eilers stars as a nurse whose brother shortly after being released from prison is shot and killed in a shootout between a criminal gang and the police. Larry J. Blake a police officer is accused of shooting him but knows he didn't do it and sets out to prove it both to clear his name and because of his feelings for Eilers. Set in New York City. 8 x 10 inches. Near Fine. Universal Pictures unknown
1953ref. 125507Sherman Oaks CA: Republic Pictures 1953. Original pressbook for the 1953 film noir. Screenplay by noted screenwriter Steve Fisher. One sheet folded once as issued 11 x 17 inches. Near Fine with a faint horizontal fold crease at the center of the wrapper and pages. Lyons US. Martin 121. Selby US. 71. Spicer US. Republic Pictures unknown books
1938ref. 164549Universal City: Universal Pictures 1938. Vintage reference photograph of actor Larry J. Blake from the 1938 film with a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the short story "If You Break My Heart" by Steve Fisher. Sally Eilers stars as a nurse whose brother shortly after being released from prison is shot and killed in a shootout between a criminal gang and the police. Larry J. Blake a police officer is accused of shooting him but knows he didn't do it and sets out to prove it both to clear his name and because of his feelings for Eilers. Set in New York City. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1972ref. 133422Beverly Hills CA: Levy-Garner-Laven / United Artists 1972. Eight vintage full-color still photographs from the 1972 film. A poorly publicized but well regarded film about an aging rodeo champion a "honker" whose arrogance hurts everyone around him including his family. A must for Slim Pickens and James Coburn fans. Shot on location in New Mexico. 8 x 10 inches. Near Fine. Levy-Garner-Laven / United Artists unknown books
1972ref. 133423Beverly Hills CA: Levy-Garner-Laven / United Artists 1972. Nine vintage black-and-white still photographs from the 1972 film. A poorly publicized well regarded film about an aging rodeo champion a "honker" whose arrogance hurts everyone around him including his family. A must for Slim Pickens and James Coburn fans. Shot on location in New Mexico. 8 x 10 inches. Faint creases to a few stills else Near Fine. Levy-Garner-Laven / United Artists unknown books
1990ref. 161093Manhattan Beach CA: Carolco Pictures 1990. Draft screenplay for the 1991 film. Steve Martin's love letter to Los Angeles about a goofy meteorologist who receives messages from an electric freeway billboard encouraging him to pursue a romance with a British journalist. Set and shot on location in Los Angeles. Front wrapper integral with title page dated 2/23/90 with credit for screenwriter Steve Martin. 112 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Carolco Pictures unknown
1986ref. 171897N.p.: IndieProd Company 1986. Draft script for the 1987 film comedy. Copy belonging to stunt coordinator Joe Dunne with his name in manuscript ink at the top corners of several revision pages. Missing page 29 likely as used or issued. With color revision pages througout. One of the best comedies of the 1980s a modern-day adaptation of Edmond Rostand's 1897 play "Cyrano de Bergerac" and adapted by actor Steve Martin about a man whose insecurity over his unusually large nose leads him to hide his feelings for the woman he loves. Shot on location in British Columbia. Beige IndieProd production company wrappers. Lacking title page presumably as issued. 150 leaves with last page of text numbered 118. Xerographic duplication on blue stock rectos only with yellow green and goldenrod revision pages throughout dated variously between August 7 and 16 1986. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. IndieProd Company unknown
1986ref. 171897N.p.: IndieProd Company 1986. Draft script for the 1987 film comedy. Copy belonging to stunt coordinator Joe Dunne with his name in manuscript ink at the top corners of several revision pages. Missing page 29 likely as used or issued. With color revision pages througout. One of the best comedies of the 1980s a modern-day adaptation of Edmond Rostand's 1897 play "Cyrano de Bergerac" and adapted by actor Steve Martin about a man whose insecurity over his unusually large nose leads him to hide his feelings for the woman he loves. Shot on location in British Columbia. Beige IndieProd production company wrappers. Lacking title page presumably as issued. 150 leaves with last page of text numbered 118. Xerographic duplication on blue stock rectos only with yellow green and goldenrod revision pages throughout dated variously between August 7 and 16 1986. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. IndieProd Company unknown books
1990ref. 161093Manhattan Beach CA: Carolco Pictures 1990. Draft screenplay for the 1991 film. Steve Martin's love letter to Los Angeles about a goofy meteorologist who receives messages from an electric freeway billboard encouraging him to pursue a romance with a British journalist. Set and shot on location in Los Angeles. Front wrapper integral with title page dated 2/23/90 with credit for screenwriter Steve Martin. 112 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Carolco Pictures unknown books
1971ref. 149392US: National General Pictures 1971. Vintage oversize borderless reference photograph of director Lee H. Katzin and actors Steve McQueen and Elga Andersen on the set of the 1971 film. With manuscript ink annotations on the verso. McQueen stars as a racing driver competing in Le Mans one year after an accident killed a fellow racer one which both the racer's widow and others feel McQueen is partially responsible for. A passion project for McQueen originally developed with director John Sturges who left the project after the sale of Warner Brothers to Kinney National Services forced them to move to National General Pictures. Filmed on location in Le Mans France including during the running of the 1970 24 Hours of Le Mans race. 11.5 x 9 inches. Very Good plus with light wear to the top and bottom edges. National General Pictures unknown
1971ref. 149392US: National General Pictures 1971. Vintage oversize borderless reference photograph of director Lee H. Katzin and actors Steve McQueen and Elga Andersen on the set of the 1971 film. With manuscript ink annotations on the verso. McQueen stars as a racing driver competing in Le Mans one year after an accident killed a fellow racer one which both the racer's widow and others feel McQueen is partially responsible for. A passion project for McQueen originally developed with director John Sturges who left the project after the sale of Warner Brothers to Kinney National Services forced them to move to National General Pictures. Filmed on location in Le Mans France including during the running of the 1970 24 Hours of Le Mans race. 11.5 x 9 inches. Very Good plus with light wear to the top and bottom edges. National General Pictures unknown books
1981ref. 142225N.p.: N.p. 1981. Treatment script for an unproduced film. After the independence of India from England and the dividing of the nation into both modern India and Pakistan a farmer and Sikh is working when a Muslim woman throws herself at his feet. Upon seeing the man who owns her the farmer realizes he must purchase the young woman as his wife in order to save her from torture and abuse. Set in India. Orange titled wrappers. Title page present with credits for screenwriter Steven Rossen and producer Dan Alvy. 50 leaves with last leaf of text numbered 49. Xerographic duplication first generation photocopy with no copied holes. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1981ref. 142225N.p.: N.p. 1981. Treatment script for an unproduced film. After the independence of India from England and the dividing of the nation into both modern India and Pakistan a farmer and Sikh is working when a Muslim woman throws herself at his feet. Upon seeing the man who owns her the farmer realizes he must purchase the young woman as his wife in order to save her from torture and abuse. Set in India. Orange titled wrappers. Title page present with credits for screenwriter Steven Rossen and producer Dan Alvy. 50 leaves with last leaf of text numbered 49. Xerographic duplication first generation photocopy with no copied holes. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1985ref. 141111N.p.: N.p. 1985. Revised Draft script for the 1985 play. Copy belonging to Peter Mark Richman who played the character of Lewis in this production with his name in manuscript ink on the front wrapper and annotations throughout in manuscript ink. The story of a screenwriter living in Los Angeles who can not seem to finish any screenplays and thus is haunted by his unfinished characters including Adolf Eichmann a gorilla and a blue-collar worker named "The Raincoat." Steve Shagan was a critically acclaimed novelist playwright and screenwriter who came to prominence working on the television series "Tarzan." Throughout his long career he was nominated for both Academy Awards and Emmy Awards. Set in Los Angeles. Tan untitled wrappers. Title page present noted as Revised Draft with credits for playwright Steve Shagan. 101 leaves with last page of text numbered 98. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1985ref. 141111N.p.: N.p. 1985. Revised Draft script for the 1985 play. Copy belonging to Peter Mark Richman who played the character of Lewis in this production with his name in manuscript ink on the front wrapper and annotations throughout in manuscript ink. The story of a screenwriter living in Los Angeles who can not seem to finish any screenplays and thus is haunted by his unfinished characters including Adolf Eichmann a gorilla and a blue-collar worker named "The Raincoat." Steve Shagan was a critically acclaimed novelist playwright and screenwriter who came to prominence working on the television series "Tarzan." Throughout his long career he was nominated for both Academy Awards and Emmy Awards. Set in Los Angeles. Tan untitled wrappers. Title page present noted as Revised Draft with credits for playwright Steve Shagan. 101 leaves with last page of text numbered 98. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1998ref. 171538N.p.: N.p. 1998. Draft script for Season 1 Episode 18 of the 1997-1998 television series. Originally aired March 16 1998 on CBS. With production document bound into the script preceding front self wrapper. This short-lived procedural followed the uniformed police officers at a Brooklyn precinct. In this episode two officers try to help a woman being abused by her husband until they find him dead. Winner of an Emmy for Outstanding Directing for its Pilot episode. Set in Brooklyn. White titled self wrapper lacking rear wrapper production No. C118 dated February 24 1998 with credits for director Michael Watkins and screenwriters Scott A. Williams Edward Allen Bernero and Matt Olmstead. Title page integral with front wrapper. 51 leaves with last page of text numbered 51. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown