11,049 results
1965ref. 132215London: National Screen Service 1965. Eight vintage black-and-white British front-of-house cards from the 1965 UK film. Based on the play by Ray Rigby about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches. Light toning overall else Near Fine. National Screen Service unknown books
1965ref. 132216London: National Screen Service 1965. Vintage black-and-white British front-of-house card from the 1965 UK film. Based on the play by Ray Rigby about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches. Very Good plus with light creases. National Screen Service unknown books
1960ref. 135379Beverly Hills CA: United Artists 1960. Vintage black-and-white reference photograph from the 1960 film. Shown are Marlon Brando and Anna Magnani. 8 x 10 inches. Near Fine. Criterion Collection 515. United Artists unknown books
1960ref. 135689Beverly Hills CA: United Artists 1960. Vintage black-and-white reference photograph of Marlon Brando on the set of the 1960 film. 8 x 10 inches. Near Fine. With a Hollywood bookshop stamp on the verso along with an inked price notation. Criterion Collection 515. United Artists unknown books
1960ref. 152019N.p.: Pennebaker Productions 1960. Vintage double weight reference photograph of Marlon Brando Joanne Woodward Anna Magnani Sydney Lumet and cinematographer Boris Kaufman on the set of the 1960 film. Based on Tennesee Williams' 1957 play "Orpheus Descending" which itself was a revision of Williams' 1940 play "Battle of Angels." A man flees the law in New Orleans and finds work at a small-town store run by the resentful and frustrated Lady Torrance whose husband lies ill in the apartment above the store. 8 x 10 inches. Very Good with thin two inch bruise to upper left portion of the image. Criterion Collection 515. Pennebaker Productions unknown books
ref. 162444N.p.: N.p. 1995. Final Draft script for the 1996 neo-noir film. Copy belonging to an unidentified crew member with their annotations on the title page noting phone numbers and on several pages in the script highlighting dialogue for police officers. With a production memo and a call sheet dated November 15 1995 laid in with the script along with a FedEx receipt. Based on Robert Daley's 1993 novel "Tainted Evidence" and on the true story of the escape of criminal Larry Davis about a newly elected district attorney's drive to eliminate corruption in the police department. Set and shot on location in Manhattan. Clear generic front wrapper blue rear wrapper. Title page present dated July 27 1995 noted as Final Draft with credits for screenwriter Sidney Lumet and novelist Robert Daley. 125 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue revision pages throughout dated September 22 1995. Pages about Fine wrapper Very Good with wear on the top and bottom edges of the rear wrapper silver prong binding. Spicer US. Silver and Ward Neo-Noir. N.p. unknown books
1989ref. 163641N.p.: N.p. 1989. Final Draft script for the 1990 film. Copy belonging to camera operator Tom Priestley Jr. with his name in manuscript ink on the title page. Crew list and schedule bound in at the rear of the script. A novice district attorney uncovers a decorated police officer's ties to the world of organized crime after the officer kills a smalltime Puerto Rican criminal in purported self defense. Set and shot on location in New York. Self wrappers. Title page present dated May 31 1989 noted as Final Draft with credits for screenwriter Sidney Lumet and novelist Edwin Torres. 118 leaves with last page of text numbered 116. Xerographic duplication rectos only with pink revision pages throughout dated 8/29/89. Pages Near Fine bound with two gold brads. N.p. unknown books
1955ref. 140173Los Angeles: Columbia Broadcasting System CBS 1955. Final Draft script for the Season 2 Episode 1 of the 1955 television program originally broadcast on October 15 1955 on CBS. Copy belonging to actor who played Johnny with his character's name on the front wrapper in manuscript pencil. With page numbers annotated in ink at the lower right corner of each page throughout. "The Damon Runyon Theater" presented dramatized versions of short stories by Damon Runyon. This particular episode deals with a boxing match. It was sponsored by Anheuser-Busch's beer Budweiser. Orange titled wrappers noted as Final Draft on the front wrapper rubber-stamped production No. 3924 dated June 15 1955. Title page present dated June 14 1955 noted as Final Draft with credits for screenwriter Jack Harvey. 43 leaves with last page of text numbered 41. Mechanical duplication. Pages Very Good plus wrapper Very Good bound with two gold brads. Columbia Broadcasting System [CBS] unknown
1955ref. 140173Los Angeles: Columbia Broadcasting System CBS 1955. Final Draft script for the Season 2 Episode 1 of the 1955 television program originally broadcast on October 15 1955 on CBS. Copy belonging to actor who played Johnny with his character's name on the front wrapper in manuscript pencil. With page numbers annotated in ink at the lower right corner of each page throughout. "The Damon Runyon Theater" presented dramatized versions of short stories by Damon Runyon. This particular episode deals with a boxing match. It was sponsored by Anheuser-Busch's beer Budweiser. Orange titled wrappers noted as Final Draft on the front wrapper rubber-stamped production No. 3924 dated June 15 1955. Title page present dated June 14 1955 noted as Final Draft with credits for screenwriter Jack Harvey. 43 leaves with last page of text numbered 41. Mechanical duplication. Pages Very Good plus wrapper Very Good bound with two gold brads. Columbia Broadcasting System [CBS] unknown books
1973ref. 156646Buckinghamshire: Pinewood Studios 1973. Vintage borderless reference photograph from the 1973 film showing director Sidney Poitier and a camera crew filming a scene with Yvette Curtis on location in Trafalgar Square. Printed mimeo snipe affixed to the verso. A recently widowed African American doctor and his daughter spend a month-long vacation in London where he falls in love with an African ambassador's niece. Set in London. 7.5 x 9.5 inches. Near Fine. Pinewood Studios unknown
1970ref. 152555Culver City CA: Columbia Pictures 1970. Draft script for the 1971 film here under the working title "Kane." Copy belonging to actor Bradford Dillman with his stamp to the title page and his manuscript ink annotations throughout. Laid in with the script are two manuscript pages with Dillman's notes on blocking for various scenes and two gatherings of cast and crew contact information. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. Set in Alabama shot on location in Marysville California. Blue titled wrappers dated January 30 1970 noted as production No. 8981. Title page present dated January 30 1970 with credits for director James Goldstone and screenwriter Ernest Kinoy. 141 leaves with last page of text numbered 140. Mimeograph duplication on eye-rest green stock rectos only with rainbow revision pages throughout dated variously between February 11 1970 and March 4 1970. Pages and wrapper Near Fine bound with two gold brads. Columbia Pictures unknown
1971ref. 157331N.p.: N.p. 1971. Vintage borderless reference photograph of director James Goldstone with a camera on the set of the 1971 film. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. Set in Alabama shot on location in Marysville California. 10 x 8 inches. Near Fine. N.p. unknown
1963ref. 148780Beverly Hills CA: United Artists 1963. Collection of 18 vintage reference photographs all but one borderless and 4 vintage studio still photographs from the 1963 film. Two with provenance stamps on the verso. Based on the 1962 novel following an unemployed African American handyman conscripted by a group of Eastern European nuns into building a chapel for them in the Arizona desert. Nominated for five Academy Awards and winning one for Best Actor for Sidney Poitier making him the first African American man to receive an Oscar. Set and shot on location in Arizona. 18 photographs 9.5 x 7 inches four photographs 10 x 8 inches. Near Fine. United Artists unknown
1986ref. 169088N.p.: N.p. 1986. Draft script for the 1988 film. Dated December 24 1986 only five days before the commencement of production on December 29 according to the AFI Catalog. Sydney Poitier stars as an FBI agent working to uncover Soviet sleeper agents posing as an all-American family living in San Diego and develops a friendship with their unsuspecting son played by River Phoenix. Shot on location in San Diego San Ysidro Monrovia and La Mesa California. Red titled wrappers. Title page present dated December 24 1986 with credits for screenwriter Bo Goldman. 129 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1969ref. 168503Universal City CA: Universal Pictures 1969. Vintage transparency from the 1969 film showing Sidney Poitier on the set. Loosely based on F.L. Green's 1945 novel "Odd Man Out." A Black militant intends to rob a factory payroll in order to aid his imprisoned revolutionaries but through an unexpected turn of events he is forced to rely on a young social worker to help pull off the heist. 5 x 4 inches. Fine. Universal Pictures unknown
1984ref. 139421Culver City CA: Columbia Pictures 1984. Five vintage black-and-white studio still photographs from the US release of the 1985 film. A group of country kids come to New York City intending to "make it big" by competing in a dance competition. However upon arrival they are faced with an multitude of unexpected problems that threaten their dreams of stardom. Set in New York City shot on location in Los Angeles and New York City. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1973ref. 156646Buckinghamshire: Pinewood Studios 1973. Vintage borderless reference photograph from the 1973 film showing director Sidney Poitier and a camera crew filming a scene with Yvette Curtis on location in Trafalgar Square. Printed mimeo snipe affixed to the verso. A recently widowed African American doctor and his daughter spend a month-long vacation in London where he falls in love with an African ambassador's niece. Set in London. 7.5 x 9.5 inches. Near Fine. Pinewood Studios unknown books
1963ref. 148780Beverly Hills CA: United Artists 1963. Collection of 18 vintage reference photographs all but one borderless and 4 vintage studio still photographs from the 1963 film. Two with provenance stamps on the verso. Based on the 1962 novel following an unemployed African American handyman conscripted by a group of Eastern European nuns into building a chapel for them in the Arizona desert. Nominated for five Academy Awards and winning one for Best Actor for Sidney Poitier making him the first African American man to receive an Oscar. Set and shot on location in Arizona. 18 photographs 9.5 x 7 inches four photographs 10 x 8 inches. Near Fine. United Artists unknown books
1969ref. 168503Universal City CA: Universal Pictures 1969. Vintage transparency from the 1969 film showing Sidney Poitier on the set. Loosely based on F.L. Green's 1945 novel "Odd Man Out." A Black militant intends to rob a factory payroll in order to aid his imprisoned revolutionaries but through an unexpected turn of events he is forced to rely on a young social worker to help pull off the heist. 5 x 4 inches. Fine. Universal Pictures unknown books
1986ref. 169088N.p.: N.p. 1986. Draft script for the 1988 film. Dated December 24 1986 only five days before the commencement of production on December 29 according to the AFI Catalog. Sydney Poitier stars as an FBI agent working to uncover Soviet sleeper agents posing as an all-American family living in San Diego and develops a friendship with their unsuspecting son played by River Phoenix. Shot on location in San Diego San Ysidro Monrovia and La Mesa California. Red titled wrappers. Title page present dated December 24 1986 with credits for screenwriter Bo Goldman. 129 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1970ref. 152555Culver City CA: Columbia Pictures 1970. Draft script for the 1971 film here under the working title "Kane." Copy belonging to actor Bradford Dillman with his stamp to the title page and his manuscript ink annotations throughout. Laid in with the script are two manuscript pages with Dillman's notes on blocking for various scenes and two gatherings of cast and crew contact information. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. Set in Alabama shot on location in Marysville California. Blue titled wrappers dated January 30 1970 noted as production No. 8981. Title page present dated January 30 1970 with credits for director James Goldstone and screenwriter Ernest Kinoy. 141 leaves with last page of text numbered 140. Mimeograph duplication on eye-rest green stock rectos only with rainbow revision pages throughout dated variously between February 11 1970 and March 4 1970. Pages and wrapper Near Fine bound with two gold brads. Columbia Pictures unknown books
1971ref. 157331N.p.: N.p. 1971. Vintage borderless reference photograph of director James Goldstone with a camera on the set of the 1971 film. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. Set in Alabama shot on location in Marysville California. 10 x 8 inches. Near Fine. N.p. unknown books
1937ref. 164652Universal City: Universal Pictures 1937. Vintage publicity photograph of William Gargan and Judith Barrett from the 1937 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. William Gargan stars as a pugnacious New York radio show producer who is fired after punching the sponsor of the "Crunchie-Munchie Hour" during rehearsal and finds a job managing WBAM a rural radio station housed in a barn in Valley Falls. 10 x 8 inches. Very Good plus with a faint diagonal crease to the upper left. Universal Pictures unknown books
1937ref. 164653Universal City: Universal Pictures 1937. Vintage publicity photograph of Herbert Mundin and Claudia Morgan from the 1937 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. William Lundigan stars as reporter who gets himself thrown in jail in the hopes of interviewing Bernadene Hayes accused of killing her millionaire boyfriend. Upon discovering a beautiful girl in the next cell he assumes she is Hayes but is actually Claudia Morgan another reporter who schemed their way into the jail to get the story. 10.25 x 8 inches. Near FIne. Universal Pictures unknown books
1960ref. 150715Los Angeles: Paramount Pictures 1960. Eight vintage studio still photographs from the 1960 film. Seven with dealer stamps on the verso. Not to be confused with the 1950 film of the same name. A group of teenagers find a briefcase of money leading to discord and consternation about what to do with the cash. 10 x 8 inches. Near Fine. Paramount Pictures unknown books
