11,049 results
1975ref. 162089West Germany: Cinerama Filmgesellschaft 1975. Vintage borderless reference photograph from the West German release of the 1974 French film showing actress Sirpa Lane. Printed mimeo snipe in German affixed to the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An adventurous young woman is determined to enjoy every sexual experience life has to offer even if the pursuit leads her into danger. 7 x 5 inches. Near Fine. Cinerama Filmgesellschaft unknown books
1977ref. 162157N.p.: Arte 7 1977. Collection of 13 vintage borderless lobby cards for the Spanish release of the 1977 Italian film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. During World War II a German Jewish woman is separated from her boyfriend and sent to live as a prostitute in a Nazi camp. Actress Renata Moar's final film. Shot on location in Rome. 13.25 x 9.25 inches. About Fine. Arte 7 unknown books
ref. 51-7277Tokyo: Shinsei Katsusha October 1946. Original pictorial wraps. 18.2 x 25.8cm. 56pp.The Motion Picture Library was a pioneering bilingual film publication launched in Tokyo in post-WWII Japan 1946-1948. Aimed at bridging American pop culture and Japanese audiences it printed full English scripts actor profiles and bilingual synopses of imports like Casablanca. The emergence of these bilingual or heavily translated film resources during the mid-1940s marked a dramatic cultural shift. Following wartime censorship and the total ban of foreign films the sudden influx of Hollywood movies under the Supreme Commander for the Allied Powers SCAP created a boom in cine-literacy. .“MÅshon pikuchÄ raiburarÄ«” wa dainijisekaitaisengo no Nihon 1946-nen 〜 1948-nen ni oite TÅkyÅ de sÅkan sa reta senku-tekina bairingaru eiga shuppan-monodeatta. Amerika no poppukaruchÄ to Nihon no kankyaku to no kakehashi to naru koto o mezashi dÅshi wa “Kasaburanka” nado no yunyū eiga ni tsuite kanzen'na eigo kyakuhon haiyū no purofīru soshite nichiei taiyaku no arasuji o keisai shite ita. 1940-Nendai nakaba ni okeru kÅshita bairingaru aruiwa Åhabana hon'yaku o hodokoshita eiga kanren shiryÅ no tÅjÅ wa gekitekina bunka-teki tenkan o shÅchÅ suru monodeatta. Senji-chū no ken'etsu ya gaikoku eiga no zenmen kinshi o hete rengÅ-koku saikÅ shirei-kan sÅ shirei-bu SCAP no tÅchi-ka de Hariuddo eiga ga totsujotoshite tairyÅ ni ryūnyū shita koto wa eiga riterashī eiga o yomitoku chikara e no kanshin o ikkini takameru būmu o makiokoshita nodearu.『モーション・ピクãƒãƒ£ãƒ¼ãƒ»ãƒ©ã‚¤ãƒ–ラリーã€ã¯ã€ç¬¬äºŒæ¬¡ä¸–界大戦後ã®æ—¥æœ¬ï¼ˆ1946年〜1948年）ã«ãŠã„ã¦ã€æ±äº¬ã§å‰µåˆŠã•ã‚ŒãŸå…ˆé§†çš„ãªãƒã‚¤ãƒªãƒ³ã‚¬ãƒ«æ˜ 画出版物ã§ã‚ã£ãŸã€‚アメリカã®ãƒãƒƒãƒ—カルãƒãƒ£ãƒ¼ã¨æ—¥æœ¬ã®è¦³å®¢ã¨ã®æž¶ã‘æ©‹ã¨ãªã‚‹ã“ã¨ã‚’目指ã—ã€åŒèªŒã¯ã€Žã‚«ã‚µãƒ–ランカã€ãªã©ã®è¼¸å…¥æ˜ ç”»ã«ã¤ã„ã¦ã€å®Œå…¨ãªè‹±èªžè„šæœ¬ã€ä¿³å„ªã®ãƒ—ãƒãƒ•ã‚£ãƒ¼ãƒ«ã€ãã—ã¦æ—¥è‹±å¯¾è¨³ã®ã‚らã™ã˜ã‚’掲載ã—ã¦ã„ãŸã€‚1940年代åŠã°ã«ãŠã‘ã‚‹ã€ã“ã†ã—ãŸãƒã‚¤ãƒªãƒ³ã‚¬ãƒ«ã‚ã‚‹ã„ã¯å¤§å¹…ãªç¿»è¨³ã‚’æ–½ã—ãŸæ˜ 画関連資料ã®ç™»å ´ã¯ã€åŠ‡çš„ãªæ–‡åŒ–的転æ›ã‚’象徴ã™ã‚‹ã‚‚ã®ã§ã‚ã£ãŸã€‚戦時ä¸ã®æ¤œé–²ã‚„å¤–å›½æ˜ ç”»ã®å…¨é¢ç¦æ¢ã‚’経ã¦ã€é€£åˆå›½æœ€é«˜å¸ä»¤å®˜ç·å¸ä»¤éƒ¨ï¼ˆSCAP）ã®çµ±æ²»ä¸‹ã§ãƒãƒªã‚¦ãƒƒãƒ‰æ˜ ç”»ãŒçªå¦‚ã¨ã—ã¦å¤§é‡ã«æµå…¥ã—ãŸã“ã¨ã¯ã€æ˜ ç”»ãƒªãƒ†ãƒ©ã‚·ãƒ¼ï¼ˆæ˜ ç”»ã‚’èªã¿è§£ã力）ã¸ã®é–¢å¿ƒã‚’一気㫠Tokyo: Shinsei Katsusha , October , 1946 paperback
1981ref. 170401N.p.: N.p. 1981. Draft script for the 1981 film. Copy belonging to uncredited producer Kelvyn H. Cullimore with his name and address in manuscript pencil on the title page and his ownership stamp to the title page and first page of text. In 1944 a young divorcée and single mother has an affair with a sailor on leave. Based on the 1979 novel by Sara Clark and William D. Wittliff. The directorial debut of Jack Fisk the husband of actress Sissy Spacek. Shot on location in Lockhart Maxwell Seguin and Corpus Christi Texas. White untitled front wrapper blue rear wrapper. Title page present with credit for screenwriter William D. Wittliff. 133 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good bound internally with three silver brads. N.p. unknown
1984ref. 166590N.p.: N.p. 1984. Revised Draft script for the 1986 film. Copy belonging to an unidentified crew member with their annotations in manuscript ink on the verso of the final page relating to set construction. A famous photographer takes a two-week trip to her hometown on the Maryland coast where she reconnects with her high school sweetheart who is now married and running his family's local newspaper. Set in Ocean City Maryland and Venice Italy shot on location in Baltimore and Ocean City Maryland and at Rehoboth Beach Delaware. White generic Rastar wrappers. Title page present dated July 27 1984 noted as REVISED with credit for screenwriter Naomi Foner. 125 leaves with last page of text numbered 122. Xerographic duplication rectos only with pink revision pages throughout dated July 31 1984. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. N.p. unknown
1984ref. 166590N.p.: N.p. 1984. Revised Draft script for the 1986 film. Copy belonging to an unidentified crew member with their annotations in manuscript ink on the verso of the final page relating to set construction. A famous photographer takes a two-week trip to her hometown on the Maryland coast where she reconnects with her high school sweetheart who is now married and running his family's local newspaper. Set in Ocean City Maryland and Venice Italy shot on location in Baltimore and Ocean City Maryland and at Rehoboth Beach Delaware. White generic Rastar wrappers. Title page present dated July 27 1984 noted as REVISED with credit for screenwriter Naomi Foner. 125 leaves with last page of text numbered 122. Xerographic duplication rectos only with pink revision pages throughout dated July 31 1984. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. N.p. unknown books
1981ref. 170401N.p.: N.p. 1981. Draft script for the 1981 film. Copy belonging to uncredited producer Kelvyn H. Cullimore with his name and address in manuscript pencil on the title page and his ownership stamp to the title page and first page of text. In 1944 a young divorcée and single mother has an affair with a sailor on leave. Based on the 1979 novel by Sara Clark and William D. Wittliff. The directorial debut of Jack Fisk the husband of actress Sissy Spacek. Shot on location in Lockhart Maxwell Seguin and Corpus Christi Texas. White untitled front wrapper blue rear wrapper. Title page present with credit for screenwriter William D. Wittliff. 133 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good bound internally with three silver brads. N.p. unknown books
1933ref. 138407Germany: Kinematrade 1933. Vintage US poster for the 1932 German communist propaganda film "Kuhle Wampe oder Wem gehort die Welt" The subtitle is seen here under the English translation "Whither Germany." Circa 1933 as identified by the name of the Philadelphia theatre on the poster. The last and arguably most important communist film of the Weimar era "Kuhle Wampe oder" is according to screenwriter Brecht a "Collective Presentation" that tells the tale of a family in early 1930s Berlin. After the son is prolongedly unemployed he commits suicide and the family is forced to relocate to a shantytown known as "Kuhle Wampe" or "Empty Stomach." Created under severely limited material conditions with filming constantly being broken up by the Weimar government's paramilitary SA agency the film attempts to depict archetypes of the times including an intellectual clash on a subway between members of the bourgeoisie and the proletariat. Banned first by the failing Weimar Republic and subsequently by the Nazi Reich the film was believed to have been lost until it reappeared over 20 years later in East Germany in 1958. This poster likely originates from screenings held in November 1933 by an unknown pro-communist organization in Philadelphia at the short-lived left-leaning Philkino theater. A US screening of this film dating before the film's disappearance and only just after the very beginnings of Hitler's rise to power makes this poster not only very scarce but one of significant historical value. The poster touting "Kuhle Wampe" as "The Film Hitler Burned" features an image of a man with a hammer and sickle attacking two snakes that form the Nazi swastika and touts the involvement of members of the "Labor Sports Union" in the film. 9.5 x 13 inches letterpress on pale faded pink stock. Very Good with expected moderate wear. Kinematrade unknown
1933ref. 138407Germany: Kinematrade 1933. Vintage US poster for the 1932 German communist propaganda film "Kuhle Wampe oder Wem gehort die Welt" The subtitle is seen here under the English translation "Whither Germany." Circa 1933 as identified by the name of the Philadelphia theatre on the poster. The last and arguably most important communist film of the Weimar era "Kuhle Wampe oder" is according to screenwriter Brecht a "Collective Presentation" that tells the tale of a family in early 1930s Berlin. After the son is prolongedly unemployed he commits suicide and the family is forced to relocate to a shantytown known as "Kuhle Wampe" or "Empty Stomach." Created under severely limited material conditions with filming constantly being broken up by the Weimar government's paramilitary SA agency the film attempts to depict archetypes of the times including an intellectual clash on a subway between members of the bourgeoisie and the proletariat. Banned first by the failing Weimar Republic and subsequently by the Nazi Reich the film was believed to have been lost until it reappeared over 20 years later in East Germany in 1958. This poster likely originates from screenings held in November 1933 by an unknown pro-communist organization in Philadelphia at the short-lived left-leaning Philkino theater. A US screening of this film dating before the film's disappearance and only just after the very beginnings of Hitler's rise to power makes this poster not only very scarce but one of significant historical value. The poster touting "Kuhle Wampe" as "The Film Hitler Burned" features an image of a man with a hammer and sickle attacking two snakes that form the Nazi swastika and touts the involvement of members of the "Labor Sports Union" in the film. 9.5 x 13 inches letterpress on pale faded pink stock. Very Good with expected moderate wear. Kinematrade unknown books
1982ref. 162551London: Tartan Video 1982. Six vintage photographs from the 1982 film including four reference photographs two borderless and matte finish two glossy and bordered and two studio still photographs. Aliens seeking opiates released during human sex land their UFO on top of a New York apartment building where they witness the antics of bisexual androgynous fashion model Margaret and her cocaine-addled friends. A bizarre new wave science fiction film produced on a shoestring budget now considered a cult classic. Broadly responsible for popularizing the electroclash club scene of the early 2000s. Set and shot in downtown New York. Four photographs 10 x 8 inches two 7 x 5 inches. Near Fine to Very Good plus. Tartan Video unknown
1982ref. 162551London: Tartan Video 1982. Six vintage photographs from the 1982 film including four reference photographs two borderless and matte finish two glossy and bordered and two studio still photographs. Aliens seeking opiates released during human sex land their UFO on top of a New York apartment building where they witness the antics of bisexual androgynous fashion model Margaret and her cocaine-addled friends. A bizarre new wave science fiction film produced on a shoestring budget now considered a cult classic. Broadly responsible for popularizing the electroclash club scene of the early 2000s. Set and shot in downtown New York. Four photographs 10 x 8 inches two 7 x 5 inches. Near Fine to Very Good plus. Tartan Video unknown books
1958ref. 150167N.p.: N.p. 1958. Vintage borderless photograph of actress Sophia Loren on the set of the 1958 film. With a Photoplay Library stamp on the verso along with the stamp of photographer Bill Avery and manuscript pencil annotations regarding layout. Based on Eugene O'Neill's 1924 play. A greedy New England farmer marries for a third time after working his first two wives to death. Trouble ensues when his new wife a headstrong Italian woman begins an affair with his youngest son. Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others. 9.5 x 7.5 inches. Near Fine. N.p. unknown
1961ref. 160054New South Wales: Cine-Alliance / Embassy Pictures 1961. Seven vintage borderless reference photographs from the 1961 film. Based on the 1893 play by Victorien Sardou and Émile Moreau. A laundry woman in France follows her husband to the battlefield inadvertently helping Napoleon win a battle. They are both given the title of Duke and Duchess though she does not understand and/or comply with the social manners of courtly life. Set in France shot on location in Tuscany Italy and Madrid Spain. 7 x 9.25 inches. Very Good plus with some wear to the finish and light offsetting adhesive residue on the verso. Cine-Alliance / Embassy Pictures unknown
1962ref. 159186Los Angeles: Twentieth Century-Fox 1962. Vintage borderless reference photographs from the 1962 film. With mimeo snipes affixed to the verso and provenance stamps on the verso. Based on the 1959 play by Jean-Paul Sartre. A dying man invites his family to his home where they discover dark secrets about his past. Set in Germany shot on location in Hamburg Germany. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1958ref. 171381Culver City CA: Columbia Pictures 1958. Collection of 20 vintage studio still photographs from the 1958 film. Based on Jan de Hartog's 1951 novel "Stella" about a set of apartment keys that bring bad luck to whoever holds them. Shot aboard the HMS Restive an Assurance class Admiralty tug of the Royal Navy. 10 x 8 inches. Generally Very Good plus. Columbia Pictures unknown
1956ref. 163738N.p.: N.p. 1956. Vintage reference photograph from the 1956 Italian film showing actress Sophia Loren raising her skirt to examine her tights. French provenance stamp on the verso. A young woman decides to take a photographer to court after he takes her photograph without telling her and it turns up on the cover of a magazine. Shot on location in Rome. 10 x 8 inches. Very Good plus with pinholes at the corners. N.p. unknown
1961ref. 160054New South Wales: Cine-Alliance / Embassy Pictures 1961. Seven vintage borderless reference photographs from the 1961 film. Based on the 1893 play by Victorien Sardou and Émile Moreau. A laundry woman in France follows her husband to the battlefield inadvertently helping Napoleon win a battle. They are both given the title of Duke and Duchess though she does not understand and/or comply with the social manners of courtly life. Set in France shot on location in Tuscany Italy and Madrid Spain. 7 x 9.25 inches. Very Good plus with some wear to the finish and light offsetting adhesive residue on the verso. Cine-Alliance / Embassy Pictures unknown books
1963ref. 159197Los Angeles: Twentieth Century-Fox 1963. Vintage studio still photograph from the 1962 film. With provenance stamp on the verso. Based on the 1959 play by Jean-Paul Sartre. A dying man invites his family to his home where they discover dark secrets about his past. Set in Germany shot on location in Hamburg Germany. 8 x 10 inches. Very Good with some pin holes along the edges. Twentieth Century-Fox unknown books
1962ref. 159186Los Angeles: Twentieth Century-Fox 1962. Vintage borderless reference photographs from the 1962 film. With mimeo snipes affixed to the verso and provenance stamps on the verso. Based on the 1959 play by Jean-Paul Sartre. A dying man invites his family to his home where they discover dark secrets about his past. Set in Germany shot on location in Hamburg Germany. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1958ref. 150167N.p.: N.p. 1958. Vintage borderless photograph of actress Sophia Loren on the set of the 1958 film. With a Photoplay Library stamp on the verso along with the stamp of photographer Bill Avery and manuscript pencil annotations regarding layout. Based on Eugene O'Neill's 1924 play. A greedy New England farmer marries for a third time after working his first two wives to death. Trouble ensues when his new wife a headstrong Italian woman begins an affair with his youngest son. Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others. 9.5 x 7.5 inches. Near Fine. N.p. unknown books
1956ref. 163738N.p.: N.p. 1956. Vintage reference photograph from the 1956 Italian film showing actress Sophia Loren raising her skirt to examine her tights. French provenance stamp on the verso. A young woman decides to take a photographer to court after he takes her photograph without telling her and it turns up on the cover of a magazine. Shot on location in Rome. 10 x 8 inches. Very Good plus with pinholes at the corners. N.p. unknown books
1958ref. 171381Culver City CA: Columbia Pictures 1958. Collection of 20 vintage studio still photographs from the 1958 film. Based on Jan de Hartog's 1951 novel "Stella" about a set of apartment keys that bring bad luck to whoever holds them. Shot aboard the HMS Restive an Assurance class Admiralty tug of the Royal Navy. 10 x 8 inches. Generally Very Good plus. Columbia Pictures unknown books
1986ref. 009753Los Angeles CA: M/F/S Company. Offered is the screenplay for the proposed film "Her Favorite Husband" not the screenplay for the 1950 British-Italian comedy film of the same name by screenwriter Paul Southerland. A shooting script each scene is numbered the film to my knowledge was never made. The screenplay contains 115 three-hole punched mimeographed loose leaf pages including the title page with title name of screenwriter copyright 1986 Writer's Guild Registered #277074 and contact information: Fred Martin of M/F/S Company with address and telephone number in Los Angeles California. The pages measure 8-1/2" by 11" and are printed on one side. The screenplay is bound in light yellow card covers containing the same information as that on the title page and held together with three brass brads. . Fine. Soft cover. 1st Edition. 1986. M/F/S Company paperback
1980ref. 141195N.p.: N.p. 1980. Draft script for an unproduced film. Single annotation in manuscript pencil on the first page. Written by Spencer Eastman whose other screenwriting credits include "Hide in Plain Sight" 1980 "Kansas" 1988 "War Party" 1988 and "Night Game" 1989. A story set in West Berlin after the Second World War involving members of the CIA double agents and love interests. White untitled wrappers. Title page present with credit for screenwriter Spencer Eastman. 135 leaves with last page of text numbered 135. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1980ref. 141195N.p.: N.p. 1980. Draft script for an unproduced film. Single annotation in manuscript pencil on the first page. Written by Spencer Eastman whose other screenwriting credits include "Hide in Plain Sight" 1980 "Kansas" 1988 "War Party" 1988 and "Night Game" 1989. A story set in West Berlin after the Second World War involving members of the CIA double agents and love interests. White untitled wrappers. Title page present with credit for screenwriter Spencer Eastman. 135 leaves with last page of text numbered 135. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
