11,160 results
1932ref. 151762N.p.: N.p. 1932. Vintage reference photograph from the 1932 short film. With provenance stamps on the verso along with manuscript ink annotations noting the film's title and associated cast and crew members. Hardy goes to visit Laurel in the hospital. Chaos ensues. 10 x 8 inches. Very Good moderately toned and edgeworn overall with a 2.5 inch dampstain to the upper portion of the image. N.p. unknown books
1987ref. 166564N.p.: Richard Maynard / Real Tinsel Production 1987. Revised Shooting script for the pilot episode of the 1988 television series printed on blue leaves which aired on March 6 1988 here under the working title "Supercarrier." Laid in are two Call Sheets a flyer for a cast and crew party and dance and a "Supercarrier" graphic with a "Fine Films" stamp. "Supercarrier" aired on ABC for one season of eight episodes premiering on March 6 1988 and ending on May 14 1988. Based on the 1986 book "Supercarrier An Inside Account of Life Aboard the World's Most Powerful Ship the USS John F. Kennedy" by George C. Wilson. A military drama series featuring US Navy Pilots aboard the fictional aircraft carrier the USS Georgetown. In this episode the search for a downed jet fighter brings attention to hot-dogging flyer Alex Hyde-White and begins the arrival of female forces. Shot on location in Norfolk Virginia and Jacksonville Florida. Front wrapper integral with title page dated October 16 1987 noted as REV. SHOOTING SCRIPT with credits for screenwriter Steven E. de Souza and Story by Stanford Whitmore. 207 leaves with last page of text numbered 95. Xerographic duplication rectos only with pink yellow and green revision pages throughout dated variously between October 27 1987 and November 4 1987. Pages Near Fine bound with three gold brads. Richard Maynard / Real Tinsel Production unknown
1987ref. 166564N.p.: Richard Maynard / Real Tinsel Production 1987. Revised Shooting script for the pilot episode of the 1988 television series printed on blue leaves which aired on March 6 1988 here under the working title "Supercarrier." Laid in are two Call Sheets a flyer for a cast and crew party and dance and a "Supercarrier" graphic with a "Fine Films" stamp. "Supercarrier" aired on ABC for one season of eight episodes premiering on March 6 1988 and ending on May 14 1988. Based on the 1986 book "Supercarrier An Inside Account of Life Aboard the World's Most Powerful Ship the USS John F. Kennedy" by George C. Wilson. A military drama series featuring US Navy Pilots aboard the fictional aircraft carrier the USS Georgetown. In this episode the search for a downed jet fighter brings attention to hot-dogging flyer Alex Hyde-White and begins the arrival of female forces. Shot on location in Norfolk Virginia and Jacksonville Florida. Front wrapper integral with title page dated October 16 1987 noted as REV. SHOOTING SCRIPT with credits for screenwriter Steven E. de Souza and Story by Stanford Whitmore. 207 leaves with last page of text numbered 95. Xerographic duplication rectos only with pink yellow and green revision pages throughout dated variously between October 27 1987 and November 4 1987. Pages Near Fine bound with three gold brads. Richard Maynard / Real Tinsel Production unknown books
1958ref. 149927N.p.: N.p. 1958. Vintage borderless reference photograph of director Stanley Donen and actors Ingrid Bergman and Cary Grant on the set of the 1958 British film. Based on screenwriter Norman Krasna's 1953 play "Kind Sir" wherein a lovelorn theatre actress begins an affair with a handsome married economist. Set and shot on location in London. 9.5 x 7.5 inches. Near Fine. Olive Films 526. N.p. unknown
1951ref. 159133N.p.: N.p. 1951. Vintage reference photograph from the 1951 film. Annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. Siblings in a song-and-dance duo are booked for a gig in London while the Royal Wedding is in progress. Brother and sister both find romance overseas and struggle to keep their act together. 8 x 10 inches. Very Good plus with light creasing and pinholes at the corners. N.p. unknown
1951ref. 145957Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1951. Vintage studio photograph of Jane Powell and Musical Director Johnny Green on the set of the 1951 film. Mimeo snipe French annotations in manuscript ink and crop marks on the verso. Tom and Ellen Bowen Astaire and Powell are siblings with a dance act in New York. Their agent books them a gig in London while the Royal Wedding is in progress. On their cruise to England Ellen meets Lord John Brindale Lawford and she misses rehearsal. Upon arriving Tom holds auditions for dance partners and meets Anne Churchill. The siblings are at arms defending their romances and trying to keep their dance act stable. Loosely based on the real-life dancing partners Fred Astaire and his sister Adele. 8 x 10.25 inches. Very Good plus light creasing. Metro-Goldwyn-Mayer [MGM] unknown
1969ref. 149286Los Angeles: Twentieth Century-Fox 1969. Vintage one sheet poster for the 1969 film. Based on the 1966 play by Charles Dyer. Richard Burton and Rex Harrison are Harry Leeds and Charles Dyer an aging argumentative gay couple whose relationship becomes strained after living together for 20 years. Set in London's East End shot on location in London and Paris. 27 x 41 inches. Folded as issued. Very Good plus some creasing and pinholes to top corners. Twentieth Century-Fox unknown
1957ref. 140968Universal City CA: Universal Pictures 1957. First Draft script for the 1960 film. Copy belonging to associate producer James H. Ware with his name on the front wrapper and his annotations throughout in manuscript pencil and ink. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the 1956 play of the same name by Margaret Vyner who also wrote the screenplay Victor and Hillary live in castle and get so down on their luck that they begin having tourists visit their castle. Millionaire Charles Delacro soon visits and takes a great liking to the home as well as to Hillary and a love triangle quickly develops. Set in Hampshire England shot on location in Lacock and Surrey England. Green titled wrappers. Title page present dated August 4 1957 noted as First Draft Screenplay with credits for screenwriters Hugh and Margaret Williams. 144 leaves with last page of text numbered 141. Multilith duplication with revision pages throughout dated August 12 1959 . Pages Very Good plus wrapper Very Good plus bound with three silver brads. Olive Films 649. Universal Pictures unknown
1969ref. 149286Los Angeles: Twentieth Century-Fox 1969. Vintage one sheet poster for the 1969 film. Based on the 1966 play by Charles Dyer. Richard Burton and Rex Harrison are Harry Leeds and Charles Dyer an aging argumentative gay couple whose relationship becomes strained after living together for 20 years. Set in London's East End shot on location in London and Paris. 27 x 41 inches. Folded as issued. Very Good plus some creasing and pinholes to top corners. Twentieth Century-Fox unknown books
1957ref. 140968Universal City CA: Universal Pictures 1957. First Draft script for the 1960 film. Copy belonging to associate producer James H. Ware with his name on the front wrapper and his annotations throughout in manuscript pencil and ink. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the 1956 play of the same name by Margaret Vyner who also wrote the screenplay Victor and Hillary live in castle and get so down on their luck that they begin having tourists visit their castle. Millionaire Charles Delacro soon visits and takes a great liking to the home as well as to Hillary and a love triangle quickly develops. Set in Hampshire England shot on location in Lacock and Surrey England. Green titled wrappers. Title page present dated August 4 1957 noted as First Draft Screenplay with credits for screenwriters Hugh and Margaret Williams. 144 leaves with last page of text numbered 141. Multilith duplication with revision pages throughout dated August 12 1959 . Pages Very Good plus wrapper Very Good plus bound with three silver brads. Olive Films 649. Universal Pictures unknown books
1951ref. 159133N.p.: N.p. 1951. Vintage reference photograph from the 1951 film. Annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. Siblings in a song-and-dance duo are booked for a gig in London while the Royal Wedding is in progress. Brother and sister both find romance overseas and struggle to keep their act together. 8 x 10 inches. Very Good plus with light creasing and pinholes at the corners. N.p. unknown books
1951ref. 145957Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1951. Vintage studio photograph of Jane Powell and Musical Director Johnny Green on the set of the 1951 film. Mimeo snipe French annotations in manuscript ink and crop marks on the verso. Tom and Ellen Bowen Astaire and Powell are siblings with a dance act in New York. Their agent books them a gig in London while the Royal Wedding is in progress. On their cruise to England Ellen meets Lord John Brindale Lawford and she misses rehearsal. Upon arriving Tom holds auditions for dance partners and meets Anne Churchill. The siblings are at arms defending their romances and trying to keep their dance act stable. Loosely based on the real-life dancing partners Fred Astaire and his sister Adele. 8 x 10.25 inches. Very Good plus light creasing. Metro-Goldwyn-Mayer [MGM] unknown books
1958ref. 149927N.p.: N.p. 1958. Vintage borderless reference photograph of director Stanley Donen and actors Ingrid Bergman and Cary Grant on the set of the 1958 British film. Based on screenwriter Norman Krasna's 1953 play "Kind Sir" wherein a lovelorn theatre actress begins an affair with a handsome married economist. Set and shot on location in London. 9.5 x 7.5 inches. Near Fine. Olive Films 526. N.p. unknown books
1970ref. 147367London: Winkast Programming 1970. Draft script for an unproduced film. Stanley Ellin's screen adaptation of his 1970 novel. Film rights for Ellin's novel had been bought in 1969 prior to its publication by producer Phil Waxman wanting Robert Redford in the lead. It would not be made into a motion picture until 1979 when Richard C. Sarafian filmed a loosely based comedic adaptation entitled "Sunburn" written by James Booth John Daly and Stephen Oliver and starring Farrah Fawcett-Majors Charles Grodin and Art Carney. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Jake Deker is a Miami Beach insurance investigator looking into possible insurance fraud in the death of Walter Thoren uncovering false identities blackmail and organized crime. Set in Miami Beach Florida. Tan untitled wrappers. Title page present with credits for novelist and screenwriter Stanley Ellin. 141 leaves with last page of text numbered 142. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two flat metal brads. Winkast Programming unknown
1970ref. 147367London: Winkast Programming 1970. Draft script for an unproduced film. Stanley Ellin's screen adaptation of his 1970 novel. Film rights for Ellin's novel had been bought in 1969 prior to its publication by producer Phil Waxman wanting Robert Redford in the lead. It would not be made into a motion picture until 1979 when Richard C. Sarafian filmed a loosely based comedic adaptation entitled "Sunburn" written by James Booth John Daly and Stephen Oliver and starring Farrah Fawcett-Majors Charles Grodin and Art Carney. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Jake Deker is a Miami Beach insurance investigator looking into possible insurance fraud in the death of Walter Thoren uncovering false identities blackmail and organized crime. Set in Miami Beach Florida. Tan untitled wrappers. Title page present with credits for novelist and screenwriter Stanley Ellin. 141 leaves with last page of text numbered 142. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two flat metal brads. Winkast Programming unknown books
1965ref. 166115London: Gibraltar Productions 1965. Revised Draft script for the 1966 British horror film copy belonging to Art Director George Provis with his name written in ink on the top of the front wrapper with manuscript pencil annotations and paste-ups of clippings of goldenrod revision pages throughout here under the working title "The Obi." Laid in is a rough pencil sketch of settings and a set. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the BBC-TV play "The Obi" by Jon Manchip White. At an interracial college in a small British town small glass bottles filled with graveyard dirt and feathers obis sent as Obeah voodoo curses to students and faculty precede a series of voodoo killings on campus. Re-released in 1973 as the television movie "Exorcism at Midnight" following the success of "The Exorcist" with new color sequences with an American cast which re-framed the original black and white film as a flashback. Tall tan untitled wrappers. Title page present dated 28.5.1965 noted as Revised Screenplay with credits for screenwriter Stanley Goulder and playwright Jon Manchip White. 104 leaves with last page of text numbered 101. Mimeograph duplication rectos only with undated goldenrod revision clippings and pages pasted in throughout. Pages Near Fine wrapper Near Fine bound with a black plastic comb-binding. Gibraltar Productions unknown
1965ref. 166115London: Gibraltar Productions 1965. Revised Draft script for the 1966 British horror film copy belonging to Art Director George Provis with his name written in ink on the top of the front wrapper with manuscript pencil annotations and paste-ups of clippings of goldenrod revision pages throughout here under the working title "The Obi." Laid in is a rough pencil sketch of settings and a set. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the BBC-TV play "The Obi" by Jon Manchip White. At an interracial college in a small British town small glass bottles filled with graveyard dirt and feathers obis sent as Obeah voodoo curses to students and faculty precede a series of voodoo killings on campus. Re-released in 1973 as the television movie "Exorcism at Midnight" following the success of "The Exorcist" with new color sequences with an American cast which re-framed the original black and white film as a flashback. Tall tan untitled wrappers. Title page present dated 28.5.1965 noted as Revised Screenplay with credits for screenwriter Stanley Goulder and playwright Jon Manchip White. 104 leaves with last page of text numbered 101. Mimeograph duplication rectos only with undated goldenrod revision clippings and pages pasted in throughout. Pages Near Fine wrapper Near Fine bound with a black plastic comb-binding. Gibraltar Productions unknown books
1961ref. 152721N.p.: N.p. 1961. Vintage borderless reference photograph from the 1961 film showing a close-up of actress Judy Garland. A dramatization of the 1947 Judges' Trial one of twelve US Nuremberg Military Tribunals held from 1946 to 1949 to decide the fate of individuals accused of crimes against humanity for their involvement in Nazi atrocities. Garland was nominated for an Oscar for her performance out of twelve Academy Award nominations for the film in total winning three including Best Adapted Screenplay and Best Actor for Maximilian Schell. Set in Nuremberg shot on location in Nuremberg and Berlin. 7.5 x 9 inches. Near Fine. National Film Registry. Twilight Time 1631. N.p. unknown
1959ref. 152565Beverly Hills CA: United Artists 1959. Vintage reference photograph of actor Gregory Peck between takes during location filming on the set of the 1959 film. Provenance stamps to the verso. Based on Nevil Shute's 1957 post-apocalyptic novel. In the wake of WWIII what remains of the human race is rapidly annihilated by radiation poisoning. The only habitable part of the planet is southern Australia which will soon become toxic as air currents bring the poisonous fumes south. Survivors grapple with their impending mortality hopeful that somehow they might be spared. Nominated for two Academy Awards. Set and shot on location in Australia and California. 8 x 10 inches. Near Fine with a faint crease to the bottom edge. United Artists unknown
1959ref. 144687Beverly Hills CA: United Artists 1959. Vintage press photograph of director Stanley Kramer and actor Gregory Peck on the set of the 1959 film. With brief manuscript annotations on the verso. Based on Nevil Shute's 1957 post-apocalyptic novel set in 1964 about a nuclear submarine that survives the Third World War. Commander Dwight Lionel Towers Peck confirms that the world has been destroyed and the nuclear dust is coming to Australia. He befriends the free-spirited Moira Gardner and together with his men determine to return to San Diego following faint radio signals. Shot on location in Australia and California. 10 x 8 inches. Near Fine. United Artists unknown
1958ref. 139877N.p.: Curtleigh Productions 1958. Vintage US three-sheet poster for the 1958 US film. The film won two Academy Awards for best writing and cinematography and was nominated for another seven. Tony Curtis and Sidney Poitier were lauded for their performances in this Academy Award winning drama in which two prisoners from a chain-gang escape. One white one African American the men originally cooperate out of necessity as they are chained to one another. However as they grow familiar with one another a deep bond and mutual respect develops between the men. "The Defiant Ones" was shot on a closed set due to the then-provocative subject matter. Special screenings were orchestrated in the southern United States for integrated audiences a relatively uncommon occurrence at the time. Montgomery Alabama however chose to cancel an integrated screening when the White Citizen's Committee Council protested the film claiming it gave rise to "moral support and financial gain to subversive propagandists" AFI catalogue. Set in the American South shot on location in California. 41 x 81 inches folded. Very Good with numerous pin holes moderate edgewear and extensive tape reinforcements to the verso. Manuscript annotations to the verso and a stamp indicating three-sheet poster. Royal Books can arrange for archival linen backing of posters. Please inquire. Curtleigh Productions unknown
1978ref. 138126Beverly Hills CA: Mel Simon Productions 1978. First Draft script for the 1979 film. Father Brian Dyke is a priest in a depressing mining town until one day a new Sister Rita Quinlan joins his parish and changes his perception of life. She is trusting and kind and listens to Father Brian but their relationship takes a turn for the worse landing Father Brian in the role of suspect. Blue production company Mel Simon Productions wrappers. Title page present dated May 10 1978 noted as FIRST DRAFT with credits for screenwriter Stitt and director Kramer. Last leaf of text numbered 129. Xerographic duplication with photocopied punch holes. Pages and wrapper Near Fine bound internally with two gold brads. Mel Simon Productions unknown
1961ref. 152721N.p.: N.p. 1961. Vintage borderless reference photograph from the 1961 film showing a close-up of actress Judy Garland. A dramatization of the 1947 Judges' Trial one of twelve US Nuremberg Military Tribunals held from 1946 to 1949 to decide the fate of individuals accused of crimes against humanity for their involvement in Nazi atrocities. Garland was nominated for an Oscar for her performance out of twelve Academy Award nominations for the film in total winning three including Best Adapted Screenplay and Best Actor for Maximilian Schell. Set in Nuremberg shot on location in Nuremberg and Berlin. 7.5 x 9 inches. Near Fine. National Film Registry. Twilight Time 1631. N.p. unknown books
1978ref. 138126Beverly Hills CA: Mel Simon Productions 1978. First Draft script for the 1979 film. Father Brian Dyke is a priest in a depressing mining town until one day a new Sister Rita Quinlan joins his parish and changes his perception of life. She is trusting and kind and listens to Father Brian but their relationship takes a turn for the worse landing Father Brian in the role of suspect. Blue production company Mel Simon Productions wrappers. Title page present dated May 10 1978 noted as FIRST DRAFT with credits for screenwriter Stitt and director Kramer. Last leaf of text numbered 129. Xerographic duplication with photocopied punch holes. Pages and wrapper Near Fine bound internally with two gold brads. Mel Simon Productions unknown books
1958ref. 139877N.p.: Curtleigh Productions 1958. Vintage US three-sheet poster for the 1958 US film. The film won two Academy Awards for best writing and cinematography and was nominated for another seven. Tony Curtis and Sidney Poitier were lauded for their performances in this Academy Award winning drama in which two prisoners from a chain-gang escape. One white one African American the men originally cooperate out of necessity as they are chained to one another. However as they grow familiar with one another a deep bond and mutual respect develops between the men. "The Defiant Ones" was shot on a closed set due to the then-provocative subject matter. Special screenings were orchestrated in the southern United States for integrated audiences a relatively uncommon occurrence at the time. Montgomery Alabama however chose to cancel an integrated screening when the White Citizen's Committee Council protested the film claiming it gave rise to "moral support and financial gain to subversive propagandists" AFI catalogue. Set in the American South shot on location in California. 41 x 81 inches folded. Very Good with numerous pin holes moderate edgewear and extensive tape reinforcements to the verso. Manuscript annotations to the verso and a stamp indicating three-sheet poster. Royal Books can arrange for archival linen backing of posters. Please inquire. Curtleigh Productions unknown books
