11,160 results
1990ref. 139924N.p.: Stanley Kramer Productions 1990. Vintage studio still photograph from the 1990 television re-release of the 1959 film. In the wake of WWIII what remains of the human race is rapidly annihilated by radiation poisoning. The only habitable part of the planet is southern Australia which will soon become toxic as air currents bring the poisonous fumes south. Survivors grapple with their impending mortality hopeful that somehow they might be spared. The film received two Academy Award nominations. Set in Australia shot on location in California and Australia. 8 x 10 inches. Near Fine with a manuscript ink notation to the verso. Stanley Kramer Productions unknown books
1959ref. 152565Beverly Hills CA: United Artists 1959. Vintage reference photograph of actor Gregory Peck between takes during location filming on the set of the 1959 film. Provenance stamps to the verso. Based on Nevil Shute's 1957 post-apocalyptic novel. In the wake of WWIII what remains of the human race is rapidly annihilated by radiation poisoning. The only habitable part of the planet is southern Australia which will soon become toxic as air currents bring the poisonous fumes south. Survivors grapple with their impending mortality hopeful that somehow they might be spared. Nominated for two Academy Awards. Set and shot on location in Australia and California. 8 x 10 inches. Near Fine with a faint crease to the bottom edge. United Artists unknown books
1959ref. 144687Beverly Hills CA: United Artists 1959. Vintage press photograph of director Stanley Kramer and actor Gregory Peck on the set of the 1959 film. With brief manuscript annotations on the verso. Based on Nevil Shute's 1957 post-apocalyptic novel set in 1964 about a nuclear submarine that survives the Third World War. Commander Dwight Lionel Towers Peck confirms that the world has been destroyed and the nuclear dust is coming to Australia. He befriends the free-spirited Moira Gardner and together with his men determine to return to San Diego following faint radio signals. Shot on location in Australia and California. 10 x 8 inches. Near Fine. United Artists unknown books
1959ref. 139925N.p.: Stanley Kramer Productions 1959. Two vintage reference studio still photographs from the 1959 film. In the wake of WWIII what remains of the human race is rapidly annihilated by radiation poisoning. The only habitable part of the planet is southern Australia which will soon become toxic as air currents bring the poisonous fumes south. Survivors grapple with their impending mortality hopeful that somehow they might be spared. The film received two Academy Award nominations. Set in Australia shot on location in California and Australia. 8 x 10 inches. Near Fine with light toning overall and manuscript graphite annotations to the verso. Stanley Kramer Productions unknown books
1968ref. 161694Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Vintage reference photograph of director Stanley Kubrick talking with actors Gary Lockwood and Keir Dullea on the set of the 1968 film. Kubrick's sprawling science fiction epic traces the evolution of human intelligence under the influence of an unspecified alien force. The film's high scientific accuracy coupled with bleeding-edge special effects and minimal use of dialogue make "2001" universally recognized as one of the most influential films ever made. Winner of an Academy Award for Best Special Effects and nominated for three others including Best Director. Set variously in the desert in space in deep space and on the astral plane. Shot on location in Scotland England Arizona and Utah. 8 x 10 inches. Near Fine. Ebert I. McPadden Heavy Metal Movies. National Film Registry. Rosenbaum 1000. Schrader 24. Scorsese A Personal Journey Through American Movies. Weldon 1983. Metro-Goldwyn-Mayer [MGM] unknown
1972ref. 172056Burbank CA: Warner Brothers 1972. Vintage satin-finish double weight reference photograph from a 1972 re-release of the 1971 film though we believe this photo is unique to the re-release showing Miriam Karlin mid-scream. Based on Anthony Burgess' 1962 novel. A futuristic voyeuristic catapult into the world of teenage delinquent Alex DeLarge who is forced to undergo an experimental treatment developed by the government to cure him of his affinity for violence. Set and shot on location in London. 10 x 8 inches. Near Fine slightly wavy to the left edge. Vogel Film as a Subversive Art. Warner Brothers unknown
1971ref. 158017N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film showing a hospital scene with a camera crew on the far right capturing the shot. Based on Anthony Burgess' 1962 novel. A futuristic voyeuristic catapult into the world of teenage delinquent Alex DeLarge who is forced to undergo an experimental treatment developed by the government to cure him of his affinity for violence. Set and shot on location in London. 10 x 7 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown
1971ref. 152002Burbank CA: Warner Brothers 1971. Collection of ten vintage double weight oversize photographs from the French release of the 1971 film. Each with gold foil promotional label at the bottom right corner of the recto as issued. Based on Anthony Burgess' 1962 novel. A futuristic voyeuristic catapult into the world of teenage delinquent Alex DeLarge who forcibly undergoes experimental treatment developed by the government to cure him of his affinity for violence. Set and shot on location in London. 15.5 x 12 inches. Very Good plus lightly soiled and toned with tiny punch holes at the corners as issued. Vogel Film as a Subversive Art. Warner Brothers unknown
1975ref. 150736Burbank CA: Warner Brothers 1975. Collection of ten vintage color studio still photographs from the 1975 film. With the stamp of a Canadian film distributor on the verso along with anotherxtx stamp noting production No. 75-218. Director Stanley Kubrick's groundbreaking period drama based on William Makepeace Thackeray's 1844 novel "The Luck of Barry Lyndon" charting the astronomic rise and fall of an opportunistic Irishman in eighteenth century Europe. Nominated for seven Academy Awards winning four. Set and shot on location throughout England Ireland and Germany. 10 x 8 inches. Near Fine. Criterion Collection 897. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown
1987ref. 161007New York: Alfred A. Knopf 1987. First Edition. First Edition. INSCRIBED on the half-title page by screenwriter Michael Herr to noted bookseller Ken Hubner: "18 February / For Ken Hubner / Best / Michael Herr." A hint of toning overall else about Fine in illustrated wrappers. Alfred A. Knopf unknown
1962ref. 149451Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Vintage oversize borderless reference photograph of director Stanley Kubrick and cinematographer Oswald Morris on the set of the 1962 film. With manuscript annotations on the verso regarding layout. A stunning image of both Kubrick and legendary cinematographer Morris. Morris' achievements apart from "Lolita" include "Oliver Twist 1948 "Moulin Rouge" 1952 "Moby Dick" 1956 "The Spy Who Came in from the Cold" 1965 "Fiddler on the Roof" 1971 and "The Man Who Would Be King" 1975. Kubrick's controversial adaptation of Vladimir Nabokov's 1955 masterpiece about a man's all-consuming and destructive romantic desire for a prepubescent girl. Shot on location in Albany and the Adirondacks in New York Newport and Westerly in Rhode Island and Buckinghamshire and Hertfordshire in England. 14 x 10.5 inches. Very Good plus with light wear and a shallow crease along the right edge. Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Metro-Goldwyn-Mayer [MGM] unknown
1957ref. 162245Beverly Hills CA: United Artists 1957. Eight vintage photographs from the 1957 film including one reference photograph and seven studio still photographs. One of the great antiwar films based on the 1935 novel by Humphrey Cobb about a group of French soldiers who are charged with cowardice after refusing to complete a suicidal attack during World War I. 8 x 10 inches. Good with moderate fading and cracking to the finish throughout and several with chips and bruises at the edges. National Film Registry. Criterion Collection 538. United Artists unknown
1987ref. 161007New York: Alfred A. Knopf 1987. First Edition. First Edition. INSCRIBED on the half-title page by screenwriter Michael Herr to noted bookseller Ken Hubner: "18 February / For Ken Hubner / Best / Michael Herr." A hint of toning overall else about Fine in illustrated wrappers. Alfred A. Knopf unknown books
1962ref. 149451Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Vintage oversize borderless reference photograph of director Stanley Kubrick and cinematographer Oswald Morris on the set of the 1962 film. With manuscript annotations on the verso regarding layout. A stunning image of both Kubrick and legendary cinematographer Morris. Morris' achievements apart from "Lolita" include "Oliver Twist 1948 "Moulin Rouge" 1952 "Moby Dick" 1956 "The Spy Who Came in from the Cold" 1965 "Fiddler on the Roof" 1971 and "The Man Who Would Be King" 1975. Kubrick's controversial adaptation of Vladimir Nabokov's 1955 masterpiece about a man's all-consuming and destructive romantic desire for a prepubescent girl. Shot on location in Albany and the Adirondacks in New York Newport and Westerly in Rhode Island and Buckinghamshire and Hertfordshire in England. 14 x 10.5 inches. Very Good plus with light wear and a shallow crease along the right edge. Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Metro-Goldwyn-Mayer [MGM] unknown books
1971ref. 152002Burbank CA: Warner Brothers 1971. Collection of ten vintage double weight oversize photographs from the French release of the 1971 film. Each with gold foil promotional label at the bottom right corner of the recto as issued. Based on Anthony Burgess' 1962 novel. A futuristic voyeuristic catapult into the world of teenage delinquent Alex DeLarge who forcibly undergoes experimental treatment developed by the government to cure him of his affinity for violence. Set and shot on location in London. 15.5 x 12 inches. Very Good plus lightly soiled and toned with tiny punch holes at the corners as issued. Vogel Film as a Subversive Art. Warner Brothers unknown books
1972ref. 172056Burbank CA: Warner Brothers 1972. Vintage satin-finish double weight reference photograph from a 1972 re-release of the 1971 film though we believe this photo is unique to the re-release showing Miriam Karlin mid-scream. Based on Anthony Burgess' 1962 novel. A futuristic voyeuristic catapult into the world of teenage delinquent Alex DeLarge who is forced to undergo an experimental treatment developed by the government to cure him of his affinity for violence. Set and shot on location in London. 10 x 8 inches. Near Fine slightly wavy to the left edge. Vogel Film as a Subversive Art. Warner Brothers unknown books
1971ref. 158017N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film showing a hospital scene with a camera crew on the far right capturing the shot. Based on Anthony Burgess' 1962 novel. A futuristic voyeuristic catapult into the world of teenage delinquent Alex DeLarge who is forced to undergo an experimental treatment developed by the government to cure him of his affinity for violence. Set and shot on location in London. 10 x 7 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown books
1968ref. 161694Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Vintage reference photograph of director Stanley Kubrick talking with actors Gary Lockwood and Keir Dullea on the set of the 1968 film. Kubrick's sprawling science fiction epic traces the evolution of human intelligence under the influence of an unspecified alien force. The film's high scientific accuracy coupled with bleeding-edge special effects and minimal use of dialogue make "2001" universally recognized as one of the most influential films ever made. Winner of an Academy Award for Best Special Effects and nominated for three others including Best Director. Set variously in the desert in space in deep space and on the astral plane. Shot on location in Scotland England Arizona and Utah. 8 x 10 inches. Near Fine. Ebert I. McPadden Heavy Metal Movies. National Film Registry. Rosenbaum 1000. Schrader 24. Scorsese A Personal Journey Through American Movies. Weldon 1983. Metro-Goldwyn-Mayer [MGM] unknown books
1957ref. 162245Beverly Hills CA: United Artists 1957. Eight vintage photographs from the 1957 film including one reference photograph and seven studio still photographs. One of the great antiwar films based on the 1935 novel by Humphrey Cobb about a group of French soldiers who are charged with cowardice after refusing to complete a suicidal attack during World War I. 8 x 10 inches. Good with moderate fading and cracking to the finish throughout and several with chips and bruises at the edges. National Film Registry. Criterion Collection 538. United Artists unknown books
1975ref. 150736Burbank CA: Warner Brothers 1975. Collection of ten vintage color studio still photographs from the 1975 film. With the stamp of a Canadian film distributor on the verso along with anotherxtx stamp noting production No. 75-218. Director Stanley Kubrick's groundbreaking period drama based on William Makepeace Thackeray's 1844 novel "The Luck of Barry Lyndon" charting the astronomic rise and fall of an opportunistic Irishman in eighteenth century Europe. Nominated for seven Academy Awards winning four. Set and shot on location throughout England Ireland and Germany. 10 x 8 inches. Near Fine. Criterion Collection 897. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown books
1964ref. 162201N.p.: Production Releasing 1964. Vintage oversize studio still photograph from the US release of the 1964 British film. Released in the UK as "Sandy the Reluctant Nudist." Annette Bryant stars as Sandy a young woman who hires a private detective to find out where her boyfriend has been spending his weekends only to discover that he joined a nudist camp. Shot on location in Hertfordshire England. 8 x 10 inches. Near Fine. Production Releasing unknown books
1960ref. 141769N.p.: N.p. 1960. Treatment script for an unproduced film. Based on the 1922 novella by the same author of the same title. The protagonist a doctor who has moved to India from Germany to practice medicine is overcome by an obsession which eventually leads to his committing suicide. "Amok" is an Indonesian word of Malay origin referring to people caught up in a blind rage who try to kill their enemy and do not care about whoever else gets killed in their way. From this novella and the word's meaning originates the term "running amok." Set in India. Yellow untitled wrappers. Title page present with credits for Stefan Zweig. 65 leaves with last leaf of text number 65. Carbon typescript. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1960ref. 141769N.p.: N.p. 1960. Treatment script for an unproduced film. Based on the 1922 novella by the same author of the same title. The protagonist a doctor who has moved to India from Germany to practice medicine is overcome by an obsession which eventually leads to his committing suicide. "Amok" is an Indonesian word of Malay origin referring to people caught up in a blind rage who try to kill their enemy and do not care about whoever else gets killed in their way. From this novella and the word's meaning originates the term "running amok." Set in India. Yellow untitled wrappers. Title page present with credits for Stefan Zweig. 65 leaves with last leaf of text number 65. Carbon typescript. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1967ref. 140996N.p.: N.p. 1967. Draft script for an unproduced film. A man must secretly transport the body of his newly deceased mother-in-law knowing that her will stipulates that she must die at home in order for him to receive the inheritance. Originally slated to have been produced by CKF Productions for release by United Artists in 1968. Set in Paris. Gray titled wrappers. Title page present with credits for screenwriter Stella Linden. 109 leaves with last page of text numbered 108. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1967ref. 140996N.p.: N.p. 1967. Draft script for an unproduced film. A man must secretly transport the body of his newly deceased mother-in-law knowing that her will stipulates that she must die at home in order for him to receive the inheritance. Originally slated to have been produced by CKF Productions for release by United Artists in 1968. Set in Paris. Gray titled wrappers. Title page present with credits for screenwriter Stella Linden. 109 leaves with last page of text numbered 108. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
