11,046 results
1949ref. 158691N.p.: N.p. 1949. Vintage oversize reference photograph from the 1949 film showing actress Eva Henning in a negligée. Ingmar Bergman's seventh film about the troubled romantic and sexual experiences of several Swedish adults. Based on the 1948 short story collection by Birgit Tengroth who also appeared as Viola in the film. Shot on location in Hamburg Germany. 9.5 x 11.75 inches. Very Good plus with light creasing at the corners. N.p. unknown books
1962ref. 150883N.p.: Embassy Pictures 1962. One vintage studio still photograph and one vintage reference photograph from the 1963 US re-release of the 1948 Swedish film here seen under the English title "Night is My Future." One with a stamp on the verso noting the film's title in Swedish "Musik i Morker." Based on Dagmar Edqvist's 1946 novel. A pianist falls into an angry depression after being blinded in an accident but finds compassion for others and himself through his growing love for a servant in his family's home. 10 x 8 inches. Near Fine. Embassy Pictures unknown books
1954ref. 156283Stockholm: Svensk Filmindustri SF 1954. Collection of 14 vintage oversize double weight reference photographs from the 1954 Swedish film. Several with stamps of Nordisk Films on the versos. Embossed censor blindstamp at the upper right corner of each photograph. After 15 years of marriage a man and a woman decide to divorce but realize at the last minute that their extramarital affairs have not diminished their love for each other. Shot on location in Sweden and Denmark. 9.25 x 11.75 inches. Generally Very Good plus with pinholes at the corners and light edgewear. Svensk Filmindustri [SF] unknown
1964ref. 156276Stockholm: Svensk Filmindustri SF 1964. Collection of eleven vintage reference photographs from the 1964 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. A pretentious music critic tries to use salacious information about a famed cellist's sex life in order to blackmail the cellist into performing a composition the critic has written. One of Ingmar Bergman's only comedy films and his first film to be shot in color a parody of Federico Fellini's "8 1/2" 1963. 8 x 10 inches. Near Fine. Svensk Filmindustri [SF] unknown
1978ref. 146943Berlin: Personafilm 1978. Post-production script for the 1978 film. Incomplete as issued. Text in English. A troubled pianist travels to Norway to visit her estranged neglected daughter. Actor Ingrid Bergman's final film role and director Ingmar Bergman's final film for theatrical distribution. Set in Sweden and Norway shot on location in Norway. White lacking wrappers and a title page with material from each reel of film bound separately. Approximately 36 leaves with last page of text numbered 6-5. Carbon typescript on onionskin stock rectos only. Pages Very Good. Personafilm unknown
1972ref. 171980N.p.: N.p. 1972. Two vintage borderless reference photographs from the set of the 1972 film-one showing director Ingmar Bergman talking with actors Liv Ullmann and Ingrid Thulin between takes the other showing Bergman with cast and crew members in the projection room reviewing daily rushes. Both with the stamp of photographer Bo-Erik Gyberg on the verso. Included with the photographs is a nine-page copy of an English-language publicity article about Bergman and the film dated 1973 housed in an envelope with the label of Ernie Anderson Bergman's American talent agent with the Paul Kohner Agency affixed to the front. In her last days a woman dying of uterine cancer is moved to her childhood home where she is placed under the care of her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred Sweden. 7.25 x 9.5 inches. Lightly curled else Near Fine. Criterion Collection 101. Complete collation details available on request. N.p. unknown
1972ref. 171995N.p.: N.p. 1972. Vintage borderless double weight photograph of cast and crew members of the 1972 film including director Ingmar Bergman and all principal cast raising their glasses in a toast. In her last days a woman dying of uterine cancer is moved to her childhood home where she is placed under the care of her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred Sweden. 13.5 x 9.5 inches. Very Good plus with brief wear to the corners. Criterion Collection 101. Complete collation details available on request. N.p. unknown
1972ref. 149441Stockholm: Cinematograph AB 1972. Three vintage borderless black-and-white photographs taken on the set of the 1972 film two showing director Ingmar Bergman and the other showing Bergman with actresses Harriet Andersson Kari Sylwan and Ingrid Thulin. With manuscript pencil and ink annotations to the verso. In her last days a woman dying of uterine cancer is moved to her childhood home where she is cared for by her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred Sweden. Two photographs 5 x 7 inches one photograph 7 x 5 inches. Near Fine. Cinematograph AB unknown
1964ref. 154929Duisburg Germany: Atlas Filmverleih 1964. First Edition. First Edition of Atlas Filmheft double issue booklet number 32 on the 1963 film text in German. Featuring 18 essays an Ingmar Bergman filmography and illustrated with black and white film still photographs throughout. The third entry in Ingmar Bergman's trilogy of faith and redemption preceded by "Through A Glass Darkly" 1961 and "Winter Light"1963. A stark and enigmatic allegory fueled by subtle performances from Ingrid Thulin and Gunnel Lindblom wherein Ester Thulin suffering from a terminal disease is traveling home with her younger sister Anna Lindblom and Anna's son Johan when they stop in the town of Timoka a fictional European county on the brink of war with an unknown dialect. After checking into a nearly empty hotel with the exception of a group of Spanish dwarves in a traveling show Anna leaves and has an affair with a waiter as Johan wanders the hallways of the hotel. 9.25 x 8 inches 16 pages side stapled with self wrappers. Very Good plus with light creasing to the lower right corner and light soiling to the rear wrapper. Criterion Collection 211. Ebert III. Atlas Filmverleih unknown
1976ref. 141725Hollywood: Paramount Pictures 1976. First German Edition. Text in German. A companion book for the 1976 film illustrated with photographs. Near Fine in silver titled wrappers. Paramount Pictures unknown
1952ref. 149504Stockholm: Svensk Filmindustri 1952. Eight vintage reference photographs seven borderless from the 1952 Swedish film. Three with mimeo snipes on the verso and all with manuscript ink and pencil annotations as well as the stamp of Svensk Filmindustri. While vacationing at a summer home four sisters-in-law tell each other stories from their respective marriages ranging from illicit affairs to elopement to immaculate conception. Shot on location in Stockholm Sweden and Paris. Six photographs 7.5 x 6 inches one photograph 4.5 x 5.5 inches and one photograph 5.5 x 4.25 inches. Near Fine. Svensk Filmindustri unknown
1953ref. 162394N.p.: N.p. 1953. Vintage borderless double weight reference photograph from the 1953 film. Cahiers du Cinéma stamp on the verso. Based on Per Anders Fogelstrom's 1951 novel. Two young lovers from Stockholm steal a boat and run away together but are forced to return home as the summer ends. The first film to star director Ingmar Bergman's longtime leading lady Harriet Andersson who would later appear in Bergman's "Sawdust and Tinsel" 1953 "Smiles of a Summer Night" 1955 "Through a Glass Darkly" 1961 and "Cries and Whispers" 1972. Set in Sweden. 10 x 8 inches. Near Fine. Criterion Collection 614. N.p. unknown
1953ref. 150143Stockholm: Svensk Filmindustri 1953. Vintage borderless reference photograph of Harriet Andersson from the 1983 film. Printed Swedish Svensk Filmindustri snipe featuring full cast and crew credits affixed and folded "Svensk Filmindustri" stamp and small barcode label all on verso. Based on the 1951 Swedish novel "Sommaren med Monika" by Per Anders Fogelstrom. Conceived as a vehicle for Andersson by Ingmar Bergman who were intimately involved at the time it was Andersson's first major role and would make her an international star. Bergman and Andersson would continue working together for the next three decades Andersson starring in some of Bergman's most acclaimed films. Two disaffected youths Harry Lars Ekborg and Monicka Andersson fall in love and run away for a fleeting idyllic summer in a remote archipelago. Controversial at the time of it's release for its then ground-breaking nudity its US rights were purchased by Exploitation film presenter Kroger Babb in 1955 editing out over a third of the film to emphasize the nudity and renaming the film "Monika the Story of a Bad Girl." Set in and shot on location in Stockholm Sweden. 6.25 x 4.75 inches. Near Fine. Criterion Collection 614. Godard Histoires du Cinema. Svensk Filmindustri unknown
1953ref. 151452London: Mondial Films 1953. Three vintage reference photographs from the 1953 film. With printed mimeo snipes specific to the film's UK release affixed to the verso. Based on Per Anders Fogelstrom's 1951 novel. Two young lovers from Stockholm steal a boat and run away together but are forced to return home as the summer ends. The first film to star director Ingmar Bergman's longtime leading lady Harriet Andersson who would later appear in Bergman's "Sawdust and Tinsel" 1953 "Smiles of a Summer Night" 1955 "Through a Glass Darkly" 1961 and "Cries and Whispers" 1972. Set in Sweden. 10 x 8 inches. Near Fine. Criterion Collection 614. Mondial Films unknown
1973ref. 141542Stockholm: Sveriges Television SVT 1973. Draft script for the 1975 television film. Text in Swedish. Based on Mozart's 1791 opera "The Magic Flute" titled in German "Die Zauberflote" and here under the Swedish title "Trollflojten." Nominated for one Academy award. The Queen of the Night offers her daughter Pamina to Tamino but also offers Tamino a magic flute to bring Pamina to him. The Queen also gives magic bells to the bird hunter Papageno who joins Tamino on his journey for them both to find wives and learn about themselves. Shot on location in Stockholm. Yellow untitled wrappers. Title page present dated November 1973 with credits for screenwriter Ingmar Bergman and translator Alf Henriksson. 93 leaves with last page of text numbered 28. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with a spiral binding. Criterion Collection 71. Sveriges Television [SVT] unknown
1958ref. 156282Stockholm: Svensk Filmindustri SF 1958. Collection of nine vintage oversize double weight reference photographs from the 1958 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. A traveling magic show led by a depressed fraudulent illusionist faces opposition from a small town's authorities who wish to expose the spectacle as a sham. Shot on location in Stockholm Sweden. 9.25 x 11.75 inches. Generally Very Good with pinholes at the corners and several with small closed tears that have been repaired with archival tape on the versos. Criterion Collection 537. Rosenbaum 1000. Svensk Filmindustri [SF] unknown
1958ref. 151648Stockholm: Svensk Filmindustri SF 1958. Collection of 14 vintage black and white oversize double weight studio still photographs from the 1958 film. A traveling magic show led by a depressed fraudulent illusionist Max von Sydow faces opposition from a small town's authorities who wish to expose the spectacle as a sham. Shot on location in Stockholm Sweden. 12 x 9.5 inches. Near Fine. Criterion Collection 537. Rosenbaum 1000. Svensk Filmindustri [SF] unknown
1968ref. 147185Stockholm Sweden: AB Svensk Filmindustri 1968. Treatment script for the 1969 film. With a few small manuscript ink annotations to the title page and throughout most noting grammatical revisions. A newly divorced man befriends a woman whose husband and son have recently been killed in a car accident gradually beginning a relationship in spite of their mutual emotional fragility and disconnect. Shot on location in Gotlands Ian Sweden. Blue untitled wrappers. Title page present dated August 1968 with credits for director-screenwriter Ingmar Bergman and translator Alan Blair. 38 leaves with last page of text numbered 37. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. AB Svensk Filmindustri unknown
1969ref. 152122N.p.: N.p. 1969. Vintage reference photograph from the 1969 Swedish television film showing actor Anders Ek in a menacing demonic mask. With a printed mimeo snipe specific to the film's UK release affixed to the verso. From the archive of film historian and author Joel Finler. A theatrical troupe is called before the Swedish courts due to their obscene performance material and personal lives leading each troupe member to crack under psychological strain. The film originally aired on September 18 1969 on Sveriges Radio. 8.5 x 6.5 inches. Near Fine. N.p. unknown
1977ref. 147064N.p.: N.p. 1977. First Edition. First Edition publicity manual reminiscent in content to a press kit but with much more detail. Produced by Dino De Laurentiis to advertise legendary Swedish director Ingmar Bergman and his psychological drama "The Serpent's Egg" 1976. Profusely photo-illustrated with over 60 black and white images including film stills and on the set photography of Bergman and other actors at work. Black comb bound wrappers with titles in green. Very Good plus with light rubbing and soil on the front and rear wrapper. Approximately 120 pages. N.p. unknown
1963ref. 149582London: Gala Film Distributors 1963. Eight vintage series contact print photographs from the 1963 film. Three images per print amounting to 24 complete images. Two estranged sisters Ester and Anna and Anna's 10-year-old son travel to an unnamed Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka. The third in a series of thematically related films by Bergman following "Through a Glass Darkly" 1961 and "Winter Light" 1963. Set and shot on location in Dalarnas Ian Sweden. 3.75 x 8.75 inches. Very Good plus. Criterion Collection 211. Ebert III. Gala Film Distributors unknown
1964ref. 148813New York: Janus Films 1964. Collection of thirteen vintage studio still photographs from the US release of the 1963 Swedish film. Three with mimeo snipe and "R.R. Stuart Collection" stamp on the verso. The third entry in Ingmar Bergman's trilogy of faith and redemption preceded by "Through A Glass Darkly" 1961 and "Winter Light"1963. A stark and enigmatic allegory fueled by subtle performances from Ingrid Thulin and Gunnel Lindblom. Ester Thulin a translator and intellectual suffering from a terminal disease is traveling home with her younger resentful sister Anna Linblom and Anna's son Johan Jorgen Lindstrom when they stop in the town of Timoka in a fictional European county on the brink of war with an unknown dialect. After they check into a nearly empty hotel with the exception of a group of Spanish dwarves in a traveling show Anna leaves and has an affair with a waiter as Johan wanders the hallways. Regarded as one of the most sexually provocative films of its day. 8 x 10 inches. Three with faint even fading one with pinholes to corners one with a small closed tear in top margin else Near Fine. Criterion Collection 211. Ebert III. Janus Films unknown
1971ref. 150335N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman setting up a shot with actors Elliott Gould Bibi Andersson and Max Von Sydow. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of PIX Inc. and Camera Press Ltd. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Sydow and Andersson. Set and shot on location in Sweden and England. 12 x 8.5 inches. Very Good plus faintly toned along the top edge. N.p. unknown
1971ref. 150229N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman and a camera crew preparing to film a scene between actors Elliott Gould and Bibi Andersson. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of Pix Inc and Camera Press Ltd. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Andersson and Max von Sydow. Set and shot on location in Sweden and England. 10 x 7.75 inches. Very Good plus lightly creased. N.p. unknown
1971ref. 147252N.p.: N.p. 1971. Draft script for the 1971 film. With what we assume to be translator Alan Blair's handwritten ink annotations throughout the script mostly in English but occasionally in Swedish noting many substantive revisions and deletions. Text in English. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Elliott Gould working alongside Bergman regulars Max von Sydow and Bibi Andersson. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Set and shot on location in Sweden and England. Blue untitled wrappers. Title page present with credits for director Ingmar Bergman and English translator Alan Blair. 57 leaves with last page of text numbered 56. Xerographic duplication rectos only. Pages Very Good wrapper Very Good plus with a black comb binding. N.p. unknown
