11,049 results
1971ref. 147252N.p.: N.p. 1971. Draft script for the 1971 film. With what we assume to be translator Alan Blair's handwritten ink annotations throughout the script mostly in English but occasionally in Swedish noting many substantive revisions and deletions. Text in English. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Elliott Gould working alongside Bergman regulars Max von Sydow and Bibi Andersson. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Set and shot on location in Sweden and England. Blue untitled wrappers. Title page present with credits for director Ingmar Bergman and English translator Alan Blair. 57 leaves with last page of text numbered 56. Xerographic duplication rectos only. Pages Very Good wrapper Very Good plus with a black comb binding. N.p. unknown
1960ref. 166647Paris: L'Express 1960. Eight vintage borderless reference photographs from the 1960 Swedish film including multiple images of cast and crew on the set. Italian and French distribution stamps on the versos. A landmark twentieth century film whose irregular dramatic structure and juxtaposition of beauty and violence has inspired many other controversial and renowned films from "The Last House on the Left" 1972 to "Irreversible" 2002. The first of two Bergman efforts to win the Academy Award for Best Foreign Film and nominated for the Palme d'Or with Bergman receiving a Special Mention at Cannes. Set in medieval Sweden. 9.5 x 7 inches. Near Fine to Very Good plus. L'Express unknown
1960ref. 154454Stockholm: Svensk Filmindustri SF 1960. Vintage program for the French release of the 1960 Swedish film. Text and titles in French. Winner of the Academy Award for Best Foreign Language Film and nominated for the Palme d'Or with director Ingmar Bergman receiving a Special Mention at Cannes. 6.5 x 9.5 inches. 18 pages. Near Fine in lightly rubbed saddle stapled wrappers. Svensk Filmindustri [SF] unknown
1960ref. 138553Stockholm: Svensk Filmindustri 1960. Vintage international program for the English language release of the 1960 Swedish film by Ingmar Bergman printed by Svensk Filmindustri in Sweden. Adapted from the thirteenth century Swedish ballad "Tores dottrar i Wange." Photo illustrated throughout. Winner of the Academy Award for Best Foreign Language Film and nominated for the Palme d'Or with director Bergman receiving a Special Mention at Cannes. 6.5 x 9.5 inches. 18 pages. Near Fine in lightly rubbed saddle stapled wrappers. Svensk Filmindustri unknown
1960ref. 130114Stockholm: Svensk Filmindustri 1960. Original Swedish poster for the 1960 film. A landmark twentieth century film whose irregular but inspired dramatic structure and juxtaposition of beauty and savagery has inspired many other great films from "The Last House on the Left" 1972 to "Irreversible" 2002. The first of two Bergman efforts to win the Academy Award for Best Foreign Film. 27.5 x 39.5 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1949ref. 158691N.p.: N.p. 1949. Vintage oversize reference photograph from the 1949 film showing actress Eva Henning in a negligée. Ingmar Bergman's seventh film about the troubled romantic and sexual experiences of several Swedish adults. Based on the 1948 short story collection by Birgit Tengroth who also appeared as Viola in the film. Shot on location in Hamburg Germany. 9.5 x 11.75 inches. Very Good plus with light creasing at the corners. N.p. unknown
1961ref. 156281Stockholm: Svensk Filmindustri 1961. Collection of 22 vintage double weight oversize reference photographs from the 1961 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. The first entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy winner of the Academy Award for Best Foreign Film. A young woman is released from a mental institution and moves to an island where her family resides to recover. But she finds little solace and no support from her father her husband or her brother. A landmark film in that it is not so much an examination into mental illness as a glimpse into a private world seen through a mind that has departed day to day concerns. 9.25 x 11.75 inches. About Very Good plus with pinholes at the corners and light edgewear. Criterion Collection 209. Ebert III. Svensk Filmindustri unknown
1961ref. 133624Stockholm: Svensk Filmindustri 1961. Vintage oversize Swedish still photograph from the 1961 film. With the Svensk Filmindustri logo at the bottom right corner. In a typically heavy moment from the film Max Von Sydow Martin and Lars Passgard Minus stand together in a moment of silence. Shot by the film's cinematographer the legendary Sven Nykvist. 11 x 9 inches. In a custom museum-quality frame archivally mounted with UV glass. Fine. Criterion Collection 209. Svensk Filmindustri unknown
1961ref. 130180Stockholm: Svensk Filmindustri 1961. Original Swedish illustrated poster for the 1961 Swedish film. The first entry in Bergman's legendary and highly personal "Faith" trilogy which won the director his second Best Foreign Film Oscar and defined what came to be called his "chamber dramas." A young woman is released from a mental institution and moves to an island where her family resides to recover. But she finds little solace and no support from her father her husband or her brother. A landmark film in that it is not so much an examination into mental illness as a perspective of on a private world from a mind that has departed day to day concerns. 27.5 x 38.5 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1961ref. 130113Stockholm: Svensk Filmindustri 1961. Original Swedish photographic style poster for the 1961 Swedish film. The first entry in Bergman's legendary and highly personal "Faith" trilogy which won the director his second Best Foreign Film Oscar and defined what came to be called his "chamber dramas." A young woman is released from a mental institution and moves to an island where her family resides to recover. But she finds little solace and no support from her father her husband or her brother. A landmark film in that it is not so much an examination into mental illness as a perspective of on a private world from a mind that has departed day to day concerns. 27.5 x 39.5 inches linen-backed. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1973ref. 146818N.p.: N.p. 1973. Agency Draft script for the 1975 film. With 31 pages of director Ingmar Bergman's commentary bound in after the script. Text in Swedish. Based on the 1791 German opera about a young prince tasked with rescuing a princess from a mysterious high priest. Widely considered one of the most successful operatic adaptations to film ever released. Shot on location in Stockholm Sweden. Pale yellow untitled wrappers. Title page present dated November 1973 with credits for director Ingmar Bergman and screenwriter Alf Henrikson. 93 leaves with last page of text numbered 61. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a black comb binding. Criterion Collection 71. N.p. unknown
1962ref. 171100Stockholm: Svensk Filmindustri SF 1962. Draft script for the 1963 Swedish film. Copy belonging to actor Bertha Sånnell with her name in manuscript ink on a label affixed to the front wrapper her annotations in manuscript ink and pencil on two script pages and on a sheet of lined paper bound in at the rear of the script. The second entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy a series of films that launched an important phase in the director's career. A quiet relentless meditation on the nature of faith imperfection and beauty. Red untitled wrappers. Title page present undated with credit for Bergman. 135 leaves with last page of text numbered 133. Mimeograph duplication rectos only. Pages Very Good plus wrapper Good perfect-bound with the spine of the wrapper and the first two leaves detached from the text block. Criterion Collection 210. Ebert III. Svensk Filmindustri [SF] unknown
1963ref. 156277Stockholm: Svensk Filmindustri 1963. Collection of 15 vintage double weight oversize reference photographs from the 1963 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. The second entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. A quiet relentless meditation on the nature of faith imperfection and beauty. 9.25 x 11.75 inches. Generally Very Good plus some with pinholes and small closed tears. Criterion Collection 210. Ebert III. Svensk Filmindustri unknown
1963ref. 130176Stockholm: Svensk Filmindustri 1963. Original Swedish illustrated poster for the 1963 film. The second entry in Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. "Winter Light" takes place in entirely within a three-hour period on a Sunday afternoon in November mixing the affections and repulsions of a pastor a parishioner who is a schoolteacher and a fisherman. A quiet relentless meditation on the nature of faith imperfection and beauty. 27.5 x 39.5 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1963ref. 130145Stockholm: Svensk Filmindustri 1963. Original Swedish photographic style poster for the 1963 film. The second entry in Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. "Winter Light" takes place in entirely within a three-hour period on a Sunday afternoon in November mixing the affections and repulsions of a pastor a parishioner who is a schoolteacher and a fisherman. A quiet relentless meditation on the nature of faith imperfection and beauty. 27.5 x 39.25 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1985ref. 153801N.p.: N.p. 1985. Treatment script for an unproduced film. Based on screenwriter Imre Lazar's 1980 book "Der Fall Horst Wessel" "The Horst Wessel Case" about a Nazi stormtrooper who was killed by two Communists in 1930 and whose death was subsequently used by Joseph Goebbels as a propaganda symbol for the Nazi party. Set in Germany. Clear mylar front wrapper black rear wrapper. Title page present dated 1985 with credits for screenwriter and author Imre Lazar. 109 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1985ref. 153801N.p.: N.p. 1985. Treatment script for an unproduced film. Based on screenwriter Imre Lazar's 1980 book "Der Fall Horst Wessel" "The Horst Wessel Case" about a Nazi stormtrooper who was killed by two Communists in 1930 and whose death was subsequently used by Joseph Goebbels as a propaganda symbol for the Nazi party. Set in Germany. Clear mylar front wrapper black rear wrapper. Title page present dated 1985 with credits for screenwriter and author Imre Lazar. 109 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1985ref. 146542Starnberg: Macropus Film 1985. Draft script for the 1989 film. Text in English. Violent conflict between Muslims and Buddhists in Sri Lanka forces a young boy to hide in a traveling circus run by his mother a mysteriously youthful concentration camp survivor. Set in Sri Lanka. Beige untitled wrappers. Title page present dated 1985 with credits for screenwriters Imre Gyongyossy Katalin Petenyi Rodrigez Orell and director Barna Kabay. 137 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with perfect binding. Macropus Film unknown books
1985ref. 146800Starnberg: Macropus Film 1985. Draft script for the 1989 film. Text in English. Violent conflict between Muslims and Buddhists in Sri Lanka forces a young boy to hide in a traveling circus which is run by his mother a mysteriously youthful concentration camp survivor. Set in Sri Lanka. White lacking titled wrappers. Title page present with credits for directors IMRE GYONGYOSSY and BARNA KABAY and screenwriter KATALIN PETENYI. 119 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Very Good lightly soiled bound with three gold brads. Macropus Film unknown books
1985ref. 146800Starnberg: Macropus Film 1985. Draft script for the 1989 film. Text in English. Violent conflict between Muslims and Buddhists in Sri Lanka forces a young boy to hide in a traveling circus which is run by his mother a mysteriously youthful concentration camp survivor. Set in Sri Lanka. White lacking titled wrappers. Title page present with credits for directors IMRE GYONGYOSSY and BARNA KABAY and screenwriter KATALIN PETENYI. 119 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Very Good lightly soiled bound with three gold brads. Macropus Film unknown
1985ref. 146542Starnberg: Macropus Film 1985. Draft script for the 1989 film. Text in English. Violent conflict between Muslims and Buddhists in Sri Lanka forces a young boy to hide in a traveling circus run by his mother a mysteriously youthful concentration camp survivor. Set in Sri Lanka. Beige untitled wrappers. Title page present dated 1985 with credits for screenwriters Imre Gyongyossy Katalin Petenyi Rodrigez Orell and director Barna Kabay. 137 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with perfect binding. Macropus Film unknown
1966ref. 1202231966 N° 199 - Novembre 1966 - Revue culturelle de cinéma éditée par l'UFOLEIS - In-12, format carré, broché couverture illustrée - 127 pages - Nombreuses reproductions photographiques en N&B in texte
1964ref. 162538N.p.: Cambist Films 1964. Vintage studio still photograph from the US release of the 1961 Spanish sexploitation film. Photograph with provenance stamps and a label obscuring a previous provenance stamp on the verso. A young woman Susana is stabbed to death in a bar frequented by criminals and delinquents. Susana's boyfriend the son of the police commissioner immediately becomes the prime suspect. Shot on location in Barcelona. 8 x 10 inches. Very Good plus with several pinholes and light edgewear. Cambist Films unknown books
1964ref. 162538N.p.: Cambist Films 1964. Vintage studio still photograph from the US release of the 1961 Spanish sexploitation film. Photograph with provenance stamps and a label obscuring a previous provenance stamp on the verso. A young woman Susana is stabbed to death in a bar frequented by criminals and delinquents. Susana's boyfriend the son of the police commissioner immediately becomes the prime suspect. Shot on location in Barcelona. 8 x 10 inches. Very Good plus with several pinholes and light edgewear. Cambist Films unknown
1997ref. 139690Stockholm: Sveriges Television SVT 1997. Three vintage color still photographs showing Ingmar Bergman on the set of his 1997 Swedish television movie which also screened at the 1998 Cannes Film Festival as part of the Un Certain Regard section. Two patients at a mental hospital attempt to make and market a film. 8.75 x 5.75 inches. Fine. Sveriges Television [SVT] unknown books