11,046 results
1974ref. 140871N.p.: N.p. 1974. Treatment script for an unproduced film. Follows the travels of a Vietnam veteran and expatriate living abroad in France. Set in Paris. Red titled wrappers with credits for screenwriter E. Lourie. Title page present dated 1974 with credits for screenwriter Lourie. 21 leaves unnumbered. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a silver prong binding. N.p. unknown books
1974ref. 140871N.p.: N.p. 1974. Treatment script for an unproduced film. Follows the travels of a Vietnam veteran and expatriate living abroad in France. Set in Paris. Red titled wrappers with credits for screenwriter E. Lourie. Title page present dated 1974 with credits for screenwriter Lourie. 21 leaves unnumbered. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a silver prong binding. N.p. unknown
1980ref. 168211Los Angeles: Paramount Pictures 1980. Vintage borderless studio still photograph from the 1980 film showing Dyan Cannon and Michael Lerner. A woman escapes from a mental institution in New York and hitches a ride with a trucker to California where she plans to avenge her wrongful institutionalization by her unethical husband. Shot on location in Stockton California. 10 x 8 inches. Near Fine. Paramount Pictures unknown books
1946ref. 126189Universal City CA: Universal Pictures 1946. Post-production Continuity and dialogue script for the 1946 film. Phyllis Allenby Lockhart has an ancient curse on her family cast by a pack of wolves. After a series of local murders she is convinced she and her werewolf curse are to blame for she finds her belongings muddied torn and streaked with blood almost every morning. A greedy aunt eventually confesses to framing Phyllis in attempt to retain the Allenby's family fortune and suddenly dies by falling down a flight of stairs and onto a knife. With all the right elements of atmosphere eerie stringed instrumentation as the score and impeccable effects the film was not well received. Stands unique in the werewolf pantheon with a woman as the accursed and no werewolf actually seen. White titled wrappers dated MARCH 25 1946 production No. 1484 with credits for director Yarbrough actors Don Porter and Lloyd Corrigan and actresses June Lockhart Sara Haden and Jan Wiley. 83 leaves mimeograph duplication. Pages Very Good plus or better with a few tiny chips short creases and small closed tears at the extremities and some offsetting to the wrappers bound with two gold brads. Wrappers now encapsulated in mylar. Weaver Universal Horrors. Universal Pictures unknown books
1946ref. 126189Universal City CA: Universal Pictures 1946. Post-production Continuity and dialogue script for the 1946 film. Phyllis Allenby Lockhart has an ancient curse on her family cast by a pack of wolves. After a series of local murders she is convinced she and her werewolf curse are to blame for she finds her belongings muddied torn and streaked with blood almost every morning. A greedy aunt eventually confesses to framing Phyllis in attempt to retain the Allenby's family fortune and suddenly dies by falling down a flight of stairs and onto a knife. With all the right elements of atmosphere eerie stringed instrumentation as the score and impeccable effects the film was not well received. Stands unique in the werewolf pantheon with a woman as the accursed and no werewolf actually seen. White titled wrappers dated MARCH 25 1946 production No. 1484 with credits for director Yarbrough actors Don Porter and Lloyd Corrigan and actresses June Lockhart Sara Haden and Jan Wiley. 83 leaves mimeograph duplication. Pages Very Good plus or better with a few tiny chips short creases and small closed tears at the extremities and some offsetting to the wrappers bound with two gold brads. Wrappers now encapsulated in mylar. Weaver Universal Horrors. Universal Pictures unknown
1969ref. 162573N.p.: Boxoffice International 1969. Vintage studio still photograph from the 1969 film. With a provenance stamp on the verso. A sailor on leave commences a bed-hopping binge to end them all. 8 x 10 inches. Near Fine. Boxoffice International unknown books
1969ref. 162573N.p.: Boxoffice International 1969. Vintage studio still photograph from the 1969 film. With a provenance stamp on the verso. A sailor on leave commences a bed-hopping binge to end them all. 8 x 10 inches. Near Fine. Boxoffice International unknown
1921ref. 154519Beverly Hills CA: United Artists 1921. Vintage reference photograph from the 1921 silent film showing a rowdy street scene. Manuscript pencil layout annotations on the verso along with a number stamp reading B 629. From the archive of film historian and author Joel Finler. Based on the 1874 play "Les Deux Orphelines" by Adolphe d'Ennery and Eugene Cormon about two sisters who are caught up in the events of the French Revolution. The last film directed by D.W. Griffith to feature sisters Lillian and Dorothy Gish. Set in France. 10 x 8 inches. Very Good plus overall. United Artists unknown books
1924ref. 171349Beverly Hills CA: D.W. Griffith Productions / United Artists 1924. Two vintage studio still photographs from the 1924 silent film one showing Carol Dempster and Neil Hamilton the other showing Hamilton alone. Both with "Made in USA" stamps on the versos. Based on a short story by Geoffrey Moss originally published in his 1923 book "Defeat." After World War I Polish immigrants relocate to Germany only to find themselves struggling to survive as the country faces political and financial turmoil. Shot on location in Germany and Austria. 8 x 10 inches. Very Good or better. D.W. Griffith Productions / United Artists unknown books
1923ref. 171351Beverly Hills CA: D.W. Griffith Productions / United Artists 1923. Vintage studio still photograph from the 1923 film showing Mae Marsh and Ivor Novello. "Made in USA" stamp on the verso. A wealthy aristocrat graduates from a seminary and decides to set out to see the world before taking charge of his parish. Traveling to New Orleans he finds himself falling in love with an impoverished orphaned woman. Shot on location in Florida and Louisiana including in New Iberia and St. Martinville. 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. D.W. Griffith Productions / United Artists unknown books
1921ref. 171482N.p.: N.p. 1921. Vintage studio still photograph from the 1921 film. Partial provenance label on the verso. Based on two short stories by Thomas Burke about a brave young dancer who is wooed by several men. Set in the Limehouse district of London. 10 x 8 inches. Very Good two corners with small chips small bruise and accompanying closed tear to the top margin. N.p. unknown books
1921ref. 171482N.p.: N.p. 1921. Vintage studio still photograph from the 1921 film. Partial provenance label on the verso. Based on two short stories by Thomas Burke about a brave young dancer who is wooed by several men. Set in the Limehouse district of London. 10 x 8 inches. Very Good two corners with small chips small bruise and accompanying closed tear to the top margin. N.p. unknown
1924ref. 171349Beverly Hills CA: D.W. Griffith Productions / United Artists 1924. Two vintage studio still photographs from the 1924 silent film one showing Carol Dempster and Neil Hamilton the other showing Hamilton alone. Both with "Made in USA" stamps on the versos. Based on a short story by Geoffrey Moss originally published in his 1923 book "Defeat." After World War I Polish immigrants relocate to Germany only to find themselves struggling to survive as the country faces political and financial turmoil. Shot on location in Germany and Austria. 8 x 10 inches. Very Good or better. D.W. Griffith Productions / United Artists unknown
1921ref. 154519Beverly Hills CA: United Artists 1921. Vintage reference photograph from the 1921 silent film showing a rowdy street scene. Manuscript pencil layout annotations on the verso along with a number stamp reading B 629. From the archive of film historian and author Joel Finler. Based on the 1874 play "Les Deux Orphelines" by Adolphe d'Ennery and Eugene Cormon about two sisters who are caught up in the events of the French Revolution. The last film directed by D.W. Griffith to feature sisters Lillian and Dorothy Gish. Set in France. 10 x 8 inches. Very Good plus overall. United Artists unknown
1923ref. 171351Beverly Hills CA: D.W. Griffith Productions / United Artists 1923. Vintage studio still photograph from the 1923 film showing Mae Marsh and Ivor Novello. "Made in USA" stamp on the verso. A wealthy aristocrat graduates from a seminary and decides to set out to see the world before taking charge of his parish. Traveling to New Orleans he finds himself falling in love with an impoverished orphaned woman. Shot on location in Florida and Louisiana including in New Iberia and St. Martinville. 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. D.W. Griffith Productions / United Artists unknown
1974ref. 161305N.p.: N.p. 1974. Vintage borderless double weight reference photograph from the 1974 film showing Dustin Hoffman in a mug shot as Lenny Bruce. Printed mimeo snipe affixed to the verso. Bob Fosse's third directorial effort and first non-musical. A tour de force shot in black-and-white in a documentary style interspersed with interviews jumping back and forth from Bruce's early rise to fame to his twilight days and eventual death. Nominated for six Academy Awards including Best Picture Best Director and Best Screenplay. Nominated for the Palme d'Or. 8 x 10 inches. Near Fine. N.p. unknown books
1969ref. 167757N.p.: N.p. 1969. Vintage oversize borderless satin-finish reference photograph from the 1969 film showing Dustin Hoffman and Mia Farrow reading together in robes. Cahiers du Cinéma stamp on the verso. Based on Mervyn Jones' 1966 novel following a man and a woman who meet in a singles bar sleep together and spend the subsequent day learning about one another. One of the earliest New Hollywood dramas an examination of the uncertainties of young adulthood during an age of turbulence set within the hookup culture of late 1960s New York City. Shot on location in New York City. 13.5 x 10.5 inches. Near Fine. N.p. unknown books
1969ref. 154541N.p.: Debrod Productions Inc 1969. Third Draft script for the 1969 film dated January 13 1969 noted as copy No. 24 in manuscript ink at the top right of the title page. Three sets of revision pages blue green and pink laid in. Based on Mervyn Jones' 1966 novel following a man and a woman who meet in a singles bar sleep together and spend the subsequent day learning about one another. One of the earliest New Hollywood dramas an examination of the uncertainties of young adulthood during an age of turbulence set within the hookup culture of late 1960s New York City. Shot on location in New York City. Red titled Studio Duplicating Service wrappers. Title page present dated Jan. 13 1969 noted as Final Version / Third Draft with credits for screenwriter John Mortimer and author Mervin Jones. 118 leaves with last page of text numbered 118. Mimeograph duplication rectos only with blue green and pink revision pages laid in dated variously between 1/27/69 and 3/4/69. Pages Near Fine wrapper Very Good plus bound with three gold screw brads. Debrod Productions, Inc unknown books
1971ref. 151299N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film showing actor Dustin Hoffman in character standing next to a blow-up print of a TIME Magazine issue with his face on the cover. From the archive of film historian and author Joel Finler. A wealthy pop songwriter writes most of his songs about love but has no luck with romance in his personal life. Set and shot on location in New York. 10 x 8 inches. Very Good plus overall. N.p. unknown books
1969ref. 167757N.p.: N.p. 1969. Vintage oversize borderless satin-finish reference photograph from the 1969 film showing Dustin Hoffman and Mia Farrow reading together in robes. Cahiers du Cinéma stamp on the verso. Based on Mervyn Jones' 1966 novel following a man and a woman who meet in a singles bar sleep together and spend the subsequent day learning about one another. One of the earliest New Hollywood dramas an examination of the uncertainties of young adulthood during an age of turbulence set within the hookup culture of late 1960s New York City. Shot on location in New York City. 13.5 x 10.5 inches. Near Fine. N.p. unknown
1969ref. 154541N.p.: Debrod Productions Inc 1969. Third Draft script for the 1969 film dated January 13 1969 noted as copy No. 24 in manuscript ink at the top right of the title page. Three sets of revision pages blue green and pink laid in. Based on Mervyn Jones' 1966 novel following a man and a woman who meet in a singles bar sleep together and spend the subsequent day learning about one another. One of the earliest New Hollywood dramas an examination of the uncertainties of young adulthood during an age of turbulence set within the hookup culture of late 1960s New York City. Shot on location in New York City. Red titled Studio Duplicating Service wrappers. Title page present dated Jan. 13 1969 noted as Final Version / Third Draft with credits for screenwriter John Mortimer and author Mervin Jones. 118 leaves with last page of text numbered 118. Mimeograph duplication rectos only with blue green and pink revision pages laid in dated variously between 1/27/69 and 3/4/69. Pages Near Fine wrapper Very Good plus bound with three gold screw brads. Debrod Productions, Inc unknown
1974ref. 161305N.p.: N.p. 1974. Vintage borderless double weight reference photograph from the 1974 film showing Dustin Hoffman in a mug shot as Lenny Bruce. Printed mimeo snipe affixed to the verso. Bob Fosse's third directorial effort and first non-musical. A tour de force shot in black-and-white in a documentary style interspersed with interviews jumping back and forth from Bruce's early rise to fame to his twilight days and eventual death. Nominated for six Academy Awards including Best Picture Best Director and Best Screenplay. Nominated for the Palme d'Or. 8 x 10 inches. Near Fine. N.p. unknown
1971ref. 151299N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film showing actor Dustin Hoffman in character standing next to a blow-up print of a TIME Magazine issue with his face on the cover. From the archive of film historian and author Joel Finler. A wealthy pop songwriter writes most of his songs about love but has no luck with romance in his personal life. Set and shot on location in New York. 10 x 8 inches. Very Good plus overall. N.p. unknown
1967ref. 157289N.p.: N.p. 1967. Three vintage reference photographs from the 1967 Serbian film. One photograph with a printed mimeo snipe in French affixed to the verso. A young switchboard operator begins a relationship with a serious beau but finds herself unwillingly subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. Two photographs 7 x 5 inches one photograph 10 x 8 inches. Near Fine. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
1967ref. 142997Belgrade: Avala Film 1967. Original program for the international release of the 1967 Yugoslav black wave film. Photo-illustrated with stills from the film and reproductions of line illustrations. Wrappers text in French with French German Russian Spanish and English text inside. Taking on the trappings of American crime and film noir about a woman who is murdered by her lover after her infidelity is discovered the plot unfolds in non-chronological order with imaginative digressions and interruptions where both a sexologist and criminologist directly address the camera creating a critique of communist society and censorship. 10 x 8.25 inches. Very Good plus in stiff wrappers. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. Avala Film unknown books
